Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: 1961

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Trøndelag, Norge

 

Wikipedia: Hesje

 

Wikipedia: Staur

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Tor.H46.B10.F21348

 

Merknad:

 

Filmfotograf Oskar A. Johansen (1908-1980) var bl.a. kinomaskinist ved Trondheim Kinematografer og filmarkivar ved Trondheim kommunes Skolefilmsentral, som hadde tilhold på Bispehaugen skole.

In 2002 Hans Bruno Lund introduced the concept

"Multicomplex Management (MCM)" as a platform

for a new series of management concepts and tools,

e.g. "Expected Creative Potential (ECP)", desig-

ned as personal tools for the CEO of large, multicom-

plex organizations in addition to the traditional mana-

gement concepts and tools.

 

As of January 2010 the new concepts / tools "Multicomplex Management (MCM)" and "Expected Creative Potential (ECP)" were referred to on more than 800.000 websites or 40.000.000 webpages.

  

Literature:

 

Lund, Hans Bruno

Multicomplex Management (MCM)

Version 3

CD-ROM, 741 colored illustrations

Hans Bruno Lund

Skodsborg

Denmark

2009

 

A multicomplex organization:

 

Organization Structure Model used: Nordic Industrial Fund - Nordic Council of Ministers - Bio & Chemistry Division (BCD) - Division REI-activities (Research / Education / Innovation): 5 programmes: NordFood, Nordic Wood, NordPap, NordBio and NordYeast; 748 projects; 6.000 participating private and public companies, institutions, organizations and agencies in 62 countries. BCD connected 180.000 researchers, operators, engineers, technicians and company, organization and agency executives (1998). BCD was - in combination with NordTek (the organization managing the cooperation of the 23 Nordic technical universities) - the largest industrial and technological REI-network in Northern Europe. BCD was a 27.000 ECP Organization connecting 278.000 people totalling 2.7 million ECP.

 

Hans Bruno Lund

Contact: hansbrunolund@hotmail.com

 

Pictures to Multicomplex Management (MCM): 1, 2, 3, ... , 16.

 

Multicomplex Management (MCM) Pictures:

Picture 1 - 9 on Page 1

Picture 10 on Page 2

Picture 11 - 12 on Page 6

Picture 13 - 15 on Page 7

Picture 16 on Page 8

 

Multicomplex Management (MCM) is explained in Picture 2.

 

Expected Creative Potential (ECP) is explained in Picture 2.

 

--------------------------------------------------------------------------------------------

FOUR CATEGORIES OF ORGANIZATION STRUCTURES

--------------------------------------------------------------------------------------------

 

The above mentioned concepts and tools are part of an ongoing project “Multicomplex Management (MCM)”.

 

In “Multicomplex Management” we divide organizations into four categories according to their total ECP:

 

SIMPLE ORGANIZATIONS

Total ECP ranging from 0.1 to approx. 100.

 

SEMICOMPLEX ORGANIZATIONS

Total ECP ranging from approx. 100 to approx. 1.000.

 

COMPLEX ORGANIZATIONS

Total ECP ranging from approx. 1.000 to 10.000.

 

MULTICOMPLEX ORGANIZATIONS

Total ECP exceeding 10.000.

 

=====================================================

BCD´S NORDIC WOOD PROGRAMME OFFICERS

=====================================================

 

Woodbased industries are extremely important to the Nordic countries economies.

 

In The Nordic Industrial Fund´s Bio & Chemistry Division´s NORDIC WOOD Programme (see Picture 1 and 4) 662 participants from industry, organizations, government agencies and academia and several thousand assistants worked together to place the quality and application possibilities of Nordic wood on the global map.

 

For further informations see Multicomplex Management (MCM) Picture 1, 2, 3 and 4.

  

The NORDIC WOOD Programme Officers:

 

A

Aasheim Erik NOR l

Abildskov Erik DEN l

Abrahamsen Keld DEN l

Abrahamsson Roland SWE l

Adelhøj John DEN l

Ahlefeldt-Laurvig Preben DEN l

Ahveninen Harri FIN l

Akselsen Bertil NOR l

Aksila Ilpo FIN l

Alsmarker T SWE l

Andersen Andreas NOR l

Andersen B O DEN l

Andersen Bent DEN l

Andersen Erling DEN l

Andersen Ole Aa DEN l

Andersen Ole F DEN l

Andersson Inger SWE l

Andersson Conny SWE l

Andersson Inge SWE l

Andersson S SWE l

Andreasson Kjell SWE l

Andreasson Nils R SWE l

Andren Hans SWE l

Anneling Roger SWE l

Anniki FIN l

Anttilainen Kari FIN l

Apneseth Terje NOR l

Arfvidsson Jesper SWE l

Armannsson A ICE l

Aschehoug Øyvind NOR l

Asikainen Kalevi FIN l

Asplund Inge-Bo SWE l

Aune Petter NOR l

Aure Leif Jarle NOR l

Aven Heine NOR l

Axelsson Lennart SWE l

Axelsson Mikael SWE l

 

B

Baadsgaard-Jensen Jørgen DEN l

Baardsen J B NOR l

Backlund Marlene SWE l

Bark Carl SWE l

Barklund Åke SWE l

Bednar Helmut AUS l

Beijar Kurt FIN l

Bengtsson Bengt SWE l

Berg Anders SWE l

Berg Asbjørn DEN l

Bergenudd Gunn. SWE l

Bergkvist Lars SWE l

Bergman Petri FIN l

Bergman Östen SWE l

Bergsodden Rolf NOR l

Bertelsen Ib DEN l

Birkeland Per NOR l

Birkeland Rolf NOR l

Bjørke Norvald NOR l

Bjørkmann W R NOR l

Björstrand Eija SWE l

Blick Rolf N SWE l

Borgström Bo FIN l

Boström Clas SWE l

Boström Ola SWE l

Bovim Nils I NOR l

Bredvig John DEN l

Brenøe Per Tutein DEN l

Brodin Kjell SWE l

Broström Birger SWE l

Browall Anders SWE l

Brundin Jan SWE l

Bruun Thomas DEN l

Burvall Almar SWE l

Bylund Nils SWE l

Bäck Gunnar SWE l

Böhn Rolf SWE l

 

C

Carlin Mats NOR l

Carling Olle SWE l

Carlson Leif SWE l

Carlsson Brage SWE l

Casselbrant Sven SWE l

Christensen A DEN l

Christensen Georg DEN l

Christensen H DEN l

Christensen K W DEN l

Christensen P Chr DEN l

Christensen P C DEN l

 

D

Dahlgren Torbjörn SWE l

Djurberg Bengt SWE l

Dockered Bo SWE l

Drevland Leif NOR l

Dueholm Sten DEN l

 

E

Echmark Sören SWE l

Edlund Bo SWE l

Edlund Marie L SWE l

Edlundh Nils SWE l

Edvardsen Kåre NOR l

Ehmsen Jens C DEN l

Eilavaara Erkki FIN l

Einfeldt Martin DEN l

Ekeberg Sven NOR l

Eklöf Tor FIN l

Ekros Ewert SWE l

Eld Lars Erik SWE I

Ellersgaard Franz DEN l

Elowson Torbjörn SWE l

Enge Bjørn NOR l

Engström Roger SWE l

Enoksson Kjell-Å SWE l

Ericsson Sveneric SWE l

Eriksson Hillevi SWE l

Eriksson Håkan SWE l

Eriksson P Erik SWE l

Eriksson Peter SWE l

Evans Fred NOR l

 

F

Fagerström Guy SWE l

Fahlgren Krister SWE l

Fjogstad Gunn NOR l

Fjällström Börge SWE l

Flarup Christian J DEN l

Flensted H C DEN l

Flinck Mats SWE l

Folke Jens DEN l

Fonselius Mikael FIN l

Forsman Curt FIN l

Frankson Björn SWE l

Fredriksson Nils-O SWE l

Fredriksson Ove SWE l

Fridh Mats SWE l

Fröblom Jorma FIN l

Fröding Anders SWE l

Fuglem Arnstein NOR l

 

G

Gatenholm P SWE l

Gilling Stig DEN l

Gilstad Per O NOR l

Gislason Helgi ICE l

Gjerdrum Peder NOR l

Gjestvang Per A K NOR l

Gjølsiø Simen NOR l

Gloslie Svein NOR l

Gollenia Erhard SWE l

Gorandsrud Karl J NOR l

Gram-Johan. NOR l

Granath Bernt SWE l

Granath Olle SWE l

Grande Øystein NOR l

Granhus Andreas NOR l

Graversen N C DEN l

Groth Siwert SWE l

Grønne Kristian DEN l

Grøseth Inge NOR l

Grøsfjeld Sigvald NOR l

Grönlund A SWE l

GudMundsson Benj.ICE l

Gudmundsson Jon ICE l

Gudmundsson Sig.ICE l

Gunnarsson Bjarni ICE l

Gunnarsson T ICE l

Gustafsson Leif G SWE l

Gustafsson Martin SWE l

Gustafsson Stig-I SWE l

Gustavsson Gösta SWE l

Gustavsson S SWE l

Gylland Roar NOR l

Gårdstam Sven-Å SWE l

Gäbel Karin SWE l

 

H

Haanpää Sanna SWE l

Haaponen Jouko FIN l

Haavaldsen Tore NOR l

Haglind Ulf SWE l

Hagsted Jan SWE l

Hakala Herman FIN l

Hakala Juha FIN l

Halfdanarson Jon ICE l

Halmrast Rolf-Erik NOR l

Halvorsen Per NOR l

Hamar Bjarne NOR l

Hammarström L G SWE l

Hammer Per SWE l

Handeland Sigbj. NOR l

Habeborg Knut NOR l

Hansen Bruno DEN l

Hansen Børge DEN l

Hansen Flemming DEN l

Hansen H V DEN l

Hansen Ib DEN l

Hansen Oluf DEN l

Hansen Orla DEN l

Hansen Torben C DEN l

Hansson Bert SWE l

Haugen John V NOR l

Haugesen Niels NOR l

Hautanen H FIN l

Heikkilä Timo FIN l

Heimdal Sigurd NOR l

Heinonen Ismo FIN l

Heiskanen Antti FIN l

Helland Thor NOR l

Hellberg Lennart SWE l

Henriksen Bjarne DEN l

Henriksen Flem. B DEN l

Henriksen Keld H DEN l

Herholdt Kry DEN l

Hiltunen Aaro FIN l

Hoffmeyer Preben DEN l

Hollender Kjell SWE l

Holm Bo T SWE l

Holmestad Åge NOR l

Holmgren Anders SWE l

Holmila Pertti FIN l

Holmström S-O SWE l

Holst Jørgen DEN l

Holtet Geir NOR l

Hordvik Hans NOR l

Horttanainen Timo FIN l

Houmann Arne DEN l

Husgafvel Pertti FIN l

Huuska Wesa FIN l

Høst Erik DEN l

Hämäläinen Pertti FIN l

Hässler Birgitta SWE l

Hörnfeldt Sven SWE l

 

I

Isaksson Jan SWE l

Isleifsson Runar ICE l

Iso-Kuusela Martti FIN l

Isotalo Ilmo FIN l

Itäaho Sakari FIN l

 

J

Jacobsen Kristian DEN l

Jacobsson Monika SWE l

Jakobsen Thomas DEN l

Janatuinen Aila FIN l

Jansson Stef SWE l

Jarlsson Henry SWE l

Jensen Bent DEN l

Jensen Bjørn NOR l

Jensen C G DEN l

Jensen G Degn DEN l

Jensen Lasse DEN l

Johannesen Stein NOR l

Johannessen R NOR l

Johansen Bent M DEN l

Johansen B L DEN l

Johansen Finn NOR l

Johansen Morten L NOR l

Johansson Carl-J SWE l

Johansson C SWE l

Johansson Curt SWE l

Johansson G SWE l

Johansson Ingvar SWE l

Johansson Lennart SWE l

Johansson Stig SWE l

Johansson S SWE l

Johnsen Asgeir NOR l

Johnsen Torbjörn SWE l

Johnson Tore E NOR l

Jokinen Risto FIN l

Jonasson Hallgrim. ICE l

Jonsson Rune SWE l

Juel Tommy SWE l

Jukkola Seppo FIN l

Junttila Aame FIN l

Just Alar EST l

Jutila Aarne FIN l

Juvonen Arto FIN l

Jønsson Bent DEN l

Jönsson Holger SWE l

 

K

Kahila Pekka FIN l

Kahrs Johan C NOR l

Kairi Matti FIN l

Kalstad Trond NOR l

Kanerva Pekka FIN l

Kangas Eero FIN l

Kangas Seppo FIN l

Karlsson Bernt-O SWE l

Karlsson Ingvar SWE l

Karlsson Rune SWE l

Karlsson Sigurd SWE l

Kauppi Pekka FIN l

Kauppinen Markku FIN l

Kautonen Harri FIN l

Keronen Asko FIN l

Ketola Matti FIN l

Kettunen Jyrki FIN l

Kjellberg Anders SWE l

Kjellberg Tommy SWE l

Kjer Hans-Henrik DEN l

Kjos Ola NOR l

Kjær Siri NOR l

Klegard Jon SWE l

Klemmensen P DEN l

Kleppe Otto NOR l

Knuppert-H DEN l

Knutsen Nils NOR l

Koch Anne Pia DEN l

Kokko Hannu FIN l

Kokkonen Ossi FIN l

Kolu Keijo FIN l

Kolvisto Martti FIN l

Koskela Heikki FIN l

Koskinen Kari FIN l

Koskinen Markku FIN l

Kosonen Esa FIN l

Kringstad Knut NOR l

Kristensen Kai DEN l

Kristiansen S NOR l

Kronheffer Åke SWE l

Kronqvist Lars FIN l

Kroon Olle SWE l

Kurikka Ari FiN l

Kuusela Juuso FIN l

Kuusilehto Juhani FIN I

Kuusivaara Matti FIN l

Kvist Knud E DEN l

Kværner Sverre NOR l

 

L

Ladegaard Bengt DEN l

Lakka Antti FIN l

Langerud Sverre NOR l

Larsen Hans J DEN l

Larsson Bengt SWE l

Larsson Lars-Erik SWE l

Larsson Stig SWE l

Laupsa Jan NOR l

Lax Tarja FIN l

Lehtonen Eero FIN l

Lehtonen Matti FIN l

Lehtonen Kari FIN l

Lehtonen Markku FIN l

Leinos Markku FIN l

Lerbeck Torben DEN l

Liesiö Tiina FIN l

Lilja Olavi FIN l

Lillandt Kai FIN l

Lindahl Ulf SWE l

Lindberg Anders SWE l

Lindberg Ralf FIN l

Lindblad Kaj SWE l

Lindblad Kaj SWE l

Lindbäck Arne SWE l

Lindgren Greger SWE l

Lindgren Jan Eric SWE l

Linne Tarmo FIN l

Linngård Ove SWE l

Liski Kari FIN l

Liusvaara Antero FIN l

Loftsson Jon ICE l

Lorentzen Ulrik DEN l

Ludviksson Vi ICE l

Luikku Mikko FIN l

Lund Christian DEN l

Lundberg Nikolaj DEN l

Lycken Anders SWE l

Lydsson Thröstur ICE l

Lysell Rolf SWE l

Løvall Tore NOR l

Lähteenmäki M FIN l

Löfhjelm Jan FIN l

Lönner Göran SWE l

Lönnstedt Lars SWE l

Lövgren Mats SWE l

 

M

Maaranto Jouni FIN l

Makkonen Sakari FIN l

Malmgren Kurt R SWE l

Marklund K-A SWE l

Markland Lars-G SWE l

Marklund Per Olof SWE l

Marstein Anne U NOR l

Martinsson Owe SWE l

Matheson C H NOR l

Metsä Aarni FIN l

Micheelsen Charl DEN l

Mikkelsen Hardy DEN l

Mikkelsen Steen DEN l

Mikkola Esko FIN l

Mikkola Olavi FIN l

Modin Olle SWE l

Moilanen Urpo FIN l

Moisio Teernu FIN l

Moland Ingmar NOR l

Morgan Neil SWE l

Mygind Arne DEN l

Müller Magbar NOR l

Mæhlum Ove NOR l

Mørkved Karl NOR l

Mårtensson A SWE l

Mäenpää Antti FIN l

Mättänen Mauri FIN l

Møller Tage Bojsen DEN l

 

N

Nielsen Dam H DEN l

Nielsen Ewa DEN l

Nielsen Hans DEN l

Nielsen Helle S DEN l

Nielsson Bo SWE l

Niemi Panu FIN l

Niemi Veli-Jussi FIN l

Nieminen Jorma FIN l

Nieminen Markku FIN l

Nihlman Lilian SWE l

Niinio Jukka FIN l

Nikander Kari FIN l

Nilsen Jørgen DEN l

Nilsson Axel J NOR l

Nilsson Erik NOR l

Nilsson Lars-G SWE l

Nordin Karl-Erik SWE l

Nordlund Olli-Pekka FIN l

Nordskott Frank NOR l

Norell Inger SWE l

Norrby Magnus SWE l

Nummi Juhani FIN l

Nurro Pekka FIN l

Nussbaum Ralph SWE l

Nyberg Timo FIN l

Nyberg Ulf SWE l

Nyborg Lars SWE l

Nydahl Anders SWE l

Nykyri Reijo S FIN l

Nylund Kjell FIN l

Nylund Roger FIN l

Nyström Kenneth NOR l

Nævdal Johannes NOR l

 

O

Ohlson Sören SWE l

Ohlsson Sven SWE l

Oikarainen M FIN l

Olesen Per Ole DEN l

Olofsson Jürgen SWE l

Olsen Erling NOR l

Olsen Gunnar DEN l

Olsen Jørgen DEN l

Olsson Bo SWE l

Olsson Kenth SWE l

Olsson Lars SWE l

Olsson Per SWE l

Opdal Tore NOR l

Opland Oddvar NOR l

Opstad Finn R NOR l

Osvaldsson G ICE l

Ottosen Niels S SWE l

Overgaard Lars DEN l

Overgaard N M DEN l

 

P

Paajanen Tero FIN l

Padel Johan SWE I

Pajakkala Pekka FIN l

Palmer Lennart SWE l

Palmqvist Jan SWE l

Palsson Hafsteinn ICE l

Parikka Arto FIN l

Pasanen Raimo FIN l

Paulsson Anders SWE l

Pedersen Erik DEN l

Pedersen Joan G DEN l

Pedersen Jørgen Ø DEN l

Pekkola Timo FIN l

Pelkonen Arno FIN l

Pennanen Olavi FIN l

Persson Börje SWE l

Persson Ingvar SWE l

Persson Olle SWE l

Persson Olle SWE l

Persson Per SWE l

Petersen Børge DEN l

Petersen Margit DEN l

Petersson Hans SWE l

Petre Erik SWE l

Pettersen D F NOR l

Pettersson Dan SWE l

Piispanen Kari FIN l

Pontanen Tuomo FIN l

Poulsen Erik DEN l

Prebensen Knud DEN l

Pöljö Timo FIN l

Pöllönen Jussi FIN l

 

