View allAll Photos Tagged SMC Pentax 67 45mm 1:4
A sunny winter day at Fort Point with the waves coming off the strait in saltwater carwash-mode.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC O[G] filter using Fuji Neopan Acros 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Long ago I followed the voice in my head to Go West Young Man and here I remain.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
The last stand . . .
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Pentax 67 82ø Y48(Y2) SMC filter using CatLabs X film 80 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
A solitary Joshua tree stands guard over it's realm during stormy times.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
As the centuries pass, this outcrop stands firm.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Adox CHS 100 II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
I pause for a moment to contemplate the consequences of passing through this portal.
What lies on the other side?
Another time or place?
If you never hear from me again, don’t make the same mistake that I have made . . .
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L-1A filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop
Much to my surprise, there are granite entities living in isolated outcrops found throughout the Southern California desert terrain. They surface from time to time to hunt for food and to drink during a rare rain event.
The evidence of their existence is quite solid.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Ilford Delta 100 Pro film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Kodachrome Basin State Park certainly lives up to its colorful name.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Asahi Pentax 6X7 67ø L39(UV) SMC filter using Fuji Provia 100F film, the transparency scanned by an Epson Perfection V600 and digitally rendered with Photoshop
A lovely hike around Silver Lake.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Hoya 82mm HMC Y[K2] filter using Rollei RPX 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop
The beauty of this location is undeniable.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Rollei Infrared 400, developed in Kodak T-Max 1+4 +20C/12min, wet-mounted drumscan.
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Pentax 67, SMC 45mm f4, Efke IR820, developed in Kodak T-Max 1+4, wet-mounted drumscan.
Today the Pacific Ocean lives up to its name.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Efke IR820 Aura, developed in Kodak T-Max 1+4, wet-mounted drumscan.
Car 1057 from Cincinnati now carries passengers in San Francisco.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Zenza Bronica 82mm L-1A filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67ii, SMC 45mm f4, Lee GND 0.6, Hitech Red, Fujifilm Acros 100, developed in Kodak T-Max 1+4 +20C/12min, wet-mounted drumscan.
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Pentax 67ii, SMC 45mm f4, Lee GND 0.6, Fujifilm Acros 100, developed in Kodak T-Max 1+4 +20C/12min, wet-mounted drumscan.
From darkness comes the light of a new dawning.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Efke IR820c, developed in Kodak T-Max 1+4, wet-mounted drumscan.
Hand-made 25x30cm print. 100% analog workflow.
Pentax 67, SMC 45mm f4, Efke IR820c, developed in Kodak T-Max 1+4, Durst 138S condenser enlarger with Rodenstock 90mm APO lens, Moersch lith developer and Fomabrom FB. Epson flatbed scan.
The bushes in infrared may look like a wave of water hitting that ship hull, but the harsh reality is that the ship sits on a bone dry desert with no water in horizon, just scorching dry heat of the hot sands. It's one of the greatest ecological man-made disasters by irresponsibly irrigating fields and make a complete Aral sea dissapear.
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Pentax 67, SMC 45mm f4, Efke IR820, developed in Kodak T-Max 1+4, wet-mounted drumscan.
Even when things are scarce or threatened by looming storm clouds, Christmas is a time for hope.
However you find yourself, I wish you a Happy Holidays.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Adox CHS 100 II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Rollei Infrared 400 developed in Kodak T-Max 1+4, wet-mounted drumscan.
An impressive escarpment rises at the base of a high plateau in far northern Arizona within the Kaibab Indian Reservation.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Efke IR820, developed in Kodak T-Max 1+4, wet-mounted drumscan.
Yes, in fact. We do have such a table . . .
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens using Fuji 400-H film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Efke IR820, developed in Kodak T-Max 1+4, wet-mounted drumscan.
GFX 50S + Kipon M645-GFX 0.8x + SMC Pentax 67 1:4 45mm (Pentax 6x7)
uitinzeeland.nl/2023/07/achter-de-gevel-het-stadhuis-van-...
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Pentax 67, SMC 45mm f4, Efke IR820 AURA developed in Kodak T-Max 1+4 7min @ +20C, wet-mounted drumscan.
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Pentax 67, SMC 45mm f4, Efke IR820c, developed in Kodak T-Max 1+4, wet-mounted drumscan.
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Pentax 67, SMC 45mm f4, Rollei Infrared 400, developed in Kodak T-Max 1+4 +20C/12min, wet-mounted drumscan.
Free from the restraints of civilization.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with an 82mm UV filter using Rollei CN200 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
In spite of it’s harsh, arid climate, life abounds here.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Adox CHS 100 II film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Press "L".
Pentax 67, SMC 45mm f4, Efke IR820 AURA, developed in Kodak T-Max 1+4, wet-mounted drumscan.
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Pentax 67, SMC 45mm f4, Rollei Infrared 400 film developed in Kodak T-Max 1+4, wet-mounted drumscan.
Rain seems a very distant memory here in the parched desert. After months of relentless scorching sun, a storm is approaching. Thunder rumbles in the distance and the wind begins to rise.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a HOYA 82mm HMC Y[K2] filter using Kodak TRI-X 400 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Efke IR820c, developed in Kodak T-Max 1+4, wet-mounted drumscan.
In primordial times our ancestors emerged from the forest.
Perhaps that is why I am instinctively drawn to it.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with an 82mm R-72 filter using Rollei Retro 400S film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
My conclusion is that this eroded fortress is all that remains of a lost civilization from before the modern era.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L-1A filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
GFX 50S + Kipon M645-GFX 0.8x + SMC Pentax 67 1:4 45mm (Pentax 6x7)
uitinzeeland.nl/2023/07/achter-de-gevel-het-stadhuis-van-...
Now the problem is to how to get there!
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Asahi Pentax 6 X 7 82ø L39(UV) filter using Kodak Ektar 100 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Twin Cities is far from its original home.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Zenza Bronica 82mm L-1A filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
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Pentax 67, SMC 45mm f4, Rollei Infrared 400, developed in Kodak T-Max 1+4 +20C/12min, wet-mounted drumscan.
Cave Creek, Arizona
Camera: Pentax 67ii
Lens: SMC Pentax 67 1:4 45mm
Film: 120 Fuji Acros 100
Developer: Fujifilm Microfine
Film Scanner: Plustek OpticFilm 120
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Pentax 67, SMC 45mm f4, Efke IR820 AURA, developed in Kodak T-Max 1+4, wet-mounted drumscan.
Like the trees of a forest, the buildings rise ever-higher in a competition for light.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC Pentax 67 1:4 45mm lens with a Zenza Bronica 82mm L-1A filter using CineStill 50D film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.
Lost in time before recorded history, this fortress withstood impossible odds before it’s defenders were banished into oblivion.
This photo was taken by an Asahi Pentax 6 X 7 medium format film camera and SMC PENTAX 67 1:4 45mm lens with a Zenza Bronica 82mm L-1A filter using Kodak Portra 160 film, the negative scanned by an Epson Perfection V600 and digitally rendered with Photoshop.