View allAll Photos Tagged simpleimagetools
Home Office Clutter, shot on Ilford HP5+, developed in Kodak D-76 1:1, 68 degrees, 11 minutes, 1 inversion every 15 seconds
0038_0928
Shot on Kodak TMAX 400 (TMY2) Film in 120 roll film format on a Fujica GW690 medium format camera.
Developed in Kodak D-76 1:1 for 10:00 at 68 degrees, 1 inversion every 15 seconds. Fixed with Kodak Fixer.
Digitized with a Canon 80D with a 100mm Cine Macro lens and a custom film holder jig with a studio strobe. Shot RAW.
Turned into a floating point linear light Adobe DNG positive image using Simple Image Tools and a LUT designed specifically for this emulsion.
This was shot on 35mm Kodak TMAX 400 (400TMY2) film. It was scanned in and post processed with Simple Image Tools in 32 bit floating point linear light space.
It was developed in Kodak D-76 1:1 at 68 degrees for 10:00 and fixed with Kodak Fixer.
Kodak 400TMY-2, 135 Format, Kodak D-76 1:1, 68 degrees, 10:00, 1 inversion every 15 seconds.
Standard Negative Scan (4200 dpi), cropped to 4x5, spotted for dust, basic exposure adjustment.
Child Of The Watch
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Strobist:
General Fill: Three Interfit LED lights with 60 units of Rosco Calcolor Green aimed at 12x16 foot white wall behind camera.
Bottom Fill: Interfit Badger Strobe with 90 units of calcolor green in 16x18 softbox under subject.
Camera Right: Interfit Badger Strobe with 90 units of Rosco Calcolor Red and 30 units of Rosco Calcolor Yellow in a 12x48 stripbox.
Camera Left: Interfit Badger Strobe with 90 units of Rosco Calcolor Blue and 60 units of Rosco Calcolor Cyan in a 12x48 stripbox
20170909_0699
Strobist:
Main Light, Camera Left: Paul Buff X-1600 White Lightning in LumoPro 4x6 foot softbox, Rosco 1/4 CTO gel
Camera Right: Paul Buff X-1600 White Lightning in LumoPro 2x3 foot softbox, Rosco Cerulean Cyan gel
Overhead Light: Bare LumoPro LP180, MagMod MagGrid
Everything triggered with PocketWizard PlusX wireless triggers
This was shot on 35mm Kodak TMAX 400 (400TMY2) film. It was scanned in and post processed with Simple Image Tools in 32 bit floating point linear light space.
It was developed in Kodak D-76 1:1 at 68 degrees for 10:00 and fixed with Kodak Fixer.
0129_3308
Shot on Ilford Photo HP5+ with a Toyo 4x5 camera and 120 roll film back. The lens used was Fujinon W 150mm.
It was developed in Kodak replensihed XTOL at 24C for 7:00 with constant rotary agitation and fixed with Kodak Fixer.
Strobist:
Main light, camera left, Paul Buff White Lightning X1600 in LumoPro 36 inch Octobox feathered across the background.
Fill light, behind camera Paul Buff White Lightning X1600 shot against 8x12 foot white wall.
This was shot on 35mm Kodak TMAX 100 (100TMX) film. It was scanned in and post processed with Simple Image Tools in 32 bit floating point linear light space.
It was developed in Kodak D-76 1:1 at 68 degrees for 9:30 and fixed with Kodak Fixer.
20170911_0983
Strobist:
Main Light, Camera Left: Paul Buff White Lightning X-1600 in LumoPro 4x6 foot softbox, Rosco R08 Pale Gold gel
Fill Light, Camera Right: Paul Buff White Lightning X-1600 in LumoPro 2x3 foot softbox, Rosco R3202 Full CTB gel.
Overhead Light: LumoPro LP180, MagMod full CTB gel with MagSphere.
Willis Tower Light, Camera Left, behind subject shooting through clear bricks: LumoPro LP180, MagMod Full CTO, MagSnoot.