R

Raahauge Helge DEN l

Ragnarsson S ICE l

Rahlff Espen NOR l

Raknes Eirik NOR l

Ramstad Trond NOR l

Ranta Jukka-P SWE l

Rantan Hannu FIN l

Rasimus Pekka SWE l

Rasmussen Frede DEN l

Rasmussen Joh NOR l

Rasmussen Kåre NOR l

Rautamäki Pertti FIN l

Rautiainen Liisa FIN l

Ravn Erik DEN l

Rehn Paul SWE l

Reinhardt Arne DEN l

Reinikka Antti FIN l

Remes Markku FIN l

Remröd Jan SWE l

Retzell Thomas SWE l

Riberholt Hilmer DEN l

Riipola Kirsti FIN l

Ringsby Lars SWE l

Rintala Mauno FIN l

Roald Brit NOR l

Rommi Harri FIN l

Rudolfsson Leif SWE l

Rydén Måns SWE l

Rørå Arne NOR l

Rådström Lennart SWE l

Rönnqvist Lennart SWE l

 

S

Saarelainen Urho FIN l

Saarnio Markku FIN l

Saarnivaara Veli-P FIN l

Saastamoinen M FIN l

Sainio Jorma FIN l

Salmenlinna Erkki FIN l

Salminen Urpo FIN l

Salonen Ari FIN l

Samuelsson Pär M SWE l

Samuelsson Sture SWE l

Sandal Svein J NOR l

Sandbekk R NOR l

Sandberg Dick SWE l

Sandstedt Peter SWE l

Sandvik Kåre NOR l

Sandviknes Jan NOR l

Sandwall Per-Olof SWE l

Santaholma Heikki FIN l

Sarparanta Jorma FIN l

Sauer Christian DEN l

Saunamäki Paavo FIN l

Savolainen M FIN l

Savolainen Osmo FIN l

Schmidt Torbjörn SWE l

Schotte Lennart SWE l

Seilo Seppo FIN l

Sellberg Kristian SWE l

Selvig Arthur NOR l

Seppälä Heikki FIN l

Seppänen Leo FIN l

Sevel Torben DEN l

Sheard Len DEN l

Sigurjonsson Jon ICE l

Silen Jouko FIN l

Simberg Henrik FIN l

Simonsen Jørn E NOR l

Simonsen Peter B DEN l

Sipi Marketta FIN l

Sjöblom Ingmar FIN l

Sjödin Vidar SWE l

Sjökvist Göran SWE l

Sjöström Eero FIN l

Skarp Sven-Uno SWE l

Skjernov Claes DEN l

Skoglund Bjørn NOR l

Skoogh Per-Olof SWE l

Skovbo Henrik DEN l

Skovengaard John DEN l

Skytte Sten FIN l

Snorrason Jon ICE l

Solberg Birger FIN l

Solhaug Johan NOR l

Solheim Arve NOR l

Solli Kjell H NOR l

Spångberg Håkan SWE l

Stavset Torbjørn NOR l

Steenberg Börje SWE l

Stefansson Fridb. ICE l

Steinthorsson Gudbrandur ICE l

Stendahl Olle SWE l

Stenfelt Peter SWE l

Stibe Göran SWE l

Stjern Jostein NOR l

Stone Gunnar SWE l

Straarup Peter DEN l

Strömberg Lena FIN l

Sund Haumann NOR l

Sundblad Erik SWE l

Sundström Henrik SWE l

Suonranta Antti FIN l

Svendsen C DEN l

Svensson Barbro SWE l

Svensson Bengt SWE l

Svensson Jan-Erik SWE l

Svensson Nils Eric SWE l

Svensson Sven O SWE l

Svinding Knud DEN l

Syvelä Jari FIN l

Sæmundsson O ICE l

Sørensen Kay DEN l

Söderlind Lars SWE l

 

T

Talgø Finn NOR l

Tandstad Gistav NOR l

Tervala Tomi FIN l

Terziev Nasko SWE l

Thelandersson S SWE l

Thomassen H NOR l

Thomassen T NOR l

Thomsen Kjell NOR l

Thomsen Kurt NOR l

Thomsen Palle DEN l

Thoresen S NOR l

Thorfinnsson Thor ICE l

Thorkildsen Tor NOR l

T-Ussing Henrik DEN l

Thorsteinsson E ICE l

Thulstrup Henning DEN l

Thörnqvist Thom SWE l

Tiikkanen Matti FIN l

Tiltnes Sverre NOR l

Toratti Tomi FIN l

Torbjørnsen Per NOR l

Torstensson Paul SWE l

Torvinen Pauli FIN l

Toverød Håkon NOR l

Tuominen Juha FIN l

Tyry Anja-Leena FIN l

Tønsberg Dag A NOR l

 

U

Uggla Dan SWE l

Ulfsbol Arve NOR l

Uoti Martti FIN l

Usenius Arto FIN l

Ussing M DEN l

Uusijärvi Richard SWE l

 

V

Vainio Seppo FIN l

Vainio Seppo FIN l

Valoaho Matti FIN l

Vasara Petri FIN l

Vepsälainen Jussi FIN l

Vesa Esko FIN l

Vestergaard J DEN l

Vestergaard M DEN l

Vesterinen Jukka FIN l

Viertola Martti FIN l

Vihavainen Tuija FIN l

Vindheim Knud NOR l

Voll Roar NOR l

Værnes Trond NOR l

 

W

Wachtmeister T SWE l

Wadell Tord SWE l

Wager Petri FIN l

Wang Qiao SWE l

Wareborn Ingem SWE l

Warg Anders SWE l

Wargsjö Agneta SWE l

Weissenberg M von FIN l

Wennberg Kåre NOR l

Westergerb Ulf SWE l

Westin Bertil SWE l

Westin Mikael SWE l

Widmark H SWE l

Wigren Pernilla SWE l

Wikberg Mats SWE l

Wiklund Martin SWE l

Wikman Rolf SWE l

Wilborn Jan F NOR l

Wänglöf Göran SWE l

 

Y

Ylä-Sahra Juhani FIN l

 

Z

Zelander Bertil SWE l

 

Ø

Ødegaard Per NOR l

Øhlenschlæge DEN l

Ørnslund Torben DEN l

Østergaard Aage DEN l

Østergård Morten DEN l

Østerlie Tore NOR l

Øyen Jan NOR l

Ödsen Kai SWE l

Öqvist Hans SWE l

Östman Birgit SWE l

 

Å

Ådland Helge NOR l

Åkeson Rune SWE l

Åsfjord Edvin NOR l

Åström Birger SWE l

 

Literature

 

Lund, Hans Bruno

Multicomplex Management (MCM)

Version 3

CD-ROM, 741 colored illustrations

Dr. Hans Bruno Lund, Management Consultant

Skodsborg

Denmark

2009

 

Not available in libraries

  

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine grain Panchromatic

Dato / Date: 1950-tallet

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Trøndelag, mulig Stjørdal

 

Wikipedia: Nyttårsaften

 

Wikipedia: Fyrverkeri

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21156

Multicomplex Management (MCM) Expected Creative Potential (ECP) Picture 1 - Organization Structure

 

Organization Structure Model used: Nordic Industrial Fund - Nordic Council of Ministers – Bio & Chemistry Division (BCD) - Division REI-activities (Research / Education / Innovation): 5 programmes: NordFood, Nordic Wood, NordPap, NordBio and NordYeast; 748 projects; 6.000 participating private and public companies, institutions, organizations and agencies in 62 countries. BCD connected 180.000 researchers, operators, engineers, technicians and company, organization and agency executives (1998). BCD was - in combination with NordTek (the organization managing the cooperation of the 23 Nordic technical universities) - the largest industrial and technological REI-network in Northern Europe. BCD was a 27.000 ECP Organization connecting 275.000 people totalling 2.8 million ECP. Photo on Picture 1: Hans Bruno Lund visiting the governor of Oulu province, Finland Dr. Eino Siuruainen during a NordTek seminar.

Multicomplex Management (MCM) is explained in Picture 2, 04.

Expected Creative Potential (ECP) is explained in Picture 2.

Pictures to Multicomplex Management (MCM): 1, 2, 3, 4, 5, 6, 7, 8,

9, 10, 11 and 12.

--------------------------------------------------------------------------------------------

A MULTICOMPLEX ORGANIZATION STRUCTURE - ORGANIZATION

--------------------------------------------------------------------------------------------

NORDIC INDUSTRIAL FUND (NIF)

NORDIC COUNCIL OF MINISTERS (NCM)

BIO & CHEMISTRY DIVISION (BCD)

--------------------------------------------------------------------------------------------

CONTENTS

--------------------------------------------------------------------------------------------

1 BIO & CHEMISTRY DIVISION (BCD)

1.1 NIF HISTORY

1.2 BCD BUSINESS IDEA

1.3 BCD OPERATION AREA

1.4 BCD OPERATION AREA INHABITANTS

1.5 BCD PARTNER-COUNTRIES AND AUTONOMOUS AREAS

1.6 BCD GEOGRAPHIC OPERATION REGIONS

1.7 BCD PARTNERS

1.8 BCD ACTIVITIES

1.9 BCD ORGANIZATION STRUCTURE

1.9.1 - MANAGEMENT

1.9.2 - BIO INDUSTRIAL COMPLEX (BIO)

1.9.3 - FOOD INDUSTRIAL COMPLEX (FOO)

1.9.4 - FOREST INDUSTRIAL COMPLEX (FOR)

1.9.5 - OTHER INDUSTRIAL AREAS (OIA)

1.9.6 BCD – HISTORY AND ACHIEVEMENTS – A RESUME

 

2 MULTICOMPLEX MANAGEMENT (MCM) LITERATURE

--------------------------------------------------------------------------------------------

1.1 NIF HISTORY

--------------------------------------------------------------------------------------------

NIF HISTORY

NIF was established 1973 (the Helsinki Treaty). In 1987 the organization expanded by taking over the activities of NordForsk (a Nordic government agency for basic research). In the new century the activities of NIF (and BCD) were split up between two new-established organizations: A new NordForsk (basic research) and Nordic Innovation Centre (NICe)(applied research and innovation).

BCD (one of NIF's two divisions) was operational from 1991 to 1999.

--------------------------------------------------------------------------------------------

1.2 BCD BUSINESS IDEA

--------------------------------------------------------------------------------------------

BCD BUSINESS IDEA

Initialization, expansion and utilization of Nordic and Nordic / international cooperation networks between relevant partners from the private and the public sectors to the benefit of the Nordic countries´ competitiveness and the wealth and health of their inhabitants and based on internordic / international cooperation projects as the primary tool and improved and new concepts, methods, technologies and products as valuable spinoffs.

--------------------------------------------------------------------------------------------

1.3 BCD OPERATION AREA

--------------------------------------------------------------------------------------------

BCD OPERATION AREA

Approx. 22 million square km

Land: Approx. 6 million square km

Oceans and seas: Approx. 16 million square km

The water quality of the oceans and seas surrounding

the Nordic countries is of extreme importance to the

Nordic economies and the inhabitants health and qua-

lity of life. To protect and improve water quality at land as

well as at sea was therefore a substantial goal in almost

all BCD projects.

--------------------------------------------------------------------------------------------

1.4 BCD OPERATION AREA INHABITANTS

--------------------------------------------------------------------------------------------

BCD OPERATION AREA INHABITANTS

Approx. 45 million

Nordic Countries: Approx. 24 million

Baltic Countries: Approx. 7 million

North West Russia: Approx. 14 million

--------------------------------------------------------------------------------------------

1.5 BCD PARTNER-COUNTRIES AND AUTONOMOUS AREAS

---------------------------------------------------------------------------------------------

BCD PARTNER-COUNTRIES AND AUTONOMOUS AREAS

Aland Islands

Denmark

Estonia

Faroe Islands

Finland

Greenland

Iceland

Latvia

Lithuania

North West Russia

Norway

Sweden

--------------------------------------------------------------------------------------------

1.6 BCD GEOGRAPHIC OPERATION REGIONS

--------------------------------------------------------------------------------------------

A BCD project must have participants - private and public partners - from at least two - better three or four - Nordic countries. Most geographic regions has their specific profile in regard to industry, centers of excellence, inhabitants, culture, nature, environment etc. To identify the optimal combination of partners for a project to be initiated it can sometimes be useful to identify and select partners from related geographic regions in relation to the above mentioned parameters. BCD has 67 geographic operation regions:

 

Denmark: 11

Finland: 9

Iceland: 9

Norway: 10

Sweden: 8

Estonia: 3

Latvia: 3

Lithuania: 3

North West Russia: 11

 

The geographical allocation of BCD´s approx.

10.000 Project Participant Representatives and

other superior officers in the Nordic Countries:

(Project Participant Representatives and

other superior officers in other countries approx.

1.000).

 

DEN-00 Denmark 1.972

DEN-01 København 220

DEN-02 Lyngby 730

DEN-03 Nordsjælland 91

DEN-04 Øvrige Sjælland 123

DEN-05 Fyn 82

DEN-06 Kolding 132

DEN-07 Herning 137

DEN-08 Århus 228

DEN-09 Aalborg 163

DEN-10 Færøerne 47

DEN-11 Grønland 19

FIN-00 Finland 2.089

FIN-01 Helsinki & Espoo 1.274

FIN-02 Turku ( Åbo) 189

FIN-03 Tampere 194

FIN-04 Jyväskylä 57

FIN-05 Lappeenranta 105

FIN-06 Vaasa 108

FIN-07 Kuopio 35

FIN-08 Joensuu 31

FIN-09 Oulu / Kemi 96

ICE-00 Iceland 513

ICE-01 Reykjavik 396

ICE-02 Keflavik 42

ICE-03 Akranes 13

ICE-04 Isafjördur 11

ICE-05 Saudarkrökur 8

ICE-06 Akureyri 15

ICE-07 Egilsstadir 20

ICE-08 Selfoss 5

ICE-09 Vestmannaeyjar 3

NOR-00 2.173

NOR-01 Oslo 646

NOR-02 Ås 301

NOR-03 Moelv 231

NOR-04 Porsgrunn 217

NOR-05 Stavanger 167

NOR-06 Bergen 97

NOR-07 Ålesund 90

NOR-08 Trondheim 329

NOR-09 Bodø 39

NOR-10 Tromsø 56

SWE-00 3.202

SWE-01 Stockholm 868

SWE-02 Lund / Malmö 427

SWE-03 Halmstad 178

SWE-04 Göteborg 402

SWE-05 Borås 329

SWE-06 Norrköping 241

SWE-07 Uppsala 304

SWE-08 Sundsvall 213

SWE-09 Luleå 240

--------------------------------------------------------------------------------------------

1.7 BCD PARTNERS

--------------------------------------------------------------------------------------------

BCD PARTNERS

Private and public companies

Private and public organizations

Universities

Technological institutes

Governments

Government agencies

Other relevant partners

Partners: approx. 6.000 in 62 countries

Private area partners: approx. 4.800

Public area partners: approx. 1.200

See:

Flickr, Hans Bruno Lund´s photostream:

"Multicomplex Management (MCM) Picture 3

--------------------------------------------------------------------------------------------

1.8 BCD ACTIVITIES

--------------------------------------------------------------------------------------------

BCD ACTIVITIES

 

Research

Education

Innovation

Visits

Exchanges

Meetings

Seminars

Workshops

Cources

Reports

Articles

Newsletters

Presentations

Posters

WEB-Activities

Improved Concepts

New Concepts

Improved Methods

New Methods

Improved Technologies

New Technologies

Improved Products

New Products

Patents

Evaluation of Results

Dissemination of Results

Improved Nordic Networks

New Nordic Networks

Improved Nordic/International Networks

New Nordic/International Networks

--------------------------------------------------------------------------------------------

1.9 BCD ORGANIZATION STRUCTURE

--------------------------------------------------------------------------------------------

BCD ORGANIZATION STRUCTURE

Upper right in the picture

REI = Research-Education-Innovation

--------------------------------------------------------------------------------------------

1.9.1 MANAGEMENT

--------------------------------------------------------------------------------------------

MANAGEMENT

 

Management (sand-colored areas/elements)

Head of Division: Hans Bruno Lund (DEN)

Division Director BIO: Marianne Damhaug (NOR) until 1992

Division Director FOOD/OIA: Maija Uusisuo (FIN)

Division Director BIO/FOREST/OIA: Juhani Kuusilehto (FIN)

Deputy Division Director FOREST: Per Brenøe (DEN)

Associate Division Director OIA: Peter Göranson (SWE)

Associate Division Director OIA: Svein Østevik (NOR)

Associate Division Director OIA: Snæbjörn Kristjansson (ICE)

Other Division Administration Staff: 11 officers

Division Advisers: 16

DIVISION REI Areas: 92

DIVISION REI Subareas: 1.200

DIVISION Programmes: 5

DIVISION Part Programmes: 20

DIVISION REI Projects: 748

DIVISION REI Part Projects: approx. 3.000

DIVISION Senior Officers: 370

DIVISION Project Managers: 649

DIVISION Part Project Managers: approx. 2.500

DIVISION Other Officers: approx. 28.000

DIVISION Network Participants (People): approx. 278.000 (incl. NordTek)

DIVISION Network ECP: approx. 2.800.000 (incl. NordTek)

--------------------------------------------------------------------------------------------

1.9.2 BIO INDUSTRIAL COMPLEX (BIO)

--------------------------------------------------------------------------------------------

BIO INDUSTRIAL COMPLEX (BIO)

(blue-colored areas/elements)

Marianne Damhaug (NOR)

Juhani Kuusilehto (FIN)

REI = Research-Education-Innovation

BIO REI Areas: 22

BIO REI Subareas: 340

BIO Programmes: 2 - NORDYEAST & NORDBIO

BIO Part Programmes: 6

BIO REI Projects: 188

BIO REI Part Projects: approx. 750

BIO Senior Officers: 122

BIO Project Managers: 213

BIO Part Project Managers: approx. 640

BIO Other Officers: approx. 7.000

BIO Network Participants (People): approx. 45.000

BIO Network ECP: approx. 535.000

BIO REI Areas:

02 Antibodies and Antigens

04 BioEnergy

05 Biomimetic Materials

06 Bioprocess Engineering

07 BioScience and BioTechnology

20 Environmental BioTechnology

21 Environmental Technology

24 Food BioTechnology

30 Genes and GeneTechnology

35 Industrial Enzymes

37 Marine Biology and BioTechnology

40 BioHydroMetallurgi

45 NeuroBiology and InformationsTransfer

47 Biological OffGas Treatment

50 Physiological Engineering

Project example with Part Projects:

Z508 Physiological Engineering:

Part Projects:

Z508.1 Energy and redox balances during aerobic growth

Z508.2 Regulation of energy flux at anaerobic conditions

Z508.3 Xylose metabolizing Saccharomyces cerevisiae

Z508.4 Physiological responses of Sac.Cer. to SubConVar

Z508.5 Morphological charact. of Penicillium chrysogenum

Z508.6 Morphology and amylase production in Aspergillus oryzae

 

The Research Team:

Albers, Eva

Alexander, N J

Anderlund, Mikael

Bao, Xing

Carlsen, Morten

Christensen, Lars H

Deleuran, Jan

Edelmann, Kari

Ehlde, Magnus

Einarsson, Sigbjørn

Eliasson, Anna

Ellingsen, Trond

Enari, Tor-Magnus

Enfors, Sven-Olof

Flenø, Bent

Franzén, Carl J

George, Stefan

Gram, Jens

Granstrøm, Tom

Gustafsson, Lena

Hahn-Hägerdal, Bärbel

Haldrup, Anna

Hallborn, J

Hansen, Tronn

Hjortkjær, Poul

Holmgreb, K

Jeppsson, Helena

Johansen, Kenneth

Johansson, Björn

Jørgensen, Birthe R

Karsbøl, Birgitte

Klein, Christopher

Korhola, Matti

Krabben, Preben

Kristjansson, Jakob

Larsen, Susanne Slot

Larsson, Christer

Larsson, Gen

Lidén, Gunnar

Londonsborough, John

Meinander, Nina

Michelsen, M L

Mikkelsen, Jørn D

Mølgaard, Henrik

Mørkeberg, R

Nielsen, Jens (Project Manager)

