new icn messageflickr-free-ic3d pan white
View allAll Photos Tagged simpleimagetools

0129_3308

 

Shot on Ilford Photo HP5+ with a Toyo 4x5 camera and 120 roll film back. The lens used was Fujinon W 150mm.

 

It was developed in Kodak replensihed XTOL at 24C for 7:00 with constant rotary agitation and fixed with Kodak Fixer.

 

Strobist:

 

Main light, camera left, Paul Buff White Lightning X1600 in LumoPro 36 inch Octobox feathered across the background.

 

Fill light, behind camera Paul Buff White Lightning X1600 shot against 8x12 foot white wall.

More #simple_image_tools testing. Indoors Fluorescent lighting. Processed in #aces_2065 #linear_light #colorspace

0095_2112

 

100TMX Sample Images

 

Shot on Kodak T-MAX 100 and developed in Replenished XTOL with Rotary agitation at 24C for 6:00. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with 0.56 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0086_2017

 

Stove Knobs

 

Shot on Kodak TMY2 and developed in Replenished XTOL with Rotary agitation at 24C for 6:00. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with 0.56 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0090_1986

 

These shots are a combination of mixed Florescent and LED lighting around the house and simply color corrected via the white balance controls in Lightroom's Develop Module.

0041_1181

 

Shot on a Canon EOS 1n SLR camera and Ilford HP5+ BW film.

 

Developed in Kodak D-76 1:1 at 68 degrees for 13 minutes with 1 inversion every 15 seconds. Fixed in Kodak Fixer.

 

Scanned in with a Canon 80D and 100mm Macro Cine lens and custom film holder jig with a studio strobe. Converted to a positive image via Simple Image Tools and a film profile make specificially for this emulsion

0094_2087

 

400TX Sample Images

 

Shot on Kodak 400TX and developed in Replenished XTOL with Rotary agitation at 24C for 6:00. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with 0.56 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0041_1179

 

Shot on a Canon EOS 1n SLR camera and Ilford HP5+ BW film.

 

Developed in Kodak D-76 1:1 at 68 degrees for 13 minutes with 1 inversion every 15 seconds. Fixed in Kodak Fixer.

 

Scanned in with a Canon 80D and 100mm Macro Cine lens and custom film holder jig with a studio strobe. Converted to a positive image via Simple Image Tools and a film profile make specificially for this emulsion

0041_1175

 

Shot on a Canon EOS 1n SLR camera and Ilford HP5+ BW film.

 

Developed in Kodak D-76 1:1 at 68 degrees for 13 minutes with 1 inversion every 15 seconds. Fixed in Kodak Fixer.

 

Scanned in with a Canon 80D and 100mm Macro Cine lens and custom film holder jig with a studio strobe. Converted to a positive image via Simple Image Tools and a film profile make specificially for this emulsion

0056_1349

 

Shot on Fomapan 200 BW Film in 135 (35mm) format at EI 160

 

Processed in Kodak D-76 1:1 at 68 degrees for 10:00 with 1 inversion every 15 seconds. Fixed with Kodak Fixer.

 

Digitized with a Canon 80D in a custom film jig with a 100mm Cine Macro lens and studio strobe.

 

Turned into a positive image via Simple Image Tools and a film profile developed specificially for this emulsion.

0099_2560

 

Ilford HP5+ Sample Images

 

Shot on Ilford HP5+ 400 and developed in Replenished XTOL with Rotary agitation at 24C for 7:30. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with ISO Standard 0.62 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0083_2921

 

Shot on Bergger Pancro400 135 format. Developed in Kodak replenished XTOL, at 24C, constant rotary agitation. Still working out development time.

 

Scanned in and linearized with 0.62 contrast with Simple Image Tools

This was generated with a revision of the code that added additional controls to the camera profile used. The colorspace used was switched to Identity Color Space (it's bigger than ACES 2065-1)

0094_2091

 

400TX Sample Images

 

Shot on Kodak 400TX and developed in Replenished XTOL with Rotary agitation at 24C for 6:00. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with 0.56 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0099_2574

 

Ilford HP5+ Sample Images

 

Shot on Ilford HP5+ 400 and developed in Replenished XTOL with Rotary agitation at 24C for 7:30. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with ISO Standard 0.62 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0099_2550

 

Ilford HP5+ Sample Images

 

Shot on Ilford HP5+ 400 and developed in Replenished XTOL with Rotary agitation at 24C for 7:30. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with ISO Standard 0.62 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0043_1131

 

Fomapan 100 Film. Developed in Kodak D76 1:1 at 68 degrees for 10:00 with 1 inversion every 15 seconds. Fixed in Kodak Fixer.