John Hancock Center Light, Camera Right: LumoPro LP180, MagMod Creative Green gel, MagSnoot
All lights triggered with PocketWizard PlusX radio triggers
Shot on Kodak Tri-X 400TX 35mm film. Scanned in and processed with simple image tools in 32 bit floating point scene referred linear light space. Developed with Kodak D-76 1:1 for 9:20 at 68 degrees. Fixed with Kodak Fixer.
Business card/profile photo headshot of local business woman.
Strobist:
Key Light: Interfit Photographic Honey Badger with collapsible Interfit 2x2 soft box above pointing down and in front of subject, just low enough to register in the eyes. Rosco 1/8 CTO and 1/8 CTS gel with camera at 4603 Kelvin White balance. Metered to f/5.6.
Background Light: Interfit Photographic Honey Badger with no modifier, just bare bulb behind subject facing Savage white seamless paper. Metered to f/8, no gels.
Primary Fill: Two interfit Honeybadger strobes pointed at 12x14 foot white wall behind camera. No gels, metered to f/2.8.
Secondary Fill: Interfit Honey Badger in 1x4 foot strip box directly under camera lens. Metered to f/4, no gels.
Basic spotting out dust/lint on shirt and basic skin retouching to take some years off her face, nothing particularly dramatic.
Strobist Info
Key Light: Interfit Photographic Badger Unleashed Strobe in 18 inch octabox placed camera left, 45 degrees over and up just outside of frame. 1/8 CTO and 1/8 CTS Rosco gels, metered to f/4.
Fill Light: Interfit Photographic Badger Unleashed Strobe in 1x3 foot strip box placed on axis under camera lens. No gels, metered to f/2.8
Secondary Fill Light: Two Interfit Photographic Studio Essentials 100W LED continuous lights pointed at 12x14 foot white wall behind camera, no gels, power set to produce f/1.0 light with camera set to f/4 and 1/125th shutter.
Hair Light: Interfit Photographic Studio Essentials 100W LED continuous light with standard 7 inch reflector and 40 degree grid with full diffusion between the grid and LED. Metered to f/4 at 1/60, so produces f/2.8 at 1/125 that this image was shot at, no gel.
Background: Savage Thunder Grey roll paper.
This is the way
Strobist:
Fill light: Two Interfit Photographic Honey Badgers pointed at a 12x16 foot white wall behind camera. Both gelled with Rosco #80 Primary Blue gels. Metered for f/5.6
Second Light: Interfit Photographic Honey Badger to camera left and behind subject with standard 7 inch reflector and 10 degree grid. Gelled with Rosco #26 Light Red gel. Metered to f/5.6
Third Light: Interfit Photographic Honey Badger to camera right and under subject with standard 7 inch reflector. Gelled with Rosco #90 Dark Yellow Green gel. Metered to f/5.6
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
Back to School Portrait
Strobist Info
Key Light: Interfit Photographic Honey Badger Strobe in 18 inch octabox placed camera left, 45 degrees over and up just outside of frame. 1/8 CTO and 1/8 CTS Rosco gels, metered to f/8.
Fill Light: Interfit Photographic Honey Badger Strobe in 1x3 foot strip box placed on axis under camera lens. No gels, metered to f/5.6
Secondary Fill Light: Two Interfit Photographic Honey Badger Strobes pointed at 12x14 foot white wall behind camera, bare bulb, no gels, metered to f/2.8
Hair Light: Interfit Photographic Honey Badger Strobe with standard 7 inch reflector and 40 degree grid with full diffusion between the grid and LED. Metered to f/5.6, no gel.
Background: Savage Thunder Grey roll paper.
