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This is a re-edit of a previous image I have uploaded from my series 'QUADRANTS'. I hate to do it, but I've been meaning to do it for a while now.
Thank you all for any views, comments and favourites they are all very much appreciated
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 10-20mm @ 10mm
ISO: 100
Exposure: 30 Sec
Aperture: f/16
Filter: B+W ND110
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 10-20mm @ 10mm
ISO: 100
Exposure: 90 Sec
Aperture: f/11
Filter: B+W ND110
Edited with:
Lightroom 3
Adobe Photoshop CS5
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 10-20mm @ 10mm
ISO: 100
Exposure: 90 Sec
Aperture: f/16
Filter: B+W ND110
Edited with:
Lightroom 3
Adobe Photoshop CS5
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 10-20mm @ 10mm
ISO: 100
Exposure: 30 Sec
Aperture: f/16
Filter: B+W ND110
Edited with:
Lightroom 4
Adobe Photoshop CS5
The QUAD cinema in Derby, Derbyshire.
It is the first purpose-built arts complex in the city centre. It opened in 2008, incorporating galleries, workshop spaces, a cafe-bar and three cinemas.
Information source
Like my previous image Q U A D R A N T ~ 4 this is an edited long exposure sky created in photoshop as you can tell from the 1/4sec shutter speed. Again to follow on my series Q U A D R A N T S
Thank you for all views, comments and favourites (if any!) its all much appreciated
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 10-20 @ 10mm
ISO: 100
Exposure: 1/40
Aperture: f/22
Filter: None
Edited with:
Lightroom 4
Adobe Photoshop CS5
Due to the fact that i had had this idea in my mind for quite some time after walking past this building on a daily basis. When I actually came to try and create this image, conditions were unfortunately not ideal as the skies where overcast and flat. So the sky you see on this image has been edited in Photoshop to resemble a long exposure shot (as to fit into my QUADRANTS series) . So even though i am happy with the final result it doesn't feel as good as it does when you create a long exposure photograph in-camera and it comes out exactly how you imagined it.
.....Anyway enough of me going on and on. Thank you for all views, comments and favourites (if any!) its all much appreciated
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 24-70mm f/2.8 @ 36mm
ISO: 100
Exposure: 140 Sec
Aperture: f/11
Filter: B+W ND110
Edited with:
Lightroom 3
Adobe Photoshop CS5
I am pleased to announce that my image "The Trembling Living World Will Congeal Into a Perfect Shape Nearly Geometrical" has been selected by juror LOUISE CLEMENTS as a Third Place winner in the GEOMETRY 2016 International Juried Photographic Call for Entry of New York Center For Photographic Art, and will be exhibited at the Jadite Gallery in New York City, NY, U.S. from October 4th through October 15th, 2016
JUROR: LOUISE CLEMENTS
Artistic Director of QUAD and FORMAT International Photography Festival
Louise Clements is Artistic Director of QUAD, a centre for contemporary art, film and new technologies in Derby UK, since 2001, and Artistic Director of FORMAT International Photography Festival since 2004. Louise lives and works in the UK and internationally.
An independent curator since 1998, she has initiated commissions, publications, mass participation, art, film and photography exhibitions. She is a juror, portfolio reviewer, workshop leader, speaker and award nominator throughout Europe, America and Asia.
She has been guest curator at many international art festivals in Delhi, Hong Kong, the Netherlands. Switzerland, Italy. Specifically she has also curated at many international photography festivals including - Dong Gang Photography Festival (South Korea, 2013); Dali Photography Festival (China, 2013); Photoquai Biennale (Paris, 2015); Hamburg Photo Triennial (Container City, Germany, 2015).
Louise writes for books and magazines, has been the guest Editor for OjodePez(Italy), HijackedIII (Australia), PhotoCinema(uk), Archivo (Portugal), South Korean Photography Magazine and has been editor at large for photo publication 1000 Words www.1000wordsmag.com as well as acting as advisor to WYNG Master Awards Hong Kong and the Artists Pension Trust.
About the contest:
The New York Center for Photographic Art (NYC4PA) invites photographers world-wide to submit images using any photographic process (print, image transfer, emulsion transfer, encaustic, black and white, etc.). Winners will receive $3,000 in cash awards, be featured in a New York Gallery Exhibition, on the NYC4PA Online Gallery and in the GEOMETRY 2016 catalog. The Grand Prize winning image will be posted on the NYC4PA home page.
