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Homepage feature Art Ltd, 2 June 2011

 

www.artlimited.net/

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T MAX 100, Kodak HC-110 Dilution H (1:62) (600ml) 19.5ºC 10 mins dev time (reduced from the recommended 12 mins), constant agitation for first minute then 15 seconds every 2 minutes after.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

More from Calais...

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros Neopan 100, Kodak HC-110 Dilution H (1:62) (1200ml) 22ºC 9 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

Inspired by the very excellent work of Matt Toynbee

© a j woldman

 

Blurring the line between work and play. :)

 

There is a famous quote by Arnold Toynbee similar to this, just cannot remember exactly how it goes, but I feel him despite the fact! :)

Once again a shot taken with Noel Clegg a few weeks ago at Canary Wharf.

 

I've been following a fellow flickr'er Matt Toynbee for a while now and his glorious use of split toning. So this is an experiment to see if it enhances the shot. Lots to learn yet and not sure whether this works or is over done or not - cannot make up my mind. Its simply added in Lightroom after conversion to monochrome in Silver Efex Pro. A bit too blue to my mind?

 

Oh and a quick thanks for all of the comments recently - they've been very encouraging and they're pushing me on to do more. Thanks once again.

 

I've recently moved Flickr Accounts - you can see my new work here: Giles McGarry new Flickr Page

 

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Second attempt at split tone processing in Lightroom, always refreshing with new ideas (Flickr contact Matt Toynbee does some fantastic work in that field).

 

The double bridges leading into Kristiansand from the east have become quite a landmark for me. I've shot numerous shot down here, but think it's the first upload featuring the brdiges as main object (seen in the background before - see comments field).

 

This is processed from a shot last winter that I saved on my camera for a year. I learned from this that the low exposures I appreciate so much (and work so well) on jpg's produces heavy noise on raw-files.

One from last nights shoot with some great company, Matt Toynbee, Shane Turnbull & Abu Obaidah. Thanks for a great afternoon and evening gents.

Been a long time no upload, so am glad to be back. I have been having a natural break from photography over the Winter which was extended due to my Mac going to the big Apple Store in the sky.

 

Hopefully I will start to build up my uploads again and it would be great to chat to my Flickr friends again.

 

Matt

 

Pentacon Six TL, Carl Zeiss MC f/2.8 80mm Biometar, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 20ºC 9 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

   

Canon SLR, P6 Mount CZ Flektogon 50mm f/4 MC (tilt adapted)

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

One from a French trip last Sunday - this one from Wimereax.

 

Hope you all are well and having a good "Summer" :)

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 23ºC 8.5 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

Update June 2011: This photograph was accepted into the official selection in the 2011 PX3 competition. Wish me luck! :)

  

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Ilford Delta 100, ID-11 (stock) 20.5ºC 8 mins.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

   

Hope you are all well. If I don't post again before 2012, Happy Christmas to everyone! :)

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T-Max 100 100, Kodak HC-110 Dilution H (1:62) (1200ml) 20ºC 10 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

  

Pentacon Six TL, Carl Zeiss MC f/2.8 80mm Biometar, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 23ºC 8.5 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

Happy Halloween everyone! :)

 

Pentacon Six TL, Carl Zeiss MC f/2.8 80mm Biometar, B+W ND-110, Fujifilm Acros Neopan 100, Kodak HC-110 Dilution H (1:62) (1200ml) 20ºC 11 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

My Website | Google+ | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

  

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 20ºC 9 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

 

Taken yesterday on the way back from Winchelsea, I spotted a power lines shot and got the Pentacon Six on the tripod and wandered into a field to set up and then noticed these two swans. My TL light meter ran out of battery on the P6 and had to resort to hand metering with my trusty £8 Jessops meter. I edged closer and closer trying not to scare them but they were feeding from the ground and I knew I needed them to raise their heads up to nail the shot. I took my car keys and tapped them gently on the tripod which alerted them and "CLICK!" :D

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T-Max 100, Perceptol 1:3 20.5ºC 19mins.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

   

Pentacon Six TL, Carl Zeiss MC f/2.8 80mm Biometar, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 20ºC (cooled from 24ºC with 3 ice cubes) 9 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

One from a French trip last Sunday - this one from Wimereaux.