Niklasson, Claes

Nilsson, Annika

Nybergh, Paula

Ojamo, Heikki

Olkku, Juhani

Olsson, Lisbeth

Overballe-Petersen, C

Pakula, Tiina

Palmqvist, Eva

Parkkinen, Elke

Peltola, Petri

Penttilä, Merja

Pettersson, Lennart

Pham, Hop

Prior, B A

Pronk, Jack

Påhlman, Inga-Lil

Rasmussen, Preben

Reuss, Mathias

Ruohonen, Laura

Rønnow, Birgitte

Salminen, Antti

Salonen, Laura

Santerre, Anne

Schmidt, Karsetn

Schulze, Ulrik

Skoog, K

Skov, Allan

Smits, Hans Peter

Spohr, Anders

Suhr-Jessen, Trine

Søderblom, Tore

Taherzadeh, Mohammad

Thevelein, J

Thomas, Colin

Toma, Simona

Tufvesson, Göran

Valadi, Hadi

van Dam, Karel

van Dijken, J P

Villadsen, John

Visser, Jaap

Walfridsson, Mats

Winell, Anna

Winge, Michael

Zacchi, Guido

Zimmerman, Friedrich

Aarts, Robert

  

Participants:

  

Alko Oy

Amsterdam University

Birmingham University

Bryggerilaboratorium Oy AB

Chalmers Technical University

Cheminova A/S

Danisco Biotechnology A/S

Delft University of Technology

Dumex A/S

Göteborg University

IceTec

Kungliga Tekniska Högskolan

Lahden Poltimo Oy

Novo Nordisk A/S

Pripps AB

Primalco Oy

SINTEF

Skåne Brännerier AB

Technical University of Denmark

Technische Universität Darmstadt

Universität Stuttgart

VTT

Waageningen University

  

51 PlantCell Biology and BioTechnology

57 Protein Engineering

 

Project examples (without listing Part Projects):

Z037 Fluid dynamics and mass transfer in bioreactors (BR)

Z038 Physiological effects of oscillating fermentation parameters

Z039 Kinetics of cell responce to local conc. gradients in BR

Z040 Multi-dimensional modelling of flow-processes in BR

Z041 On-line HPLC control of mammalian cell bioreactors

Z042 Bioprocess monotoring system based on ESC / HEU

Z043 Implementation of biosensors in process environments

Z044 Mechanisms of foaming in bioreactors

Z045 Productivity of bioreactors (I)

Z046 Productivity of bioreactors (II)

63 Recycling

73 Thermophilic and Psychrophilic Organisms

74 Waste and WasteWater Treatment

75 Yeast and YeastTechnology

84 LifeCycle Assessment (LCA)

NORDYEAST

Project examples (without listing Part Projects):

Z001 Protein secretion and glycoprotein production in Sac.Cer.

Z002 Molecular cloning and expression of genes by key enzymes

Z003 Cloning and studies of DNA coding for g-3-p-d of Sac.Cer.

Z004 Membrane bound IPP in mitochondria from Sac.Cer.

Z005 Cloning of DNA alkylation genes from yeast

Z006 Regulation of methionine-threonine biosynthesis

Z007 Studies on genetic recombination in Sac.Cer.

Z008 MS of the DNA gene sequence in Saccharomyces Cerevisiae

Z009 Exp. and sec. in yeast of human parathyroid hormone

Z010 RNA polymerases and TF in transcription of RNAs

NORDBIO

NORDBIO Part Programmes:

NB-01 Protein Engineering

NB-02 Bioprocess Engineering

NB-03 Plant Cell Biotechnology

NB-04 Thermophiles and Psychrophiles

NB-05 Food Biotechnology

NB-06 Environmental Biotechnology

------------------------------------------------------------

1.9.3 FOOD INDUSTRIAL COMPLEX (FOO)

------------------------------------------------------------

FOOD INDUSTRIAL COMPLEX (FOO)

(orange-colored areas/elements)

Maija Uusisuo (FIN)

REI = Research-Education-Innovation

FOO REI Areas: 10

FOO REI Subareas: 180

FOO Programmes: 1 - NORDFOOD

FOO Part Programmes: 4

FOO REI Projects: 125

FOO REI Part Projects: approx. 500

FOO Senior Officers: 37

FOO Project Managers: 107

FOO Part Project Managers: approx. 425

FOO Other Officers: approx. 5.000

FOO Network Participants (People): approx. 30.000

FOO Network ECP: approx. 360.000

FOO REI Areas:

03 Aquaculture

11 Cereals

22 Fishery and Fish

Project examples (without listing Part Projects):

Z217 Nordisk Blåvilling

Z290 Frysfartyg

Z339 Atlantic Salmon

Z346 Hippoglossus

Z437 Landbaserte Anlegg

Z461 Monotoring and PC in Aquaculture

Z483 Hälleflundra, Torsk och Havskat

Z563 CIMFISK - IT in Fish Fillet Factories

Z570 BENEFISH - New Technologies in the Nordic Fishindustries

Z594 Havmiljøets påvirkning af fisks reproduktionsevne

23 Fish Diseases

25 Food Hygiene

26 Food Packaging and Transportation

27 Food Processing

Project examples (without listing Part Projects):

Z120 Cleaner production

Z121 Environmental beer production

Z122 Water in fish industry

Z123 Nordic shellfish

Z124 Value from heads

Z125 Water jet deboning

Z126 Aseptic safety

Z127 Probiotic foods

Z128 Rye technology and its influence on health

Z129 Structures in food fat

28 Food Quality

29 Food Technology

Project examples (without listing Part Projects):

Z103 Fish - Packaging and Transportation

Z104 Aroma Transfer in PET

Z105 Shelf Life Prediction

Z107 Salmon Quality

Z108 Microbial Antagonists

Z109 Managing the Meat Tend Process

Z110 Sensoric Calibration

Z111 Fluorescence Screening

Z112 Quality of Emulsions

Z113 Lean Logistics

Let us as an example take a closer look at

Project Z115 On Line Measuring Control

Project Participants

  

Denmark

 

Bioteknologisk Institut

Paaske Jensen

 

Danisco Sugar Development

Ole Hansen

Danmarks Fiskeriundersøgelser

Erling Larsen

 

Fødevaregruppen

Finn Holm

 

KVL

Lars Munk

 

Lactosan A/S

Jørgen Schmidt

 

Meincke A/S

Peter Clausen

 

Slagteriernes Forskningsinstitut

J Rud Andersen

 

Foss Electric A/S

Torben Lapp

 

Reciprotor Engineering A/S

Per Andersen

 

Q-Interline

Anders Larsen

 

Steins Laboratorium A/S

Jakob Korsgaard

 

Finland

 

Ingman Foods Oy AB

Hans Ingman

 

Process Flow Ltd Oy

Björn Jernström

Saarioinen Oy

Mirja Rautakoski

 

Oy Snellman AB

Rolf Snellman

 

Sucros Oy

Juha Oravainen

 

Hutiia Research Centre

Jonas Slotte

 

VTT Bio- & Livsmedelsteknik

Arvo Kinnunen

 

Software Point Oy

Andrea Holmberg

 

Iceland

 

Fiskeriindustriens Forskningsinstitut

Helga Eyjófsdóttir

 

Marel HF

Sigurpáll Jonsson

 

Milk Distribution Centre

Einar Matthiasson

 

IceTec

Hannes Hafsteinsson

 

Univesity of Iceland

Kristberg Kristbergsson

 

Landbruges Forskningsinstitut

Gudjón Torkelsson

 

Industriforbundet

Ragneidur Hédinsdóttir

 

Norwegen

 

Mills DA

Narinder Singh

Maarud A/S

Terje Drøyvold

 

A/S Margarinfabrik Norge

Aziz Fooladi

 

Matforsk

Jens Petter Wold

 

Nerliens Kemisk-Tekniske A/S

Vigdis Rustad

 

Norges Lantbrukshøgskole

Ingolf F Nes

 

Norsk Kjøtt

Ole-Johan Røtterud

Tine Norske Meierier BA

Svein Kloster

 

T Skretting A/S

Astrid Staumbotn

 

Stabburet A/S

Anita Bakker

 

SINTEF Kjemi Havbruk

Marit Aursand

 

Sweden

 

Abba Seafood AB

Göran Sjögren

 

Procordia Food AB

Ene Pilman-Willers

 

Lunds Universitet Kemicentrum

Ingegerd Sjöholm

 

Kraft Freia Marabou AB

Thomas Wassholm

 

Oleinitec AB

Marlene Jegeborn

Arla F&U

Clas Johan Dahlsten

 

Pentronic AB

Roland Gullqvist

 

Pripps AB

Klas Johansson

 

Pååls Bröd AB

Bo Folkesson

Radians Innova AB

Bengt Kleman

SIK

Christana Skjöldebrand (Project Manager)

 

Sveriges Lantbruksuniversitet

Ingemar Hansson

 

STFi

Anders Pettersson

 

Charkdelikatesser AB

Anna-Karin Norén

Svenska Nestlé AB

Anita Johansson

Foss Sverige AB

Ingrid Mild / Niklas Persson

 

Tekniska Högskolan Linköping

Alexander Lauber

 

Tetra Pack Food AB

Christer Lanzingh

 

Wasabröd AB

Bengt Carlson

 

Köttforskningsinstituttet

Magnus Wahlgren

 

Nestlé R&D AB

Jennifer Cloke

Bergman & Beving Process AB

Per Henriksson

 

Teltec Electronic AB

Philip Dahl

 

Candelia AB

Urban Eriksson

 

Sensor Control AB

Björn Zetterberg

 

Danfoss AB

Anders Leidermark

 

Nordic Sensor Technologies AB

Andreas Bunge

 

Electrona-Sievert AB

Alf Mikkelä

 

Mettler-Toledo AB

Peter Tinér

 

Korsnäs AB

Jan Jynnskog

 

Sigma Teknik AB

Stellan Lundberg

 

Foss Tecator AB

Karin Thente

  

The participating industrial companies

had on a global basis:

 

Revenue: 100 billion €

Employees: 500.000

 

53 Polysaccharides

 

NORDFOOD

NORDFOOD Part Programmes:

NF-01 Food Packaging and Transportation

NF-02 Food Quality

NF-03 Food Hygien

NF-04 Food Processing

 

One out of several significant milestones achieved as a result of NORDFOOD was the set up of the European REI cooperation SAFEFOODERA – Safer food for 446 million people. Headed by two of BCDs former executive officers Mr. Ola Eide from Norway and Mr. Oddur Már Gunnarsson from Iceland the National Food Authorities of 18 European countries now works together to improve food quality and food hygiene. The 18 countries are: Basque Country, Belgium, Cyprus, Denmark, Finland, France, Germany, Hungary, Iceland, Italy, Netherlands, Norway, Poland, Portugal, Slovenia, Sweden, Turkey and United Kingdom.

 

Over the years hundreds of Nordic Industrial Fund REI projects or initiatives has resulted in expanded efforts with new European partners under the auspices of the EU research programmes or EUREKA.

--------------------------------------------------------------------------------------------

1.9.4 FOREST INDUSTRIAL COMPLEX (FOR)

--------------------------------------------------------------------------------------------

FOREST INDUSTRIAL COMPLEX (FOR)

(green-colored areas/elements)

Juhani Kuusilehto (FIN)

Per Brenøe (DEN)

REI = Research-Education-Innovation

FOR REI Areas: 13

FOR REI Subareas: 220

FOR Programmes: 2 - NORDPAP & NORDIC WOOD

FOR Part Programmes: 10

FOR REI Projects: 170

FOR REI Part Projects: approx. 680

FOR Senior Officers: 78

FOR Project Managers: 103

FOR Part Project Managers: approx. 570

FOR Other Officers: approx. 6.000

FOR Network Participants (People): approx. 40.000

FOO Network ECP: approx. 475.000

FOR REI Areas:

49 Paper as Carrier of Informations

54 Printing Technology

58 Pulp and Paper Bleaching

59 Pulp and Paper Fibers

Project examples (without listing Part Projects):

Z133 Pot. titrering och polyelektrolyttitrering

Z134 Ytsammensättning, ytenergi och syra-base-egenskaper

Z135 Anvendelse av dielektrisk spektroskopi

Z136 Karakterisering av fiber med biotekniska metoden

Z137 Elektromikroskopi

Z138 Konfokal mikroskopi og billedanalyse

Z139 Porstorlek v.h.a. omvendt storlek kromatografi

Z140 Porstorlek v.h.a. NMR-metodik

Z141 Cellulosens reaktivitet og krystallinitet

Z142 TB-method för mättning av specific yta

60 Pulp and Paper EU-Standardization

61 Pulp and Paper Technology

76 Environmental Properties of Wood

77 Properties and Applications of Nordic Wood

78 Nordic Wood as a Construction Material

79 Marketing of Nordic Wood

80 Nordic Wood and the Asian Markets

81 Wood Production

83 Wood Technology

 

Project examples (without listing Part Projects):

Z177 Trä och miljö

Z527 Skog-Trä-Miljö

Z528 Miljödeklaration

Z529 Trä-F&U-Miljöinformation

Z530 Spånplader i møbelindustrien

Z531 Furu Kjernved

Z178 Datorprogram Limträ

Z179 Brandsäkra trähus

Z532 Våtlimede byggkomponenter

Z181 Styrkesortering ger mervärde

NORDPAP

NORDPAP Part Programmes:

NP-01 Pulp and Paper Fibers

NP-02 Pulp and Paper Bleaching

NP-03 Paper as Carrier of Informations

NP-04 Pulp and Paper EU-Standardization

NORDIC WOOD

NORDIC WOOD Part Programmes:

NW-01 Environmental Properties of Wood

NW-02 Properties and Applications of Nordic Wood

NW-03 Nordic Wood as a Construction Material

NW-04 Marketing of Nordic Wood

NW-05 Nordic Wood and the Asian Markets

NW-06 Wood Production

We often think that cross-border REI activities, regional or global, are the playground for large enterprises as it is often the case. BCD had more than 70% of the largest Nordic enterprises as active project participants.

Very encouraging was the fact that many SMB´s found their way to Nordic REI cooperation.

In NORDIC WOOD as an example 21 carpenter guilds from the following small or mediumzised Danish towns participated in the research: ESBJERG, FREDERICIA, FREDERIKSHAVN, HADERSLEV, HERNING, HILLERØD, HJØRRING, HOLSTEBRO, KOLDING, MARSTAL, NYKØBING FALSTER, ODENSE, RANDERS, ROSKILDE, SILKEBORG, SKIVE, SVENDBORG, SØNDERBORG, ÅBENRÅ, AALBORG / NØRRESUNDBY and ÅRHUS cooperated with large companies such as ABB, AKZO NOBEL, ASSI-DOMÄN, COWI, ENZO-GUTZEIT and IKEA.

--------------------------------------------------------------------------------------------

1.9.5 OTHER INDUSTRIAL AREAS (OIA)

--------------------------------------------------------------------------------------------

OTHER INDUSTRIAL AREAS (OIA)

(red- and brown-colored areas/elements)

Juhani Kuusilehto (FIN)

Peter Göranson (SWE)

Svein Østevik (NOR)

Maija Uusisuo (FIN)

Snæbjörn Kristjansson (ICE)

REI = Research-Education-Innovation

OIA REI Areas: 48

OIA REI Subareas: 460

OIA Programmes: 0

OIA Part Programmes: 0

OIA REI Projects: 265

OIA REI Part Projects: approx. 1.060

OIA Senior Officers: 106

OIA Project Managers: 226

OIA Part Project Managers: approx. 900

OIA Other Officers: approx. 10.000

OIA Network Participants (People): approx. 64.000

OIA Network ECP: approx. 760.000

OIA REI Areas:

01 Allergy Research

09 Cancer Research

10 Catalysis and Catalysts

12 Chemical Fibers and Polymers

13 Chemistry and Chemical Technology

Project examples (without listing Part Projects):

Z194 Miljö i garverier

Z198 Olieseparation

Z200 Chromgarvningsmetode

Z207 Korrosionsskyddfärg

Z595 Biotannor

Z497 Adsorption av polymerer

Z578 Lut- och syraprocess

Z492 Processregulering

Z491 Styrd denitrifikation

Z475 Crude oil emulsions

14 Colours and Paints

15 Concrete Technology

16 Corrosion

32 Hormones

33 Immunology and ImmunoTechnology

34 Implantations and ImplantationTechnology

39 Medicine-Pharma-Health

41 Mineralogy and Minerals

48 Offshore Technology

52 Plasma and PlasmaTechnology

69 Supercritical Technologies

70 Surfaces and SurfaceTechnology

71 Tanning and TanningTechnology

08 Business Development

17 Culture and Technology

22 Expert Systems

31 Global REI-Relations

36 Information Technology

38 Measuring Technology

42 Molecule Structures and Modelling

43 NanoTechnology

55 ProcessTechnology

56 Product Development

62 Product Quality & Quality Management

64 Research Management

66 Sensors and SensorTechnology

67 Simulation and Modelling

68 SMBs

72 Technolgy Management

82 Systems Research and Development

44 REI Networks

18 Doctoral Education

19 Engineering Education

46 Technical Universities

Project examples (without listing Part Projects):

NTU = Nordic Technical Universities

Z476 NTU Students Seminar (NTUSS)

Z540 Nordic Industrial Researcher Education Programme (NIREP)

Z551 NTU Students Exchange Programme (NTUSEP)

Z555 NTU PhD Students Exchange Programme (NTUPSEP)

Z584 NTU Presidents Meeting & Industrial Seminar Norway 1993

Z513 NTU Presidents Meeting & Industrial Seminar Iceland 1994

Z517 NTU Presidents Meeting & Industrial Seminar Denmark 1995

Z520 NTU Presidents Meeting & Industrial Seminar Finland 1996

Z633 NTU Presidents Meeting & Industrial Seminar Sweden 1997

Z722 NTU Presidents Meeting & Industrial Seminar Norway 1998

65 Technology Forecasting

85 Regional Development

86 Materials Technology - Aluminium

87 Materials Technology - Ceramics

88 Materials Technology - Composites

89 Materials Technology - Simulation

90 Materials Technology - Surfaces

91 Materials Technology - Steel

92 General Materials Technology

Project examples (without listing Part Projects):

Z275 Oxidceramics

Z282 Zeolites

Z398 Eurodyn - High Technology Gas Turbine

Z591 Material - POM - Polyacetal

Z648 Composites and Sandwich Structures in Ship Construction

Z678 SOL Materials

Z683 Ferroalloys in the Nordic Countries

Z684 Tribology (Friction - Lubrication - Wear)

Z688 Fenite Element Analysis (FEA) in the Automotive Industries

Z713 Nordic Aluminium Cluster (NAC)

--------------------------------------------------------------------------------------------

1.9.6 BCD – HISTORY AND ACHIEVEMENTS – A RESUME

--------------------------------------------------------------------------------------------

More than 25 million people in the Nordic countries – and many more around the World – are each day and many times using or consuming products which were created or improved in one of the Nordic Industrial Fund´s Bio & Chemistry Division´s more than 50.000 research-, education- and innovation activities. More than 500.000 engineers, technicians, workers, university teachers, students, researchers, managers and officials from the 5 Nordic countries have – from a start in 1973 – gained new knowledge in their combined efforts to improve Nordic competitiveness, the Nordic environment and the health and quality of life of the countries populations and in many cases in crossborder cooperation with industrial and institutional partners from 57 other countries. --------------------------------------------------------------------------------------------

