Posters - Poster Designs
View allAll Photos Tagged Poster,
Disc File 2012-05-27
Image: DSCF9592
Lawton Arts For All Festival Poster (2007)
Artist Credit: Jerry Ellis, Carthage Missouri
note: cropped in Flickr Photo Editor
Compilação de algumas coisas que temos feito, isto foi criado para algumas publicações que estão por vir, mais pra frente a gente mostra por aqui.
Compiltion of some stuff that we were doing, it was made for some publications, pretty soon we show here what it turns into.
stay tuned yo.
Another in a series of posters, celebrating how a basic color is important in my culture. (and yours)
Yellow has been used in art for a long time!
Thanks for looking.
Photo By: Cate Infinity
Shot in Second Life Official Viewer in Ultra. No edit.
Location: Drone Haven
Drone Haven stands as a somber monument to humanity’s fleeting reign, a forsaken city overtaken by the relentless march of nature. Towering, rusted skyscrapers—once symbols of progress—now crumble into the earth, their skeletal frames bound in a suffocating embrace of vines and moss. Faded posters and the echoes of forgotten graffiti serve as grim premonitions: “The End is Near!” On the fringes, a last-ditch survivalist camp briefly defied extinction. Dreamers, with fragile hope, planted gardens and built shelters in a futile act of defiance. But disease, depletion, and discord swiftly snatched away their fleeting defiance, leaving only silence and creeping green. At the city's heart, the butcher shop—a relic of human industry—stands decayed and broken. Its walls, softened by moss and pierced by vines, speak of a once-vibrant world now swallowed by time. The eerie message lingers: “The End is Near!” A grim echo of human ambition, now lost in nature’s quiet dominion. Among the ruins, drones—mechanical phantoms—still wander, remnants of their creators' ambition. They dutifully plant life during the Echocycle, maintaining the city as both a testament to human legacy and nature's quiet triumph. But even these tireless machines, bound by the limits of their energy, will one day cease. The paradox is clear: humanity’s imprint, though indelible, is as ephemeral as the machines it birthed. Drone Haven whispers a haunting truth: humankind, for all its perceived significance, is but a fleeting echo against the eternal backdrop of nature’s vast, unyielding cycles. In the city’s rust and bloom, it mourns the inevitable collapse, the fragility of life, and the inescapable reality that all things—natural or artificial—are bound to fade into silence.
"Certezas e esperanças pra trocar
Por dores e tristezas que bem sei,
Um dia ainda vão findar!"
...Longe. Por mais que se ande...
Por mais distante que se vá!
Por mais que a gente comande...
À pressa pra chegar lá!
Não chega! À distância é grande...
Bem pra lá de Bagdá!
Sua lonjura se expande...
E vai além de Al di lá!
Nunca! É um lugar triste,
Lá! Nenhum sonho existe...
Desejo! A fé levar até lá!
Itinerante!...
Lá vou eu!... ... ...
(poema de Vania Dramis Pimenta)
I lived in Barcelona and Madrid. Being a photographer I noticed a distinct difference in many things between the two cities. For example, Barcelona had some of the most sensational "wall art" and graffiti I'd ever come across. I was told that there were actually extension classes offered teaching the "art" of graffiti and that there was a wall where many students were taken to to practice their techniques. I came upon a wall that was covered with wall posters and was left to decay and wither with the elements - something very difficult to find in Madrid. I wasn't sure why but noticed that in Madrid all wall posters were systematically torn from their notice boards almost as soon as they were put up. I assumed it was the local governments way of trying to encourage a kind of "post no bills" ordinance.
At first, I was frustrated at how consistently bills were stripped and pealed off the walls all around Madrid (unlike Barcelona). However, I soon got into the myriad collages left over by the strips and pieces that kept accumulating with each tear away.
Was glad to have come across the torn posters I did find in Barcelona. Unfortunately a full terabyte of photographs taken over years is locked into an external hard drive which is inaccessible because it fell.
This image was one of the very few that I happened to store on my computer hard drive. I may not see the rest for some time.
Aim — To design a set of specimen posters for 3 of my typefaces. To show each typeface and the various weights and styles it comes with.
Result — I've designed a specimen poster for 3 of my typefaces, each poster available in 2 colour options. Colour coded, each poster shows the various style and weight options that the typefaces are available in.
(Old Versions of my current Specimen Posters)
Model & photographer: Myllie Writer
Skin: LF CHAI - ginger - crush (freckles)
Shoes: Detour
Pose, cigarette and eyes: PERSONA
Top, pants, hair and shades: Artilleri
Location: artilleri mainstore
This is a poster I designed for a hypothetical exhibit of Georgia O'Keeffe paintings at the New Mexico Museum of Art. The close-up of the flower depicted in the poster is a rendering of a photo that I took a few years ago, inspired by O'Keeffe's paintings of flowers.