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 23ºC 8.5 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

Continuing my medium format work, I've started using Kodak HC-110 developer which is a gloopy orange syrup, much cheaper to use than Ilford chems and used by Ansel Adams. Using an unofficial dilutiion (1:62), named H I doubled the development time (from dilution B) and the results are amazing, nice fine grain and nice sharp scans. I'm pretty sure this is now my favourite developer so far, and I can see why Ansel liked it so much....

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T-Max 100, Kodak HC-110 Dilution H (1:62) (600ml) 20.1ºC (coldest running water I could get) 12 mins dev time, agitation first 10 seconds of every minute.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

   

Groyne Study 1: St Malo, France.

Sigma 10-20, Canon 450D, B&W Circular Polariser

1/100sec F9.0

 

Credit to Matt Toynbee for his inspirational use of Split Toning Technology:

 

www.flickr.com/photos/26414960@N00/

Had a great day last weekend touring around North France with some fellow photographers. More shots to come...

 

Zero2000 Pinhole, Fujifilm Acros Neopan 100 120 format , Kodak HC-110 Dilution H (1:62) (600ml) 20ºC 11 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

(Copyright © 2010 K Harwin)

 

Taken at Reculver with Matt Toynbee

 

Even though I was at Reculver, I wasn't really happy with any of my shots of the famous Towers, which is Photographed a hell of a lot, but was happy with this.

 

Just want to say, I haven't done anything in Photoshop except for the boarder and water mark. I did a lot with the WB on the Camera.

 

Highest Explore Position: 365

 

Lens: Sigma 18-50mm 2.8-4.5 HSM OS

Filter: B+W ND 110

Exposure Mode: Manual

Exposure: 118 Secs

Aperture: f/16.0

Focal Length: 18 mm

ISO Speed: 100

Tripod: Giottos 9351B

Pentacon Six TL, Carl Zeiss MC f/2.8 80mm Biometar, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 20ºC (cooled from 24ºC with 3 ice cubes) 9 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

Last one from this spot in Calais ;)

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros Neopan 100, Kodak HC-110 Dilution H (1:62) (1200ml) 20ºC 11 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

  

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

About the only thing we ever learn from history is that we never learn from history. (Arnold Toynbee, historian)

For some reason I am getting a strange blue color cast in this one. ;)

 

Actually, I have been heavily inspired by Matt Toynbee's subtle use of color in his split tone landscapes. Blasphemy, you say? Check out his work and see for yourself.

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T-Max 100 100, Kodak HC-110 Dilution H (1:62) (1200ml) 20ºC 10 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

  

Starting to realise the incredible scale of Medium format scanning, this one I have scanned at 4800dpi, giving me a 10,000 X 10,000 pixels image (1GB file), and that isn't even the maximum I can do but I suspect my Mac will not cope with the post-processing. ;)

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T-Max 100, Perceptol 1:3 22ºC 16mins.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

   

- Pentacon Six TL - Carl Zeiss 50mm Flektogon - Kodak Ektar 100

 

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

A shot from a brief visit to Boscombe Pier in the rain. Handheld shot with the Pentacon Six.

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 20ºC 9 mins dev time, constant agitation for first minute then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

  

Thanks for your continued support :O)

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 20ºC 9 mins dev time, constant agitation for first 15 seconds then 2-3 agitations on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

Had a great day out in Bruges last weekend with some good friends. This was taken in one of the few quiet areas just off the main square.

 

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon, Fujifilm Acros 100, Kodak HC-110 Dilution H (1:62) (600ml) 21ºC, 9 mins dev time, constant agitation for 30 seconds then for 5 seconds on each minute following.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

Civilization is a movement and not a condition, a voyage and not a harbor.

 

-Arnold J. Toynbee

A month before I took a pinhole image of this scene. Since then, one of the huts has been removed. A good example of how photography is not just an art but a recording of a moment in time, and some moments that can never be repeated.

