![Divertissement musical - Musical entertainment (1774) "Oil on canvas, 194 x 133 cm" [Bavarian state paintings collections, Alte Pinakothek, Munich, Germany] -- Louis Rolland Trinquess (French; ca. 1746 – 1800) | by La Música en La Pintura - Music in Painting.](http://live.staticflickr.com/65535/53678479228_466788a74d.jpg)
Divertissement musical - Musical entertainment (1774) "Oil on canvas, 194 x 133 cm" [Bavarian state paintings collections, Alte Pinakothek, Munich, Germany] -- Louis Rolland Trinquess (French; ca. 1746 – 1800)
Permanent loan of HypoVereinsbank, Member of UniCredit
In the foreground, two young women are playing music on the keyboard and a guitar, while from behind a young man is leaning on an armchair listening. After the delivery, the young woman in the foreground is Marianne Franméry, the wife of the composer François Étienne Franméery. The seated gathering is still emphasized by the sculpture in a niche in the background: the “Prudicitia,” an embodiment of shame. Trinquesse created a new type with this image, in which genre and portrait merged together.
Source: Die Pinakotheken
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Divertissement musical - Musical entertainment (1774) "Oil on canvas, 194 x 133 cm" [Bavarian state paintings collections, Alte Pinakothek, Munich, Germany] -- Louis Rolland Trinquess (French; ca. 1746 – 1800)
Permanent loan of HypoVereinsbank, Member of UniCredit
In the foreground, two young women are playing music on the keyboard and a guitar, while from behind a young man is leaning on an armchair listening. After the delivery, the young woman in the foreground is Marianne Franméry, the wife of the composer François Étienne Franméery. The seated gathering is still emphasized by the sculpture in a niche in the background: the “Prudicitia,” an embodiment of shame. Trinquesse created a new type with this image, in which genre and portrait merged together.
Source: Die Pinakotheken
www.facebook.com/pinakotheken/posts/pfbid0oQq3nAXAVYSwPVG...