2 MULTICOMPLEX MANAGEMENT (MCM) - LITERATURE

--------------------------------------------------------------------------------------------

Lund, Hans Bruno

Multicomplex Management (MCM)

CD-ROM, 678 colored illustrations

Dr. Hans Bruno Lund, Management Consultant

Skodsborg

Denmark

2009

   

Format: Fotopositiv

Dato / Date: 1951

Fotograf / Photographer: Schrøder

Sted / Place: Trondheim

 

Wikipedia: Trondhjems Elektricitetsværk og Sporvei

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Tor.H4x.Bxx.F5117

 

1. rekke øverst fra høyre: Karl Berg, Arnt Bordahl, Einar Johansen, Jacob Haarberg, Oskar Kjølaas, Birger Grevstad, Leif Faanes, Ole J. Lillerønning, Hilmar Andresen, Johannes Grønning, Johannes Alstadnæs, Olaf Antonsen, Oskar Bersvendsen, Gustav Gråwe, Ingvald Faanes, Nils Næss, Bernhard Røstum, Arne Andreassen, Halfdan Bartnes, Lars Baardsgaard

 

2. rekke fra høyre: Ivar Langaas, Alfred Langlete, Petter Væren, Martin Riseth, Alf Grøtte, John Storli, Olaf Bromstad, Arnold Buvarp, Lauritz Lie, Johan Johansen, Bjørn Sommervold, Johan Skjetne

 

3. rekke fra høyre: Einar Heimdal, Karl Nærum sen., Hjalmar Lønvik, Aksel Rø, Elling Husdal, Kristian Nøstvold, Helmer Lian, Hartvig Sjølie, Oskar Letnes, Sivert Husby, Erling Olsen, Hjalmar Sandstrøm

 

4. rekke fra høyre: Jørgen Olsen, Løvenskjold Grytvik, Arne Island, Sivert Solberg, Harald Grønli, Olaf Larsen kontrollør, Odin Krabseth overkontrollør, Johan Høyem, Eleseus Brevik, Hilmar Haagensli, Johan Aasmyr, Hjalmar Koen

 

5. rekke fra høyre: Sigurd Pedersen, Sigurd Johansen, Nils Pedersen, Aksel Dahl, Trygve Øfsti, Lars Sommer, Ole Holme sporvokter, Johan Melhus sporvokter, Trygve Skogseth, Karl Lindgren, Arvid Lykstad, Ingolf Prestmo, Trygve Berg, Trond Lien

 

6. rekke fra høyre: Birger Ulleberg, Gunnar Olsen, Odd Letnes, Erling Rø, Kåre Ranheim, Leif Dahl, Odd Olsen, Harry Lian, Magne Hernes, Trygve Haarberg, Leif Kvam, Karl Nærum jun., Svend Ulleberg, Gunnar Flønes, Harry Kvam, Einar Haarberg, Martin Moe, Odd Larssen, Harald Følling, Viktor Næss

 

7. rekke fra høyre: Harry Larsen, Kåre Eidum, Bjørn Havik, Anders Johansen, Sverre Vigen, Johan Bartnes, Ole Skjetne, Sivert Schevik, Arne Vansvik, Karl Grevstad, Odd Berg, Ragnar Johansen, Oskar Elvsås, Arnulf Lie, Birger Eidem, Harald Husby, Erling Vik, Leif Foss, Odd Forseth, Ole Norum

 

8. rekke fra høyre: Asbjørn Johansen, Harry Moksnes, Håkon Lian, Bjørn Wold, Georg Gimnes, Arvid Johansen, Reidar Ottesen, Nils Alstad, Odd Arntzen, Kåre Nordhammer, Arne Berg, Knut Gjersvold, Bjarne Ellevseth, Ulf Olsen, Kristian Leistad, Leif Ovesen, Jens Sagør, Asbjørn Langlete, Kristoffer Leer, Hagbart Riddervold

 

9. rekke fra høyre: Georg Andresen, Alf Sæther, Kåre Hansen, Tor Tønnevold, Harald Grunnan, Oddvar Ellingsen, Roald Hansen, Kåre Aamo, Bjørn Berg, John Hokstad, Oddvar Remman, Oddmund Sundseth, Jan Dyrdahl, Leif Haugan, Rolf Rossing, Odd Nyberg, Finn Wisløff, Oskar Larsen, Odd Hojem, Erling Wold

 

10. rekke fra høyre: Leif Sumstad, Rolf Følling, Halvor Olsen, Arnfinn Wiig, Per Berg, Per Pettersen, Alf Johansen, Georg Rønning, Oliver Alseth, Gunnar Vågen, John Rian, Torbjørn Fossum, Alf Knudsen, Asbjørn Nordø, Reidar Hansen, Kjell Jamt, Ingvar Bjørnbeth, Odd Norum, Ragnar Strand, Alfred Wean

 

I midten: Direktør Kleven og Driftsingeniør Skaug

Format: Fotopositiv

Dato / Date: 1910

Fotograf / Photographer: Antagelig Schrøder

Sted / Place: Trondheim

 

Wikipedia: Trondheim Sporvei

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Tor.Hxx.Bxx.F5117

  

Øverste rekke:

Kond. Sverre Rødahl (f. 19.05.1881 i Trondhjem, bosted 1910 Arilds gate 8), Kond. Olav Larsen, Kond. Oskar Kjølaas (f. 27.04.1892 i Trondhjem, bosted 1910 ”Lotringen” på Lilleby), Kond. Alfred Gulbrandsen (f. 08.01.1893 i Trondhjem, bosted 1910 Innherredsveien 25), Kond. Einar Johansen (f. 24.12.1886 i Trondhjem, bosted 1910 Dronningens gate 62), Kond. Odin Krabseth (f. 18.07.1885 i Leksvik, bosted 1910 Innherredsveien 65 A), Kond. Ole Benjaminsen (f. 18.05.1892 i Trondhjem, bosted 1910 Innherredsveien 27), Kond. Sverre Sand (f. 09.10.1893 i Trondhjem, bosted 1910 Myhres gate 9), Kond. Olav Andreas Dyrendahl (f. 26.05.1892 i Trondhjem, bosted 1910 Kirkegata 61), Kond. Olaf Mathisen (f. 29.11.1892 i Trondhjem, bosted 1910 Vaterlandsveita 2), Kond. Endre Margido Grøseth (f. 12.07.1893 i Trondhjem, bosted 1910 Innherredsveien 41), Kond. Ole Sommervold (f. 28.10.1891 i Trondhjem, bosted 1910 Innherredsveien 37), Kond. Osvald Sæther (f. 25.03.1893 i Trondhjem, bosted 1910 Fjæregaten 4).

 

Rekke 2:

Vognf. Fridthjof Madsen (f. 14.06.1866 i Trondhjem, bosted 1910 Nye Åsvei 27 A), Vognf. Arnt Kolstad (f. 28.03.1863 på Leinstrand, bosted 1910 Kirkegata 47), Vognf. Jonas Forfod (f. 12.02.1873 i Åfjord, bosted 1910 “Sannan” på Voldsminde), Vognf. Knud Johnsen (f. 18.08.1863 i Manger prestegjeld, bosted 1910 Voldsminde 21), Vognf. Olaus Eidem (f. 03.08.1873 i Åfjord, bosted 1910 Skolegata 10), Vognf. Adolf Ernestus (f. 06.05.1876 i Barmen i Tyskland, bosted 1910 Nye Åsvei 24), Vognf. H. Jensen-Moe, Vognf. Andreas Uglem (f. 30.07.1865 i Selbu, bosted 1910 Olav Tryggvasons gate 45), Vognf. H. Gilstad, Vognf. Marius Johansen, Vognf. W. M. Jensen (f. 03.04.1868 i Trondhjem, bosted 1910 Nyborg 3), Vognf. A. J. Langset, Vognf. Harald Eidem (f. 01.01.1880 i Åfjord, bosted 1910 Askgrobakken 6), Vognf. Johan Haugan (f. 29.03.1865 i Trondhjem, bosted 1910 Sverres gate 8).

 

Rekke 3:

Vognf. Martin Melhus (f. 02.06.1861 på Inderøy, bosted 1910 Holstveita 16), Vognf. Anton Risan (f. 13.12.1858 på Frosta, bosted 1910 Biskop Sigurds gate 11), Vognf. Peder Stubbe (f. 23.08.1879 i Selbu, bosted 1910 Båhus gate 2 A), Sporvokter Johan Andreas Aasgaard (f. 19.05.1859 i Trondhjem, bosted 1910 “Sannan” på Voldsminde), Vognf. Kristian Forfod (f. 29.05.1867 i Åfjord, bosted 1910 Kirkegata 67), Vognf. Bernt Eidem (f. 21.04.1868 i Åfjord, bosted 1910 Skolegata 4), Vognf. August Krabseth (f. 16.08.1883 i Leksvik, bosted 1910 Innherredsveien 65 A).

 

Nederste rekke:

Kond. Ingvald Myhr (f. 17.06.1891 i Meldal, bosted 1910 Øvre Møllenberg gate 48 A), Kond. Fridtjof Guldvog (f. 22.01.1896 i Trondhjem, bosted 1910 Mellomveien 18), Kond. Karl Grevstad (f. 28.08.1890 i Trondhjem, bosted 1910 “Falkstuen” i Gamle Åsvei), Sporvokter Odin Henrik Dørum (f. 03.07.1870 i Trondhjem, bosted 1910 Nedre Møllenberg gate 74), Kond. Johan Lian (f. 01.10.1881 i Leksvik, bosted 1910 Broveita 4), Kond. Carl Alfred Prøis (f. 21.11.1874 i Trondhjem, bosted 1910 Østersunds gate 16), Kond. Sevrin Koksæther.

 

Kilde:

 

Digitalarkivet - Folketellingen 1910

 

Format: 120 mm medium format

Film: Ukjent

Dato / Date: ca. 1950

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Trøndelag, Norge

Oppdatert / Update: 28.11.2019 [lenke til tidligere byarkivar Paasches 'Arkivteknikk' fra 1967]

 

Wikipedia: Kopimaskin

 

Wikipedia: Kindermann GmbH

 

Erling Paasche: Arkivteknikk (Oslo 1967) s. 258 ff. om fotografiske kopieringsmetoder

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Tor.H46.B10.F20819

 

Merknad:

 

Filmfotograf Oskar A. Johansen (1908-1980) var bl.a. kinomaskinist ved Trondheim Kinematografer og filmarkivar ved Trondheim kommunes Skolefilmsentral, som hadde tilhold på Bispehaugen skole.

Format: Fotopositiv

Dato / Date: 1963

Fotograf / Photographer: Ukjent

Sted / Place: Ukjent

 

WikiStrinda: Byåsen skole

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Byåsen skole, Ua Foto, Personalet 1963

 

Første rekke fra venstre:

 

Oskar Bøgseth, skolestyrets formann. Gunnar Rangul, skolestyrer. Jon Berg, skoleinspektør. Jenny Karlsen, tilsynsnemdas formann.

 

Andre rekke fra venstre:

 

Asbjørg Ystad, Ingeborg Johansen, Randi Langlie Johansen, Johanne Larsen, Ingrid Haugen, Marit Herrem.

 

Tredje rekke fra venstre:

 

Borghild Kulvik, Hanna Eidem Mogstad, Marta Brun, Elsa Andorsen, Eva Rynning, Målfrid Eriksen, Helga Minsaas, Torbjørg Pedersen, Elise Eklund, Margareth Aalbu, Mary Hansteen.

 

Fjerde rekke fra venstre:

 

Aase Mari Aas, Brit Hollum, Eli Tiller, Aslaug Gregusson, Aase Hoem, Bjørg Aursand, Beate Wara, Hilma Thornæs, Aslaug Rokseth, Aslaug Finnes, Ovidie Tømmervik.

 

Femte rekke fra venstre:

 

Peder Kjøren, Sigrid Reed Reppe, Gerd Mellingseter, Gudrun Belsaas, Sylva Husemoen, Kjelrun Wien, Karin Erlandsen, Inger Mysen, Marie Aam, Knut Hemming, David Lundereng.

 

Sjette rekke fra venstre:

 

Fredrik Angen, Kaare Aanvik, Thorleif Knudsen, Harry Aalbu, Anton Vist, Odd Wien, Anders T. Haugland, Lars Østbø, Jørgen Finnes, Sverre Sivertsen, Odd Gregusson.

Format: Fotopositiv

Dato / Date: 1930

Fotograf / Photographer: Ukjent

Sted / Place: Lademoen Brannstasjon, Trondheim

 

Wikipedia: Brannvesen

 

Lenke / Link: Trøndelag Brann- og Redningstjeneste (tbrt.no)

 

Litteratur: Anders Kirkhusmo og Per R. Christiansen: Trondheim Brenner - Branner og brannvern i byen gjennom 1000 år (Pirforlaget, Trondheim 2013)

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Tor.H45.B02.F21994

 

Merknad: Fra Trondheim Brannvesens arkiv.

 

1. rekke fra venstre:

 

- Brannformann Sevrin Peder Hansen Hildre (f. 1878 i Haram)

- Brannformann Johan Peter Johansen (f. 1869 i Altadhaug, Skogn)

- Brannmester John Anshus (f. 1882 i Soknedal)

- Brannformann Johan Andreas Frigaard (f. 1865 i Åsen)

- Brannkonstabel Bernt Martin Berg (f. 1880 i Verdalen)

 

2. rekke fra venstre:

 

- Brannkonstabel Osvald Andreas Ferstad (f. 1886 i Trondhjem)

- Brannkonstabel J. Olsen [enten Johan Olsen (f. 1899 i Stjørdal) eller Johs. Olsen (f. 1894 i Oslo)]

- Nilsen [antagelig Brannkonstabel Oskar Nilsen (f. 1887 på Vang i Hedmark)]

- Brannkonstabel Bjarne Frigaard (f. 1893 i Trondhjem)

- Brannkonstabel Albert Baatnes (f. 1888 i Tingvold)

- Brannkonstabel Jonas Muri (f. 1884 i Norddalen)

 

3 rekke fra venstre:

 

- Brannkonstabel Arne Teodor Dragvold (f. 1892 i Trondhjem)

- A. Frigård

- Brannkonstabel Robert Hofstad (f. 1891 i Meråker)

- Telstad

- Kråkmo

- Brannkonstabel Ivar Johnsen Kvendbø (f. 1883 i Surnadal)

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: 1961

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Trøndelag, Norge

 

NRKbeta: Nytt program fargelegger gamle bilder automatisk

 

DeOldify: deepai.org/machine-learning-model/colorizer

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Tor.H46.B10.F21348

 

Merknad:

 

Byarkivet tester DeOldify.

Ovedia Johansen: born 4 Jul 1887 in Traena, Norway

 

Haakon Johan: born 31 November 1912 in Astoria, Oregon; Arthur Sigfred: born 26 October 1913 in Astoria, Oregon; Alf Oskar Meyer: born 25 May 1916 in Traena, Norway.

 

Residence Place: 1625 Duane Street, Astoria, Oregon

 

Passport Issue Date: 25 May 1918

 

Source: catalog.archives.gov/id/207647144?objectPage=322

Format: Postkort, fotopositiv

Dato / Date: Poststemplet 21. desember 1984

Fotograf / Photographer: Oskar A. Johansen

Sted / Place: Trondheim

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Google Street View: g.co/maps/8h8hr (Schultz gate)

Arkivreferanse / Archive reference: Torh43b75 F5174

Falstad fotografert få dager etter frigjøringen i 1945, sannsynligvis 12. mai.

 

Falstad a few days after Liberation in 1945, probably May 12th.

 

Dato / Date: 1945

Fotograf / Photographer: Oskar A. Johansen

Sted / Place: Ekne, Nord-Trøndelag, Norge/Norway

Arkivreferanse /Archive reference: FSM foto 0800517

Det norske flagget vaier over Falstad 12. mai 1945, få dager etter frigjøringen.

 

The Norwegian flag is waving at Falstad on May 12th 1945, a few days after Liberation.

 

Dato/Date: 1945

Fotograf/Photographer: Oskar A. Johansen

Sted/Place: Ekne, Nord-Trøndelag, Norge/Norway

Arkivreferanse/Archive reference: FSM foto 0800516

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: Sensommeren 1961

Fotograf / Photographer: Oskar A. Johansen (1908 - 1980)

Sted / Place: Trøndelag

 

Wikipedia: Trøndelag

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21350

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Falstad 12. mai 1945. Lokale vaktmannskaper og nyankomne polititropper (svensksoldater).Falstad on May 12th 1945.

 

Local guards and newly arrived police troops (trained in Sweden).

 

Dato/Date: 1945

Fotograf/Photographer: Oskar A. Johansen

Sted/Place: Ekne, Nord-Trøndelag, Norge/Norway

Arkivreferanse/Archive reference: FSM foto 0800530

Landssvikfanger ankommer Falstad 12. mai 1945.People arrested for treason arrive at Falstad on May 12th 1945.Dato/Date: 1945Fotograf/Photographer: Oskar A. JohansenSted/Place: Ekne, Nord-Trøndelag, Norge/NorwayArkivreferanse/Archive reference: FSM foto 0800528

Falstad 20. august 1945, like utenfor hovedporten. Denne dagen ble det funnet tre ukjente falne i Falstadskogen, trolig sovjetiske krigsfanger. Falstad on August 20th 1945, just outside the main gate. This day three unknown fallen were found in the Falstad forest, probably Soviet POWs.Dato/Date: 1945Fotograf/Photographer: Oskar A. JohansenSted/Place: Ekne, Nord-Trøndelag, Norge/NorwayArkivreferanse/Archive reference: FSM foto 0800559

Fanger ankommer Innherad tvangsarbeidsleir i mai 1945.

 

Prisoners arrive Innherad tvangsarbeidsleir (forced labour camp) in May 1945.

 

Fotograf / Photographer: Oskar A. Johansen

Dato / Date: 1945

Sted / Place: Ekne, Nord-Trøndelag, Norge/Norway

Arkivreferanse /Archive reference: FSM foto 0800529

Ved porten til Innherad fangeleir, trolig 20. august 1945.By the gate to Innherad fangeleir, probaby August 20th 1945.Dato/Date: 1945Fotograf/Photographer: Oskar A. JohansenSted/Place: Ekne, Nord-Trøndelag, Norge/NorwayArkivreferanse/Archive reference: FSM foto 0800560

Bjørke church is a long church from 1696 located in Maura, north of Nannestad municipality, Akershus county. It is part of the Norwegian Church and belongs to the Upper Romerike prosti in Borg diocese.

 

The building is in wood and has 178 seats.

 

The first church in Bjørke was built already in the 11th century, this was a small guard church.

 

Around 1330 a small stave church was set up. In 1660 the stave church was so decayed that it was demolished.

 

The current Bjørke church was built by Oluf and Christopher Vestby and Jens Laage, by contract of 10 April 1696.

 

The chair and altarpiece are painted by the priest and Colonel Kjell Stub (1607–73), who was a parish priest in Ullensaker. The church's procession cross was made by wooden carpenter Arne Oskar Johansen (1923 - 2009) and painted by his grandson Ingrid Johansen (1976 -).

