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I don't know the name of this puppy, but I sure loved her! ... do you see my little brother in the back?? I'll have to scan some pictures of him.... sooo cute!!
Early native inhabitants were the Tonkawa, Comanche, Kiowa, and Lipan Apache peoples. In 1842, the Adelsverein organized in Germany to promote emigration to Texas. The Fisher-Miller Land Grant set aside three million acres (12,000 km²) to settle 600 families and single men of German, Dutch, Swiss, Danish, Swedish, and Norwegian ancestry in Texas. Henry Francis Fisher sold his interest in the land grant to the Adelsverein in 1844. Prince Carl of Solms-Braunfels secured the title to 1,265 acres (5.12 km2) of the Veramendi grant the next year, including the Comal Springs and River, for the Adelsverein. Thousands of German immigrants were stranded at port of disembarkation, Indianola, on Matagorda Bay. With no food or shelters, living in holes dug into the ground, an estimated 50% die from disease or starvation. The living began to walk to their destinations hundreds of miles away. About 200 German colonists, who walked from Indianola, founded the town of New Braunfels at the crossing of the San Antonio-Nacodoches Road on the Guadalupe River. John O. Meusebach arrived in Galveston. The first wagon train of 120 settlers arrived from New Braunfels. Surveyor Hermann Wilke laid out the town. Meusebach named it Fredericksburg, in honor of Prince Frederick of Prussia.
In 1847, the Meusebach–Comanche Treaty was made. About 150 settlers petitioned the Texas Legislature to establish a new county, suggested names "Pierdenales" or "Germania". The Vereins Kirche became the first public building in Fredericksburg. It served as a nondenominational church, school, town hall, and fort. Locals referred to it as “the Coffee Mill Church” for its shape. Wilhelm Victor Keidel was the county's first doctor. Mormon leader Lyman Wight founded the community of Zodiac.
The Legislature formed Gillespie County from Bexar and Travis Counties in 1848. They named it after Tennessee transplant Capt. Robert Addison Gillespie, a hero of the 1846 Battle of Monterrey in the Mexican-American War. Fredericksburg became the county seat.
Fort Martin Scott was established in 1848 at Barons Creek, a Pedernales tributary. An angry mob of soldiers burned down the store-courthouse in 1850, destroying all county records. The melee apparently started when County Clerk John M. Hunter, who also owned the store, refused to sell whiskey to a soldier. Words were exchanged, and Hunter stabbed the soldier; about 50 soldiers stormed and burned the store, destroying all contents. Soldiers prevented townspeople from saving the county records.
John O. Meusebach was elected to the Texas Senate in 1851 to represent Bexar, Comal, and Medina Counties, and in 1854, received a special appointment as commissioner from Governor Elisha M. Pease to issue land certificates to those immigrants of 1845 and 1846 who had been promised them by the Adelsverein. The Texas State Convention of Germans met in San Antonio and adopted a political, social, and religious platform, including: Equal pay for equal work, direct election of the President of the United States, abolition of capital punishment, “Slavery is an evil, the abolition of which is a requirement of democratic principles..”, free schools – including universities – supported by the state, without religious influence, and total separation of church and state.
In 1852, Bremen seaman Charles Henry Nimitz, grandfather of Fleet Admiral Chester Nimitz, built the Nimitz Hotel in Frederickburg. In 1870, he added a steamboat-shaped façade.
Surveyor Jacob Kuechler was commissioned as a captain by Sam Houston to enroll state militia troops in Gillespie County. Texas seceded from the Union in 1861, and joined the Confederate States of America, and Houston was dismissed from office in March by the Confederacy. Gillespie County voted 400 -17 against secession from the Union. Unionists from Kerr, Gillespie, and Kendall Counties participated in the formation of the Union League, a secret organization to support President Abraham Lincoln’s policies. Kuechler signed up only German Unionists in his frontier company, and was dismissed by Governor Francis R. Lubbock.
In 1862, 54 Gillespie County men joined the Confederate Army. Eventually, 300 enlisted with the CSA to avoid conscription. The Union League formed companies to protect the frontier against Indians and their families against local Confederate forces. Conscientious objectors to the military draft were primarily among Tejanos and Germans. Confederate authorities imposed martial law on Central Texas. The Nueces massacre occurred in Kinney County. Jacob Kuechler served as a guide for 61 conscientious objectors attempting to flee to Mexico. Scottish-born Confederate irregular James Duff and his Duff’s Partisan Rangers pursued and overtook them at the Nueces River; 34 were killed, some executed after being taken prisoner. Jacob Kuechler survived the battle. The cruelty shocked the people of Gillespie County. About 2,000 took to the hills to escape Duff's reign of terror.
The Treue der Union Monument ("Loyalty to the Union") in Comfort was dedicated in 1866 to the Texans slain at the Nueces massacre. It is the only monument to the Union other than the National Cemeteries on Confederate territory. It is one of only six such sites allowed to fly the United States flag at half-mast in perpetuity. Spring Creek Cemetery near Harper in Gillespie County has a singular grave with the names Sebird Henderson, Hiram Nelson, Gus Tegener, and Frank Scott. The inscription reads “Hanged and thrown in Spring Creek by Col. James Duff’s Confederate Regiment.”
Kiowa raiders massacred residents of the McDonald farm in the Harper vicinity in 1864. During 1865, Gillespie County suffered a war-time crime wave, as 17 individuals were convicted of murder. In 1870, Herman Lehmann and his brother Willie were captured by Apaches, but Willie escaped within days. Herman Lehmann, escorted by soldiers, was finally returned to his family in 1878.
In 1881, Gillespie County became the first county in Texas to hold a fair.
From 1874–75, Andreas Lindig built the county’s first lime kiln. The original Gillespie County Courthouse was constructed in 1882; it later became the Pioneer Memorial Library.
Chester W. Nimitz, future Commander in Chief, United States Pacific Fleet, was born in 1885 in Fredericksburg. His father, Chester B. Nimitz, died before his birth, leaving his seaman grandfather as role model. John O. Meusebach died at his farm at Loyal Valley in Mason County on May 27, 1897, and was buried in the Marschall Meusebach Cemetery at Cherry Spring.
The Sauer-Beckmann Farm - Rural Life, 1900-1918
When visitors can smell lunch being cooked on a wood-burning stove, they are close to the Sauer-Beckmann Living Farm! Here, costumed interpreters carry out the day-to-day activities of a turn-of-the-century Texas-German farm family. Some chores are seasonal, such as canning and butchering. Farm animals, however, must be cared for on a daily basis, including activities like feeding, milking, gathering eggs and slopping the hogs. Also, the house is cleaned, meals are cooked, butter is churned and cheese is made. Visitors may see the "family" scrubbing the floors with homemade lye soap, or plowing the garden with a team of horses.
The setting for the present-day living history activities is an authentic Hill Country farm. Johann and Christine Sauer, along with their four children, settled this land in 1869. Their family prospered and grew and, by 1885, several stone buildings were built near the original rock and log cabins. Eventually, the Sauers had 10 children. One of those, Augusta Sauer Lindig, served as midwife at the birth of President Johnson.
The Beckmann family acquired the property in 1900. A good cotton crop in 1915 allowed Emil and Emma Beckmann to build a new barn, to add a frame room onto the old rock structure, and to construct porches connecting to a lovely Victorian house covered with fashionable pressed tin. In 1966, Edna Beckmann Hightower sold the site to the Texas Parks and Wildlife Department. Archeological surveying and restoration work was undertaken and the farm opened to the public in 1975. Since then, time has stood still and the farm remains forever a small piece of Texas as it was at the beginning of the 20th century. Park visitors can experience the farm at their leisure and groups can make arrangements for tours
I will be posting more photos about this farm.This is almost exactly the way I grew up.We milked cows every day.
"Lohr am Main (officially: Lohr a. Main) is a town in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and the seat (but not a member) of the Verwaltungsgemeinschaft (municipal association) of Lohr am Main. It has a population of around 15,000.
The municipal territory extends on both banks of the Main about halfway between Würzburg and Aschaffenburg in Lower Franconia. The town of Lohr lies on the eastern slope of the Spessart at a bend in the river Main, which swings towards the south here, forming the beginning of the Mainviereck ("Main Square" – the southern part of the Spessart). In Lohr, the river Lohr empties into the Main. Perhaps for its geographical location or the fact that two major valleys lead into the interior of the range, the town is known as the "Gateway to the Spessart" (Tor zum Spessart).
The Main river valley is steep with an elevation change from 160 m above sea level at Gemünden dropping to 100 m above sea level at Hanau. The river Main in its natural state is a fast-moving stream unsuitable for shipping. In the 19th century the river was tamed and a system of dams and locks is now part of the Rhine-Main-Danube Canal connecting the North Sea with the Black Sea.
The town of Lohr am Main was settled no later than the 8th century, and by the time of its first documentary mention in 1295 it was already the main centre of the County of Rieneck.
In 1333 Lohr was granted town rights, which can be explained by the disagreement about the inheritance of the Counts of Rieneck-Rothenfels, which had died out. Indeed, Lohr had been a "town" for quite some time already. The town lords were the Counts of Rieneck, who had been enfeoffed by the Archbishop of Mainz (evidence of this is only available beginning in 1366).
In 1559, after the last Count of Rieneck, Philipp III’s death, the fief passed to the Archbishopric of Mainz. From 1603 to 1618, during the "Recatholization" many townsfolk fell victim to persecution as witches. The former Oberamt of the Prince-Bishopric of Würzburg was secularized in favour of Prince Primate von Dalberg's Principality of Aschaffenburg and passed along with this state in 1814 (by this time it had become a part of the Grand Duchy of Frankfurt) to the Kingdom of Bavaria. In the course of administrative reform in Bavaria, the current town-level municipality came into being with the Gemeindeedikt ("Municipal Edict") of 1818.
In 1875, the Alte Mainbrücke (old Main bridge) was built. In 1936 came the new Lindig neighbourhood. In 1939, Sendelbach was amalgamated with the town.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
"Lohr am Main (officially: Lohr a. Main) is a town in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and the seat (but not a member) of the Verwaltungsgemeinschaft (municipal association) of Lohr am Main. It has a population of around 15,000.
The municipal territory extends on both banks of the Main about halfway between Würzburg and Aschaffenburg in Lower Franconia. The town of Lohr lies on the eastern slope of the Spessart at a bend in the river Main, which swings towards the south here, forming the beginning of the Mainviereck ("Main Square" – the southern part of the Spessart). In Lohr, the river Lohr empties into the Main. Perhaps for its geographical location or the fact that two major valleys lead into the interior of the range, the town is known as the "Gateway to the Spessart" (Tor zum Spessart).
The Main river valley is steep with an elevation change from 160 m above sea level at Gemünden dropping to 100 m above sea level at Hanau. The river Main in its natural state is a fast-moving stream unsuitable for shipping. In the 19th century the river was tamed and a system of dams and locks is now part of the Rhine-Main-Danube Canal connecting the North Sea with the Black Sea.
The town of Lohr am Main was settled no later than the 8th century, and by the time of its first documentary mention in 1295 it was already the main centre of the County of Rieneck.
In 1333 Lohr was granted town rights, which can be explained by the disagreement about the inheritance of the Counts of Rieneck-Rothenfels, which had died out. Indeed, Lohr had been a "town" for quite some time already. The town lords were the Counts of Rieneck, who had been enfeoffed by the Archbishop of Mainz (evidence of this is only available beginning in 1366).
In 1559, after the last Count of Rieneck, Philipp III’s death, the fief passed to the Archbishopric of Mainz. From 1603 to 1618, during the "Recatholization" many townsfolk fell victim to persecution as witches. The former Oberamt of the Prince-Bishopric of Würzburg was secularized in favour of Prince Primate von Dalberg's Principality of Aschaffenburg and passed along with this state in 1814 (by this time it had become a part of the Grand Duchy of Frankfurt) to the Kingdom of Bavaria. In the course of administrative reform in Bavaria, the current town-level municipality came into being with the Gemeindeedikt ("Municipal Edict") of 1818.
In 1875, the Alte Mainbrücke (old Main bridge) was built. In 1936 came the new Lindig neighbourhood. In 1939, Sendelbach was amalgamated with the town.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
"Lohr am Main (officially: Lohr a. Main) is a town in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and the seat (but not a member) of the Verwaltungsgemeinschaft (municipal association) of Lohr am Main. It has a population of around 15,000.
The municipal territory extends on both banks of the Main about halfway between Würzburg and Aschaffenburg in Lower Franconia. The town of Lohr lies on the eastern slope of the Spessart at a bend in the river Main, which swings towards the south here, forming the beginning of the Mainviereck ("Main Square" – the southern part of the Spessart). In Lohr, the river Lohr empties into the Main. Perhaps for its geographical location or the fact that two major valleys lead into the interior of the range, the town is known as the "Gateway to the Spessart" (Tor zum Spessart).
