canon 1d mark III
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A diverse group of men back enjoy an afternoon of recreational football (or soccer as it is called in the United States). Lopez Ridge Recreational Park, Mira Mesa, San Diego, California, USA
Coronaproof Bubbelbal Voetbal
Bubbelbal Voetbal is een veilig uitje om op 1,5 meter te spelen met je vrienden of collega’s. Ieder zit in een eigen plastic bal, waardoor je niet dicht bij elkaar in de buurt kunt komen. Tijdens het spel is er helemaal geen fysiek contact, omdat de bal je goed beschermd. Na ieder potje voetbal of bij iedere wissel wordt de bal aan de binnenkant goed schoongemaakt en ontsmet. Zo kan de volgende speler er veilig in kruipen. Het ultieme coronaproof uitje!
the McMaster Marauders' women's basketball team were stretching and contemplating what might have been after losing on Saturday.
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McMaster Marauders repel an attack on their net during their win over Western Mustangs in last Saturday's quarter final. Mustangs go again tomorrow at home against Ottawa U in the semi final.
The frame after yesterday's shot. The Gaels' player missed the ball and hurtled towards me where I was sitting on the floor. Luckily, he missed me too.
Current modus operandi (in Canon lingo):
Kit
o Canon Mount Adapter EF-EOS R
o Canon EF 70-200mm f/2.8L USM lens
o Canon EF 85mm f/1.8 USM lens
The first three are primary. Sometimes during bright days, I'll use the extender. The last two lens are for indoor soccer/futsal or team photos.
The Exposure Triangle
o Shutter: 1/1000th second or faster to avoid motion blur of ball and/or kicking leg, moving to 1/800th for low light to avoid high ISO noise
o Aperture: f/3.2, moving to smallest available for low light
o ISO: Auto range 100–6400
Other settings
o Mode: Aperture Priority [Av] with 1000th second minimum shutter speed and auto ISO, or in lower light: Shutter Priority [Tv] @ 1/800th second
o Drive mode: high-speed+ continuous shooting
o Metering mode: Evaluative metering
o White balance: Auto
o Picture style: Standard
o AF mode: AI Servo
o AF point selection: centered spot—see EOS R7 AF-Setting Guide
o Subject tracking: Off as I haven't found a combination that works for soccer yet—please leave a comment if you have ideas.
o Image format: CRaw
o Back-Button Autofocus Explained
Post Processing
o I use Capture One on a Mac.
o Learn your tool's quick key for rating/flagging a photo.
o First pass: During import select photos as possible keepers (in focus, face(s), ball, and interesting); only import those photos; I typically go from a few thousand down to a couple hundred in this stage
o Second pass: Straighten, crop and delete those that are not crisp afterward.
o Export and upload here.
Dogma
o Shooting soccer on sunny days is one of the easier photography tasks, but you need something substantial like a DSL or mirrorless camera with at least a 200mm lens
o Start with your camera's "Sports" mode and move on to shutter priority or manual mode (with auto ISO)
o To make the players "pop", you want a shallow depth of field. This will blur everything else so that the player(s) in focus will stand out. You get this by using a large aperture lens, i.e., small f-stop. A lens with a small f-stop is known as a fast lens because your exposure times can be very short, i.e., quick.
o To shoot at night or indoors requires a fast lens (i.e., f/2.8 or smaller) and a "low noise at high ISO" camera that can shoot at a high ISO without significantly degrading image quality. My old Rebel XSi couldn't go much above 400 ISO; my old 7D Mark II starts degrading noticeably above 3,200 ISO; my new R7 degrades above 6,400 ISO.
o To get intimate action portraits, get camera as close to ground as possible.
o Sometimes I shoot from the sidelines, but my favorite spot is a few feet off the endline near where the penalty box intersects.
o Strive to shoot with low sun (morning or afternoon) at your back. As a result of this and my favorite shooting position (see previous), I often can only shoot one half of a game (If I'm only following one of the two teams.) Overhead sun (e.g., around noon) is harsh and creates shadows that create a sunken eyes look—you can fix some of this by fiddling with "shadows" or similar in post processing.
o Take lots of photos (~1,000–2,000 per half!) and be prepared to only keep 2–5%.
o Try to "fill the frame". Put the camera down when the action is at the other end of the field if you don't have >300mm lens.
o To minimize unnecessary camera movement, form rigid triangles with body, camera, and ground.
o Use raw image format so you have much more freedom to adjust image in post processing, e.g., exposure, contrast, sharpness, white balance, shadows, etc.
o To be able to take bursts of photos, get the fastest memory card your camera can support—an internet search will often turn up a card speed test for your camera.
o To learn how others take photos, look for Exif data (meta data about a photo).
o You do not need a lens/camera with image stabilization because the shutter speeds to capture the action are so fast. In fact, consider turning off image stabilization if your camera/lens has it—see for example, Image Stabilization: When to Use it and When to Turn It Off.
Before Bishop Dwenger's team took the field, these cheerleaders from class 2-A Monrovia clapped for their school's athletes receiving state championship medals.
From the Bishop Dwenger vs. East Central high school football game on Nov 28, 2015, at Lucas Oil Stadium in Indianapolis, Indiana. Dwenger was victorious 27-3 in this class 4-A state championship game, closing the season with a 14-1 record.