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: Pinseaften, Lørdag 20 Mai 1961

Fotograf / Photographer: Oskar A. Johansen (1908 - 1980)

Sted / Place: Trøndelag

Oppdatert / Update: 02.06.2015 [eksakt dato og lenke til Adresseavisen]

 

Wikipedia: Pinse

 

Adresseavisen: "Derfor ivrer trønderne mest" (adressa.no)

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21182

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

See the film The Curator Lifting Running Competition(2003) by Thierry Geoffroy/Colonel part of the Biennalist

youtu.be/bvjDY3ZI_WE

The Curator Lifting Running Competition

23 April - 13 June 2004

 

Nikolaj, Copenhagen Contemporary Art Center, proudly presents the world premiere of Colonel’s film the curator lifting running competition.

 

Danish/French artist Colonel’s video from the Venice Biennale 2003 will be shown at Nikolaj’s Cinema. It presents the staging of a competition in which artists raced each other while carrying a curator on their backs. The prize was an admission ticket to the most prestigious party of the Biennale. During a major art event as the Venice Biennale, both artists and curators are subject to hidden rules and mechanisms which must be adhered to in order to obtain a good position in the hierarchy of the art world. With his energetic and humorous video Colonel focusses on these mechanisms and unveils a lobbyistic game which is not merely about creating exhibitions but also about preserving certain privileges.

 

On the plane:

It begins on the plane from Denmark where the art industry clique has booked the same flight. Colonel hands out flyers, already well underway with his campaign to recruit contestants for the competition.

 

New film concept:

Colonel uses people who simply happen to be there to film the situations which arise. In so doing they become both witnesses to and participants in the processes of uncovering the hidden mechanisms of the cultural event.

 

The press:

In Venice Colonel intensifies his endeavours and now involves the journalists so that they may help him spread the word about the upcoming event.

 

Participants for the competition:

In Venice Colonel goes on to invite artists as well as curators to be a part of the great race.

 

The party:

Colonel chases invitations to the most coveted parties in order to use them as the first prize of the curator lifting running competition.

 

The competititon:

During the competition the artist both symbolically and literally becomes the curator’s arms and legs.

For more information on this project, please visit www.colonel.dk

www.emergencyrooms.org/formats.html

 

About LA BIENNALE DI VENEZIA 2003

Theme:

Dreams and Conflicts. The Dictatorship of the Viewer.

 

Director:

Francesco Bonami

 

50. Venice Biennial

15 June - 2 November 2003

 

If the idea of the large international survey has always been conceived as a whole concept to be fragmented into the visions of the individuals artists, "Dreams and Conflicts" wants art from the autonomy of the different projects to seek in this complexity of ideas the unity that defines the language of contemporary art today.

In the contemporary society the viewers with their presence and absence controls the success of every exhibition and cultural enterprise; in "Dreams and Conflicts" they appear as one of the subjects that contribute to define the structure of the show, the artist, the curator, the viewer.

Along with the artist, the beholder is one of the poles that connecting produce the spark that activate the art work successfully in the social and cultural context.

The dream and the conflict, the total world opposed to its political and geographical fragmentation, the national aspirations in contrast with the international achievements are all elements that will contribute to the making of the Visual Arts Biennale.

"Dreams and Conflicts" will be an exhibition focused at the same time on art as a personal tool of a personal experience and conviviality. A show through which is possible to have access to the complexity of a world made by groups of individuals defined by multiple and diverse necessities. An exhibition constructed with multiple projects to test the strength of that ideal community where the creative process of the contemporary artist is active. Dreams and Conflicts will not be a show about political art but a reflection on the politics of art. The experience of the viewer facing the unique vision of the artist. Two contemporary subjects divided simply by a different gaze.

www.labiennale.org

 

2003 Awards:

Golden Lion for the best work to Peter Fischli and David Weiss

Golden Lion for an artist under 35 years of age to Oliver Payne and Nick Relph

Prize for Young Italian Art to Avish Kheberhzadeh

Golden Lion for the best national participation to Luxembourg

Golden Lions for Lifetime Achievement to Michelangelo Pistoletto and Carol Rama

 

artists & participants

Adel Abdessemed, Etti Abergel, Franz Ackermann, Özge Ackkol, Emil Aleksiev, Brooke Alfaro, Victor Alimpiev, Darren Almond, Pawel Althamer, Kai Althoff, Carlos Amorales, Karin Mamma Andersson, Mamma Andersson, Emmanuelle Antille, Isabel Aquilizan, Alfredo & Isabel Aquilizan, Arahmaiani, Irma Arestizabal, Alessandra Ariatti, Art & Language, Micol Assael, Asymptote Architecture, Atelier Bow-Wow, Atelier Fcjz, Kader Attia, Charles Avery, Zeigam Azizov, Yiso BAHC, Maja Bajevic, John Baldessari, Shigeru Ban, Matthew Barney, Matteo Basile, Carlos Basualdo, Taysir Batniji, Ute Meta Bauer, Thomas Bayrle, Marie-Claude Beaud, Avner Ben-Gal, Samta Benyahia, Chiara Bertola, Ariane Beyn, Zarina Bhimji, Nuri Bilge Ceylan, Daniel Birnbaum, Dara Birnbaum, Sylvie Blocher, Stefano Boeri, Inaki Bonillas, Ecke Bonk, World Bookstore, Frank Bowling, Kristina Braein, Sergej Bratkow, Glenn Brown, Fernando Bryce, Angela Bulloch, Bettina M. Busse, Jean-Marc Bustamante, Pash Buzari, Pedro Cabrita Reis, Aline Caillet, Canton Express, Cao Fei, Maria Fernanda Cardoso, Jota Castro, Maurizio Cattelan, Ergin Cavusoglu, Carolina Caycedo, Tony Chakar, Nikos Charalambidis, Clifford Charles, Thompson Cheyney, Pitso Chinzima, Dadang Christanto, Santiago Cirugeda, Cliostraat, Paolo Colombo, Vitamin Creative Space, Alice Creischer, Abraham Cruzvillegas, Minerva Cuevas, Alexandre da Cunha, Beatrice Cussol, Boris Cvjetanovic, Josef Dabernig, Jonas Dahlberg, Colin Darke, Gabriela Dauerer, François Daune, Catherine David, Enrico David, Kate Davis, Verne Dawson, Berlinde De Bruyckere, Anna de Manincor, Amicale de Temoins, Tacita Dean, Jeremy Deller, Thomas Demand, Gu Dexin, Paola Di Bello, Fan Dian, Thea Djordjadze, Nico Dockx, Trisha Donnelly, Heri Dono, Stanislaw Drozdz, Dubossarsky & Vinogradov, Sam Durant, Jimmie Durham, Leif Elggren, Olafur Eliasson, Elizabeth Diller + Ricardo Scofidio, Michael Elmgreen, Elmgreen & Dragset, F5, Julia Fabenyi, Juan-Pedro Fabra Guemberena, Josette Faidit, Rotimi Fani-Kayode, Hassan Fathy, Didier Faustino, Flavio Favelli, Hans-Peter Feldmann, Urs Fischer, Fischli/Weiss, Vadim Fishkin, Ceal Floyer, Marina Fokidis, Alicia Framis, Yona Friedman, Jesus Fuenmayor, Meschac Gaba, Giuseppe Gabellone, Ellen Gallagher, Gego, Isa Genzken, Ghazel, Carmit Gil, Gilbert & George, Liam Gillick, Gimhongsoh, Massimiliano Gioni, Bruno Gironcoli, Felix Gmelin, Robert Gober, Leon Golub, Fernanda Gomes, Dominique Gonzalez-Foerster, Dryden Goodwin, Douglas Gordon, Amit Goren, Tomislav Gotovac, Dan Graham, Rodney Graham, Francesca Grassi, Hannah Greely, Joseph Grigely, Massimo Grimaldi, Caracas Group, Grupo de Arte Callejero, Gruppo A12, Hakan Gürsoytrak, Graham Gussin, Daniel Guzman, Thea Gvetadze, Veliswa Gwintsa, Hans Haacke, Henrik Håkansson, Mathew Hale, David Hammons, Kevin Hanley, Hou Hanru, Rachel Harrison, Yuko Hasegawa, Jeppe Hein, Michal Helfman, Heman Chong, Liu Heng, Jose Antonio Hernandez-Diez, Sandi Hilal, Nikolaus Hirsch, Thomas Hirschhorn, Damien Hirst, Candida Höfer, Hans Hollein, Carsten Höller, Karl Holmqvist, Katie Holten, Kim Hong-Hee, Roni Horn, Wong Hoy Cheong, Hu Fang, Alfons Hug, Carlos Hugo Levinton, Marine Hugonnier, Pierre Huyghe, Gül Ilgaz, IRWIN, Arata Isozaki, Joo Jae-Hwan, Piotr Janas, Koo Jeong-A, Jiang Zhi, Liu Jianhua, Duan Jianyu, Fu Jie, Yang Jiechang, Jin Jiangbo, Sture Johannesson, John M. Johansen, Liang Juhui, Jean-Paul Jungmann, Tamara K.E., Ilya Kabakov, Emilia Kabakov, Ilya & Emilia Kabakov, Momoya Kaijima, Xenia Kalpaktsoglou, Gülsün Karamustafa, David Kareyan, Avish Khebrehzadeh, Ian Kiaer, Abbas Kiarostami, Sora Kim, Martin Kippenberger, Eva Koch, Jakob Kolding, Michal Kolecek, Julius Koller, Rem Koolhaas, Valery Koshlyakov, Sakarin Krue-On, Erkki Kurenniemi, Gabriel Kuri, Surasi Kusolwong, Athanasia Kyriakakos, Kyupi-Kyupi, Luisa Lambri, Moshekwa Langa, Michel Lasserre, Laylah Ali, Chris Ledochowski, Daniel Lee, Lee Mingwei, Yan Lei And Fu Jie, Yuri Leiderman, Robert Leonard, Kamin Lertchaiprasert, Simon Leung, Mikael Levin, Borges Libreria, Lin Yilin, Armin Linke, Little Warsaw, Hilary Lloyd, Marcos Lora Read, Liisa Lounila, Sarah Lucas, Maria Luz Cardenas, M/M (Paris), Beral Madra, Marko Mäetamm, Janus Magazine, Calin Man, Dusan Mandic, Valerie Mannaerts, Marepe, Kerry James Marshall, Rosa Martinez, Bruce Mau, Lucy McKenzie, Steve McQueen, Cildo Meireles, Jonas Mekas, Salem Mekuria, Annette Messager, Gustav Metzger, Henry Meyric Hughes, Linda Michael, Beatriz Milhazes, Helen Mirra, Viktor Misiano, Miran Mohar, Andrei Monastyrski, Agnieszka Morawinska, Marco Moretti, Jean-Luc Moulene, Pavel Mrkus, Rabih Mroue, Sabah Naim, Deimantas Narkevicius, Monica Narula, Moataz Nasr, Molly Nesbit, Rivane Neuenschwander, Jun Nguyen-Hatsushiba, Carsten Nicolai, Charly Nijensohn, Ou Ning, Shelley Niro, Nils Norman, Hans Ulrich Obrist, Tomas Ochoa, Oda Projesi, Motohiko Odani, Chris Ofili, Kaido Ole, Antonio Ole, Oliver Payne & Nick Relph, Paulina Olowska, Roman Ondak, Mareaperto Onlus, Yoko Ono, Ana Opalic, Roman Opalka, Gabriel Orozco, Fernando Ortega, Damian Ortega, Olumuyiwa Olamide Osifuye, Tsuyoshi Ozawa, Alfred Pacquement, Lygia Pape, Claude Parent, Philippe Parreno, Jennifer Pastor, Oliver Payne, Yan Peiming, Marko Peljhan, Rafael Pereira, Alexandre Perigot, Manfred Pernice, Diego Perrone, Zsolt Petranyi, Alessandro Petti, Patricia Piccinini, Monica Pignatti Morano, Michelangelo Pistoletto, Paola Pivi, Magnus Plessen, Neriman Polat, Apinan Poshyananda, Marjetica Potrc, Bettina Pousttchi, Richard Prince, Florian Pumhösl, Tawatchai Puntusawasdi, Feng Qianyu, Ma Qingyun, Jorge Queiroz, Walid Raad, Edi Rama, Carol Rama, Raqs Media Collective, Charles Ray, Tobias Rehberger, Nick Relph, Rosangela Renno, Pedro Reyes, David Robbins, Pia Roenike, Fernando Romero, Martha Rosler, Sara Rossi, Natascha Rossi, Michal Rovner, Aida Ruilova, Ruri, Karl S. Chu, Walid Sadek, Anri Sala, Andrea Salvino, Tisna Sanjaya, Tomas Saraceno, Bojan Sarcevic, Günes Savas, Andrej Savski, Markus Schinwald, Christoph Schlingensief, Dana Schutz, Uwe Schwarzer, Paul Seawright, Tino Sehgal, Shuddhabrata Sengupta, Nebojsa Seric-Soba, Randa Shaath, Shirana Shahbazi, Michael Shaowanasai, Chen Shaoxiong, Wael Shawky, Lu Shengzhong, Shimabuku, Wang Shu, Shu Lea Cheang, Efrat Shvily, Andreas Siekmann, Santiago Sierra, Vasan Sitthiket, Andreas Slominski, Patti Smith, John Smith, Terry Smith, Robert Smithson, Nedko Solakov, Doron Solomons, Yutaka Sone, Sora Kim, Monika Sosnowska, Carola Spadoni, Nancy Spero, Manit Sriwanichpoom, S&P Stanikas, Simon Starling, Utopia Station, Urs Staub, Gerda Steiner & Jörg Lenzlinger, Jana Sterbak, Michael Stevenson, Mladen Stilinovic, Rudolf Stingel, Gio Sumbadze, SUPERFLEX, Viktor Sydorenko, Future Systems, Mika Taanila, Tadaso Takamine, Armando Tanzini, Javier Tellez, Nahum Tevet, The Atlas Group, The Blue Noses, David Thorp, Einer Thorsteinn, Rirkrit Tiravanija, Lincoln Tobier, Vicente Todoli, Milica Tomic, Chen Tong, Jaan Toomik, Nazif Topcuoglu, Rosemarie Trockel, Tatiana Trouve, Su-Mei Tse, Tsang Tsou-Choi, Nobuko Tsuchiya, Patrick Tuttofuoco, Uglycute, Piotr Uklanski, Roman Uranjek, Campement Urbain, Uteque, Jeanne van Heeswijk, Joep van Lieshout, Erik van Lieshout, Zaneta Vangeli, Marc Vog, Borut Vogelnik, Carl Michael von Hausswolff, Amelie von Wulffen, Richard Wentworth, Made Wianta, Fred Wilson, Rein Wolfs, Paul Wong, Richard Woods, Xu Tan, Paola Yacoub, Paola Yacoub & Michel Lasserre, Yan Lei, Yang Fudong, Yangjiang Group, Secil Yersel, Sha Yeya, Lu Yi, Yang Yong, Huang Yong Ping, Young-Hae Chang HEAVY INDUSTRIES, Yung Ho Chang, Tamas Zanko, Zeigam Azizov / Stuart Hall, Zhan Wang, Zhang Peili, Zheng Guogu, Zhu Jia, Marian Zhunin, Dolores Zinny & Juan Maidagan, Konstantin Zvezdochetov

  

curators

Miquel Barcelo , Louise Bourgeois , Alan Bowman , Enzo Cucchi , Wim Delvoye , Cerith Wyn Evans , Charlotte Ginsborg , Julian Heynen , Bethan Huws , Marja Kanervo , Kasper König , Oleg Kulik , Lois Renner , Jan Saudek , Shozo Shimamoto , Vittorio Urbani

 

—----

0th International Art Exhibition

18 special exhibitions:

venues: Arsenale, Giardini di Castello, Museo Correr

"Dreams and Conflicts. The dictatorship of the Viewer"

curators: Francesco Bonami, Carlos Basualdo, Daniel Birnbaum, Catherine David, Massimiliano Gioni, Hou Hanru, Molly Nesbit, Hans Ulrich Obrist, Gabriel Orozco, Gilane Tawadros, Rirkrit Tiravanija, Igor Zabel

"Bruchlinien: Zeitgenössische afrikanische Kunst und sich verschiebende Landschaften"

Laylah Ali, Kader Attia, Samta Benyahia, Zarina Bhimji, Frank Bowling, Clifford Charles, Pitso Chinzima, Rotimi Fani-Kayode, Hassan Fathy, Veliswa Gwintsa, Moshekwa Langa, Salem Mekuria, Moataz Nasr, Sabah Naim,  Gilane Tawadros

"Z.O.U. - Zone of Urgency"

Yung Ho Chang amp; Atelier FCJZ, Adel Abdessemed, Alfredo Juan Aquilizan, Maria Isabel Aquilizan, Atelier Bow-Wow, Momoya Kaijima, Campement Urbain, Canton Express6nbsp;, Jota Castro, Young-Hae Chang, Heavy Industries, Shu Lea Cheang, Heri Dono, Gu Dexin, Huang Yong Ping, Joo Jae-Hwan, Sora Kim amp; Gimhongsoh, Surasi Kusolwong, Kyupi-Kyupi, Jun Nguyen-Hatsushiba, Tsuyoshi Ozawa, Tadaso Takamine, Tsang Tsou-choi, Wong Hoy Cheong, Yan Lei amp; Fu Jie, Yan Pei-Ming, Yang Zhengzhou, Zhang Peili, Zhu Jia / Hou Hanru

"Die Überlebensstruktur"

Grupo de Arte Callejero , Andreas Siekmann, Alice Creischer, Marepe, Yona Friedman, Muyiwa Osifuye, Rachel Harrison, Antonio Ole, Juan Maidagan, Dolores Zinny, Carolina Caycedo, Fernanda Gomes, Mikael Levin, Marjetica Potrc / Carlos Basualdo

"Contemporary Arab Representations"

The Atlas Group, Walid Ra´ad, Taysir Batniji, Tony Chakar, Bilal Khbeiz, Randa Shaath,Paula Yacoub , Michel Lasserre / Catherine David

"Das veränderte Alltägliche"

Abraham Cruzvillegas, Jimmie Durham, Daniel Guzman, Damian Ortega, Fernando Ortega, Jean Luc Moulene / Gabriel Orozco

"Utopia Station"

Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija, Ariane Beyn, Elena Filopovic, Liz Linden, Francesca Grassi, Uwe Schwarzer

"Clandestines"

Francesco Bonami

"Individuelle Systeme"

Igor Zabel

"Verzögerungen und Revolutionen"

Francesco Bonami, Daniel Birnbaum

"Die Zone"

Massimiliano Gioni

country pavilions

Giardini di Castello: 55 National Pavilons

(artists / curators)

Australien: Patricia Piccinini, Kommissar: Victoria Lynn / Linda Michael

Belgien: Silvie Eyberg, Valerie Mannaerts, Thierry de Duve

Bosnien Herzegovina: Maja Bajevic, Edin Numankadic, Jusuf Hadzifeizovic, Nebojsa Seric-Soba, Edo Hozic, Enver Hadziomerspahic

Brasilien : Beatriz Milhazes, Rosangela Renno, Manoel Francisco Pires da Costa, Alfons Hug-China: Liu Jianhua, Lu Shengzhong, Wang Shu, Yang Fudong, Zhan Wang / Yan Dong , Fan Dian, Wang Yong