The Main river valley is steep with an elevation change from 160 m above sea level at Gemünden dropping to 100 m above sea level at Hanau. The river Main in its natural state is a fast-moving stream unsuitable for shipping. In the 19th century the river was tamed and a system of dams and locks is now part of the Rhine-Main-Danube Canal connecting the North Sea with the Black Sea.
The town of Lohr am Main was settled no later than the 8th century, and by the time of its first documentary mention in 1295 it was already the main centre of the County of Rieneck.
In 1333 Lohr was granted town rights, which can be explained by the disagreement about the inheritance of the Counts of Rieneck-Rothenfels, which had died out. Indeed, Lohr had been a "town" for quite some time already. The town lords were the Counts of Rieneck, who had been enfeoffed by the Archbishop of Mainz (evidence of this is only available beginning in 1366).
In 1559, after the last Count of Rieneck, Philipp III’s death, the fief passed to the Archbishopric of Mainz. From 1603 to 1618, during the "Recatholization" many townsfolk fell victim to persecution as witches. The former Oberamt of the Prince-Bishopric of Würzburg was secularized in favour of Prince Primate von Dalberg's Principality of Aschaffenburg and passed along with this state in 1814 (by this time it had become a part of the Grand Duchy of Frankfurt) to the Kingdom of Bavaria. In the course of administrative reform in Bavaria, the current town-level municipality came into being with the Gemeindeedikt ("Municipal Edict") of 1818.
In 1875, the Alte Mainbrücke (old Main bridge) was built. In 1936 came the new Lindig neighbourhood. In 1939, Sendelbach was amalgamated with the town.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Tucker Nichols, Chris Lindig, Alain Kupper, Gareth Bayliss, Tobin Yelland, Gabi Berüter, Jody Barton, Kevin Lyons, Alexis Saile, Leah Singer, Kim Bennett, Lizzie Finn, Stefan Marx, Lorenzo Petrantoni, Christian Andersen and Tanja Helena Roscic, Anne Käthi Wehrli, Yukari Miyagi, Annelise Coste, Josh Petherick, David Shrigley, Adam Hayes, Florencio Zavala, Ari Marcopoulos, Francis Upritchard, Oliver Grajewski, Ingo Giezendanner, Kim Hiorthøy, Guy Meldem, Maya Hayuk, Cody Hudson, Bruno Peinado, Michael Günzburger, Robin Cameron, Kyle Field, Paul Davis
"Lohr am Main (officially: Lohr a. Main) is a town in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and the seat (but not a member) of the Verwaltungsgemeinschaft (municipal association) of Lohr am Main. It has a population of around 15,000.
The municipal territory extends on both banks of the Main about halfway between Würzburg and Aschaffenburg in Lower Franconia. The town of Lohr lies on the eastern slope of the Spessart at a bend in the river Main, which swings towards the south here, forming the beginning of the Mainviereck ("Main Square" – the southern part of the Spessart). In Lohr, the river Lohr empties into the Main. Perhaps for its geographical location or the fact that two major valleys lead into the interior of the range, the town is known as the "Gateway to the Spessart" (Tor zum Spessart).
The Main river valley is steep with an elevation change from 160 m above sea level at Gemünden dropping to 100 m above sea level at Hanau. The river Main in its natural state is a fast-moving stream unsuitable for shipping. In the 19th century the river was tamed and a system of dams and locks is now part of the Rhine-Main-Danube Canal connecting the North Sea with the Black Sea.
The town of Lohr am Main was settled no later than the 8th century, and by the time of its first documentary mention in 1295 it was already the main centre of the County of Rieneck.
In 1333 Lohr was granted town rights, which can be explained by the disagreement about the inheritance of the Counts of Rieneck-Rothenfels, which had died out. Indeed, Lohr had been a "town" for quite some time already. The town lords were the Counts of Rieneck, who had been enfeoffed by the Archbishop of Mainz (evidence of this is only available beginning in 1366).
In 1559, after the last Count of Rieneck, Philipp III’s death, the fief passed to the Archbishopric of Mainz. From 1603 to 1618, during the "Recatholization" many townsfolk fell victim to persecution as witches. The former Oberamt of the Prince-Bishopric of Würzburg was secularized in favour of Prince Primate von Dalberg's Principality of Aschaffenburg and passed along with this state in 1814 (by this time it had become a part of the Grand Duchy of Frankfurt) to the Kingdom of Bavaria. In the course of administrative reform in Bavaria, the current town-level municipality came into being with the Gemeindeedikt ("Municipal Edict") of 1818.
In 1875, the Alte Mainbrücke (old Main bridge) was built. In 1936 came the new Lindig neighbourhood. In 1939, Sendelbach was amalgamated with the town.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º°´°º¤ø,¸¸,ø¤º°`°º¤ø,¸
Photo: Hauseingang in Wiesbaden-Biebrich
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Der Herr ist nahe, freuet euch
1.) Der Herr ist nahe, freuet euch.
Erhebet eure Sinne,
Er bringt zu euch sein Himmelreich
Zu ewigem Gewinne.
Hinweg mit aller Traurigkeit,
Herein des Herzens Fröhlichkeit:
Der Herr der Welt ist nahe!
2.) Und abermalen freuet euch,
Zu herrlich ist die Kunde.
Der Herr, an Gnad' und Liebe reich,
Macht abermals die Runde.
Er klopft an eure Herzen an,
Drum wohlgemut ihm aufgetan:
Der Heiland selbst ist nahe!
3.) Verbannet denn den Zorn und Streit
Sofort aus euren Seelen,
Und lasst von eurer Lindigkeit (a)
Die ganze Welt erzählen.
O, möchtet ihr voll Liebesglühn
Ihm treugesinnt entgegenziehn:
Der Sünderfreund ist nahe!
4.) Und sorget nichts in dieser Welt,
Er hat es ja in Händen,
Die Trübsal, die euch hier umstellt,
Zu eurem Heil zu wenden.
Er schüttet euch in euren Schoß
Ein Maß gerüttelt voll und groß:
Der reiche Gott ist nahe!
5.) O Herr, mit Bitte und Gebet
Gehn wir dir froh entgegen.
Wir wissen ja: Wer gläubig fleht,
Dem schenkst du deinen Segen.
Wenn dein Mund vor dem Vater spricht,
So weigert er die Bitte nicht:
Der Mittler ist uns nahe!
6.) So sei dir Dank, von Herzen Dank,
Dass du dich willst erbarmen
Auf deinem Erden-Pilgergang
Der Schwachen und der Armen.
Denn wenn du, Heiland, bei uns bist,
So schadet uns nicht Macht und List:
Immanuel (b) ist nahe!
7.) Und wie ein Strom kommt süße Ruh'
In unser Herz gezogen,
Gerechtigkeit verleihest du
Uns wie mit Meereswogen,
Und unter deiner Heilands-Hut,
Da ruht sich's sicher, warm und gut:
Der Friedefürst ist nahe.
(a) Sanftmütigkeit
(b) Der hebräische Vornamen Immanuel oder Emanuel bedeutet 'Gott ist mit uns'. Dieser Name ist beim biblischen Propheten Jesaja Gegenstand einer Verheißung (Jesaja Kap. 7, Vers 14). Im Matthäus-Evangelium im Neuen Testament wird der Name in Beziehung zu Jesus Christus gesetzt (Kapitel 1, Vers 23) und wird seitdem als Ehrenname Christi verwendet.
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Autor: A. Karow
Melodie: Es ist das Heil uns kommen her
oder: Allein Gott in der Höh sei Ehr
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Geistliche Lieder und Gedichte
von A. Karow, Pastor
Verlag L. Weiß
Stettin, 1852
Thema: Advent
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A. Karow ist ein unbekannter Lieddichter, der als evangelisch-lutherischer Pastor in Pommern wirkte und im Jahr 1852 am Verlagsort Stettin eine Sammlung selbstverfasster Gedichte unter dem Titel 'Geistliche Lieder und Gedichte' herausgegeben hat. Ein geistliches Lied von A. Karow ist den Züllchower Kindern (Gemeindemitgliedern) gewidmet, woraus geschlossen werden kann, dass der Autor eine Zeit die Gemeinde Züllchow betreut hat, die heute ein Stadtteil von Stettin ist. Im Amtsblatt, das am 5. Juni 1846 herauskam, ist ein belegt, dass ein Hermann Adolph Karow als Pastor in der Gemeinde Teschendorf am 22. März 1846 ins Amt eingeführt wurde. Dieser Hermann Adolph Karow (* 1818, † 18. Februar 1866) hatte zuvor das Gymnasium in Stettin besucht und an der Universität in Berlin studiert. Auf einer 1855 gegossenen Glocke in Saatzig in Westpommern findet sich eingraviert, sie sei unter dem Pastorat eines Adolph Karow geweiht worden. Ob einer der beiden Genannten der Lieddichter ist oder ob möglichweise beide sogar identisch sind bzw. mit dem gesuchten Karow verwandt waren, ist nach derzeitiger Quellenlage nicht feststellbar. Ein zwischen 1840 und 1852 in Roggow nachgewiesener Pastor Friedrich Wilhelm Karow (* 2. November 1804, † 21. Juni 1878) könnte ein Verwandter gewesen sein.
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"Lohr am Main (officially: Lohr a. Main) is a town in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and the seat (but not a member) of the Verwaltungsgemeinschaft (municipal association) of Lohr am Main. It has a population of around 15,000.
The municipal territory extends on both banks of the Main about halfway between Würzburg and Aschaffenburg in Lower Franconia. The town of Lohr lies on the eastern slope of the Spessart at a bend in the river Main, which swings towards the south here, forming the beginning of the Mainviereck ("Main Square" – the southern part of the Spessart). In Lohr, the river Lohr empties into the Main. Perhaps for its geographical location or the fact that two major valleys lead into the interior of the range, the town is known as the "Gateway to the Spessart" (Tor zum Spessart).
The Main river valley is steep with an elevation change from 160 m above sea level at Gemünden dropping to 100 m above sea level at Hanau. The river Main in its natural state is a fast-moving stream unsuitable for shipping. In the 19th century the river was tamed and a system of dams and locks is now part of the Rhine-Main-Danube Canal connecting the North Sea with the Black Sea.
The town of Lohr am Main was settled no later than the 8th century, and by the time of its first documentary mention in 1295 it was already the main centre of the County of Rieneck.
In 1333 Lohr was granted town rights, which can be explained by the disagreement about the inheritance of the Counts of Rieneck-Rothenfels, which had died out. Indeed, Lohr had been a "town" for quite some time already. The town lords were the Counts of Rieneck, who had been enfeoffed by the Archbishop of Mainz (evidence of this is only available beginning in 1366).
In 1559, after the last Count of Rieneck, Philipp III’s death, the fief passed to the Archbishopric of Mainz. From 1603 to 1618, during the "Recatholization" many townsfolk fell victim to persecution as witches. The former Oberamt of the Prince-Bishopric of Würzburg was secularized in favour of Prince Primate von Dalberg's Principality of Aschaffenburg and passed along with this state in 1814 (by this time it had become a part of the Grand Duchy of Frankfurt) to the Kingdom of Bavaria. In the course of administrative reform in Bavaria, the current town-level municipality came into being with the Gemeindeedikt ("Municipal Edict") of 1818.
In 1875, the Alte Mainbrücke (old Main bridge) was built. In 1936 came the new Lindig neighbourhood. In 1939, Sendelbach was amalgamated with the town.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
"The town hall in Lohr am Main, a town in the Main-Spessart district of Bavaria, was built from 1599 to 1601. The old town hall at Marktplatz 1 is a protected monument.
The massive building was built between 1599 and 1601 by Michael Imkeller from Lohr. The original hall on the ground floor was closed at the beginning of the 19th century and the richly decorated gables were replaced by simple classicist forms. The rectangular building has a stair tower projecting on three sides on the northern broad side. The portal frame is decorated with Corinthian columns. A gilded Lady of Justice sits on the roof turret.
On the first floor there is a large hallway with Renaissance columns and a renewed stucco ceiling.
Lohr am Main (officially: Lohr a. Main) is a town in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and the seat (but not a member) of the Verwaltungsgemeinschaft (municipal association) of Lohr am Main. It has a population of around 15,000.
The municipal territory extends on both banks of the Main about halfway between Würzburg and Aschaffenburg in Lower Franconia. The town of Lohr lies on the eastern slope of the Spessart at a bend in the river Main, which swings towards the south here, forming the beginning of the Mainviereck ("Main Square" – the southern part of the Spessart). In Lohr, the river Lohr empties into the Main. Perhaps for its geographical location or the fact that two major valleys lead into the interior of the range, the town is known as the "Gateway to the Spessart" (Tor zum Spessart).
