Looking everywhere at no one
Here's version 2 in black and white. Perhaps even better (thanks for the suggestion Your new buddy; and to Teddy for suggesting removing the light fixture). There's a much more timeless feel, adding a subtleness to the black and white (I tried to add overtones of blue and red); even more depth and mystery and warmth; and even a bit of loneliness and sadness.
I forgot to mention that around this time (at the reception) that Grandpa Ollie would move to wherever I wasn't -- I assume he got annoyed at me taking his picture (or at least the potential that I might take his picture).