Kroatien: Boris Cvjetanovic, Ana Opalic, Leonida Kovac

Tschechische Republik und Slowakische Republik

Kamera skura and Kunst-Fu / Michal Kolecek

Dänemark:Olafur Eliasson, Gitte Orskou

Ägypten: Ahmed Nawar, Mostafa Abdel-Moity

Estland: John Smith, Marko Mäetamm, Kaido Ole, Andreas Härm

Frankreich: Jean-Marc Bustamante / Jean-Pierre Criqui, Alfred Pacquement

Mazedomien: Vana Urosevitch, Zaneta Vangeli / Emil Aleksiev

Georgien Thea Gvetadze amp; Tamara K.E., Levan Chogoshvili, George Gugushvili, Gio Sumbadze / Nana Kipiani, Renata Wiehager, Irena Popiashvili

Deutschland: Candida Höfer, Martin Kippenberger / Julian Heynen

Großbritannien: Chris Ofili / Andrea Rose mit Brendan Giggs, Colin Ledwith

Griechenland : Athanasia Kyriakakos, Dimitris Rotsios Intron / Marina Fokidis, Xenia Kalpaktsoglou, Evie Rotsios

Island: Ruri / Laufey Helgadóttir

Indonesien: Arahmaiani, Dadang Christanto, Tisna Sanjaya, Made Wianta / Sumarti Sarwono, Grace Anna Marie, Amit Sidharta

Iran: Behrooz Daresh, Abbas Kiarostami, Hossein Khosrojerdi, Ahmad Nadalian / Majid Karshenas, Reza Nami

Irland: Katie Holten / Valerie Connor -Israel: Michal Rovner / Mordecahi Omer

Italien: Charles Avery, Avish Khebrehzadeh, Sara Rossi, Carola Spadoni / Pio Baldi, Rudolf Stingel, Paolo Colombo, Monica Pignatti Morano

Japan: Motohiko Odani, Yutaka Sone / Yuko Hasegawa, Miki Okabe, Yoshimi Tsurumi

Kanada: Jana Sterbak / Gilles Godmer

Kenia: Richard Onyango, Armando Tanzini/ Ugo Simonetti

Lettland: Group F5 / LCC / Mara Traumane

Litauen: Samp;P Stanikas / Christian Caujolle, Svajone Stanikiene

Luxemburg: Su-Mei Tse / Marie-Claude Beaud

Niederlande: Carlos Amorales, Alicia Framis, Meschac Gaba, Jeanne van Heeswijk, Erik van Lieshout / Rein Wolfs

Neuseeland: Michael Stevenson / Jenny Gibbs, Boris Kremer, Robert Leonard

Nordische Länder Finnland, Norwegen, Schweden: Karin Mamma Andersson, Kristina Braein, Liisa Lounila / Ute Meta Bauer, Anne Karin Jortveit, Andreas Kroksnes

Österreich: Bruno Gironcoli / Kasper König, Bettina M. Busse

Polen: Stanislaw Drozdz / Agnieszka Morawinska, Pawel Sosnowski

Portugal: Pedro Cabrita Reis / João Fernandes, Vicente Todoli

Republik Armenien: David Kareyan, Eva Khachatrian / Edward Dalassanian

Republik Korea: Whang In Kie, Yiso BAHC, Chung Seoyoung / Kim Hong-Hee -

Republik Slowenien: Ziga Kari/ Jurij Krpan

Rumänien : Calin Man / kinema ikon, Calin Man, Raluca Velisar

Russland: Sergej Bratkow, Dubossarsky & Vinogradov, Valery Koshlyakov, Konstantin Zvezdochetov, Evgeniy Zyablov, Viktor Misiano

Serbien-Montenegro: Milica Tomic, International Exhibition of Modern Art featuring, Museum of Modern Art, New York, National Pavilion / Branislava Andjelkovic -Scotland: Kate Davis -Singapur: Heman Chong, Francis Ng, Swie-Hian Tan / Ching-Lee Goh, Sze-Wee Low

Spanien: Santiago Sierra / Rosa Martinez

Schweiz: Emmanuelle Antille, Gerda Steiner amp; Jörg Lenzlinger / Urs Staub

Thailand: Kamol Phaosavasdi, Tawatchai Puntusawasdi, Michael Shaowanasai, Vasan Sitthiket, Manit Sriwanichpoom, Montri Toemsombat, Sakarin Krue-On / Apinan Poshyananda

Türkei: Nuri Bilge Ceylan, Ergin Cavusoglu, Gül Ilgaz, Neriman Polat, Nazif Topcuoglu / Beral Madra

Ukraine: Viktor Sydorenko / Alexander Fedoruk, Viktor Sydorenko, Alexander Solovyov

Ungarn: Little Warsaw / Julia Fabenyi, Zsolt Petranyi

USA: Fred Wilson / Kathleen Goncharov

Uruguay: Pablo Atchugarry / Carlos Alejandro Barros, Luciano Caramel

Venezuela: Pedro Morales / Maria Luz Cardenas / Dolores Diaz-Benjumea

Italo-Latin-American Institute Irma Arestizabal

Argentinien: Charly Nijensohn

Chile: Eugenia Vargas

Kolumbien: Maria Fernanda Cardoso

Costa Rica: Marisel Jiménez Rittner, Rossella Matamoros, Joaquin Rodríguez del Paso Equador: Tomas Ochoa;

El Salvador: Muriel H. Hasbun; Panama: Brooke Alfaro, Haydee Victoria Suescum; Peru: Fernando Bryce, Gilda Mantella;

Dominikanische Republik: Marcos Lora Read

Zypern: Nikos Charalambidis, Loulli Michelidou, Henry Meyric Hughes

collateral events

"Absolut generations"

Kurator: Herve Landry (Hans Hollein, Lois Renner, Wim Delvoye, Beatrice Cussol, Olivier Gagnere, Rosemarie Troeckel, Thea Djordjadze, Richard Wentworth, Ruth Jarman, Joseph Gerhardt, Louise Bourgeois, Apassio Haronitaki, Enzo Cucchi, Andrea Salvino, Jan Saudek, Miquel Barcelo, Oleg Kulik, The Blue Noses Group, Dan Wolgers)

"Brain Academy Apartment"

Kuratoren: Guglielmo Di Mauro, Emilio Morandi(Shozo Shimamoto, Alan Bowman, Ph2, Klaus Groh, Grupo Sinestetico, Luigi Viola, Elisa Rossi …)

"The Dawn of Dimi"

(Mika Taanila, Pan sonic, Erkki Kurenniemi, Carl Michael von Hausswolff)

"Further: Artists from Wales"

Kurator: Patricia Fleming(Cerith Wyn Evans, Bethan Huws, Simon Pope, Paul Seawright)

"Hungry Ghost Fantasmi Affamati" Kurator: Elspeth Sage (Paul Wong)

"Ilya amp; Emilia Kabakov. Where is your Place?" Kurator: Chiara Bertola

"Inhabit" Kuratoren: Vittorio Urbani, Camilla Seibezzi (Marja Kanervo, Terry Smith)

"Italian Factory La Nuova Scena Artistica Italiana" Kurator: Alessandro Riva (Matteo Basile, Alessandro Bazan, Matteo Bergamasco, Paolo Cassara, Alberto Castelli, Chiara …)

"Limbo Zone" Kurator: Shu-min Lin (Shu Lea Cheang, Daniel Lee, Lee Mingwei, Yuan Goang-ming)

"Fabrio Mauri" Kuratoren: Vittorio Urbani, Gaetano Salerno, Camilla Seibezzi

"Navigating the Dot: Artists from Hong Kong" Kurator: ParaSite Art Space(ParaSite Art Space Collective)

"Pellerossasogna. The Shirt" (Shelley Niro)

"Radar. Contemporary Arts for European Cities" Kurator: Martha Crombie

(Claudia Losi, Scotto di Luzio, Active Men, Natascha Rossi, Steffi Jungling, George Linkov, Svetlana Mircheva, Daniel Banaczeck, Marta Firlet, Marcin Strzelecki, Wojciech Kolek, Anna Tsouloufi, Dionyssis Kavalieratos, Nicos Kanarellis, Angus Wyatt, Charlotte Ginsborg, Monica Biagiloi, Seetha Alagapan)

"The Snow Show" Kuratoren: Hilkka Liikkanen, Unto Käyhkö

"Il Sogno che Risorge dalla Vita" Kurator: Marie-Aimee Tirole (Babara Sillari, Gabriela Dauerer)

"Stopover" Kurator: David Thorp (Graham Gussin, Hilary Lloyd, Richard Woods)

---

Interesting publication for researches on running and art

  

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

 

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

 

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

 

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

 

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

 

Issue 2 (Fall 2013).

 

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

 

Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.

Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).

 

Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.

 

Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.

 

Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.

 

Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.

Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and

 

Transgender Communities. New York: The Haworth Press, 1998.

Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social

 

Text Collective. Minneapolis: University of Minnesota Press, 2002.

Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,

 

Number 2 (Summer 1989).

Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).

 

Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.

 

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.

 

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).

 

Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.

 

Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke

 

University Press, 1993.

 

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.

  

Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.

 

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.

 

Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT

 

Press, 1997.

 

Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.

 

Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.

 

Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.

 

Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).

 

Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.

 

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.

 

Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.

 

Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.

 

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.

 

Berger, John. About Looking. New York: Pantheon Books, 1980.

 

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.

  

Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.

 

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

 

Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.

 

Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.

 

Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.

 

Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.

 

Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.

 

Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).

 

Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.

 

Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.

 

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.

 

Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.

 

Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:

 

University of Chicago Press, 1992, 1994.

 

Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.

 

Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.

 

Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.

 

Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.

 

Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

 

Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.

 

Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.

 

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.

 

Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.

 

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.

 

Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,

 

2006.

 

Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.

 

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,

 

2007.

Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.

 

Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.

  

Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.

 

Belgrade: Tipografik plus, 2008.

Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.

 

Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.

 

Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.

 

Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:

 

Routledge, 2004.

 

Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.

 

Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.

 

Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.

 

Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth

 

Century. Cambridge: MIT Press, 1990.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.

 

London: Laurence King Publishing, 1996.

 

Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.

 

Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.

 

Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.

  

Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.

 

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.

 

de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.

 

de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.

de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:

 

Harmony Books, 2009.

 

Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.

 

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.

 

Rogers. University Park, PA: The Pennsylvania State University, 2012.

di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.

 

Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.

 

Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.

 

Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.

 

Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.

 

Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.

 

Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.

 

Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.

Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:

 

Art Gallery of Alberta, 2011.

 

Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.

 

Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.

 

Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.

 

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.

 

Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.

 

Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.

 

Finn, David. How to Visit A Museum. New York: Abrams, 1985.

Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University

 

Press of America, Inc, 2010.

 

Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.

 

Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.

 

Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.

 

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.

 

Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.

 

Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.

  

Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.

 

Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.

 

Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.

 

Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.

 

Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.

 

Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.

 

Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.

 

Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.

 

Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).

 

Gidal, Peter. Materialist Film. London: Routledge, 1989.

Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:

 

Harvard University Press, 1974.

 

Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.

 

Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).

 

Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.

 

Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.

  

Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.

 

Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.

 

Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.

 

Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.

 

Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.

 

Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.

 

Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.

 

Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.

Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A

 

th th

Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:

 

Revolver, 2006.

 

Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).

 

Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.

 

New York: Routledge, 2007.

 

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.

 

Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).

 

Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).

  

Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.

 

Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.

 

Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:

 

Grossman Publishers, of Viking Press, 1975.

 

Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.

 

Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.

 

Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.

 

Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).

 

Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

 

Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin

 

Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.

 

IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.

 

Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.

 

Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.

 

Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.

 

Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.

  

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

 

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.

 

Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.

 

Cambridge: MIT Press, 2003.

Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.

 

Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).

 

Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.

 

Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.

 

Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.

 

Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.

 

Kholeif, Omar. Moving Image. London: Whitechapel, 2015.

Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.

 

Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.

 

Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching

 

Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.

Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:

 

Routledge, 2011.

Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.

  

Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins

 

Publishing Company, 2012.

Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).

 

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.

 

Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).

 

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.

 

Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.

 

le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,

 

England: Ashgate, 2012.

Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the

 

United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.

 

Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.

 

Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.

  

Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.

 

Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.

Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International

 

Publications, 2007.

 

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.

 

Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.

 

Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.

 

Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.

 

Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.

Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and

 

Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.

Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.

 

Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.

 

Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.

  

McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.

 

McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.

 

Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.

 

Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.

 

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

 

Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,

 

Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.

 

Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.

 

Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.

 

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.

 

Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.

 

Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).

 

Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.

 

Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.

 

Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.

  

Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.

 

Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.

 

Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.

 

Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.

 

Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.

 

New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.

 

Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:

 

University of California Press, 1986.

 

O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.

 

Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.

 

Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.

 

Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,

 

Second Edition. New York: St. Martin’s Press, 2000.

 

Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.

 

Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.

 

Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.

  

Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).

 

Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).

 

Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.

 

Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).

 

Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.

 

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical

 

Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State

 

University of New York Press, 2006.

 

Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.

 

Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.

 

Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,

  

Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.

 

Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.

 

Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.

 

Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.

  

Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.

 

Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,

 

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.

 

Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.

 

Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.

 

Richards, Mary. Marina Abramović. New York: Routledge, 2010.

Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of

 

Chicago Press, 1992.

Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie

 

spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.

Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and

 

Modernity. University Park, PA: The Pennsylvania State University, 2009.

Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,

 

1960-2010. Cambridge: MIT Press, 2012.

 

Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.

 

Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.

 

Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.

 

Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.

  

Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.

 

Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.

 

Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.

 

Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den

 

Originalempfindungen. Leipzig: W. Engelmann, 1909.

Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle

 

Printing and Binding Company, 1954.

Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison

 

Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).

Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some

 

Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.

 

Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.

 

Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.

 

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

Култура/Culture (2015).

Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian

 

Institute, 2005.

 

Sus

Format: 120 mm sort/hvitt negativ

Dato / Date: 1952

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Ukjent

 

Wikipedia: Folkedans

 

Wikipedia: Hardingfele

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F20915

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: 1961

Fotograf / Photographer: Oskar A. Johansen (1908 - 1980)

Sted / Place: Trøndelag

Oppdatert / Update: 02.06.2015 [Merknad om hyllbær, lenke til artikkel på Wikipedia om Svarthyll]

 

Wikipedia: Antrozoologi

 

Wikipedia: Svarthyll

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: Oskar A. Johansens privatarkiv - Negativbok 3: F21316

 

Merknad: Kua mates med innsankede hyllbær.

See the film The Curator Lifting Running Competition(2003) by Thierry Geoffroy/Colonel part of the Biennalist

youtu.be/bvjDY3ZI_WE

The Curator Lifting Running Competition

23 April - 13 June 2004

 

Nikolaj, Copenhagen Contemporary Art Center, proudly presents the world premiere of Colonel’s film the curator lifting running competition.

 

Danish/French artist Colonel’s video from the Venice Biennale 2003 will be shown at Nikolaj’s Cinema. It presents the staging of a competition in which artists raced each other while carrying a curator on their backs. The prize was an admission ticket to the most prestigious party of the Biennale. During a major art event as the Venice Biennale, both artists and curators are subject to hidden rules and mechanisms which must be adhered to in order to obtain a good position in the hierarchy of the art world. With his energetic and humorous video Colonel focusses on these mechanisms and unveils a lobbyistic game which is not merely about creating exhibitions but also about preserving certain privileges.

 

On the plane:

It begins on the plane from Denmark where the art industry clique has booked the same flight. Colonel hands out flyers, already well underway with his campaign to recruit contestants for the competition.

 

New film concept:

Colonel uses people who simply happen to be there to film the situations which arise. In so doing they become both witnesses to and participants in the processes of uncovering the hidden mechanisms of the cultural event.

 

The press:

In Venice Colonel intensifies his endeavours and now involves the journalists so that they may help him spread the word about the upcoming event.

 

Participants for the competition:

In Venice Colonel goes on to invite artists as well as curators to be a part of the great race.

 

The party:

Colonel chases invitations to the most coveted parties in order to use them as the first prize of the curator lifting running competition.

 

The competititon:

During the competition the artist both symbolically and literally becomes the curator’s arms and legs.

For more information on this project, please visit www.colonel.dk

www.emergencyrooms.org/formats.html

 

About LA BIENNALE DI VENEZIA 2003

Theme:

Dreams and Conflicts. The Dictatorship of the Viewer.

 

Director:

Francesco Bonami

 

50. Venice Biennial

15 June - 2 November 2003

 

If the idea of the large international survey has always been conceived as a whole concept to be fragmented into the visions of the individuals artists, "Dreams and Conflicts" wants art from the autonomy of the different projects to seek in this complexity of ideas the unity that defines the language of contemporary art today.

In the contemporary society the viewers with their presence and absence controls the success of every exhibition and cultural enterprise; in "Dreams and Conflicts" they appear as one of the subjects that contribute to define the structure of the show, the artist, the curator, the viewer.

Along with the artist, the beholder is one of the poles that connecting produce the spark that activate the art work successfully in the social and cultural context.

The dream and the conflict, the total world opposed to its political and geographical fragmentation, the national aspirations in contrast with the international achievements are all elements that will contribute to the making of the Visual Arts Biennale.