0094_2078

 

400TX Sample Images

 

Shot on Kodak 400TX and developed in Replenished XTOL with Rotary agitation at 24C for 6:00. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with 0.56 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0076_1713

 

Shot on Kodak Tri-X (400TX) 135 film with a Canon EOS-1n and Sigma 35mm ART Prime lens.

 

Developed in replenished Kodak XTOL with rotary agitation at 20C for 7:30, fixed with Kodak Fixer.

 

Digitized with a Canon 80D using a 100mm Cine Macro lens and studio strobe with a custom film jig.

 

Linearized with Simple Image Tools and a film profile with a Contrast Index of 0.56.

0076_1719

 

Shot on Kodak Tri-X (400TX) 135 film with a Canon EOS-1n and Sigma 35mm ART Prime lens.

 

Developed in replenished Kodak XTOL with rotary agitation at 20C for 7:30, fixed with Kodak Fixer.

 

Digitized with a Canon 80D using a 100mm Cine Macro lens and studio strobe with a custom film jig.

 

Linearized with Simple Image Tools and a film profile with a Contrast Index of 0.56.

0096_2180

 

Ilford FP4+ Sample Images

 

Shot on Ilford FP4+ 125 and developed in Replenished XTOL with Rotary agitation at 24C for 7:00. Fixed with Kodak Fixer.

 

Standard Simple Image Tools scan and linearization with 0.58 Contrast Index.

 

Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.

0038_0927

 

Shot on Kodak TMAX 400 (TMY2) Film in 120 roll film format on a Fujica GW690 medium format camera.

 

Developed in Kodak D-76 1:1 for 10:00 at 68 degrees, 1 inversion every 15 seconds. Fixed with Kodak Fixer.

 

Digitized with a Canon 80D with a 100mm Cine Macro lens and a custom film holder jig with a studio strobe. Shot RAW.

 

Turned into a floating point linear light Adobe DNG positive image using Simple Image Tools and a LUT designed specifically for this emulsion.

Simple Image Tools Edge Detection Testing

 

These photos are to test how well Simple Image Tools detects and renders edges. There should be crisp edges with a smooth artifact free transition to the out of focus areas of the image.

 

All of these photos where shot outside in the late afternoon. The white balance in LR was set to Daylight, and other than basic exposure corrections, these are as they came out of the raw processor.

 

Simple Image Tools took the raw CR2 file and demosiaced and converted it to a scene referred 32 bit floating point linear light TIFF file.

 

The colorspace used was the Identity Color Space (from ninedegreesbelow.com), which is the biggest color space I've ever seen.

 

Upon import into LR, LR converted it to it's internal color space.

Simple Image Tools Color Rendition Testing

 

These photos are to test how well Simple Image Tools renders color. All of these photos where shot outside in the late afternoon. The white balance in LR was set to Daylight, and other than basic exposure corrections, these are as they came out of the raw processor.

 

Simple Image Tools took the raw CR2 file and demosiaced and converted it to a scene referred 32 bit floating point linear light TIFF file.

 

The colorspace used was the Identity Color Space (from ninedegreesbelow.com), which is the biggest color space I've ever seen.

 

Upon import into LR, LR converted it to it's internal color space.

20171015_2713

 

Strobist:

 

Key Light: Paul Buff White Lightning X-1600 in LumoPro Octa-90 Lightbox. Rosco Calcolor 15 units yellow, 15 units red.

 

Fill Light: none

 

Hair Light: LumoPro LP180, MagMod MagGrid, MagMod 1/4 CTS gel

 

Background Light: LumoPro LP180, MagMod 2x MagGrid, MagMod Full CTO gel

Simple Image Tools Color Rendition Testing

 

These photos are to test how well Simple Image Tools renders color. All of these photos where shot outside in the late afternoon. The white balance in LR was set to Daylight, and other than basic exposure corrections, these are as they came out of the raw processor.

 

Simple Image Tools took the raw CR2 file and demosiaced and converted it to a scene referred 32 bit floating point linear light TIFF file.

 

The colorspace used was the Identity Color Space (from ninedegreesbelow.com), which is the biggest color space I've ever seen.

 

Upon import into LR, LR converted it to it's internal color space.

1 3