Paris - Musée d'Orsay: Gustave Caillebotte's Raboteurs de parquet

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    Gustave Caillebotte's Raboteurs de parquet (Floor Scrapers), executed in 1875, is one of the first representations of urban proletariat. Whereas peasants or country workers had often been shown, city workers had seldom been painted. Unlike Courbet or Millet, Caillebotte does not incorporate any social, moralising or political message in his work. His thorough documentary study (gestures, tools, accessories) justifies his position among the most accomplished realists.

    Caillebotte had undergone a completely academic training, studying with Bonnat. The perspective, accentuated by the high angle shot and the alignment of floorboards complies with tradition. The artist drew one by one all the parts of his painting, according to the academic method, before reporting them using the square method on the canvas. The nude torsos of the planers are those of heroes of Antiquity, it would be unimaginable for Parisian workers of those times. But far from closeting himself in academic exercises, Caillebotte exploited their rigour in order to explore the contemporary universe in a completely new way.

    Caillebotte presented his painting at the 1875 Salon. The Jury, no doubt shocked by its crude realism, rejected it (some critics talked of "vulgar subject matter"). The young painter then decided to join the impressionists and presented his painting at the second exhibition of the group in 1876, where Degas exhibited his first Ironers. Critics were struck by this great modern tableau, Zola, in particular, although he condemned this "painting that is so accurate that it makes it bourgeois".

    The Musée d'Orsay (The Orsay Museum), housed in the former railway station, the Gare d'Orsay, holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography, and is probably best known for its extensive collection of impressionist masterpieces by popular painters such as Monet and Renoir. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986.

    JESSICA VISČIUS, hr_aoyama, and 7 other people added this photo to their favorites.

    1. LucyPB2urJelly 80 months ago | reply

      this one was so powerful in person. It really does make a difference seeing a painting with your own eyes.

    2. akom28 [deleted] 68 months ago | reply

      OMG!! that looks like a real photo instead of a picture!
      So beautiful

      ;) Sorry for my english

    3. barsheren 64 months ago | reply

      Merci par votre gallerie!

    4. Moser's Maroon 58 months ago | reply

      This is one of my favourite paintings and it certainly is my favourite museum. Thanks for the extra information!

    5. a l o g u e 13 months ago | reply

      This painting was overwhelming in person. It had so much passion in it, my sister and I found ourselves sitting down on the bench across from it and staring at it for a good 20 minutes or so. It's by far our favorite painted piece from the museum.

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