"Dreams and Conflicts" will be an exhibition focused at the same time on art as a personal tool of a personal experience and conviviality. A show through which is possible to have access to the complexity of a world made by groups of individuals defined by multiple and diverse necessities. An exhibition constructed with multiple projects to test the strength of that ideal community where the creative process of the contemporary artist is active. Dreams and Conflicts will not be a show about political art but a reflection on the politics of art. The experience of the viewer facing the unique vision of the artist. Two contemporary subjects divided simply by a different gaze.

www.labiennale.org

 

2003 Awards:

Golden Lion for the best work to Peter Fischli and David Weiss

Golden Lion for an artist under 35 years of age to Oliver Payne and Nick Relph

Prize for Young Italian Art to Avish Kheberhzadeh

Golden Lion for the best national participation to Luxembourg

Golden Lions for Lifetime Achievement to Michelangelo Pistoletto and Carol Rama

 

artists & participants

Adel Abdessemed, Etti Abergel, Franz Ackermann, Özge Ackkol, Emil Aleksiev, Brooke Alfaro, Victor Alimpiev, Darren Almond, Pawel Althamer, Kai Althoff, Carlos Amorales, Karin Mamma Andersson, Mamma Andersson, Emmanuelle Antille, Isabel Aquilizan, Alfredo & Isabel Aquilizan, Arahmaiani, Irma Arestizabal, Alessandra Ariatti, Art & Language, Micol Assael, Asymptote Architecture, Atelier Bow-Wow, Atelier Fcjz, Kader Attia, Charles Avery, Zeigam Azizov, Yiso BAHC, Maja Bajevic, John Baldessari, Shigeru Ban, Matthew Barney, Matteo Basile, Carlos Basualdo, Taysir Batniji, Ute Meta Bauer, Thomas Bayrle, Marie-Claude Beaud, Avner Ben-Gal, Samta Benyahia, Chiara Bertola, Ariane Beyn, Zarina Bhimji, Nuri Bilge Ceylan, Daniel Birnbaum, Dara Birnbaum, Sylvie Blocher, Stefano Boeri, Inaki Bonillas, Ecke Bonk, World Bookstore, Frank Bowling, Kristina Braein, Sergej Bratkow, Glenn Brown, Fernando Bryce, Angela Bulloch, Bettina M. Busse, Jean-Marc Bustamante, Pash Buzari, Pedro Cabrita Reis, Aline Caillet, Canton Express, Cao Fei, Maria Fernanda Cardoso, Jota Castro, Maurizio Cattelan, Ergin Cavusoglu, Carolina Caycedo, Tony Chakar, Nikos Charalambidis, Clifford Charles, Thompson Cheyney, Pitso Chinzima, Dadang Christanto, Santiago Cirugeda, Cliostraat, Paolo Colombo, Vitamin Creative Space, Alice Creischer, Abraham Cruzvillegas, Minerva Cuevas, Alexandre da Cunha, Beatrice Cussol, Boris Cvjetanovic, Josef Dabernig, Jonas Dahlberg, Colin Darke, Gabriela Dauerer, François Daune, Catherine David, Enrico David, Kate Davis, Verne Dawson, Berlinde De Bruyckere, Anna de Manincor, Amicale de Temoins, Tacita Dean, Jeremy Deller, Thomas Demand, Gu Dexin, Paola Di Bello, Fan Dian, Thea Djordjadze, Nico Dockx, Trisha Donnelly, Heri Dono, Stanislaw Drozdz, Dubossarsky & Vinogradov, Sam Durant, Jimmie Durham, Leif Elggren, Olafur Eliasson, Elizabeth Diller + Ricardo Scofidio, Michael Elmgreen, Elmgreen & Dragset, F5, Julia Fabenyi, Juan-Pedro Fabra Guemberena, Josette Faidit, Rotimi Fani-Kayode, Hassan Fathy, Didier Faustino, Flavio Favelli, Hans-Peter Feldmann, Urs Fischer, Fischli/Weiss, Vadim Fishkin, Ceal Floyer, Marina Fokidis, Alicia Framis, Yona Friedman, Jesus Fuenmayor, Meschac Gaba, Giuseppe Gabellone, Ellen Gallagher, Gego, Isa Genzken, Ghazel, Carmit Gil, Gilbert & George, Liam Gillick, Gimhongsoh, Massimiliano Gioni, Bruno Gironcoli, Felix Gmelin, Robert Gober, Leon Golub, Fernanda Gomes, Dominique Gonzalez-Foerster, Dryden Goodwin, Douglas Gordon, Amit Goren, Tomislav Gotovac, Dan Graham, Rodney Graham, Francesca Grassi, Hannah Greely, Joseph Grigely, Massimo Grimaldi, Caracas Group, Grupo de Arte Callejero, Gruppo A12, Hakan Gürsoytrak, Graham Gussin, Daniel Guzman, Thea Gvetadze, Veliswa Gwintsa, Hans Haacke, Henrik Håkansson, Mathew Hale, David Hammons, Kevin Hanley, Hou Hanru, Rachel Harrison, Yuko Hasegawa, Jeppe Hein, Michal Helfman, Heman Chong, Liu Heng, Jose Antonio Hernandez-Diez, Sandi Hilal, Nikolaus Hirsch, Thomas Hirschhorn, Damien Hirst, Candida Höfer, Hans Hollein, Carsten Höller, Karl Holmqvist, Katie Holten, Kim Hong-Hee, Roni Horn, Wong Hoy Cheong, Hu Fang, Alfons Hug, Carlos Hugo Levinton, Marine Hugonnier, Pierre Huyghe, Gül Ilgaz, IRWIN, Arata Isozaki, Joo Jae-Hwan, Piotr Janas, Koo Jeong-A, Jiang Zhi, Liu Jianhua, Duan Jianyu, Fu Jie, Yang Jiechang, Jin Jiangbo, Sture Johannesson, John M. Johansen, Liang Juhui, Jean-Paul Jungmann, Tamara K.E., Ilya Kabakov, Emilia Kabakov, Ilya & Emilia Kabakov, Momoya Kaijima, Xenia Kalpaktsoglou, Gülsün Karamustafa, David Kareyan, Avish Khebrehzadeh, Ian Kiaer, Abbas Kiarostami, Sora Kim, Martin Kippenberger, Eva Koch, Jakob Kolding, Michal Kolecek, Julius Koller, Rem Koolhaas, Valery Koshlyakov, Sakarin Krue-On, Erkki Kurenniemi, Gabriel Kuri, Surasi Kusolwong, Athanasia Kyriakakos, Kyupi-Kyupi, Luisa Lambri, Moshekwa Langa, Michel Lasserre, Laylah Ali, Chris Ledochowski, Daniel Lee, Lee Mingwei, Yan Lei And Fu Jie, Yuri Leiderman, Robert Leonard, Kamin Lertchaiprasert, Simon Leung, Mikael Levin, Borges Libreria, Lin Yilin, Armin Linke, Little Warsaw, Hilary Lloyd, Marcos Lora Read, Liisa Lounila, Sarah Lucas, Maria Luz Cardenas, M/M (Paris), Beral Madra, Marko Mäetamm, Janus Magazine, Calin Man, Dusan Mandic, Valerie Mannaerts, Marepe, Kerry James Marshall, Rosa Martinez, Bruce Mau, Lucy McKenzie, Steve McQueen, Cildo Meireles, Jonas Mekas, Salem Mekuria, Annette Messager, Gustav Metzger, Henry Meyric Hughes, Linda Michael, Beatriz Milhazes, Helen Mirra, Viktor Misiano, Miran Mohar, Andrei Monastyrski, Agnieszka Morawinska, Marco Moretti, Jean-Luc Moulene, Pavel Mrkus, Rabih Mroue, Sabah Naim, Deimantas Narkevicius, Monica Narula, Moataz Nasr, Molly Nesbit, Rivane Neuenschwander, Jun Nguyen-Hatsushiba, Carsten Nicolai, Charly Nijensohn, Ou Ning, Shelley Niro, Nils Norman, Hans Ulrich Obrist, Tomas Ochoa, Oda Projesi, Motohiko Odani, Chris Ofili, Kaido Ole, Antonio Ole, Oliver Payne & Nick Relph, Paulina Olowska, Roman Ondak, Mareaperto Onlus, Yoko Ono, Ana Opalic, Roman Opalka, Gabriel Orozco, Fernando Ortega, Damian Ortega, Olumuyiwa Olamide Osifuye, Tsuyoshi Ozawa, Alfred Pacquement, Lygia Pape, Claude Parent, Philippe Parreno, Jennifer Pastor, Oliver Payne, Yan Peiming, Marko Peljhan, Rafael Pereira, Alexandre Perigot, Manfred Pernice, Diego Perrone, Zsolt Petranyi, Alessandro Petti, Patricia Piccinini, Monica Pignatti Morano, Michelangelo Pistoletto, Paola Pivi, Magnus Plessen, Neriman Polat, Apinan Poshyananda, Marjetica Potrc, Bettina Pousttchi, Richard Prince, Florian Pumhösl, Tawatchai Puntusawasdi, Feng Qianyu, Ma Qingyun, Jorge Queiroz, Walid Raad, Edi Rama, Carol Rama, Raqs Media Collective, Charles Ray, Tobias Rehberger, Nick Relph, Rosangela Renno, Pedro Reyes, David Robbins, Pia Roenike, Fernando Romero, Martha Rosler, Sara Rossi, Natascha Rossi, Michal Rovner, Aida Ruilova, Ruri, Karl S. Chu, Walid Sadek, Anri Sala, Andrea Salvino, Tisna Sanjaya, Tomas Saraceno, Bojan Sarcevic, Günes Savas, Andrej Savski, Markus Schinwald, Christoph Schlingensief, Dana Schutz, Uwe Schwarzer, Paul Seawright, Tino Sehgal, Shuddhabrata Sengupta, Nebojsa Seric-Soba, Randa Shaath, Shirana Shahbazi, Michael Shaowanasai, Chen Shaoxiong, Wael Shawky, Lu Shengzhong, Shimabuku, Wang Shu, Shu Lea Cheang, Efrat Shvily, Andreas Siekmann, Santiago Sierra, Vasan Sitthiket, Andreas Slominski, Patti Smith, John Smith, Terry Smith, Robert Smithson, Nedko Solakov, Doron Solomons, Yutaka Sone, Sora Kim, Monika Sosnowska, Carola Spadoni, Nancy Spero, Manit Sriwanichpoom, S&P Stanikas, Simon Starling, Utopia Station, Urs Staub, Gerda Steiner & Jörg Lenzlinger, Jana Sterbak, Michael Stevenson, Mladen Stilinovic, Rudolf Stingel, Gio Sumbadze, SUPERFLEX, Viktor Sydorenko, Future Systems, Mika Taanila, Tadaso Takamine, Armando Tanzini, Javier Tellez, Nahum Tevet, The Atlas Group, The Blue Noses, David Thorp, Einer Thorsteinn, Rirkrit Tiravanija, Lincoln Tobier, Vicente Todoli, Milica Tomic, Chen Tong, Jaan Toomik, Nazif Topcuoglu, Rosemarie Trockel, Tatiana Trouve, Su-Mei Tse, Tsang Tsou-Choi, Nobuko Tsuchiya, Patrick Tuttofuoco, Uglycute, Piotr Uklanski, Roman Uranjek, Campement Urbain, Uteque, Jeanne van Heeswijk, Joep van Lieshout, Erik van Lieshout, Zaneta Vangeli, Marc Vog, Borut Vogelnik, Carl Michael von Hausswolff, Amelie von Wulffen, Richard Wentworth, Made Wianta, Fred Wilson, Rein Wolfs, Paul Wong, Richard Woods, Xu Tan, Paola Yacoub, Paola Yacoub & Michel Lasserre, Yan Lei, Yang Fudong, Yangjiang Group, Secil Yersel, Sha Yeya, Lu Yi, Yang Yong, Huang Yong Ping, Young-Hae Chang HEAVY INDUSTRIES, Yung Ho Chang, Tamas Zanko, Zeigam Azizov / Stuart Hall, Zhan Wang, Zhang Peili, Zheng Guogu, Zhu Jia, Marian Zhunin, Dolores Zinny & Juan Maidagan, Konstantin Zvezdochetov

  

curators

Miquel Barcelo , Louise Bourgeois , Alan Bowman , Enzo Cucchi , Wim Delvoye , Cerith Wyn Evans , Charlotte Ginsborg , Julian Heynen , Bethan Huws , Marja Kanervo , Kasper König , Oleg Kulik , Lois Renner , Jan Saudek , Shozo Shimamoto , Vittorio Urbani

 

—----

0th International Art Exhibition

18 special exhibitions:

venues: Arsenale, Giardini di Castello, Museo Correr

"Dreams and Conflicts. The dictatorship of the Viewer"

curators: Francesco Bonami, Carlos Basualdo, Daniel Birnbaum, Catherine David, Massimiliano Gioni, Hou Hanru, Molly Nesbit, Hans Ulrich Obrist, Gabriel Orozco, Gilane Tawadros, Rirkrit Tiravanija, Igor Zabel

"Bruchlinien: Zeitgenössische afrikanische Kunst und sich verschiebende Landschaften"

Laylah Ali, Kader Attia, Samta Benyahia, Zarina Bhimji, Frank Bowling, Clifford Charles, Pitso Chinzima, Rotimi Fani-Kayode, Hassan Fathy, Veliswa Gwintsa, Moshekwa Langa, Salem Mekuria, Moataz Nasr, Sabah Naim,  Gilane Tawadros

"Z.O.U. - Zone of Urgency"

Yung Ho Chang amp; Atelier FCJZ, Adel Abdessemed, Alfredo Juan Aquilizan, Maria Isabel Aquilizan, Atelier Bow-Wow, Momoya Kaijima, Campement Urbain, Canton Express6nbsp;, Jota Castro, Young-Hae Chang, Heavy Industries, Shu Lea Cheang, Heri Dono, Gu Dexin, Huang Yong Ping, Joo Jae-Hwan, Sora Kim amp; Gimhongsoh, Surasi Kusolwong, Kyupi-Kyupi, Jun Nguyen-Hatsushiba, Tsuyoshi Ozawa, Tadaso Takamine, Tsang Tsou-choi, Wong Hoy Cheong, Yan Lei amp; Fu Jie, Yan Pei-Ming, Yang Zhengzhou, Zhang Peili, Zhu Jia / Hou Hanru

"Die Überlebensstruktur"

Grupo de Arte Callejero , Andreas Siekmann, Alice Creischer, Marepe, Yona Friedman, Muyiwa Osifuye, Rachel Harrison, Antonio Ole, Juan Maidagan, Dolores Zinny, Carolina Caycedo, Fernanda Gomes, Mikael Levin, Marjetica Potrc / Carlos Basualdo

"Contemporary Arab Representations"

The Atlas Group, Walid Ra´ad, Taysir Batniji, Tony Chakar, Bilal Khbeiz, Randa Shaath,Paula Yacoub , Michel Lasserre / Catherine David

"Das veränderte Alltägliche"

Abraham Cruzvillegas, Jimmie Durham, Daniel Guzman, Damian Ortega, Fernando Ortega, Jean Luc Moulene / Gabriel Orozco

"Utopia Station"

Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija, Ariane Beyn, Elena Filopovic, Liz Linden, Francesca Grassi, Uwe Schwarzer

"Clandestines"

Francesco Bonami

"Individuelle Systeme"

Igor Zabel

"Verzögerungen und Revolutionen"

Francesco Bonami, Daniel Birnbaum

"Die Zone"

Massimiliano Gioni

country pavilions

Giardini di Castello: 55 National Pavilons

(artists / curators)

Australien: Patricia Piccinini, Kommissar: Victoria Lynn / Linda Michael

Belgien: Silvie Eyberg, Valerie Mannaerts, Thierry de Duve

Bosnien Herzegovina: Maja Bajevic, Edin Numankadic, Jusuf Hadzifeizovic, Nebojsa Seric-Soba, Edo Hozic, Enver Hadziomerspahic

Brasilien : Beatriz Milhazes, Rosangela Renno, Manoel Francisco Pires da Costa, Alfons Hug-China: Liu Jianhua, Lu Shengzhong, Wang Shu, Yang Fudong, Zhan Wang / Yan Dong , Fan Dian, Wang Yong

Kroatien: Boris Cvjetanovic, Ana Opalic, Leonida Kovac

Tschechische Republik und Slowakische Republik

Kamera skura and Kunst-Fu / Michal Kolecek

Dänemark:Olafur Eliasson, Gitte Orskou

Ägypten: Ahmed Nawar, Mostafa Abdel-Moity

Estland: John Smith, Marko Mäetamm, Kaido Ole, Andreas Härm

Frankreich: Jean-Marc Bustamante / Jean-Pierre Criqui, Alfred Pacquement

Mazedomien: Vana Urosevitch, Zaneta Vangeli / Emil Aleksiev

Georgien Thea Gvetadze amp; Tamara K.E., Levan Chogoshvili, George Gugushvili, Gio Sumbadze / Nana Kipiani, Renata Wiehager, Irena Popiashvili

Deutschland: Candida Höfer, Martin Kippenberger / Julian Heynen

Großbritannien: Chris Ofili / Andrea Rose mit Brendan Giggs, Colin Ledwith

Griechenland : Athanasia Kyriakakos, Dimitris Rotsios Intron / Marina Fokidis, Xenia Kalpaktsoglou, Evie Rotsios

Island: Ruri / Laufey Helgadóttir

Indonesien: Arahmaiani, Dadang Christanto, Tisna Sanjaya, Made Wianta / Sumarti Sarwono, Grace Anna Marie, Amit Sidharta

Iran: Behrooz Daresh, Abbas Kiarostami, Hossein Khosrojerdi, Ahmad Nadalian / Majid Karshenas, Reza Nami

Irland: Katie Holten / Valerie Connor -Israel: Michal Rovner / Mordecahi Omer

Italien: Charles Avery, Avish Khebrehzadeh, Sara Rossi, Carola Spadoni / Pio Baldi, Rudolf Stingel, Paolo Colombo, Monica Pignatti Morano

Japan: Motohiko Odani, Yutaka Sone / Yuko Hasegawa, Miki Okabe, Yoshimi Tsurumi

Kanada: Jana Sterbak / Gilles Godmer

Kenia: Richard Onyango, Armando Tanzini/ Ugo Simonetti

Lettland: Group F5 / LCC / Mara Traumane

Litauen: Samp;P Stanikas / Christian Caujolle, Svajone Stanikiene

Luxemburg: Su-Mei Tse / Marie-Claude Beaud

Niederlande: Carlos Amorales, Alicia Framis, Meschac Gaba, Jeanne van Heeswijk, Erik van Lieshout / Rein Wolfs

Neuseeland: Michael Stevenson / Jenny Gibbs, Boris Kremer, Robert Leonard

Nordische Länder Finnland, Norwegen, Schweden: Karin Mamma Andersson, Kristina Braein, Liisa Lounila / Ute Meta Bauer, Anne Karin Jortveit, Andreas Kroksnes

Österreich: Bruno Gironcoli / Kasper König, Bettina M. Busse

Polen: Stanislaw Drozdz / Agnieszka Morawinska, Pawel Sosnowski

Portugal: Pedro Cabrita Reis / João Fernandes, Vicente Todoli

Republik Armenien: David Kareyan, Eva Khachatrian / Edward Dalassanian

Republik Korea: Whang In Kie, Yiso BAHC, Chung Seoyoung / Kim Hong-Hee -

Republik Slowenien: Ziga Kari/ Jurij Krpan

Rumänien : Calin Man / kinema ikon, Calin Man, Raluca Velisar

Russland: Sergej Bratkow, Dubossarsky & Vinogradov, Valery Koshlyakov, Konstantin Zvezdochetov, Evgeniy Zyablov, Viktor Misiano

Serbien-Montenegro: Milica Tomic, International Exhibition of Modern Art featuring, Museum of Modern Art, New York, National Pavilion / Branislava Andjelkovic -Scotland: Kate Davis -Singapur: Heman Chong, Francis Ng, Swie-Hian Tan / Ching-Lee Goh, Sze-Wee Low

Spanien: Santiago Sierra / Rosa Martinez

Schweiz: Emmanuelle Antille, Gerda Steiner amp; Jörg Lenzlinger / Urs Staub

Thailand: Kamol Phaosavasdi, Tawatchai Puntusawasdi, Michael Shaowanasai, Vasan Sitthiket, Manit Sriwanichpoom, Montri Toemsombat, Sakarin Krue-On / Apinan Poshyananda

Türkei: Nuri Bilge Ceylan, Ergin Cavusoglu, Gül Ilgaz, Neriman Polat, Nazif Topcuoglu / Beral Madra

Ukraine: Viktor Sydorenko / Alexander Fedoruk, Viktor Sydorenko, Alexander Solovyov

Ungarn: Little Warsaw / Julia Fabenyi, Zsolt Petranyi

USA: Fred Wilson / Kathleen Goncharov

Uruguay: Pablo Atchugarry / Carlos Alejandro Barros, Luciano Caramel

Venezuela: Pedro Morales / Maria Luz Cardenas / Dolores Diaz-Benjumea

Italo-Latin-American Institute Irma Arestizabal

Argentinien: Charly Nijensohn

Chile: Eugenia Vargas

Kolumbien: Maria Fernanda Cardoso

Costa Rica: Marisel Jiménez Rittner, Rossella Matamoros, Joaquin Rodríguez del Paso Equador: Tomas Ochoa;

El Salvador: Muriel H. Hasbun; Panama: Brooke Alfaro, Haydee Victoria Suescum; Peru: Fernando Bryce, Gilda Mantella;

Dominikanische Republik: Marcos Lora Read

Zypern: Nikos Charalambidis, Loulli Michelidou, Henry Meyric Hughes

collateral events

"Absolut generations"

Kurator: Herve Landry (Hans Hollein, Lois Renner, Wim Delvoye, Beatrice Cussol, Olivier Gagnere, Rosemarie Troeckel, Thea Djordjadze, Richard Wentworth, Ruth Jarman, Joseph Gerhardt, Louise Bourgeois, Apassio Haronitaki, Enzo Cucchi, Andrea Salvino, Jan Saudek, Miquel Barcelo, Oleg Kulik, The Blue Noses Group, Dan Wolgers)

"Brain Academy Apartment"

Kuratoren: Guglielmo Di Mauro, Emilio Morandi(Shozo Shimamoto, Alan Bowman, Ph2, Klaus Groh, Grupo Sinestetico, Luigi Viola, Elisa Rossi …)

"The Dawn of Dimi"

(Mika Taanila, Pan sonic, Erkki Kurenniemi, Carl Michael von Hausswolff)

"Further: Artists from Wales"

Kurator: Patricia Fleming(Cerith Wyn Evans, Bethan Huws, Simon Pope, Paul Seawright)

"Hungry Ghost Fantasmi Affamati" Kurator: Elspeth Sage (Paul Wong)

"Ilya amp; Emilia Kabakov. Where is your Place?" Kurator: Chiara Bertola

"Inhabit" Kuratoren: Vittorio Urbani, Camilla Seibezzi (Marja Kanervo, Terry Smith)

"Italian Factory La Nuova Scena Artistica Italiana" Kurator: Alessandro Riva (Matteo Basile, Alessandro Bazan, Matteo Bergamasco, Paolo Cassara, Alberto Castelli, Chiara …)

"Limbo Zone" Kurator: Shu-min Lin (Shu Lea Cheang, Daniel Lee, Lee Mingwei, Yuan Goang-ming)

"Fabrio Mauri" Kuratoren: Vittorio Urbani, Gaetano Salerno, Camilla Seibezzi

"Navigating the Dot: Artists from Hong Kong" Kurator: ParaSite Art Space(ParaSite Art Space Collective)

"Pellerossasogna. The Shirt" (Shelley Niro)

"Radar. Contemporary Arts for European Cities" Kurator: Martha Crombie

(Claudia Losi, Scotto di Luzio, Active Men, Natascha Rossi, Steffi Jungling, George Linkov, Svetlana Mircheva, Daniel Banaczeck, Marta Firlet, Marcin Strzelecki, Wojciech Kolek, Anna Tsouloufi, Dionyssis Kavalieratos, Nicos Kanarellis, Angus Wyatt, Charlotte Ginsborg, Monica Biagiloi, Seetha Alagapan)

"The Snow Show" Kuratoren: Hilkka Liikkanen, Unto Käyhkö

"Il Sogno che Risorge dalla Vita" Kurator: Marie-Aimee Tirole (Babara Sillari, Gabriela Dauerer)

"Stopover" Kurator: David Thorp (Graham Gussin, Hilary Lloyd, Richard Woods)

---

Interesting publication for researches on running and art

  

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

 

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

 

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

 

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

 

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

 

Issue 2 (Fall 2013).