GEOMETRY
Photographic composition uses geometric concepts each time the artist determines where to place a focal point and how to fill the frame. Other elements that may catch the viewers eye are texture, color, shape.
For this call send us your images with a geometric shape or shapes as an important compositional element. Two dimensional angles, arcs, circles or triangles as well as three dimensional pyramids, spheres, cubes and even tetrahedrons are all fair game. They may be part of the image as photographed or applied through post processing techniques such as collage, digital manipulation etc.
Check out "GEOMETRY 2016" gallery online:
www.nyc4pa.com/geometry-2016-1
Check out the NYC4PA website:
Get your copy of "Geometry" prize winners catalog:
Tech Specs:
Camera: Nikon D7000
Lens: Sigma 10-20mm
ISO: 100
Exposure: 150 Sec
Aperture: f/22
Filter: B+W ND110
Edited with:
Lightroom 3
Adobe Photoshop CS5
The artist project Disinformation exhibits a substantial repertoire of artworks, which reflect long-standing involvement with experimental and expanded photography. These artworks represent a creative philosophy which conceives photography, not just as a representational art-form, but also as a form of kinetic art. Disinformation is also known for exhibiting electromagnetic sound art, for exhibiting works which exploit phenomena from those portions of the electromagnetic spectrum perceived through the medium of RADIO; and those works make ideal accompaniments for other artworks which exploit phenomena from those portions of the electromagnetic spectrum which are normally perceived through the faculty of SIGHT.
“The Origin of Painting” (for instance) is a highly dynamic and interactive optokinetic sound and light artwork, which enables exhibition visitors to photograph their own life-size shadows, to a soundtrack of live (and surprisingly musical) electromagnetic noise. “The Origin of Painting” was first exhibited under the title “Artificial Lightning”, in the “Sonic Boom” exhibition at London’s Hayward Gallery, April to June 2000 (alongside artworks by Brian Eno, Christian Marclay, Ryoji Ikeda, Christina Kubisch and Mika Vainio etc); after which (using the new title) “The Origin of Painting” has since been exhibited more than 30 times.
“Fire in the Eye” (see photo above) is a series of electro-kinetic photograms, first created in 2004, using high-voltage electro-medical equipment to discharge 30,000 volt shocks through Fujichrome ISO400 35mm daylight film. “Fire in the Eye” light boxes were first exhibited at Canolfan Gelf Wrecsam (Wrexham Arts Centre), Oct 2006, and the Saltburn Gallery, Jan 2007; while a 35mm CINEMA version of “Fire in the Eye” was realised in 2007, created by discharging 30,000 volt shocks through the famous Kodak 5294 film stock used by Ridley Scott for the film “Aliens”.
The “Fire in the Eye” photograph shown above also appears on the front cover of the film magazine “Vertigo” (vol. 4, no. 3, summer 2009) and has been used to illustrate Disinformation exhibits at, amongst others, Iniva (London) May 2009, and Palais de Tokyo (Paris) 2009 to 2011. This photograph also appears in the book “2009 A-Z, Palais de Tokyo - Du Yodel à la Physique Quantique” published in 2009.
“Spellbound” (“An Allegorical Portrait of J. Robert Oppenheimer”) is a photomontage (created by Disinformation producer Joe Banks) of historic images by US Army photographers J.J. Mike Michnovicz and Bernard Waldman. “Spellbound” was first exhibited as a framed artwork at the Victoria & Albert Museum (London) Nov 2000, and the Royal Society of Sculptors (London) March 2001. “Spellbound” has since been exhibited as a video installation - at Fabrica Gallery (Brighton) Nov 2001, the Huddersfield Art Gallery, Jan 2003, Quay Arts (Newport, Isle of Wight) Feb 2004, South Hill Park (Bracknell) April 2004, Derby Quad, June 2004, Goldsmiths College (London) Dec 2008 and Sluice HQ (London) Nov 2018.
Other photographic artworks exhibited by Disinformation include “An Allegorical Portrait of Roger Bacon” photomontage (1997), the “Blackout” [Sound Mirrors] video (1997), the “National Grid” [video installation version] (2001), and “Anti-Matter” (2002), “Ammonite” (2009) and “The Rapture” (2021) video artworks. The “Language [as] Meta-Technology” artwork (2nd version, 2022) is particularly notable, in that, rather than being a photographic image, it requires the artwork’s viewers themselves to actively PHOTOGRAPH a visual image, using a mobile Smartphone, in order to activate the audio element of the “Language [as] Meta-Technology” artwork.