20170910_0706
Strobist:
Main Light, Camera Left: Paul Buff X-1600 White Lightning in LumoPro 4x6 foot softbox, Rosco 1/4 CTO gel
Camera Right: Paul Buff X-1600 White Lightning in LumoPro 2x3 foot softbox, Rosco Cerulean Cyan gel
Overhead Light: Bare LumoPro LP180, MagMod MagGrid, 1/4 CTB gel
Everything triggered with PocketWizard PlusX wireless triggers
Kate Portrait
____
Strobist:
Fill Light: two iPaul Buff White Lightning X1600 strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
0022_0581
Shot on Kodak TMAX400 film in 135 format on a Canon EOS 1n SLR and Sigma 35mm ART prime lens.
Developed in Kodak D-76 1:1 at 68 degrees for 10:00, 1 inversion every 15 seconds. Fixed in Kodak fixer.
Back to School Portrait
Strobist Info
Key Light: Interfit Photographic Badger Unleashed Strobe in 18 inch octabox placed camera left, 45 degrees over and up just outside of frame. 1/8 CTO and 1/8 CTS Rosco gels, metered to f/4.
Fill Light: Interfit Photographic Badger Unleashed Strobe in 1x3 foot strip box placed on axis under camera lens. No gels, metered to f/2.8
Secondary Fill Light: Two Interfit Photographic Studio Essentials 100W LED continuous lights pointed at 12x14 foot white wall behind camera, no gels, power set to produce f/1.0 light with camera set to f/4 and 1/125th shutter.
Hair Light: Interfit Photographic Studio Essentials 100W LED continuous light with standard 7 inch reflector and 40 degree grid with full diffusion between the grid and LED. Metered to f/4 at 1/60, so produces f/2.8 at 1/125 that this image was shot at, no gel.
Background: Savage Thunder Grey roll paper.
This was shot on 35mm Kodak TMAX 100 (100TMX) film. It was scanned in and post processed with Simple Image Tools in 32 bit floating point linear light space.
It was developed in Kodak D-76 1:1 at 68 degrees for 9:30 and fixed with Kodak Fixer.
Male Headshot
Strobist:
Camera: Canon EOS R6 with white balance set to 4603K (the camera native white balance for this camera)
Key Light: Interfit Photographic Honey Badger strobe with an Interfit collapsable 2x2 soft box. Rosco 1/8 CTO stacked with Rosco 1/8 CTS gel with Rosco full diffusion inner baffle. Metered to f/4. Softbox positioned directly above and in front of subject pointing down. Positioned to just register in the eyes.
Hair Light: Interfit Photographic Honey Badger strobe above and behind subject with standard 7 inch reflector and Rosco full diffusion behind 40 degree grid. No color gel. Metered to f/4.
Fill light: Two Interfit Photographic Honey Badger strobes aimed at 12x14 foot white wall behind camera. No color gels. Back wall behind subject metered to f/1.0, approximately f/1.4 at subject.
Secondary Fill: Interfit Photographic Honey Badger strobe with Interfit Photographic 1x4 strip box directly under the camera lens. No color gel, metered to f/2 and 7/10ths power.
20170912_1018
Strobist:
Main Light, camera left: Paul Buff White Lightning X-1600 in LumoPro 4x6 foot softbox, Rosco R08 Pale Gold gel
Fill Light, camera right: Paul Buff White Lightning X-1600 in LumoPro 2x3 foot softbox, Rosco R3202 Full CTB stacked with R3304 Tough Plusgreen gel
Hair Light, camera top: LumoPro LP180, no gel, Magmod MagGrid
Backdrop Light, behind subject: LumoPro LP180, no gel, Magmod MagGrid, Magmod MagSphere
All lights triggered with PocketWizard PlusX radio triggers.
20171115_3140
Strobist:
Key Light, Camera Left: Paul Buff White Lightning X-1600 in a LumoPro Octa90 softbox, Rosco CalColor Gels: 30 units of Yellow, 15 units of Red, metered to f/4.0
Fill Light, Paul Buff White Lightning X-1600 bounced off of 10x20 foot white sheet behind camera, Rosco CalColor Gels: 120 units Cyan, 60 units Blue, metered to f/1.0
Hair light, LumoPro LP180 bounced off of overhead white card. MagMod MagGrid, 1/4 CTO MagGel, metered to f/1.0
Background Light: LumoPro LP180 with MagMod MagGrid, MagSphere, full CTO MagGel, metered to f/1.4
Background: Savage Thunder Grey
0125_2925
Shot on a Toyo 4x5 large format camera with a Fujinon W 150mm lens and a 120 roll film film adapter.