The Main river valley is steep with an elevation change from 160 m above sea level at Gemünden dropping to 100 m above sea level at Hanau. The river Main in its natural state is a fast-moving stream unsuitable for shipping. In the 19th century the river was tamed and a system of dams and locks is now part of the Rhine-Main-Danube Canal connecting the North Sea with the Black Sea.
The town of Lohr am Main was settled no later than the 8th century, and by the time of its first documentary mention in 1295 it was already the main centre of the County of Rieneck.
In 1333 Lohr was granted town rights, which can be explained by the disagreement about the inheritance of the Counts of Rieneck-Rothenfels, which had died out. Indeed, Lohr had been a "town" for quite some time already. The town lords were the Counts of Rieneck, who had been enfeoffed by the Archbishop of Mainz (evidence of this is only available beginning in 1366).
In 1559, after the last Count of Rieneck, Philipp III’s death, the fief passed to the Archbishopric of Mainz. From 1603 to 1618, during the "Recatholization" many townsfolk fell victim to persecution as witches. The former Oberamt of the Prince-Bishopric of Würzburg was secularized in favour of Prince Primate von Dalberg's Principality of Aschaffenburg and passed along with this state in 1814 (by this time it had become a part of the Grand Duchy of Frankfurt) to the Kingdom of Bavaria. In the course of administrative reform in Bavaria, the current town-level municipality came into being with the Gemeindeedikt ("Municipal Edict") of 1818.
In 1875, the Alte Mainbrücke (old Main bridge) was built. In 1936 came the new Lindig neighbourhood. In 1939, Sendelbach was amalgamated with the town.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º°´°º¤ø,¸¸,ø¤º°`°º¤ø,¸
Photo: Hauseingang in Wiesbaden
¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º°´°º¤ø,¸¸,ø¤º°`°º¤ø,¸
Freuet euch, ihr meine Freude
1.) Freuet euch, ihr meine Freude,
O, ihr Brüder, meine Kron',
Und entziehet euch dem Leide,
Freuet euch zum Herren schon.
Denkt, was er euch hat getan,
Nehmt getrost euch dessen an.
Euer Lindigkeit dagegen
Lasset kund sein allerwegen.
2.) Weiset euch sanft und gelinde,
Leget Zorn und Eifer hin.
Seid zur Rache nicht geschwinde,
Schlagt die Sorgen aus dem Sinn.
Unser Herr ist nicht mehr weit,
Nehmt in Acht desselben Zeit.
Lasst nicht ab, vor ihn zu treten,
Dienet ihm mit Dank und Beten.
3.) Wenn ihr nicht dies unterlasset,
Wird Gott seinen Frieden euch,
Den hier die Vernunft nicht fasset,
Noch erteilen überreich,
Dass ihr eines Herzens seid,
Gleich gesinnet in der Freud'
In des Herzens Jesu Namen,
In dem ich es euch wünsch, Amen.
4.) O, du Brunnquell aller Freuden!
O, du hoher Friedensfürst!
Gib, dass, was du uns zu leiden
Nach dei'm Rat bestimmen wirst.
Wir es achten lauter Freud'
Und uns mitten in dem Leid
Friedsam und gelind erweisen,
Deine Güte recht zu preisen.
++++++++++++++++++++++++++++++++++++++++++
Autor: Johannes Vogel
Melodie: Wie nach einer Wasserquelle
oder: Freu dich sehr, o meine Seele
++++++++++++++++++++++++++++++++++++++++++
Der Text wurde von mir behutsam, soweit
es die Strophenform und der Endreim zu-
ließen, in heutiges Hochdeutsch übertragen
++++++++++++++++++++++++++++++++++++++++++
gefunden in:
Das deutsche evangelische Kirchenlied
des siebzehnten Jahrhunderts
Herausgegeben von Albert Fischer und W. Tümpel
Dritter Band
Druck und Verlag C. Bertelsmann
Gütersloh, 1906
Liednummer 269
Thema: Advent
++++++++++++++++++++++++++++++++++++++++++
Johannes Vogel (* 5. September 1589 in Nürnberg; † 8. März 1663 ebenda) war ein deutscher evangelischer Theologe und Lyriker.
Der Sohn eines Waffenschmiedes besuchte nach einer Zeit am Gymnasium seiner Heimatstadt, durch ein städtisches Stipendium gefördert, die Universität Altdorf und die Universität Wittenberg. Im Anschluss unternahm er den Sitten der damaligen Zeit entsprechend eine Bildungsreise, die ihn auch nach Polen und Ungarn führte. 1621 wurde er Pfarrer an St. Egidien in Nürnberg und 1634 in St. Sebald.
Vogel gilt als Verfasser von Psalmen-Nachdichtungen und geistlichen Büchern, in denen er sich, an die üblichen Formen der damaligen Frömmigkeit bindend, ausdrückt. Dennoch verfolgt er darüber hinaus als Befürworter der 1624 von Martin Opitz in seinem Werk von der 'Deutschen Poeterey' begründeten Reform der hochdeutschen Dichtkunst auch eigene dichterische Ziele. Im Nürnberger Gesangbuch von 1677 finden sich fünf seiner Lieder. Die ab 1904 in Gütersloh von Albert Fischer herausgegebene Sammlung 'Das deutsche Kirchenlied' enthält 20 Lieder von ihm.
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Johannes Vogels Lieder/ Hymns
¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º°´°º¤ø,¸¸,ø¤º°`°º¤ø,¸
Ach Herr, ach Herr, wie lang du meiner willst vergessen
Ach, wie gefährlich schwebt daher
Da als der Herr erstanden war
Freuet euch, ihr meine Freude
Gott ist nicht ein gebundner Gott
Gott, der Vater liebt die Welt
Herr Christ, der du gelitten
Herr, der du vormals gnädig hast
Herr, der du vormals mehr genädig bist gewesen, dass wir im Lande
Herr, der du vormals mehr genädig bist gewesen, dass wir vom Gegenglück
Hör an, o Mensch, jung oder alt
Ich armes, schüchtres Vögelein
Ich bin dein Herr und Gott allein
Ich preise dich von Herzen, o du mein Heiland
Ihr Knechte, die ihr euch des Dienstes rühmen wollet
Ihr, die ihr euch für Knecht des Herren rühmmen wollet
In dir, ach, mein Herr Christ, mein Geist recht
Mein lieber Christ, was rechnest du
Nun lass mich, Herr, du wahrer Gott
Nun lasset uns zur Andacht recht erweisen
Nun wir dann weiß bekleidet sein
Nun, liebe Christen, freuet euch, im Geist
O mein herzliebstes Jesulein, der du bringst alles Heil
O Vater, der du wohnst im Himmel oben
O, wie freudig, o wie fröhlich
Wann uns der Herr einmal genad erzeigen wollte
Was ist das für ein Wunderwind
Wer ist, der in der Wüsten dort
Wir danken dir, o Schöpfer aller Sachen
FROM WIKIPEDIA
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Isabella Khair Hadid (/həˈdiːd/; born October 9, 1996)[4] is an American fashion model, signed to IMG Models in 2014. In December 2016, the Industry voted her "Model of the Year" for Model.com's Model of the Year 2016 Awards.[5]
Early life
Isabella Khair Hadid was born and raised in Los Angeles, California[6] to real-estate developer Mohamed Hadid[7][8] and former model Yolanda Hadid. Her mother is a Dutch-born American, and her father is Palestinian American.[9] Hadid has two siblings, an older sister named Gigi, who is also a model, and a younger brother, Anwar. She has two older half-sisters, Marielle and Alana, on her father's side.[10]
Hadid and her siblings were originally raised on a ranch in Santa Barbara, California for ten years.[11] As a teenager, Hadid was an equestrian and had dreams of attending the 2016 Olympics in Rio de Janeiro but had to give up competing in 2013 due to her suffering from chronic Lyme disease.[12][13][14] It was not announced that she suffered from chronic Lyme until October 2015.[15] She was diagnosed, along with her mother and brother, with the chronic illness in 2012.[16]
In Fall of 2014, Hadid moved to New York City and began studying photography at the Parsons School of Design, signing to IMG shortly before. She has since dropped out of school due to the success of her modeling career, but has expressed interest in returning to school to take on Fashion Photography as a career once she is done modeling.[17] Hadid has also expressed interest in acting.[18]
Career
2012–2014: Early work
Hadid began modeling at age 16 with a Flynn Skye commercial project. Hadid also starred in the "Swan Sittings" by Lesa Amoore, alongside actor Ben Barnes, and "Smoking Hot" by Holly Copeland, modeled for Hannah Hayes F/W 2013 collection, various other commercial projects, and had done campaign work for Chrome Hearts in summer 2013 and 2014.[19][20]
2014–2015: Professional rise
Bella Hadid starring as "Black Widow" in Love Advent, Day 14 2015
Hadid signed to IMG Models on August 21, 2014.[21]
She made her New York Fashion Week debut in the fall of 2014, walking for Desigual. In the spring fashion weeks of 2015, Hadid walked for Tom Ford in Los Angeles, and walked in the amfAR 22nd Cinema Against AIDs Gala fashion show in May. In the fall 2015 New York Fashion Week, she walked for Diane von Fürstenberg, Tommy Hilfiger, Jeremy Scott (she closed his show), and Marc Jacobs. At London Fashion Week, walked for Topshop Unique and Giles, and at Milan Fashion Week for Philipp Plein, Moschino, Missoni, and Bottega Veneta. While at Paris Fashion Week she walked for Balmain. In December 2015 she made her Chanel debut, walking for the first time in the luxury brand's Métiers d'Art show in Rome.[22][23]
In December 2014, Hadid made her first cover appearance on Jalouse Magazine and was featured on Day 27 of Love Magazine's Love Advent that same year.[24][25] Hadid appeared on the November 2015 cover of Seventeen and has shot editorials for magazines, including Vogue Australia and Elle.[26] She was also on the cover of Unconditional Magazine, Grey Magazine, Jalouse Magazine, V Magazine (with sister, Gigi), Editorialist, Wonderlands 10th Birthday Issue, S Moda, Evening Standard, Teen Vogue, and Twin Magazine F/W Issue.[27][28][29]
Hadid also featured in numerous editorials for various magazines, including Vogue Girl Japan, Harper's Bazaar, GQ, W magazine, Town and Country, Pop magazine, three for Glamour magazine, and two for Love magazine. She was also featured again in Love magazine's Love Advent Day 14 and 15 in 2015. Hadid also made an appearance in two CR Fashion Book's – "Body Book" and "Fantasy Campaigns".[30][31]
Hadid was one of eight young models to land Topshop's Holiday campaign and appeared in Balmain's Fall 2015 ad campaign (alongside sister Gigi), as well as starring in the Holiday campaign for Victoria's Secret's younger line, PINK, alongside spokesmodel Rachel Hilbert and Devon Windsor.[32] Hadid was also featured in the Spring 2015 ad campaign for Botkier Bags and the Fall 2015 ad campaign for Ralph Lauren Denim & Supply, as well as the campaign for Boghossian Jewels. She was also a co-star in Samsung's Fall/Winter Look Book, alongside Xiao Wen Ju, which incorporated both technology and fashion.[33]
At the end of 2015, she was awarded Model.com's Break Out Star: Women for Reader's Choice Category.