 

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

 

Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.

Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).

 

Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.

 

Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.

 

Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.

 

Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.

Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and

 

Transgender Communities. New York: The Haworth Press, 1998.

Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social

 

Text Collective. Minneapolis: University of Minnesota Press, 2002.

Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,

 

Number 2 (Summer 1989).

Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).

 

Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.

 

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.

 

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).

 

Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.

 

Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke

 

University Press, 1993.

 

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.

  

Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.

 

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.

 

Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT

 

Press, 1997.

 

Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.

 

Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.

 

Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.

 

Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).

 

Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.

 

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.

 

Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.

 

Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.

 

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.

 

Berger, John. About Looking. New York: Pantheon Books, 1980.

 

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.

  

Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.

 

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

 

Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.

 

Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.

 

Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.

 

Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.

 

Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.

 

Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).

 

Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.

 

Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.

 

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.

 

Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.

 

Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:

 

University of Chicago Press, 1992, 1994.

 

Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.

 

Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.

 

Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.

 

Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.

 

Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

 

Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.

 

Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.

 

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.

 

Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.

 

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.

 

Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,

 

2006.

 

Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.

 

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,

 

2007.

Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.

 

Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.

  

Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.

 

Belgrade: Tipografik plus, 2008.

Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.

 

Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.

 

Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.

 

Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:

 

Routledge, 2004.

 

Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.

 

Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.

 

Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.

 

Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth

 

Century. Cambridge: MIT Press, 1990.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.

 

London: Laurence King Publishing, 1996.

 

Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.

 

Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.

 

Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.

  

Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.

 

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.

 

de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.

 

de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.

de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:

 

Harmony Books, 2009.

 

Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.

 

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.

 

Rogers. University Park, PA: The Pennsylvania State University, 2012.

di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.

 

Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.

 

Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.

 

Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.

 

Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.

 

Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.

 

Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.

 

Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.

Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:

 

Art Gallery of Alberta, 2011.

 

Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.

 

Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.

 

Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.

 

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.

 

Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.

 

Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.

 

Finn, David. How to Visit A Museum. New York: Abrams, 1985.

Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University

 

Press of America, Inc, 2010.

 

Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.

 

Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.

 

Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.

 

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.

 

Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.

 

Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.

  

Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.

 

Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.

 

Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.

 

Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.

 

Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.

 

Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.

 

Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.

 

Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.

 

Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).

 

Gidal, Peter. Materialist Film. London: Routledge, 1989.

Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:

 

Harvard University Press, 1974.

 

Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.

 

Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).

 

Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.

 

Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.

  

Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.

 

Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.

 

Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.

 

Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.

 

Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.

 

Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.

 

Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.

 

Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.

Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A

 

th th

Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:

 

Revolver, 2006.

 

Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).

 

Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.

 

New York: Routledge, 2007.

 

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.

 

Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).

 

Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).

  

Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.

 

Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.

 

Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:

 

Grossman Publishers, of Viking Press, 1975.

 

Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.

 

Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.

 

Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.

 

Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).

 

Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

 

Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin

 

Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.

 

IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.

 

Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.

 

Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.

 

Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.

 

Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.

  

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

 

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.

 

Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.

 

Cambridge: MIT Press, 2003.

Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.

 

Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).

 

Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.

 

Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.

 

Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.

 

Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.

 

Kholeif, Omar. Moving Image. London: Whitechapel, 2015.

Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.

 

Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.

 

Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching

 

Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.

Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:

 

Routledge, 2011.

Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.

  

Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins

 

Publishing Company, 2012.

Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).

 

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.

 

Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).

 

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.

 

Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.

 

le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,

 

England: Ashgate, 2012.

Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the

 

United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.

 

Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.

 

Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.

  

Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.

 

Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.

Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International

 

Publications, 2007.

 

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.

 

Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.

 

Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.

 

Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.

 

Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.

Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and

 

Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.

Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.

 

Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.

 

Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.

  

McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.

 

McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.

 

Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.

 

Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.

 

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

 

Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,

 

Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.

 

Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.

 

Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.

 

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.

 

Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.

 

Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).

 

Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.

 

Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.

 

Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.

  

Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.

 

Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.

 

Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.

 

Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.

 

Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.

 

New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.

 

Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:

 

University of California Press, 1986.

 

O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.

 

Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.

 

Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.

 

Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,

 

Second Edition. New York: St. Martin’s Press, 2000.

 

Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.

 

Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.

 

Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.

  

Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).

 

Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).

 

Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.

 

Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).

 

Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.

 

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical

 

Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State

 

University of New York Press, 2006.

 

Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.

 

Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.

 

Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,

  

Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.

 

Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.

 

Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.

 

Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.

  

Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.

 

Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,

 

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.

 

Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.

 

Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.

 

Richards, Mary. Marina Abramović. New York: Routledge, 2010.

Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of

 

Chicago Press, 1992.

Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie

 

spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.

Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and

 

Modernity. University Park, PA: The Pennsylvania State University, 2009.

Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,

 

1960-2010. Cambridge: MIT Press, 2012.

 

Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.

 

Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.

 

Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.

 

Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.

  

Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.

 

Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.

 

Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.

 

Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den

 

Originalempfindungen. Leipzig: W. Engelmann, 1909.

Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle

 

Printing and Binding Company, 1954.

Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison

 

Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).

Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some

 

Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.

 

Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.

 

Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.

 

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

Култура/Culture (2015).

Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian

 

Institute, 2005.

 

Sus

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: Pinseaften, Lørdag 20 Mai 1961

Fotograf / Photographer: Oskar A. Johansen (1908 - 1980)

Sted / Place: Trøndelag

 

Wikipedia: Pinse

 

Adresseavisen: "Derfor ivrer trønderne mest" (adressa.no)

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21184

Format: 120 mm sort/hvitt negativ

Dato / Date: 1956

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Hell, Stjørdal, Nord-Trøndelag

 

Google Street View: goo.gl/maps/5C88f

 

Wikipedia: Hell

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F20913

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Ilford f p 3 fine grain pancromatic

Dato / Date: August 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Skansen, Trondheim

Oppdatert / Update: 26.08.2014 (Sted rettet til Skansen), 23.10.2014 [Lenke til MF "Holger Stjern" / Wikipedia]

 

Wikipedia: MF «Holger Stjern»

 

Wikipedia: Fergesambandet Skansen - Vanvikan

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21324

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 120 mm sort/hvitt negativ

Dato / Date: ca. 1956

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Antagelig Trondheimsfjorden

 

Wikipedia: RMS Caronia

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F20909

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 120 mm sort/hvitt negativ

Dato / Date: ca. 1956

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Antagelig Værnes, Nord-Trøndelag

 

Wikipedia: de Havilland DH 82 Tiger Moth

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F20919

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: 19 September 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Kongens gate, Trondheim

Oppdatert / Update: 09.04.2021 [Eksakt dato / det flagges på halv stang]

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21435

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling. Det flagges på halv stang grunnet Dag Hammarskjölds fatale flystyrt i Nord-Rhodesia dagen før.

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: Sommeren 1961

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Trøndelag

 

Wikipedia: Måker

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21244

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: ca. 1960

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Ukjent

 

Wikipedia: Filmkamera

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21366

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

 

Nekrolog i Adresseavisen 28 Januar 1980 s. 17:

 

Pensjonert bestyrer for Trondheim skolefilmsentral, Pedagogisk senter, og filmarkivar ved Trondheim Kinematografer, Oskar A. Johansen, døde 10. januar, 71 år gammel.

 

Oskar A. Johansen har hatt en lang arbeidsdag i Trondheim kommunes tjeneste, fra 1947 til 1975. Han ble i 1947 ansatt som kinomaskinist og ble kort tid etter også filmarkivar ved Trondheim Kinematografer.

 

Oppgavene de første årene gjaldt filmfremvisning og etter hvert også å bygge opp filmarkivet ved kinematografene. Dette arkivet inneholder kortfilmer fra og om Trondheim. I og med at Oskar A. Johansen også var utdannet filmfotograf, var han med på å lage en rekke kortfilmer fra begivenheter og steder i Trondheim, som er verdifulle bidrag i denne filmsamlingen.

 

Fra 1950-årene har Oskar A. Johansen også hatt ansvaret for Trondheim skolefilmsentral. Oppgavene som bestyrer for skolefilmsentralen ble stadig mer omfattende. Høsten 1975 ble skolefilmsentralen flyttet til egne lokaler ved Pedagogisk senter, Bispehaugen skole, og som bestyrer i full stilling planla og la han opp driften her. Ved Pedagogisk senter var en svært glad for å kunne dra nytte av hans brede erfaring, kunnskap og innsikt i en så viktig oppbyggingsperiode. Han tok dessuten også del i dette arbeidet på engasjementsbasis i sin første tid som pensjonist.

 

Både i sitt arbeid ved Trondheim Kinematografer og Pedagogisk senter var Oskar A. Johansen en støttespiller - både faglig og menneskelig. Han betydde noe for hver enkelt av oss. Med sitt lette åpne sinn og romslige vesen, og sin interesse for arbeidet og evne til stadig faglig fornyelse, var det viktig for oss hva han mente og sa i alle spørsmål. Han satte spor etter seg.

 

Vi satte pris på å kunne holde kontakten med Oskar A. Johansen også etter at han ble pensjonist. Det er ikke bare de nærmeste som føler tomheten etter ham i dag. Medarbeiderne ved Trondheim Kinematografer og Pedagogisk senter merker også savnet – nå da han er borte.

 

Vi lyser fred over Oskar A. Johansens minne.

 

Willy Svarverud [Kinosjef og kultursjef i Trondheim kommune]

Birger Bertheussen

 

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: ca. 1960

Fotograf / Photographer: Oskar A. Johansen (1908-1980)

Sted / Place: Ukjent

 

Wikipedia: Filmkamera

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21358

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

 

Nekrolog i Adresseavisen 28 Januar 1980 s. 17:

 

Pensjonert bestyrer for Trondheim skolefilmsentral, Pedagogisk senter, og filmarkivar ved Trondheim Kinematografer, Oskar A. Johansen, døde 10. januar, 71 år gammel.

 

Oskar A. Johansen har hatt en lang arbeidsdag i Trondheim kommunes tjeneste, fra 1947 til 1975. Han ble i 1947 ansatt som kinomaskinist og ble kort tid etter også filmarkivar ved Trondheim Kinematografer.

 

Oppgavene de første årene gjaldt filmfremvisning og etter hvert også å bygge opp filmarkivet ved kinematografene. Dette arkivet inneholder kortfilmer fra og om Trondheim. I og med at Oskar A. Johansen også var utdannet filmfotograf, var han med på å lage en rekke kortfilmer fra begivenheter og steder i Trondheim, som er verdifulle bidrag i denne filmsamlingen.

 

Fra 1950-årene har Oskar A. Johansen også hatt ansvaret for Trondheim skolefilmsentral. Oppgavene som bestyrer for skolefilmsentralen ble stadig mer omfattende. Høsten 1975 ble skolefilmsentralen flyttet til egne lokaler ved Pedagogisk senter, Bispehaugen skole, og som bestyrer i full stilling planla og la han opp driften her. Ved Pedagogisk senter var en svært glad for å kunne dra nytte av hans brede erfaring, kunnskap og innsikt i en så viktig oppbyggingsperiode. Han tok dessuten også del i dette arbeidet på engasjementsbasis i sin første tid som pensjonist.

 

Både i sitt arbeid ved Trondheim Kinematografer og Pedagogisk senter var Oskar A. Johansen en støttespiller - både faglig og menneskelig. Han betydde noe for hver enkelt av oss. Med sitt lette åpne sinn og romslige vesen, og sin interesse for arbeidet og evne til stadig faglig fornyelse, var det viktig for oss hva han mente og sa i alle spørsmål. Han satte spor etter seg.

 

Vi satte pris på å kunne holde kontakten med Oskar A. Johansen også etter at han ble pensjonist. Det er ikke bare de nærmeste som føler tomheten etter ham i dag. Medarbeiderne ved Trondheim Kinematografer og Pedagogisk senter merker også savnet – nå da han er borte.

 

Vi lyser fred over Oskar A. Johansens minne.

 

Willy Svarverud [Kinosjef og kultursjef i Trondheim kommune]

Birger Bertheussen

Format: 125 mm sort/hvitt negativ

Dato / Date: ca. 1950

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Ukjent

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F20795

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Kodak KB14 ADOX

Dato / Date: Ukjent

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Munkegata, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21034

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling. Reproduksjon av gamle billeder.

 

Format: 35 mm sort/hvitt negativ

Film: Ilford f p 3 fine grain pancromatic

Dato / Date: August 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Munkegata, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F2xxxx

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ (avfotografert fotopositiv)

Film: Kodak KB14 Adox

Dato / Date: ca. 1925

Fotograf / Photographer: Oskar A. Johansen (1908-1980) [avfotograferingen]

Sted / Place: Ukjent - Værnes?

 

Wikipedia: Biplan

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21014

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: AGFA L IR 103

Dato / Date: Julen 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Olav Tryggvasons gate / Krambugata, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21431

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: Pinseaften, Lørdag 20 Mai 1961

Fotograf / Photographer: Oskar A. Johansen (1908 - 1980)

Sted / Place: Velvang vestre, Skatval, Stjørdal kommune, Nord-Trøndelag

 

Google Street View: goo.gl/maps/EiE15Mx8EWJ2

 

Wikipedia: Pinse

 

Adresseavisen: "Derfor ivrer trønderne mest" (adressa.no)

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21202

 

Merknad: Velvang vestre, gnr. 78/1, Skatval, Stjørdal kommune. Opplyst pr. epost av M. J. Myhr 24.06.2015.

Format: 35 mm sort/hvitt negativ

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: Pinseaften, Lørdag 20 Mai 1961

Fotograf / Photographer: Oskar A. Johansen (1908 - 1980)

Sted / Place: Velvang vestre, Skatval, Stjørdal kommune, Nord-Trøndelag

 

Google Street View: goo.gl/maps/EiE15Mx8EWJ2

 

Wikipedia: Pinse

 

Adresseavisen: "Derfor ivrer trønderne mest" (adressa.no)

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21208

 

Merknad: Velvang vestre, gnr. 78/1, Skatval, Stjørdal kommune. Opplyst pr. epost av M. J. Myhr 24.06.2015.

Format: 35 mm sort/hvitt negativ

Film: AGFA L IR 103

Dato / Date: Julen 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Prinsenkrysset, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21434

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: Ilford f p 3 fine grain pancromatic

Dato / Date: 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Prinsenkrysset, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21342

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ (avfotografert fotopositiv)

Film: Ilford FP3 Fine Grain Panchromatic

Dato / Date: ca. 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980) [avfotograferingen]

Sted / Place: Stjørdal, Nord-Trøndelag

 

Wikipedia: Stjørdal

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21150

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: AGFA L IR 103

Dato / Date: Julen 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Olav Tryggvasons gate / Krambugata, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21430

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ (repro)

Film: Ilford FP3 Fine Grain Pancromatic

Dato / Date: 8 Mai 1945

Fotograf / Photographer: Oskar A. Johansen (1908-1980) [avfotograferingen]

Sted / Place: Stjørdal, Nord-Trøndelag

Oppdatert / Update: 30.04.2018 [lagt til transkribert tekst], 22.05.2019 [NRK Radio 07.05.1945, kunngjøring fra grev Schwerin von Krosigk, samt London Radio 07.05.1945, ubekreftet melding om tysk overgivelse]

 

Wikipedia: Frigjøringsdagen (Norge)

 

Wikipedia: Flensburg-regjeringen

 

Wikipedia: Lutz Schwerin von Krosigk (1887-1977)

 

NRK Radio (07.05.1945): Kunngjøring fra grev Schwerin von Krosigk om Tysklands kapitulasjon (på tysk og i norsk oversettelse)

 

London Radio (07.05.1945): Ubekreftet melding om tysk overgivelse (Hartvig Kiran)

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21018

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

 

Trivia: De tyske okkupanters siste meddelelse over norsk radio var grev Schwerin von Krosigks meddelelse om Tysklands betingelsesløse overgivelse. Meddelelsen var rettet mot de tyske styrker og ble avsluttet med et bruddstykke av Johann Sebastian Bachs ´Letzte fuge´.

  

Stjørdalingen

 

Tirsdag 8. mai 1945.

 

Ifølge melding fra den tyske overkommando igår over Oslo radio har alle tyske sikringsstyrker overgitt seg uten vilkår. En senere melding fra den tyske utenriksminister Graf Schwerin von Krosigk bekreftet også dette.

 

Overgivelsen omfatter alle tyske styrker, også de som befinner seg i Norge samt de som kjemper mot sovjetrusserne.

Format: 35 mm sort/hvitt negativ (avfotografert fotopositiv)

Film: Kodak KB14 Adox

Dato / Date: ca. 1925

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980) [avfotograferingen]

Sted / Place: Midtbyen, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F20931

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: AGFA L IR 103

Dato / Date: Julen 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21432

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.

Format: 35 mm sort/hvitt negativ

Film: AGFA L IR 103

Dato / Date: Julen 1961

Fotograf / Photographer: Oskar A. Johansen (10.07.1908 - 10.01.1980)

Sted / Place: Olav Tryggvasons gate / Krambugata, Trondheim

 

Eier / Owner Institution: Trondheim byarkiv, The Municipal Archives of Trondheim

Arkivreferanse / Archive reference: F21424

 

Merknad: Fra fotograf Oskar A. Johansens fotosamling.