The film used was Ilford HP5+ and it was developed in Kodak replenished XTOL at 24C for 7:00 with constant rotary agitation. Fixed in Kodak Fixer.
Scanned and digitized with Simple Image Tools and 0.62 contrast.
Strobist: backlit with a single LumoPro LP180.
Keir Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
...Even though you just said something hilarious.
20171023_2938
Strobist:
Key: Paul Buff X-1600 White Lightning in a LumoPro Octa90 softbox. Rosco Calcolor 45 units Yellow, 15 units Pink.
Fill: Paul Buff X-1600 White Lightning in a 8x14 foot makeshift softbox, Rosco Calcolor 180 units Cyan, 60 units Blue.
Hair Light: LumoPro LP180 bounced off a white foam-core board, MagMod MagSnoot, 1/4 CTS MagGel.
Background Light: LumoPro LP180 with MagMod MagGrid, MagSphere, Full CTO MagGel.
All lights triggered with PocketWizard PlusX radio triggers.
This was generated with a revision of the code that added additional controls to the camera profile used. The colorspace used was switched to Identity Color Space (it's bigger than ACES 2065-1)
0112_2752
Shot on JCH Street Pan 400 135 (JCH_400) film with a Canon EOS-1n and Sigma 35mm ART Prime lens.
Developed in replenished Kodak XTOL with rotary agitation at 24C for 11:00, fixed with Kodak Fixer.
Digitized with a Canon 80D using a 100mm Cine Macro lens and studio strobe with a custom film jig.
Linearized with Simple Image Tools and a film profile with a Contrast Index of 0.72.
0029_0803
Shot on Lomography Lady Grey BW400 film and a Canon EOS 1n SLR. Don't remember the lens used. I shot it on program exposure and let the camera meter for what it thought was best.
Developed in Kodak D76 1:1 at 68 degrees for 10:00 with 1 inversion every 15 seconds. Fixed in Kodak Fixer.
Digitized with a Canon 80D and custom film jig and the raw file was processed through simple image tools to create the linear positive.
A lot of people say Lady Grey is like a less expensive Kodak TMAX 400. I have to totally disagree. I've charted the H+D curve of this film and all of Kodak's BW film stock, and if Lady Grey film base is exposed to the digitizer so that it is the same brightness as TMAX 100, the H+D curve is exactly the same as TMAX 100., given that both are developed in D76-1:1 for their respective recommened times.
TMAX 100's H+D curve is very similar to TMAX 400 from the film base up to a stop or so over normal exposure. After that, TMAX 100 starts to roll off into shoulder until it maxes out density at about 8 stops over normal exposure. TMAX 400 on the other hand just keeps getting denser at a pretty good clip. I've exposed a grey card onto TMAX 400 all the way up to 13 stops over normal exposure (the max I can do) and still hadn't run into shoulder. Lady Grey is not a less expensive version of TMAX 400. It's like TMAX 100 under exposed by 2 stops and pushed by 2 stops except grain more like 400TX.
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
Strobist:
Main Light, camera left: Paul Buff White Lightning X-1600 in LumoPro 4x6 foot softbox, stacked, Rosco R3409 Quarter CTO gel, R08 Pale Gold gel
Fill Light, camera right: Paul Buff White Lightning X-1600 reflected against white wall and used as base fill, stacked Rosco R375 Cerulean Blue gel, R3202 Full CTB gel, R3304 Tough Plusgreen gel.
Hair Light, camera top: LumoPro LP180, Rosco R3409 Quarter CTO gel, Magmod MagGrid
Backdrop Light, behind subject: LumoPro LP180, stacked, Rosco R3409 Quarter CTO gel, R26 Red gel, Magmod MagSphere
All lights triggered with PocketWizard PlusX radio triggers.