2016: Model of the Year
In January, Hadid made her Chanel Couture debut during Paris Haute Couture S/S Fashion Week.[34] She walked exclusively for Givenchy and walked for Chanel and Miu Miu at their shows in Paris Fashion Week in March 2016, as well as walking for FentyxPuma in New York Fashion Week in February 2016.[35] She also made her first Mercedes-Benz Fashion Week Australia appearance in May 2016, exclusively opening and closing the Misha Resort 2017 show.[36] Hadid walked for the amfAR 23rd Cinema Against AIDs fashion show and Dior Cruise 2017 show in London in May.[37][38] In June, she walked in the Haute Couture segment of Givenchy's Menswear S/S 2017 show during Men's Paris Fashion Week. During Paris Haute Couture F/W Fashion week she walked for both Versace, Dior, and Alexandre Vauthier, where she closed the show. Hadid also closed the show for Fendi Haute Couture in Rome later that week.[39] Hadid started off the S/S 2017 season during NYFW, opening for DKNY and walking for Michael Kors, Anna Sui, Ralph Lauren, and Marc Jacobs.[40][41] During London Fashion Week Hadid walked exclusviely for Versus Versace, opening the show. The next week, in Milan, she opened for Alberta Ferretti and Fendi; as well as walking for Max Mara, Moschino, Versace, Bottega Veneta, and closing for Philosophy di Lorenzo Serafini.[42][43] On November 30, Hadid walked in the Victoria's Secret Fashion Show, wearing two looks, one from their Bright Night Angels segment and one from Secret Angels. Her Bright Night Angels look also featured a pair of wings.[44]
During 2016, she appeared on the covers of Seventeen Magazine Mexico, Self Service Magazine, CR Fashion Book's #CRGirs, V Magazine, Harper's Bazaar Spain, Japan, Australia, and Russia; Elle Brasil, US, UK, Thailand, Indonesia and Malaysia; Allure, Double Magazine, Glamour Germany, US, Russia, Hungary, Romania, Bulgaria, Turkey, and Iceland; Exit magazine, W magazine Korea, L'Officiel Russia, Sunday Times Style, British GQ, Flare, and Paper Magazine.[45][46][47][48][49] In May, Hadid spotlighted on her first Vogue cover for Vogue Turkey, a Vogue Me cover with Korean rapper G-Dragon in August, and received another three Vogue covers for Japan, Italia, and Paris, alongside model Taylor Hill, in September.[50][51] She had editorials in these magazines, as well as in; Glamour UK, British GQ, LOVE Club, Dazed, W Magazine, Vogue US and Paris, as well as an online editorial in Vogue for Valentine's Day. In May, Hadid made her first short film appearance of the year, starring in Tyer Ford's film, Private.[52] Hadid was also the star of LOVE Advent's calendar for Day 1 in a segment entitled "Aerobics".[53]
Hadid was also featured in the "My America" campaign by Marc Jacobs, TopShop's Denim Campaign for Summer 2016, starred in Joe's Jeans 2016 campaign, and Misha Collection's Resort and Misha Gold campaign.[36][54][55] Alongside Frank Ocean, Kate Moss, and others, she was featured in the Calvin Klein F/W 2016 global campaign. She starred in J.W Anderson's Fall/Winter campaign.[56] Hadid was also featured in Givenchy F/W 2016 campaign and in the brands' Resort 2017 line.[57]
On May 31, it was announced that Hadid is the new ambassador of Dior Makeup and would be starring in a new web series from the fashion house called Dior Makeup Live with Bella Hadid starting in June, and did a tutorial using their makeup for Vogue US's YouTube channel in August.[38] Hadid's first collaboration was announced on December 13. She partnered up with her best friend's, Jesse Jo Stark, family's brand, Chrome Hearts.[58] Hadid also shot her first campaign with the brand, just after turning 16 years old, and recently played the role of photographer for the Stark family for W Magazine back in August.[59][60] The date the collection she co-designed will be coming out is yet to be announced.
In March 2016, Hadid won Model of the Year at the Daily Front Row's Fashion Los Angeles Awards.[61] In June 2016, Hadid was ranked among Models.com's Top 50 Models list. In September 2016, she won Model of the Year at the GQ Men of the Year Awards in London.[62] In December, Models.com nominated Hadid for their Reader's Choice awards; for both Model of the Year and Social Media Star of the Year. She won Model of the Year Women from the Industry's vote.[63]
2017
Bella Hadid, alongside sister Gigi, backstage at Anna Sui F/W 2017.
In January 2017, Hadid walked in Givenchy's S/S 2017 Haute Couture segment during their F/W Menswear Fashion Show in Paris.[64] During Haute Couture S/S week, she also walked for Chanel and opened Alexandre Vauthier. In February, she walked in her sister, Gigi's, Tommy Hilfiger collaboration "TommyxGigi" in Los Angeles and in Paris she closed the H&M Studio show, both last minute additions to the S/S 2017 season.[65] To start off the F/W 2017 season, Hadid walked for Alexander Wang, Sies Marjan, Carolina Herrera, Brandom Maxwell, Michael Kors, Anna Sue, Ralph Lauren; and opened for Prabal Gurung and Zadig et Voltaire; and closed for Oscar de la Renta, during NYFW.[66][67][68] During London Fashion Week, she was exclusive at Versace Versus, where she opened the show.[69] In Milan she walked for Albertta Feretti, Fendi, Moschino, and Versace. To close out the F/W 2017 RTW season, in Paris, she walked for Lanvin, Chanel, and opened Off-White. Hadid also starred in Alexandre Vauthier's F/W 2017 look book, in place of a runway show. While in Cannes, France for the 70th Annual Film Festival, she walked for Naomi Campbell's Fashion for Relief and the amfAR Gala's charity walks.[70][71] For the F/W 2017 Haute Coutre week, she walked for Miu Miu Resort, Maison Margiela, Fendi, and opened for Alexandre Vauthier.[72]
Hadid's first cover of the year was for the January issue of W Magazine Korea, a reprint of her W editorial from the US editions "Royals Issue".[73] Her first new cover of the year was for the recently rebranded Teen Vogue, Hadid starred on one of the Volume 1 covers with best friend, Jesse Jo Stark. Her first standard issue vogue cover was for the year was for Vogue China in April, appearing on their cover again in September, and another in June for Vogue Italia.[74][75][76][77] Hadid also appeared on the cover of CR Fashion Book, Grazia Italia, Sunday Times Style, Porter Magazine; ELLE US, Russia, and France; InStyle, 032c, and was one of the covers for the first issue of Super ELLE China.[78] In 2017, she also had editorials in Vogue Paris, LOVE Magazine, V Magazine, and Dazed Magazine.[79]
Hadid and her sister, Gigi, started off the S/S campaign season together - starring alongside one another in both that seasons Fendi and Moschino campaigns.[80] Along with shooting a campaign with her sister, Hadid also shot a campaign for Zadig & Voltaire with her younger brother, Anwar. Hadid also starred solo in the DKNY, TAG Heuer, and Boghossian Jewels Les Merveilles S/S 2017 campaigns.[81][82][83] Hadid also starred in both Ochirly's Spring and Summer campaigns and in the ZaynxVersus capsule collection campaign. She starred in her first beauty campaign in S/S 2017 for Dior Makeup's "Pump N' Volume" mascara.[84] After being declared one of their Nike: NY Made ambassadors in 2016, Hadid starred in her first campaign with Nike for their OG Cortez sneaker.[85] As ambassador of the brand's accessorie's line, Hadid starred as the face of Bulari's Goldea Roman Night fragrence and F/W 2017 Serpiniti collection campaign.[86][87] Hadid starred in a second accessories campaign for Max Mara.[88] Also in the F/W 2017 season, Hadid starred alongside Miles McMillan in Giuseppe Zanotti, Justin Grossman in NARS Cosmetics, and Kendall Jenner in Ochirly's Fall campaign.[89][90]
As ambassador of Dior Beauty, Hadid also starred in a series of videos entitled "Dior Makeup with Bella Hadid" throughout the year; these videos had begun in December 2016. On February 8, Hadid was announced the new ambassador for Bulgari's accessory lines and, on February 13, she was announced the new face and ambassador of TAG Heuer.[91][92]
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Sarah Lindig. "Bella Hadid Spends Her Birthday Weekend With The Weeknd". ELLE. Archived from the original on October 13, 2015. Retrieved October 17, 2015.
Sisavat, Monica. "The Weeknd and Bella Hadid Made Their Red Carpet Debut at the Grammys". POPSUGAR Celebrity. Archived from the original on May 30, 2016. Retrieved June 6, 2016.
Harrison, Lily (November 10, 2016). "Bella Hadid and The Weeknd Break Up". E! Online. Archived from the original on November 11, 2016. Retrieved November 11, 2016.
"Celebrity Participants | Jeans for Refugees". jeansforrefugees.com. Archived from the original on March 26, 2017. Retrieved March 25, 2017.
"Bella Hadid on DKNY and Protesting in New York City". ELLE. February 6, 2017. Archived from the original on March 26, 2017. Retrieved March 25, 2017.
"I am proud to be a Muslim". ELLE. April 4, 2017. Archived from the original on April 4, 2017. Retrieved April 4, 2017.
Young, Sarah J. (April 4, 2017). "Bella Hadid: "I am proud to be a Muslim"". The Independent. Archived from the original on April 4, 2017. Retrieved April 4, 2017.
"Bella Hadid on Being Muslim and Trump's Travel Ban". TeenVogue. April 4, 2017. Archived from the original on April 4, 2017. Retrieved April 4, 2017.
Aerospace & Arizona Day, D-M AFB, Tucson, AZ, April 2 & 3, 1993
Fred Lindig, Virgil Falkner, Ed Goodwin Lockheed VC-121A (C-121A)(Model 749-79-36) "Constellation/ Connie " ("Columbine")(749-2206)(USAF 48-614)
Dipl. Ing.-Architekt CARL BURCHARD
"GUTES UND BÖSES IN DER WOHNUNG IN BILD UND GEGENBILD"
GRUNDLAGEN FÜR NEUES WOHNEN
Verlag OTTO BEYER ° Leipzig-Berlin 1933
mit 560 Abbildungen und Herstellerverzeichnis
Einrichtungklassiker in aufklärerischer Adolf Behne-Tradition mit dem Anspruch, die Gesamtheit der käuflich erwerbbaren Einrichtungsgegenstände der Zeit darzustellen und zu bewerten; neben einer Unzahl von Abbildungen gibt es ein umfassendes Herstellerverzeichnis in dem sich - mit Ausnahme der "Gegenbeispiele" - jedes Objekt mühelos wiederfinden läßt.
Politisch unverdächtig (vor 1933 konzipiert) und nur dem gesunden Menschenverstand verpflichtet. Die 'Klassiker der Moderne' finden sich je nach Funktionalität mal unter den Guten, mal unter den Bösen: Corbusier-Liege ("Bahre..") und Wassily-Chair von Marcel Breuer ("Hinrichtungsstuhl..") kriegen ihr Fett weg, während KANDEM-Lampen (Marianne Brandt), Kastenmöbel von KNOLL oder THONET-Freischwinger (Mart Stam) in höchsten Tönen gelobt werden. Unter den 560(!) Abbildungen zeigt ein guter Teil komplette Wohnungseinrichtungen.
Halbleinenband von 127 Seiten, durchgehend fotoillustriert. Mit passender Widmung der Zeit ("Nun müßt Ihr nur noch das Richtige aussuchen!..") auf dem Vorsatzblatt.
ALBERT GLEISER DEUTSCHE WERKSTÄTTEN WILM SCHWIPPERT SINGER DLW HILLERBRAND BERTSCH WERSIN LORENZ LENGYEL BUSCHLE Bruno PAUL GROSCHKUS SCHNECK RUBENSDÖRFFER&CO. MÜNCH SOENNECKEN KNOLL FEDER RAU&SCHÄFER Gerda SCHRÖDER Gustav SCHMID "GENEBA" Hermann MENZEL ALBRECHT&MAMMELE BOCK&FEIL STORZ&PALMER SCHÖRLE THONET Frida SCHOY HAUENSCHILD SCHMIDTKE LÄMMLE-AG. HEERDT-LINGLER Carl FLIEGER MARCUS MAIER POGGENPOHL KERN HARSEFELDER WERKSTÄTTEN HERRGESELL BEHR SALVER OPPENLÄNDER&SÖHNE AEG SIEMENS&HALSKE KIENZLE JUNGHANS Hanns SCHWARZ WALDORF PÖLZIG SCHÜRMANN SCHWIPPERT&SCHWARZ HOENE MOLLNER STRNAD BECK&SCHULZE ESCHEBACH-WERKE "ERDÖ" GÖDECKE&NIEDERMAYER GRUCO-KÜCHEN VOLLMANN&SCHMELZER MAUSER SEYFFART RUNGE&CO. WURZNER TEPPICHFABRIK HABLIK-LINDEMANN WEHRA AG. POETTER ERISMANN&CO. HÖLSCHER&BREIMER SALUBRA KUHLMANN HIEMANN SCHRIEVER NIEHUES&DÜTTING DÜRNINGER&CO. DIERIG AG. HAHN&BACH Julius SCHMIDT ENDERS AG. KÖRTING&MATHIESEN KALMAR BÜNTE&REMMLER PRZYREMBEL JUNKERS KRAUSS-WERKE WIEDAMANN WERKSTÄTTEN DER STADT HALLE, BURG GIEBICHENSTEIN WMF WELLNER AG. HAMMESFAHR BRUCKMANN&SÖHNE WETZLAR VILLEROY&BOCH KAESTNER ARZBERG DEFFNER Lili SCHULTZ ZÄCH Paul DRESLER, GROOTENBURG Otto LINDIG WEIDEN SELB ROSENTHAL HUTSCHENREUTHER THOMAS KRISCHTSCHIAN RUPPEL-WERK ZWIESEL MOSBACHER MAJOLIKA KAESTNER BOSSE KALLMANN BRUCK bauhaus werkbund
fotografiert haben (u.a.): BECKER&MAAß FINSLER KRAJEWSKI LAZI LEONARD REIDT WELLER
"04.02.1945
Im Abschnitt des Fhr.Rgt 3, neuerdings verstärkt durch Teile des Fhr.Rgt 1 aus dem Ruheraum Lüben, setzt der Russe am 4.2.1945 beim Vorwerk Emilienhof nach einem kurzen Feuerüberfall einen starken Erkundungsvorstoß an.