The artist project Disinformation exhibits a substantial repertoire of artworks, which reflect long-standing involvement with experimental and expanded photography. These artworks represent a creative philosophy which conceives photography, not just as a representational art-form, but also as a form of kinetic art. Disinformation is also known for exhibiting electromagnetic sound art, for exhibiting works which exploit phenomena from those portions of the electromagnetic spectrum perceived through the medium of RADIO; and those works make ideal accompaniments for other artworks which exploit phenomena from those portions of the electromagnetic spectrum which are normally perceived through the faculty of SIGHT.
“The Origin of Painting” (for instance) is a highly dynamic and interactive optokinetic sound and light artwork, which enables exhibition visitors to photograph their own life-size shadows, to a soundtrack of live (and surprisingly musical) electromagnetic noise. “The Origin of Painting” was first exhibited under the title “Artificial Lightning”, in the “Sonic Boom” exhibition at London’s Hayward Gallery, April to June 2000 (alongside artworks by Brian Eno, Christian Marclay, Ryoji Ikeda, Christina Kubisch and Mika Vainio etc); after which (using the new title) “The Origin of Painting” has since been exhibited more than 30 times.
“Fire in the Eye” (see photo above) is a series of electro-kinetic photograms, first created in 2004, using high-voltage electro-medical equipment to discharge 30,000 volt shocks through Fujichrome ISO400 35mm daylight film. “Fire in the Eye” light boxes were first exhibited at Canolfan Gelf Wrecsam (Wrexham Arts Centre), Oct 2006, and the Saltburn Gallery, Jan 2007; while a 35mm CINEMA version of “Fire in the Eye” was realised in 2007, created by discharging 30,000 volt shocks through the famous Kodak 5294 film stock used by Ridley Scott for the film “Aliens”.
“Spellbound” (“An Allegorical Portrait of J. Robert Oppenheimer”) is a photomontage (created by Disinformation producer Joe Banks) of historic images by US Army photographers J.J. Mike Michnovicz and Bernard Waldman. “Spellbound” was first exhibited as a framed artwork at the Victoria & Albert Museum (London) Nov 2000, and the Royal Society of Sculptors (London) March 2001. “Spellbound” has since been exhibited as a video installation - at Fabrica Gallery (Brighton) Nov 2001, the Huddersfield Art Gallery, Jan 2003, Quay Arts (Newport, Isle of Wight) Feb 2004, South Hill Park (Bracknell) April 2004, Derby Quad, June 2004, Goldsmiths College (London) Dec 2008 and Sluice HQ (London) Nov 2018.
Other photographic artworks exhibited by Disinformation include “An Allegorical Portrait of Roger Bacon” photomontage (1997), the “Blackout” [Sound Mirrors] video (1997), the “National Grid” [video installation version] (2001), and “Anti-Matter” (2002), “Ammonite” (2009) and “The Rapture” (2021) video artworks. The “Language [as] Meta-Technology” artwork (2nd version, 2022) is particularly notable, in that, rather than being a photographic image, it requires the artwork’s viewers themselves to actively PHOTOGRAPH a visual image, using a mobile Smartphone, in order to activate the audio element of the “Language [as] Meta-Technology” artwork.
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course was opened by the arrival of a Delorean. Here is the Delorean outside of the Quad Cinema
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course was open by the arrival of a Delorean from Back to the Future. Here is Chas Andrew-Roberts and Vice Dean of ADT Professor Chris White
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is Harry Crow, winner of the 'Best Editor' award.
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is Daniel Spencer, winner of the 'Best Writer' award.
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is Liam Banks, winner of the 'Best Director' award.
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is our guest speaker Nev Pierce, editor-in-large of Empire magazine, announcing awards
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is Jonathan Butler winner of the 'Best Cinematographer' award.
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is the crew of 'Fixer' upon winning 'Best Film'.
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
Cine 14: The Degree Show for the students of the University of Derby's Film Production Course.
Here is Liam Banks, winner of the 'Student Journey' award.
More of Cine 14 can be seen at <a href="http://www.cine14.co.uk" rel="nofollow">www.cine14.co.uk</a> or <a href="http://www.facebook.com/DerbyCINE14" rel="nofollow">www.facebook.com/DerbyCINE14</a>
I am horroring!
#derby #Derbyshire #quad #derbyquad #horror #horrorauthor #edgelit #ilovehorror #ihearthorror #Starers #KetchupOnEverything #midway #DevilLetMeGo #nathanrobinsonwrites
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