 

www.flickr.com/photos/m-toynbee/6204317732/in/photostream

  

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros Neopan 100, Kodak HC-110 Dilution H (1:62) (1200ml) 20ºC 11 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

  

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

  

I wanted to call this Photographer's Block because I've been battling with my work over the last month or two, constantly trying to remind myself why I ventured into film; because it is hard sometimes. However when shots like this come out as I want them it can be very rewarding. I suppose the title reflects my determination to overcome this period of uninspired inactivity. The only solution I can think of is to go out and start shooting, something, anything. I've always liked the idea of going to one location then choose a small area and concentrate just in that one place. Many locations can be distracting and I am always trying to shoot and move on. But I think sometimes this is not constructive.

 

Anyway hope you are all well, sorry for my lack of attendance on Flickr lately hopefully my uploads will start to pick up again.

 

Canon SLR, P6 Mount CZ Flektogon 50mm f/4 MC (tilt adapted), Kodak T-Max 100, Kodak HC-110 (H) for 11 mins at 20.6ºC

  

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Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

The best care on earth cannot prevent us all dying in the end.

~Polly Toynbee~

 

The supreme accomplishment is to blur the line between work and play ~ Arnold J Toynbee

(Copyright :copyright: 2011 K Harwin)

 

This is another image taken at Calais in France with Matt Toynbee, Sean Harding and Stuart Ball.

 

We went over to France to find new photography subjects as Kent had been done so many times and needed new places to find.

 

Love the shadows and tone of this but know it will not be to everyone’s taste.

 

Again thanks to Matt for a great day & will bring more Mars bars next time, I don’t think ten bars was enough. lol

 

Equipment & Settings Used.

 

Camera: Canon EOS 60D

Lens: Sigma 10-20mm F/4-5.6 EX DC HSM

Exposure: 0.01 sec (1/100)

Aperture: f/16.0

Focal Length: 20 mm

ISO Speed: 100

Tripod: Giottos 9351B

Tripod Head: Giottos MH1300-621 Ball Head

 

VIEW ON BLACK

 

Please do not download, copy, edit, reproduce or publish any of my images. They are all my own work and are not for use without my express written permission.

 

In contrast to black Diyarbakır, Mardin is sometimes called 'the White City' becasue of the distinctive pale limestone used here. Famous for the beautiful ornate carving on the outside of its buildings, British historian Arnold Toynbee, no mean traveller, called Mardin 'the most beautiful town in the world.' The common motifs used are vines hung with grapes, doves, water drops (symbolising lifewater) and even naked human figures. Wood is almost never used here in house construction, owing to its shortage.

 

At night the limestone buildings glow in the light of the streetlights. All houses are built against a steep hill in such a a way that each house gets the shadow from its neighbours. A good solution to prevent the daily summer heat entering the houses.

 

Mardin, Eastern Turkey

“The supreme accomplishment is to blur the line between work and play.” - Arnold Toynbee

 

inspired by the HBW series of Nanayof2

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Fujifilm Acros Neopan 100, Kodak HC-110 Dilution H (1:62) (600ml) 19.8ºC 10 mins dev time, constant agitation for first 15 seconds then 2 agitations every 60 seconds.

 

My Website | Google+ | Facebook Photography Page | Art Limited Portfolio | 500px Portfolio

  

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission.

Had a great dayout with my friends Matt , Shane & Simon ( he is not in this photo as he joined with us later) in Essex, Thank you all again for such a wonderful time, looking forward for next dayout :D

 

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Camera: Canon EOS 500D

Lens: Sigma 10-20mm f/3.5 EX DC HSM

Location: Essex, England.

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Copyrighted © A.Obaid Photography | Do not use without authorization.

(Copyright © 2011 K Harwin)

 

This was taken in France with the East Kent Camera Club. Thank you to Matt Toynbee, Sean Harding, Janine & Adrian Ball, Jon Strange and Peter Simmons for coming along. Was a great day and cant wait for the next time we go.