Am Abend dieses 4.2. stellt das Alarm-Bataillon 94 (Köslin), Major Naske, das inzwischen die alte Pommernstellung hinter dem Deutsch Kroner Stadt-See zwischen den Förstereien Klotzow, bei Stranz, und Moritzhof, zwei Kilometer vor dem Westbahnhof, besetzt hatte, zwei Züge seiner 3.Kompanie zur Sicherung der Landenge zwischen Mellen- und Gr. Schmollen-See ab. Es blieb die ganze Nacht unruhig. Der Russe bewegte ständig einzelne Panzer hinter der Front und schoss immer wieder Störungsfeuer mit der Ratsch-Bum zwischen Harmelsdorf und Kl. Nakel, wie schon am Vortage, als auf dem Gefechtsstand des I./ Fhr.Rgt. 1 in Emilienhof der Fahnenjunker Jürgen Lukat durch einen Zufallstreffer in eine Scheune fiel, wie sein Kamerad, der Fahnenjunker-Unteroffizier Hans-Dieter Lindig nach den Krieg berichtete. (Lindenblatt, S. 129 – 130 oben)
Das sogenannte Generalkommando Tettau, wurde am 4.2.1945 auf dem Kommandowege aus dem Div.Stab z.b.V. 604 (Nachr.Abt. 604) als „Korpsgruppe von Tettau“ für den Nordbereich der Pommernstellung in Belgard aufgestellt. (Unterstellung: 1945: Febr. 11. Armee, HGr. Weichsel, Pommern, März 3.Pz.Armee, HGr. Weichsel, Pommern, Reste zum Verteidigungsbereich Swinemünde, s. Tessin - Verbände und Truppen der deutschen Wehrmacht und Waffen-SS im Zweiten Weltkrieg 1939-1945 – Band 14 - Die Landstreitkräfte Namensverbände - Die Luftstreitkräfte Fliegende Verbände – Flak, S. 237)
Erster Eintrag der Korpsgruppe von Tettau in der Gliederung der HGr. Weichsel erfolgte am 5.2.1945, unterstellt waren
- Gr. Bärwalde
- Gr. Köslin
(T 311 R 170 Gliederungen der HGr. Weichsel 24.1. – 22.2.1945) Damit war die Korpsgruppe entweder 4.2. oder am 5.2.1945 als Führungsstab zwischen das X. SS-AK und das XVI. SS-AK eingeschoben worden
Am 6.2. und 7.2.1945 werden unter der Korpsgruppe von Tettau genannt:
- Gr. Bärwalde Gneisenau-Einheiten, Alarm-Einheiten und Volkssturm
- Gr. Köslin Gneisenau-Einheiten, Alarm-Einheiten und Volksturm
(T 311 R 170 Gliederungen der HGr. Weichsel 24.1. – 22.2.1945) "
Takstquelle: www.forum-der-wehrmacht.de/index.php/Thread/15884-SS-und-...
Near the LBJ National Historic Park.
The Sauer-Beckmann Farm - Rural Life, 1900-1918
A living history farm, interpreters wear period clothing, do the farm and household chores as they were done at that time.
When visitors can smell lunch being cooked on a wood-burning stove, they are close to the Sauer-Beckmann Living Farm! Here, costumed interpreters carry out the day-to-day activities of a turn-of-the-century Texas-German farm family. Some chores are seasonal, such as canning and butchering. Farm animals, however, must be cared for on a daily basis, including activities like feeding, milking, gathering eggs and slopping the hogs. Also, the house is cleaned, meals are cooked, butter is churned and cheese is made. Visitors may see the "family" scrubbing the floors with homemade lye soap, or plowing the garden with a team of horses.
The setting for the present-day living history activities is an authentic Hill Country farm. Johann and Christine Sauer, along with their four children, settled this land in 1869. Their family prospered and grew and, by 1885, several stone buildings were built near the original rock and log cabins. Eventually, the Sauers had 10 children. One of those, Augusta Sauer Lindig, served as midwife at the birth of President Johnson.
The Beckmann family acquired the property in 1900. A good cotton crop in 1915 allowed Emil and Emma Beckmann to build a new barn, to add a frame room onto the old rock structure, and to construct porches connecting to a lovely Victorian house covered with fashionable pressed tin. In 1966, Edna Beckmann Hightower sold the site to the Texas Parks and Wildlife Department. Archeological surveying and restoration work was undertaken and the farm opened to the public in 1975. Since then, time has stood still and the farm remains forever a small piece of Texas as it was at the beginning of the 20th century.
Upper left "The Pipe Smoker" (portrait of Otto Lindig)
Lower left "Refusal" (Judgement of Paris)
Right "The Artist II"
Photo: Engelsdarstellung in der evangelischen Kirche St. Nicolai in Wyk-Boldixum auf Föhr, Nordfriesland
+++++++++++++++++++++++++++++++++++
Stilles Lamm und Friedefürst, meine Seele
1.) Stilles Lamm und Friedefürst,
Meine Seele nach dir dürst'.
Ach, wann wird,
O, mein Hirt',
Doch mein Herz mit Lammes-Art von dir umgürt't.
2.) Gib, dass ich in Lieb' und Treu
Als ein Lamm gehorsam sei,
Dass mein Sinn
Lieb gewinn,
Sich zum Opfer ganz und gar zu bin.
3.) Schenke mir den sanften Geist,
Der nur Lindigkeit beweist,
Der in mir
Sei die Zier
Und der Schmuck, der köstlich ist und wert von dir.
4.) Gib, dass ich mit Tapferkeit
Dich zu loben sei bereit:
Wenn mich Pein
Nimmet ein,
Dass ich mög ein Lamm und Löwe vor dir sein.
5.) Halte mich dir unbefleckt,
Und beständig aufgeweckt,
Nachzuflehn,
Nachzustehn
Und wo du hingehst, getrost dir nachzugehn.
6.) Lamm, das überwunden hat,
Gib mir armen Lamm die Gnad',
Dass ich hier
Für und für,
Durch dein Blut gestärket, streit und sieg in dir.
7.) Führe mich, wenn ich einmal
Wandern muss im finstern Tal,
Und im Tod,
O, mein Gott!
O, so stärk und schütze du mich in der Not.
8.) Wenn du wirst auf Zion stehn,
Müsse man mich um dich sehn,
Ohne Pein,
Weiß und rein,
Da sollst du, mein Lamm, mein Licht und Tempel sein.
++++++++++++++++++++++++++++++++++++++++++
Autor: Christian Friedrich Richter
Melodie: ohne Angaben
++++++++++++++++++++++++++++++++++++++++++
gefunden in:
Jauerisches (evangelisches) Gesangbuch
für die königl. preußischen, kurbrandenburgischen und schlesischen Lande
12. Auflage, 1818 erschienen
Liednummer 604
Thema: Nachfolge, Kirche und Mission
++++++++++++++++++++++++++++++++++++++++++
Christian Friedrich Richter (* 5. Oktober 1676 zu Sorau (Niederlausitz), † 5. Oktober 1711, war evangelischer Pfarrer, Kirchenlieddichter und Arzt an den Franckeschen Stiftungen.
Richter wurde als als Sohn eines gräflichen Rates geboren und studierte Medizin und Theologie. Er war Schüler und Freund August Hermann Franckes, Inspektor des Pädagogiums und Arzt am Waisenhaus in Halle an der Saale.
Ab 1699 war er Anstaltsarzt für die gesamten Franckeschen Anstalten. Richter promovierte 1706 in Halle. Durch die von ihm erfundenen Arzneien erschloss er den Anstalten eine reiche Einnahmequelle.
Als evangelischer Kirchenlieddichter war er ein tiefgläubiger Dichter des halleschen Pietismus. Gestorben 1711 in Halle an der Saale mit 35 Jahren.
++++++++++++++++++++++++++++++++++++++++++
¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º°´°º¤ø,¸¸,ø¤º°`°º¤ø,¸
Christian Friedrich Richters Lieder/ Hymns
¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º°´°º¤ø,¸¸,ø¤º°`°º¤ø,¸
Auf, frohlocket, Christi Glieder
Bemühe dich nicht viel in dieser Welt zu wissen
Bescher uns, Herr, das täglich Brot
Christi Schäflein, schlaf in Friede
Der Mensch, o Gott, ist ja geboren
Der schmale Weg ist breit genug zum Leben
Die lieblichen Blicke, die Jesus mir gibt
Die Menschen, die ganz arm und dürftig sind
Die sanfte Bewegung, die liebliche Kraft
Die Seele ist dazu geboren
Die Seele wünschte einst des Lammes Braut zu sehen
Es glänzet der Christen inwendiges Leben
Es ist nicht schwer, ein Christ zu sein
Es kostet viel, ein Christ zu sein
Freuet euch, erlöste Brüder, denn des Vaters Wort
Gott kennet und nennet den heiligen Samen
Gott, den ich als Liebe kenne
Hier legt mein Sinn vor dir sich nieder
Höchster, denk ich an die Güte
Hüter, wird die Nacht der Sünden
Ich bin selbst der Grund der Seelen
Jesu, gib mir deine Fülle, siehst du nicht
Jesus ist das schönste Licht
Lass, mein Gott die Stunden kommen
Maria hat das beste Teil erwählet
Mein Freund zerschmelzt aus Lieb in seinem Blute
Mein Friedefürst, dein freundliches Regieren
Mein gnugbeschwerter Sinn, wirf die Gedanken hin
Meine Armut macht mich schreien
Nur Jesus ist die Liebe frommer Seelen
O Liebe, die den Himmel hat zerrissen
So gingst du einst, beraubt aller Freuden
Stilles Lamm und Friedefürst, meine Seele
Wirf ab von mir das schwere Joch der Sünden
Wo ist meine Sonne blieben
Wo rechter Glaube ist
´30s Streamline armchair
STYLE: Art Déco
DESIGNER: company design Mücke-Melder
COUNTRY: Czechoslovakia
MANUFACTURER: Mücke-Melder
MODEL: FN 21 Famos
MATERIAL: chrome-plated tubular steel, Art Deco original fabric, stained beech wood
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 82 cm x w.: 57 cm x d.: 85 cm
Art Deco ceiling lamp
REF: 02201
STYLE: Art Deco
COUNTRY: Germany
MATERIAL: chrome plated brass, opaline glass
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 110 cm x w.: 30 cm x d.: 30 cm
Etagere
REF: 02207
STYLE: Bauhaus-Modernism
COUNTRY: Germany
MATERIAL: chrome-plated steel, painted blockboard
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 75,5 cm x w.: 55 cm x d.: 35 cm
Large vase by Otto Lindig
REF: 00552
STYLE: Bauhaus
DESIGNER: Otto Lindig
COUNTRY: Germany
MATERIAL: glazed stoneware
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 53 cm, diameter: 33 cm
Art Déco mantel clock
REF: 00102
STYLE: Art Déco
COUNTRY: France
MATERIAL: brass, macassar wood, chrome-plated metal
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 18 cm x w.: 19 cm x d.: 5 cm
FOR IMMEDIATE RELEASE - Group Art Show at GRNY
Snack Isle at Giant Robot New York, September 15 - October 17, 2007
Reception: Saturday, September 15, 6:30 p.m. - 10:00 p.m.
Giant Robot Gallery
437 East 9th Street
Between 1st Ave. & Ave. A, in the East Village
New York, New York 10009
grny.net
(212) 674-GRNY
Giant Robot is proud to present Snack Isle: Small Works of Art by Five Dozen Artists at the GRNY Gallery.
Following up on Look Behind You, a salon style show which opened at GRNY in March, Snack Isle features all tiny works, 5" x 7" or smaller. Each of the 60 artists is contributing two to five pieces for the exhibit, which will reflect the range of styles and mediums of its participants. It has often been said that art is food, and the hundreds of little pieces will be like a paradise of snacks for your consumption.
Participating artists include:
APAK
Diane Barcelowsky
Marc Bell
William Buzzell
C.F.
Brian Chippendale
Leidy Churchman
Andrew Degraff
Theo Ellsworth
Austin English
Kiersten Essenpreis
Evah Fan
Matthew Feyld
French
Matt Furie
Mollie Goldstrom
Keith Warren Greiman
Evan Harris
Maxwell Loren Holyoke-Hirsch
Kevin Hooyman
Cody Hudson
Elizabeth Huey
Simon Hughes
Jordin Isip
Takashi Iwasaki
GHOSTSHRIMP
Keith Jones
Arthur Jones
Misaki Kawai
Chris Kerr
Jeff Ladouceur
Matt Leines
Chris Lindig
Jack Long
Abby Mannock
Mats!?