Kyle Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
20171004_2259
Metered Lighting Formula:
Key Light: f/4.0
Fill Light: f/1.4
Background Light: f/2.0
Hair Light: f/1.4
Strobist:
Main Light, camera left: Paul Buff White Lightning X-1600 in LumoPro Octo-90 softbox, stacked gels, Rosco CalColor 15 units Yellow, 15 units Red
Fill Light, camera right: Paul Buff White Lightning X-1600 in LumoPro 4x6 foot softbox and used as base fill, stacked gels, Rosco Calcolor 90 units Cyan, 60 units Blue
Hair Light, camera top: LumoPro LP180, MagMod Quarter CTO gel, Magmod MagGrid bounced against overhead white foamcore board
Backdrop Light, behind subject on grey mottled muslin: LumoPro LP180, MagMod Quarter CTO gel, Magmod MagSnoot
All lights triggered with PocketWizard PlusX radio triggers.
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
20171015_2712
Lighting Formula:
Fill: Metered to f/1.0
Key Metered to f/2.8
Strobist:
Key Light: Paul Buff White Lightning X-1600 in LumoPro Octa-90 Lightbox. Rosco Calcolor 15 units yellow, 15 units red.
Fill Light: Paul Buff X-1600 with 8 inch standard reflector shot against a white sheet behind camera. Rosco Calcolor 150 units Cyan, 75 units Blue
Hair Light: LumoPro LP180, MagMod MagGrid, MagMod 1/4 CTS gel
Background Light: LumoPro LP180, MagMod 2x MagGrid, MagMod Full CTO gel
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
0095_2109
100TMX Sample Images
Shot on Kodak T-MAX 100 and developed in Replenished XTOL with Rotary agitation at 24C for 6:00. Fixed with Kodak Fixer.
Standard Simple Image Tools scan and linearization with 0.56 Contrast Index.
Camera/Lens: Canon EOS-1n, Sigma 35mm ART Prime.
This was generated with a revision of the code that added additional controls to the camera profile used. The colorspace used was switched to Identity Color Space (it's bigger than ACES 2065-1)
0044_1052
Developed with Kodak D-76 at 1:1 for 10:00 at 68 degrees with 1 inversion every 15 seconds. Fixed with Kodak Fixer.
Scanned in with a Canon 80D with a custom film jig and studio strobe. Converted to a positive image with a film profile developed specificially for this emulsion and Simple Image Tools.
0056_1349
Shot on Fomapan 200 BW Film in 135 (35mm) format at EI 160
Processed in Kodak D-76 1:1 at 68 degrees for 10:00 with 1 inversion every 15 seconds. Fixed with Kodak Fixer.
Digitized with a Canon 80D in a custom film jig with a 100mm Cine Macro lens and studio strobe.
Turned into a positive image via Simple Image Tools and a film profile developed specificially for this emulsion.
Kai Portrait
____
Strobist:
Fill Light: two interfit Honey Badger strobes aimed at 12x16 foot white wall behind camera. Gelled with Lee 1/4 CTO gel. Metered to f/5.
Main Light: Interfit Honey Badger strobe in LumoPro 36 inch octobox. Gelled with Rosco 1/2 CTO gel. Metered to f/8.
Hair Light: Interfit Honey Badger strobe above and behind subject in LumoPro 12x36 inch stripbox. Gelled with Rosco 1/2 CTO gel. Metered to f/5.6
0056_1352
Shot on Fomapan 200 BW Film in 135 (35mm) format at EI 160
Processed in Kodak D-76 1:1 at 68 degrees for 10:00 with 1 inversion every 15 seconds. Fixed with Kodak Fixer.
Digitized with a Canon 80D in a custom film jig with a 100mm Cine Macro lens and studio strobe.
Turned into a positive image via Simple Image Tools and a film profile developed specificially for this emulsion.