 

Equipment & Settings Used.

 

Camera: Canon EOS 60D

Lens: Sigma 10-20mm F/4-5.6 EX DC HSM

Filter: B+W ND 110

Exposure: 69 Secs

Aperture: f/16.0

Focal Length: 10 mm

ISO Speed: 100

Remote

Tripod: Giottos 9351B

Tripod Head: Giottos MH1300-621 Ball Head

  

VIEW ON BLACK

 

Please do not download, copy, edit, reproduce or publish any of my images. They are all my own work and are not for use without my express written permission.

 

(Copyright © 2011 K Harwin)

 

Highest Explore Position: 36

 

Another shot at Southend with Matt Toynbee.

 

As you can tell, I decided to use the Tripod this time lol.

In the background is Southend Pier which is 1.341 miles which goes into the Thames Estuary, it is the longest pleasure pier in the world.

 

Equipment & Settings Used.

 

Camera: Canon EOS 550D

Lens: Sigma 18-50mm F/2.8-4.5 HSM OS

Filter: B+W ND 110

Exposure: 35

Aperture: f/16.0

Focal Length: 18 mm

ISO Speed: 100

Tripod: Giottos 9351B

Tripod Head: Giottos MH1302-652 Ball Head

Pentacon Six TL, Carl Zeiss MC f/4 50mm Flektagon Jena DDR, Kodak T-Max 100, Perceptol 1:3 22ºC 16mins.

 

I'm enjoying the fine grain achieved with the Kodak film combined with the Fine Art quality developer. Also have changed my scanner to a Epson V700 it is a huge beast of a machine and have been rescanning some of my previous uploads and replacing them - the quality as you can see is so much better.

 

I must say I am blown away by the quality of the Flektagon lens - sharper than anything I've ever seen.

 

Have a good Sunday all - more scans to come later.

  

My Website | Facebook | Facebook Photography Page | Art Limited Portfolio

 

Please do not download, copy, edit, reproduce or publish any of my images. They are my own intellectual property and are not for use without my express written permission

   

Stepping in the footsteps of Matt Toynbee, who shot this during our recent outing at the end of January. Here's Matt's version www.flickr.com/photos/m-toynbee/5398758388/

Check out his other work here www.flickr.com/photos/m-toynbee/

Matt shot this during the shoot, but i returned the next day to shoot around the Burstin Hotel again, and ended up on the beach and decided that this was a good subject too, sorry for treading on your toes Matt ; )

This is Folkestone Harbour in the South East of England.

A las guerras de religión siguieron, luego de una brevísima tregua, las guerras de los nacionalismos; y en nuestro mundo occidental moderno, el espíritu de los fanatismos religioso y nacional constituye evidentemente una sola y misma pasió maligna.

 

Arnold Joseph Toynbee

 

Gracias por vuestra visita.

Probably my last shot from Southwold - same marker as before, just a different composition!

 

Along with some of my contacts here on flickr, I received an email yesterday morning to say my entries for PX3 (Prix De La Photographie Paris) px3.fr/ had been chosen as part of the "Px3 Official Selection for 2011". I'm absolutely over the moon to have been selected, and to have my shots included alongside images from the likes of Matt Toynbee, Joel Tjintjelaar, and maxxsmart amongst others is a great achievement for me!

 

Congratulations and good luck to everyone who made it through!

(Copyright © 2010 K Harwin)

 

This image was taken last night near Dover with Matt Toynbee and Peter Simmons . We took a risk as there was thunder afew hours before and knew there might be more rain.

 

And there was!

Me & Matt stood on the beach standing under my lovely pink umbrella while watching Peter walking towards us getting soaked. The shower lasted for around 5-10 mins.

Im so glad that we did meet up and I enjoyed the soaking very much. My tripod didn't like it though. lol

 

Crowdsourcing:

Anybody know who did this? Or the story behind it? Blew my domepiece to see a "Toynbee" and a Colossus of Roads on the same tile in a street in Clevo...

Not a lot of people are going to connect the 2...

Chester and East 12th.

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