Taylor McKimens
Eric Nakamura
Philip Fivel Nessen
Jonathan Petersen
Luke Ramsey
Andy Rementer
Zachary Rossman
Brian Rush
David Sandlin
William Schaff
Keith Shore
Jeana Sohn
Daniel St. George
Deth P. Sun
Peter Thompson
Matthew Thurber
Elisabeth Timpone
Dennis Tyfus
Chris Uphues
Marci Washington
Esther Pearl Watson
Damian Weinkrantz
Justin B. Williams
Andrew Jeffrey Wright
A reception attended by many of the artists will be held from 6:30 to 10:00 on Saturday, September 15. For more information about the artists, GRNY, or Giant Robot magazine, please contact GRNY at grny@giantrobot.com or 212-674-GRNY.
´30s Streamline armchair
STYLE: Art Déco
DESIGNER: company design Mücke-Melder
COUNTRY: Czechoslovakia
MANUFACTURER: Mücke-Melder
MODEL: FN 21 Famos
MATERIAL: chrome-plated tubular steel, Art Deco original fabric, stained beech wood
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 82 cm x w.: 57 cm x d.: 85 cm
Art Deco ceiling lamp
REF: 02201
STYLE: Art Deco
COUNTRY: Germany
MATERIAL: chrome plated brass, opaline glass
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 110 cm x w.: 30 cm x d.: 30 cm
Etagere
REF: 02207
STYLE: Bauhaus-Modernism
COUNTRY: Germany
MATERIAL: chrome-plated steel, painted blockboard
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 75,5 cm x w.: 55 cm x d.: 35 cm
Large vase by Otto Lindig
REF: 00552
STYLE: Bauhaus
DESIGNER: Otto Lindig
COUNTRY: Germany
MATERIAL: glazed stoneware
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 53 cm, diameter: 33 cm
Art Déco mantel clock
REF: 00102
STYLE: Art Déco
COUNTRY: France
MATERIAL: brass, macassar wood, chrome-plated metal
YEAR: 1930
CONDITION: original
DIMENSIONS: h.: 18 cm x w.: 19 cm x d.: 5 cm
The setting for the present-day living history activities is an authentic Hill Country farm. Johann and Christine Sauer, along with their four children settled this land in 1869. Their family prospered and grew and by 1885, several stone buildings were built near the original rock and log cabins. Eventually, the Sauers had 10 children. One of those, Augusta Sauer Lindig, served as midwife at the birth of Lynden B. Johnson.
Sauer-Beckmann Living History Farm at the Lyndon B. Johnson National Historical Park in Stonewall, TX
HFF
The Twenty-fifth Biennial of Graphic Arts continued its quest for new approaches tailored to the contemporary times, entrusting the selector’s baton to a single curator and seeing printmaking in the broadest sense of the word, as a “printed impression”. The main exhibition of contemporary graphic works was based on the significance of the multiplied image as a means of communication. The common feature of the exhibited works − artists’ books, newspapers and magazines, photocopies, art posters, newspaper interventions and projects, as well as art prints − was the fact that they documented the artists’ ideas about their realised or unrealised, past and future projects.
The curator of the Biennial Christophe Cherix (during the Biennial, the curator of the Graphic Arts Cabinet of the Museum of Art and History in Geneva) conceived the Biennial as a complex display including the main exhibition of contemporary graphic works, a documentary exhibition about the history of the Biennial of Graphic Arts from 1955 to 2003, prepared by Breda Škrjanec, and a symposium entitled The Producers on the relationship between publishers and artists, led by Lionel Bovier.
Artists
John M Armleder
Art & Project Bulletin, Amsterdam 1968-1989 (ed. Geert Van Beijere, Adriaan Van Ravesteijn; participants: Bas Jan Ader, Carl Andre, Stephen Antonakos, Keith Arnatt, David Askevold, Gijs Bakker, John Baldessari, Robert Barry, Zadok Ben-David, Jaap Berghuis, Mel Bochner, Alighiero Boetti, Marinus Boezem, Willem Breuker, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Gianfredo Camesi, Alan Charlton, Sandro Chia, Francesco Clemente, Roy Colmer, Adam Colton, Jan Commandeur, Tony Cragg, Enzo Cucchi, Hanne Darboven, Jan Dibbets, Barry Flanagan, Hamish Fulton, Joris Geurts, Imi Giese, Gilbert & George, William Graatsma, Gruppe X, Douglas Huebler, Imi Knoebel, Joseph Kosuth, William Leavitt, Sol LeWitt, Bernd Lohaus, Richard Long, Andrew Lord, Bruce McLean, Martin Maloney, Yukata Matsuzawa, Willy Ørskov, Mimmo Paladino, Nicholas Pope, Charlotte Posenenske, Tomas Rajlich, David Robilliard, Stephen Rosenthal, Ulrich Rückriem, Allen Ruppersberg, Robert Ryman, Salvo, Han Schuil, Paul Schuitema, Jan Slothouber, Ed Sommer, Peter Struycken, Narcisse Tordoir, David Tremlett, Aldo van den Nieuwelaar, Ger van Elk, Daan van Golden, Ab van Hanegem, Emmy van Leersum, Toon Verhoef, Emo Verkerk, Didier Vermeiren, Carel Visser, Leo Vroegindeweij, Lawrence Weiner, Ian Wilson, Hideto Yamazaki)
Vesna Bukovec
Vidya Gastaldon
Isa Genzken
Liam Gillick
Fabrice Gygi
Pierre Huyghe, Philippe Parreno
Irwin
Ivana Keser
Ben Kinmont
Kiosk (org. Christoph Keller; participants: 100 Magazine, 359˚, Artimo, Attitudes, b_books, bdv ⸳ artview, BE-Magazine, Best of, Because Tomorrow Comes, Black Dog Publishing Limited, Blatt/Blaꝺ, Boileau & Narcejac, Book Works, Bootleg, Bottrop Boy, EN/OF, BQ, The Breeder, Bruno Dorn Verlag, Galerie Daniel Buchholz, Butt, Catalogue, CCAB, Centre d'édition contemporaine, cneai, Confetti, Galerie Ascan Crone, Der Wandel, Edition Fink, Edition Valerio, Editions Incertain Sens, Exter, Finger, Die Gabe, Gagarin, Galerie für Landschaftskunst, Yves Gevaerts, Herzrasen, infection manifesto, Irrégulomadaire, JRP Editions, Galerie Yvon Lambert, La Lettre volée, Les presses du réel, Lukas & Sternberg Inc., Material Verlag, Memory/Cage Editions, merge, Metronome, Miuze, Montage, Morning Star Publications, naēv hören+sehen, Neid, Ohio, Onestar Press, oVER Magazine, Pacemaker, Permanent Press, Photoworks, Point d'ironie, Pocketbooks, Pork Salad Press, Possible Press, Purple, Re_Magazine, Regina, Revolver, Salon-Verlag, Martin Schmitz Verlag, Silke Schreiber Verlag, Site, Spector cut+paste, Splendid, Starship, State of the Art, Super-Umbau, supposé, tonschacht, Valdez, Verbrecher Verlag, Vice Versa Verlag, Vier5, Galleri Nicolai Wallner, Whatness, Wiens Laden und Verlag, Work Web Art)
Ivan Kožarić
Polonca Lovšin
M/M
Lucy McKenzie
Robert Morris
Gianni Motti
museum in progress (ed. Hans Ulrich Obrist, Stella Rollig)
Onestar Press, Paris 2000-2003 (ed. Christophe Boutin, Mélanie Scarciglia; participants: Jean-Michel Albérola, Pierre Alferi, Siegrun Appelt, John M Armleder, Véronique Aubouy, Lewis Baltz, Tina Barney in Dianna Ilk, Massimo Bartolini, Elisabetta Benassi, Laetitia Benat, Harvey Benge, Wolfgang Berkowski, Jean-Pierre Bertrand, Mark Borthwick, Christophe Boutin, Philippe Buschinger, Philippe Cazal, Claude Closky, Adriana Czernin, Richard Dailey, J. Deutschbauer in G. Spring, George Dupin, Gertrud Fischbacher, Elein Fleiss, Sébastien de Ganay, Paul-Armand Gette, Pamela Golden, Eugen Gomringer, John Gossage, Markus Hansen, Bernard Heidsieck, Matthias Hermann, Jon Kessler, Benedikt Ledebur, Jean Le Gac, Claude Lévêque, Tim Maul, François Morellet, Marylène Negro, Max Neuhaus, Slavica Perković, Chris Plytas, Danièle Puppi, R&Sie.D_B:L, Laura Resen, Hans Schabus, Schifte-OK, Alain Séchas, Gwen Smith, Alberto Sorbelli, Hain Steinbach, Steel Stillman, Liz Stirling, Jason Stoneking, Beat Streuli, Michel Sumpf, Gerold Tagwerker, Mark Themann, Erwin Wurm, etc.)
Permanent Food (ed. Maurizio Cattelan, Dominique Gonzalez-Foerster, Paola Manfrin; guest ed. Jan Åman, Matthew Antezzo, Elein Fleiss, Peter Friedl, Tomoko Kimata, Lowe & Riva, Vidya & Jean-Michel, Zapp Magazine, Claude Closky, Sander & Sheikh, Jean-Luc Vilmouth, Kendell Geers, Elizabeth Janus, Véronique Bacchetta, Jade Dellinger, Giasco Bertoli, Franklin Sirmans, Lino Baldini, Markus Muntean & Adi Rosenblum, Les frères Ripoulin, Judy Elkan, Susan Cianciolo; participants: 3 Carres, 4 Taxis, Aaron Rose, Ada'Web, Africa Borwa, Alain Bublex, Alberto Callari, Alberto Garutti, Aleksandra Mir, Alessandra Tesi, Alex Bag, Alex Pinna, Alexandre Bianchini, Alix Lambert, Allan McCollum, Allan Ruppersberg, Amy Fusselman, Analix – Barbara & Luigi Polla, André Razzo, Andrea Creutz, Andreas Angelidakis, Andrew Hurle, Ange Leccia, Angela Brennan, Angela Bulloch, Anna Ådahl, Anna Daneri & Federico Rahola, Anna Daneri, Anne Fremy, Arfus Greenwood, Armin Linke, Arnaud Sireix, Arnold Mosselman, Art Club 2000, Arye Wachsmuth, Avshar, Axel Stockburger, Barbara Fässler, Batman, Beat Streuli, Beate Engl, Benjamin Weill, Bernard Joisten, Bettina Allamoda, Bettina Pontiggia, Bianca Stigter, Bigert & Bergström, Bla+, Brian Katz, Brigata Es, Calliope Travlos, Callum Morton, Candice Breitz, Carlo Antonelli, Carlo Benvenuto, Carole Benzaken, Carolin Lindig, Carsten Höller, Catherine Perani, Cendrillon Bélanger, Charlotte Bourke, Chiaki Tamura, Chris Johanson, Chris Moore, Christian Phillip Müller, Christiane Geoffroy, Christine & Irene Hohenbüchler, Christine Getlife, Christoph Gerozissis, Christoph Hinizrhuber, Christophe Terpent, Claude Closky, Claude Lévêque, Claudia Cargnel, Clive Kellner, Colin de Land, Corinne Groot, Cosimo di Leo Ricatto, Craig Kalpakjian, Craig Wood, Cristina Magri, Daisuke Nakayama, Dan Asher, Dan Graham, Dan Hays, Daniel Buchholz, Daniel Knorr, David Goldsmith, David Nuss,Davide Bertocchi, Deborah Ligorio, Delphine Zampetti, Dike Blair, Dionne Hitchcock, Dominique Gonzalez-Foerster, Doug Aitken, Doug Ross, Ebba Matz, Eileen M. Cannaday, Elein Fleiss, Elena Montesinos, Elio Carmi, Elisa Vladilo, Elise Tak, Elizabeth Janus, Elizabeth Peyton, Elke Krystufek, Elsa Lopez, Emanuela Villagrossi, Emilio Fantin, Ennio Morricone, Enzo D'Antonio, Enzo Lannacci, Eran Schaerf, Eric Hau, Ernst Billgren, Esteban Pages, Eva Bodnar, Eva Marisaldi, F. Stauffenberg & C. Roth, Fadhil el Ukrufi, FDT, Federico Rahola, Ferruccio Laviani, Filippo Falaguasta, Filip Haag, Franc Ackermann, Francesca Pagliarini, Francesca Pennone, Francesco Bernardi, Francesco Toreno, Francis Alÿs, Franck Gautherot, Franklin Sirmans, Frazione di Tempo, Fredrik Wretman, Friederike Klotz, Gabriel Feliciano, Gabriele di Matteo, Gary Simmons, Gavin Brown, Geoff Lowe, Georg Rutishauser, Gertruida M. Zelle, Gerwald Rockenschaub, Giancarlo Norese, Gianni Motti, Giasco Bertoli, Gil Gonzalez-Foerster, Gilles Chetanian, Giovanna di Costa, Gisele Vienne, Giuseppe Gabellone, Grazzia Toderi, Greg Mastrianni, Haim Steinbach, Hans Ulrich Obrist, Hans-Peter Feldmann, Heimo Zobernig, Hinrich Sachs, Hudson, I santini del prete, Igor & Svetlana Kopystiansky, Ingrid Luche & Axel Huber, Isabell Klotz, Isolde Kille, Ivana Keser, Ivo Bonaccorsi, Jack Jaeger, Jacqueline Riva, Jade Dellinger, Jakob Boeskov, Jakob Kolding, James Lynch, Jan Åman, Jason Coburn, Jean-Luc Desmond, Jean-Luc Vilmouth, Jean-Michel Wicker, Jeanne Dunning, Jean-Paul Derrider, Jen Budney, Jennie Jones, Jennifer Jornstein, Jenny Marketou, Jens Haaning, Jeremy Welsh, Jessica Diamond, Jessica Plair, Jimmie Durham, Joep van Lieshout, John A. Baldessari, John Currin, John Lindell, John M Armleder, John Miller, John Newman, John Nixon, John Tremblay, John Waters, Jonathan Monk, Jorge Luis Marzo, Jörgen Svensson, Juan Aizpitarte, Judy Elkan, Jukka Ylitalo, Julia Schaer, Julia Wachtel, Karen Kelly, Karen Kilimnik, Karl Holmquist, Kathe Burkhart, Kathy Bail, Katya Sander, Keith Edmier, Kendell Geers, Key Rosen, Klaus Thejl, Laetitia Benat, Laura Stein, Laurel Katz, Laurence Huber, Laurent Begouin, Laurent Hart, Laurizio Cattelan, Lawrence Weiner, Leah Singer, Lee Ranaldo, Leonid Tishkov, Liam Gillick, Lilli Forina, Lina Bertucci, Linda Bilda, Line R. Nissen, Livia Paldi, Lorenzo Martini, Lothar Hempel, Lovett-Codagnone, Luca Cerizza, Luca Vitone, Lucy Orta,Ludovica Barbieri, Luisa Lambri, Luisella Valtorta, Maggie Zackheim, Mala Arti Visive, Manhu, Marcello Gianoli, Marcelo Kasilicic, Marco Boggio Sella, Marco Boggio, Marco Marozzi, Margherita Manzelli, Maria Finn, Maria Papadimitriou, Marianne Wairt, Marie Sacconi, Marieke van Diemen, Marie-Thérèse Leccia, Mariko Mori, Marion Esteph, Mark Dion, Mark Verlander & Susan Rogers, Markus Muntean & Adi Rosemblum, Marta Chilindron, Martin Creed, Martin Hiddink, Massimo Bartolini, Massimo Costa, Massimo de Carlo, Mat Collishaw, Mathieu Laurette, Matt Mullican, Matthew Antezzo, Matthew Mccaslin, Matthew Ritchie, Maura Biava, Maurice van Tellingen, Mauricio Guillen, Maurizio Cattelan, Maurizio Finotto, Maurizio Mercuri, Maurizio Nannucci, Max Wigram, Megan Marshall, Michael Joo, Michael Ross, Miguel Calderon, Mike Sale, Miltos Manetas, Molli Nardone, Monica Castiglioni, Mourad Cheraït, N.I.C.J.O.B., Nada Cingolani, Nan Goop, Nancy Burson, Nevin Aladag, Nicholas Chaikin, Nicola von Senger, Nicolas Bourriaud, Nicolas Fernandez, Nicolas Trembley, Nikki Uberti, Nina Childress, Noritoshi Hirakawa, Norma Jeanne, Novalca, Ohio, Okwui Enwezor, Olav Westphalen, Olivia Vighi, Olivier Bardin, Olivier Garbay, Olivier Mosset, Olivier North, Olivier Zahm, Olu Oguibe, Otto Berchem, Ox, P.T.T. Red, Pablo Vargas-Lugo, Pamela Fraser, Paola Gaggiotti, Paola Manfrin, Pascal Humbert, Pascale Gatzen, Patterson Beckwith, Perbos Laurent, Peter Fend, Peter Friedl, Peter Geschwind, Peter Halley, Peter Holst Henckel, Peter Land, Peter Nagy, Peter Rösel, Philippe Parreno, Phyllis Ascher, Pia Ripamonti, Pierre Huyghe, Pierre Joseph, Pietro Borradori, Pietro Cattani, Pietro Sedda, Piotr Uklanski, Plumcake, Premiata Ditta, R. Cruz-Lynn Malony, Rainald Schumacher, Rainer Ganahl, Rebecca Bournigault & Sophie Lesne, Richard Beckerman, Richard Kern, Richard Phillips, Richard Thomas, Rie Simoda, Rikrit Tiravanija, Rita Ackermann, Rob Gibbs,Rob van de Ven, Robert Giligorov, Roberto Bagatti, Roobin Hood, Rosalie Knox, Sam Samore, Sandra Hirshkowitz, Sandro Chia, Sante Scardillo, Santi Caleca, Sarah Ciraci, Sarah Morris, Sarah,Sean Landers, Serge Comte, Sergio Presenti, Shinichkiro Arakawa, Sidney Stucki, Simon Barney, Simon Sheikh, Simon Wachsmuth, Sophie Friedman, Sophie Jerran, Stefan Bruggemann, Stefano Arienti, Stephan Banz, Stéphanie Arrignon, Steven Parrino, Sukran Moral, Superman, Susan Cianciolo, Susan Goldman, Susanna Scarpa, Susi Graf, Takaihiro Fujiwara, Takashi Murakami, Tania Kovats, Taroop & Glabel, Tatiana Trouvé, Terhi Penttilä, Terri P. Jackson, Terry Richardson, Tex e Zorro, That's Painting Prod., Thelma Golden, Thomas Glassford, Thomas Helbig, Thomas Mulcaire, Tim Hiland, Tiziana Ligorio, Tobias Bernstrup & Palle Torsons, Tobias Rehberger, Toland Grinell, Tommaso Corvi-Mora, Tomoko Kimata, Tracy Funches, Udomsak Krisanamis, Uli Aigner, Vanessa Beecroft, Vedova Mazzei, Véronique Bacchetta, Véronique Joumard, Vidya & Jean-Michel, Vidya Gastaldon, Viola Pisenti, Wade Guyton, Warren Siebrits, Wendy Judge, Wolfgang Staehle, Wolfgang Tillmans, Xavier Boussiron, Xavier La Boulbenne, Xavier Veilhan, Yasuaki Suda, Yoshihiro Suda, Yoshiko Shiojiri, Yoshua Okon, Yvan Salomone, Yves Jaumain, Yvette Brackman)
Raymond Pettibon
Tadej Pogačar & P.A.R.A.S.I.T.E. Muzej sodobne umetnosti
Seth Price
Allen Ruppersberg
Josh Smith
Erik Steinbrecher
Anamarija Šmajdek
Xavier Veilhan
Dan Walsh
International Jury
Zoran Kržišnik
Paula Latos-Valier
Yongwoo Lee
Jure Mikuž
Peter Pakesch
If you’ve scrolled through the BMX album you’ve seen pictures of this dude. He’s one of my favorite dudes to shoot.
The 1953 confirmation class of the First Lutheran Church (now Sharon Lutheran). Reverend Eugene Steigerwalt is with the group. Among those identified are: top row, from left, Ken Wochley, Bill Arbogast, Dave Troutman, Doug Sprenkle, Ed Stover, Clyde Herman, and John Arbogast. Middle row: far left, Jim Youngman, Gary Snyder, Woody Starr, Pastor Steigerwalt, Bill Hetherington, and Dave Edwards.. Front row, from left, Mary Steigerwalt, Darla Wagner, Kay Yerger, Betty Lindig, Esther Rosbach,and Barb Liddington..
Cowboys wearing spurs, waitress wearing a band's t-shirt advertising their album "Let's Get Naked", pepper sauce and tabasco on the tables, plus straws (for the iced tea) and sugar that pours by the cupful from the canisters, ceiling fans whirring overhead. The food was absolutely delicious.
I suspect that these will be my last photos from this visit to Dagstuhl. I spent most of the morning actually attending the technical talks, and heard some very nice work being presented. I also spent some time taking photos of the abstract books (everyone who speaks at Dagstuhl is expected to hand-write their abstract in a book).
Thanks again to Christian Lindig and the Dagstuhl staff for inviting me back to take photographs, and thanks to the seminar participants who were very patient with my grate crashing their party!
None of these have been cleaned or edited except for being shrunk to make them easier to upload en masse.
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Photo: Hauseingang in Wiesbaden
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Freuet euch, ihr lieben Brüder
1.) Freuet euch, ihr lieben Brüder,
Seid ermahnet: Freuet euch!
Ihr, des Leibes Christi Glieder, (a)
Freut euch abermal zugleich.
Lasset eure Lindigkeit
Kundig werden jederzeit.
2.) Lasset keine Freud' anstehen,
Christ ist nahe, sorget nicht!
Fürbitt' im Gebet und Flehn
Bringt vor (b) Gottes Recht und Licht
Und das tut zu allerzeit
Mit geflissner Dankbarkeit.
3.) Und der große Gottes Friede,
Welcher höher als Vernunft,
Der bewahr euch all und jede,
Die verlangt auf sein' Ankunft.
Jesus hält in sichrer Hut
Euer' Herzen, Sinn und Mut.
(a) Nach christlicher Vorstellung ist der Leib Christi die Kirche, dem die Gläubigen als Gliedmaße zugehörig sind.
Ein anderes Bild für dieses Verhältnis ist Jesus Christus als Bräutigam und die Gläubigen in ihrer Gesamtheit als Braut.
(b) hervor
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Autor: Constantin Christian Dedekind
Melodie: Gott des Himmels und der Erden
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Das deutsche evangelische Kirchenlied
des siebzehnten Jahrhunderts
Herausgegeben von Albert Fischer und W. Tümpel
Vierter Band
Druck und Verlag C. Bertelsmann
Gütersloh, 1908
Liednummer 203
Thema: Advent
++++++++++++++++++++++++++++++++++++++++++
Constantin Christian Dedekind (* 2. April 1628 in Reinsdorf (thüringischer Kyffhäuserkreis); † vor dem 2. September 1715 in Dresden) war ein deutscher Dichter, Komponist der Barockzeit und evangelischer Kirchenlieddichter.
Als Enkel des Komponisten Henning Dedekind (1562–1626) und Sohn des Musikers Stefan Dedekind (1595–1636) wurde der junge Constantin in eine thüringische Musikerdynastie hineingeboren. Zu seiner Kindheit ist nichts bekannt, belegt ist lediglich die Schulzeit in der Reichsabtei Quedlinburg. Seine Erziehung förderte die Äbtissin der Reichsabtei, Landgräfin Anna Sophia von Hessen. Ungefähr ab 1647 lebte er in der sächsischen Hauptstadt Dresden. Sein dichterischer Ruf war bereits bis zu Johann Rist in Hamburg vorgedrungen, der ihn 1652 zum Poeta laureatus krönte.
Auch in Dresden verfolgte Dedekind sein Doppeltalent als Komponist und Dichter. Er stand in Verbindung sowohl mit namhaften Komponisten und Dichtern seiner Zeit. 1654 wurde Dedekind zum Bassisten der kursächsischen Kapelle bestellt und ungefähr 5 Jahre später wurde er Mitglied des Elbschwanenordens. Von 1666 bis 1675 wirkte er in Dresden als Kurfürstlich Sächsischer Konzertmeister. Er schuf eine Vielzahl geistlicher Lieder und Schauspiele, wie auch einige weltliche Lieder (allein sein 'Musicalischer Jahrgang und Vespergesang' besteht aus 120 Konzerten), wobei sowohl die Texte als auch die Kompositionen von ihm selbst stammten. Er gilt als einer der wichtigsten deutschen Künstler seiner Zeit auf diesem Gebiet.
Als kursächsischer Steuerkassierer kam Dedekind zu einigem Vermögen; als Verleger - meistenteils von Musiknoten - verzeichnete er hingegen eher Misserfolge. 1680 flüchtete er vor der Pest von Dresden nach Meißen. Sein Spätwerk besteht fast ausschließlich aus geistlichen Dichtungen. Er war mit Anna Elisabeth Müller und in zweiter Ehe mit Maria Dorothea Weber verheiratet. Aus beiden Ehen hatte Dedekind insgesamt 5 Kinder.
Dedekind starb wahrscheinlich Ende August 1715 in Dresden und wurde am 2. September beerdigt. Die ab 1904 in Gütersloh von Albert Fischer herausgegebene Sammlung 'Das deutsche Kirchenlied' enthält 7 Lieder von ihm.
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Dedekinds Lieder/ Hymns
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Ach Gott, der du von Mitternacht
Ach Gott, du großer Gott, sieh an die große Not
Auf, singt dem Herrn ein neues Lied
Aus der Tiefen ruf ich dir
Der Herr des Himmels und der Welt
Die Himmelsfenster öffnest du
Du Lebensfürst, Herr Jesu Christ, mein Herr
Freuet euch, ihr lieben Brüder
Gott, bist du schon versühnt
Jesus ist die Himmelspforte
O starker Gott, Herr Zebaoth
O Vater in des Himmels Thron
Reicher König, hab Erbarmen
Womit soll ich den Herrn versühnen
Photo: Haus in Lübeck
++++++++++++++++++++++++++++++++
Wie dein Abschied war so trübe
1.) Wie dein Abschied war so trübe,
Eh das treue Herz zerbrach! -
Hilf mir, Heil'ger, den ich liebe,
Dass ich willig folge nach. -
Menschenmut stellt sich zur Wehr,
Klagt: Das Kreuz wird mir zu schwer.
Möchte, ohne Last und Wehen,
Aufrecht in den Himmel gehen.
2.) Euerm Meister sollt ihr gleichen,
Den umfing ein blutig' Kleid.
Deine Trübsal hat ein Zeichen,
Wie man kommt zur Seligkeit.
Wer gebeugt auf Tränen sät,
Dort gefüllte Garben mäht.
Wer sich Rosen will erzielen,
Muss erst scharfe Dornen fühlen.
3.) Jesu, deine treuen Glieder
Können ja nicht ledig stehn.
Schmerz und Tränen kehren wieder,
Bis sie Gottes Heimet sehn.
Keiner, der sich dir ergab,
Kommt auf leichter Bahn ins Grab.
Stütze denn, im schweren Leben,
Edler Weinstock, deine Reben.
4.) Der das Härtste hat gelitten,
Wird mir ja nicht ferne sein.
Lässt als Helfer sich erbitten,
Gießet Trost dem Herzen ein.
Drum, wie du's ersehen hast,
Vater, trag ich meine Last.
Leicht - und schwer, mir soll nicht grauen:
Der am Kreuz ist mein Vertrauen!
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Autor: Johannes Friedrich Möller
Melodie: Eigene Melodie/ohne Angaben
+++++++++++++++++++++++++++++++++++++++++
Geistliche Lieder im neunzehnten Jahrhundert
Herausgegeben von L.K.D. Kraus
Druck und Verlag Chr. Friedr. Will
Darmstadt, 1863
Liednummer 220
Thema: Nachfolge, Kirche und Mission
++++++++++++++++++++++++++++++++++++++++++
Johann Friedrich Möller (* 13. November 1789 in Erfurt; † 20. April 1861 in Magdeburg) war ein deutscher evangelischer Pastor, Generalsuperintendent der altpreußischen Kirchenprovinz Sachsen und Konsistorialrat in Magdeburg.
Möller stammte aus einer Erfurter Pastorenfamilie und besuchte das Gymnasium in Erfurt, um danach bis 1813 evangelische Theologie an der Universität Göttingen zu studieren. Ab 1829 war Möller Pastor der Barfüßerkirche in Erfurt. 1832 wurde er Konsistorialrat und übernahm 1843 als Nachfolger von Bernhard Dräsecke Generalsuperintendent der Kirchenprovinz Sachsen mit Amtssitz in Magdeburg. Das Amt war mit der Funktion als erster Domprediger am Magdeburger Dom verbunden. Als Mitglied der preußischen Generalsynode 1846 wirkte er im Sinne der lutherischen Neuorthodoxie. Er veröffentlichte unter anderem Predigtsammlungen und Kirchenlieder. Er war zweimal verheiratet und hatte neun Kinder.
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Möllers Lieder/ Hymns
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Bist du ferne oder nah unsern Erdentagen
Du hasts vollbracht, da stehen wir
Geh hin nach Gottes Willen
Ich glaube, dass mit Liebe ein Gott mich schuf
Kehre ein mit deiner Lindigkeit
Nun aug und Herz erhoben, die Hilfe kommt von oben
O dass ich hätte mitempfunden die Freude
Wer bleibt frei von Qual und Leid
Wer geht so hell voran im Hirtenkleide
Wie dein Abschied war so trübe
Wie sanft und ruhig fließt dein Leben
Wo regt sich noch ein guter Geist
I suspect that these will be my last photos from this visit to Dagstuhl. I spent most of the morning actually attending the technical talks, and heard some very nice work being presented. I also spent some time taking photos of the abstract books (everyone who speaks at Dagstuhl is expected to hand-write their abstract in a book).
Thanks again to Christian Lindig and the Dagstuhl staff for inviting me back to take photographs, and thanks to the seminar participants who were very patient with my grate crashing their party!
None of these have been cleaned or edited except for being shrunk to make them easier to upload en masse.
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Photo: Hauseingang in Weimar
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Freut euch im Herren allezeit
1.) Freut euch im Herren allezeit
Und nochmals sag ich: Lieben Leut,
Freut euch in Gott als eurem Heil
Mehr denn über der Welt Erbteil.
Lasst eure Lindigkeit kund sein
Bei allen Menschen groß und klein. -
Der Herr ist schon sehr nahe.
2.) Sorgt nicht, lasst alle eure Not
Kund werden jetzt vor eurem Gott
Mit Bitt', Gebet und Danksagung
Der ganz unfehlbaren Hoffnung.
Der Friede Gottes höher ist
Als all' Vernunft, in Jesu Christ
Bewahr eur' Herz und Sinne.
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Autor: Ernst Bartholdi
Melodie: O Herr, dein Ohren neig zu mir
++++++++++++++++++++++++++++++++++++++++++++++
Der Text wurde von mir behutsam, soweit
es die Strophenform und der Endreim zu-
ließen, in heutiges Hochdeutsch übertragen
++++++++++++++++++++++++++++++++++++++++++
gefunden in:
Das deutsche evangelische Kirchenlied
des siebzehnten Jahrhunderts
Herausgegeben von Albert Fischer und W. Tümpel
Dritter Band
Druck und Verlag C. Bertelsmann
Gütersloh, 1906
Liednummer 165
Thema: Advent
++++++++++++++++++++++++++++++++++++++++++++++
Ernst Bartholdi war evangelisch-lutherischer Theologe und Kirchenlieddichter und lebte im 17. Jahrhundert. Er war um 1674 Pfarrer in Käsmark und Schmerblock bei Danzig. Bartholdi veröffentlichte 1674 am Verlagsort Danzig eine Sammlung von geistlichen Liedern unter dem Titel 'Kirch-, Schul- und Hausschatz geistlicher Lobgesänge'. Die ab 1904 in Gütersloh von Albert Fischer herausgegebene Sammlung 'Das deutsche Kirchenlied' enthält zwei Lieder von Bartholdi.
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Ernst Bartholdis Lieder/ Hymns
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Da die Weisen aus Morgenland
Freut euch im Herren allezeit
Herr, unser Herrscher, Jesu Christ, wahr Mensch
O Fröhlichkeit, zu dieser Zeit
Photo: Engels-Skulptur auf dem Nordfriedhof in Wiesbaden
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O dass ich hätte mitempfunden
1.) O dass ich hätte mitempfunden
Die Freude, als der Engel kam
Und nun die Brust, wie losgebunden,
So hell, so frei den Spruch vernahm:
'Ihr sucht am Grabe Jesus Christ - ?
Der von dem Tod erstanden ist!'
2.) O, dass ich's hätte mit vernommen,
Als schwergebeugt am Felsenrand,
So ganz allein, so tief beklommen,
Die trauernde Maria stand -
Und Jesus rief ihr freundlich zu:
Wen suchst du doch, was weinest du?
3.) O, dass ich wäre mit gegangen,
Den stillen Weg nach Emmaus,
Wo gleich vom heimlichen Verlangen
Das Herz entbrennt beim ersten Gruß,
Und weiter, wie der Tag sich neigt -
Beim Abendmahl der Herr sich zeigt!
4.) O, dass ich's hätte mit erfahren,
Als dort die Jünger, sorgenschwer,
In dunkler Nacht beisammen waren
Und hatten keinen Tröster mehr!
Und nun ertönte freudenreich
Die Rede: Friede sei mit euch!
5.) O, dass ich hätte mit gestanden,
Als ihm umschloss die treue Schar,
Und Mal und Wunden wieder fanden,
Sei Bild, so wie's im Herzen war.
Und Thomas rief voll Heilsbegier:
Mein Herr und Gott - ich glaube dir!
6.) O, dass ich dort am stillen Ufer
Gesehn die wandelnde Gestalt.
Mit angehört, wie von dem Rufer
Die ferne Stimm' herüber schallt:
'Ihr Kindlein, auf der Meereswacht,
Habt ihr wohl Speise mitgebracht!'
7.) O, welch ein unaussprechlich Leben!
O welch ein himmlisch' Freudenfest!
Wenn so verlorne niederschweben,
Wenn solch ein Geist sich finden lässt!
Geduld, einst fällt dein Auge zu -
Dann schwebt's heran - dann findest du!
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Autor: Johannes Friedrich Möller
Melodie: Wer nur den lieben Gott lässt walten
+++++++++++++++++++++++++++++++++++++++++
Geistliche Lieder im neunzehnten Jahrhundert
Herausgegeben von L.K.D. Kraus
Druck und Verlag Chr. Friedr. Will
Darmstadt, 1863
Liednummer 219
Thema: Ostern
++++++++++++++++++++++++++++++++++++++++++
Johann Friedrich Möller (* 13. November 1789 in Erfurt; † 20. April 1861 in Magdeburg) war ein deutscher evangelischer Pastor, Generalsuperintendent der altpreußischen Kirchenprovinz Sachsen und Konsistorialrat in Magdeburg.
Möller stammte aus einer Erfurter Pastorenfamilie und besuchte das Gymnasium in Erfurt, um danach bis 1813 evangelische Theologie an der Universität Göttingen zu studieren. Ab 1829 war Möller Pastor der Barfüßerkirche in Erfurt. 1832 wurde er Konsistorialrat und übernahm 1843 als Nachfolger von Bernhard Dräsecke Generalsuperintendent der Kirchenprovinz Sachsen mit Amtssitz in Magdeburg. Das Amt war mit der Funktion als erster Domprediger am Magdeburger Dom verbunden. Als Mitglied der preußischen Generalsynode 1846 wirkte er im Sinne der lutherischen Neuorthodoxie. Er veröffentlichte unter anderem Predigtsammlungen und Kirchenlieder. Er war zweimal verheiratet und hatte neun Kinder.
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Johannes Friedrich Möllers Lieder/ Hymns
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Nachfolge, Kirche und Mission
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Wie dein Abschied war so trübe
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Reformationsfest
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Wo regt sich noch ein guter Geist
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Bist du ferne oder nah unsern Erdentagen
Du hasts vollbracht, da stehen wir
Geh hin nach Gottes Willen
Ich glaube, dass mit Liebe ein Gott mich schuf
Kehre ein mit deiner Lindigkeit
Nun Aug und Herz erhoben, die Hilfe kommt von dort
Wer bleibt frei von Qual und Leid
Wer geht so hell voran im Hirtenkleide
Wie sanft und ruhig fließt dein Leben
Cute and very friendly! The Gillespie County Farm Bureau Queen as spotted with her extended family in Lindig's. She very obligingly stepped outside to let me take her photo. We were gutted to miss the rodeo last night, where she was officially crowned.
The Sauer-Beckmann Farmstead is a living history farm at the Lyndon B. Johnson State Park and Historic Site across the Pedernales River from the National Historical Park where President LBJ was born and died. The living history farm presents visitors of a vignette of life in the rural Texas into which LBJ was born.
Originally settled in 1869 by Johann and Christine Sauer, They settled and worked the land with their ten children building several of the rock and log cabins on the property. The Sauers were neighbors of the Johnson Family. One of the Sauer's daughters, Augusta Sauer Lindig, was a midwife at the birth of Lyndon B. Johnson in 1908.
The farm eventually passed to Emil and Emma Beckmann in 1900, who improved the structures, including a pressed tin covered Victorian home and a new barn. In 1966 Emil and Emma's daughter, Edna Beckmann Hightower, who had been a childhood friend and playmate of LBJ's sister Josefa, sold the property to the Texas Parks and Wildlife Department. By 1975, after years of archaeological work, research and restoration, the living history farm was opened to the public.
Guides in period clothing tell visitors about life on the farm and how they, even today, perform the tasks of the farm in the same manner as was done in the early 19th century, including the making of sausage, lye soap, etc.
In this rock & log cabin you see the kitchen, complete with pickled vegetables, cooking hutch and cast iron stove.