Fallen Roof Ruin, with its dramatic evidence of Ancestral Puebloan habitation, Bears Ears National Monument, southern Utah, USA

Fallen Roof Ruin, with its dramatic evidence of Ancestral Puebloan habitation, Bears Ears National Monument, southern Utah, USA

Centaurus A, also known as NGC 5128, is well known for its dramatic dusty lanes of dark material. Hubble’s new observations, using its most advanced instrument, the Wide Field Camera 3, are the most detailed ever made of this galaxy. They have been combined here in a multi-wavelength image which reveals never-before-seen detail in the dusty portion of the galaxy. As well as features in the visible spectrum, this composite shows ultraviolet light, which comes from young stars, and near-infrared light, which lets us glimpse some of the detail otherwise obscured by the dust.

Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape carved by the Colorado River. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Other notable areas include the towering rock pinnacles known as the Needles, the remote canyons of the Maze and the Native American rock paintings in Horseshoe Canyon. Whitewater rapids flow through Cataract Canyon.

The Rathskeller in the Seelbach Hotel, Louisville, Kentucky

The 1907 addition to The Seelbach in Louisville, Kentucky, included a German rathskeller made of Rookwood Pottery created in nearby Cincinnati, Ohio, by workers hired from the Art Academy. Rookwood Pottery was founded by Maria Longworth Nichols (later Mrs. Bellamy Storer Jr.) in 1880.

When Walgreen's lease expired in 1941, management opted to open a new nightclub, tentatively called The Seelbach Café-Bar. The club took away from The Rathskeller and in 1945, when the Legionaries offered to rent the basement, including The Rathskeller, for a members-only club, the managers agreed. Today, The Seelbach's most treasured heirloom, The Rathskeller, with its dramatic design, lighting, and hand-carved architectural details, is again operated by The Seelbach and is available for private events.

The RathskellerThe Rathskeller is the only surviving room in the world completely encrusted in Rookwood pottery. Rookwood pelicans pervade the area, and although the Hotel’s tourist information likes to cheerfully note that the pelicans are there “for good luck,” it’s also true that the pelican is regarded in some occult mythologies as a symbol of resurrecting one’s children after having killed them oneself, by anointing them with one’s own blood. The pelican has also long been synonymous with the Phoenix (the mythological bird of occult initiation, wherein one is reborn into a new awareness or gnosis) and with Henet (a pelican goddess from pyramid-era Egypt, who appears on walls of ancient tombs and in royal funerary texts).

The Seelbach Hotel was the dream of two German immigrants, and over the past century it has gained the reputation of one of the finest hotels in the area.

Capone wasn't the only well-known character to frequent the Seelbach. An Army captain stationed at Camp Taylor also gained quite a reputation at the hotel. F. Scott Fitzgerald, he frequented the bar and supposedly he was kicked out on several occasions for being a booze hound and being a little rowdy," Johnson says. Despite his brushes with the law, Fitzgerald loved the opulent hotel. So much so he wrote about it years later in the Great Gatsby.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

we pee on the walls

scribble our wrath

we destroy our past

weeping sorrow

dark shadows

on heritage we cast

memories ruined

by a moment fast

eyes were willing

tears aghast

ancestral wealth

wisdom ..we blast

in a world of

the sleeping dead

the living outcast

through ignorance

intolerance ..bigotry

racism..we are

typecast ,,,

we are still

where we were

what have we

surpassed ..

badmouth

badassed

article from net

The Residency is actually a group of buildings that were built in 1800 A.D by the then Nawab of Oudh, Nawab Saadat Ali Khan. It was constructed in order to serve as the residence for the British Resident General who was a representative in the court of Nawab. The palace was rather a sleepy residence for decades but then came an incident, which put it on the world map.

The year 1857 will always be mentioned in the chronicles of history because of its dramatic sequence of events. The year saw the Sepoy Mutiny, which is also sometimes referred as 'The First War of Indian Independence'. Lucknow also became one of the seats of that uprising. The Residency became one of the most talked about battlement during the siege of Lucknow. The mutineers laid the siege on The Residency in early June that year. Nearly all the Europeans who resided in the city of Awadh took shelter in Residency. It is said that as many as 3500 people sought shelter during the siege. The siege continued for more than 140 days.

The saga of the siege of 'The Residency' will go down in the history of India as a brave effort done by handful of Men, women and children to thaw the efforts of mutineers. The residence of the palace held together during the continuous shelling that lasted for a month. The canon balls withered the walls of residency but the palace held miraculously. Sir Henry Lawrence who bore the responsibility 3500 human lives undertook the defense and counter initiative. The brave-heart fall on the last days of siege. The reinforcement force rescued the palace after 5 months.

Even since Independence, little has changed. A brooding silence engulfs the ruins and one almost expects the ghosts of the dead to suddenly materialize and flit across the rooms. The cemetery at the nearby ruined church has the graves of 2000 men, women and children, including that of Sir Henry Lawrence who died defending the empire. There is a weathered epitaph near the grave of Sir Lawrence that reads " Here lays the son of Empire who tried to do his duty".

The British Residency of Lucknow is a famous historical landmark of this place. It is now in ruins and has been declared a protected monument by the Archaeological Survey of India. The people of Lucknow tell intriguing stories of British who fled from their homes to seek shelter in these red buildings. Only a 1000 inhabitant survived this tough ordeal. On November 17th, the British troops led by Sir Colin Campbell defeated the Indian forces.

Today, the British Residency of Lucknow serves as a government office. The Residency also has a museum that is well-maintained by the authorities.

The redbrick ruins are now surrounded by lawns and flowerbeds, the Residency has been maintained as it was at the time of the final relief and the shattered walls are still scarred by cannon shot. Besides the main Residency building, there was the Sheep house, Slaughter house, Sikh square, Dr. Fayrers house, Banqueting hall, the Treasury house, Begum Kothi, the church, mosque, Imambara and the native hospital etc. are still present and pull masses of visitors each year.

The Model Room, a part of the main Residency Building, which housed a model of Residency as it was before the 1857 War, has now been converted into a full-fledged Museum displaying the original model of Residency, old lithographs, photographs, paintings, documents and period-objects, besides a diorama of Residency siege, giving an accurate visual account of the freedom struggle of 1857 in a chronological and systematic way. Besides, a gallery showing the excavated objects has also been added. A building steeped in and a symbol of the tumultuous past of our country is a heritage sight and should feature on the top of your 'must-visit' travel list!

courtesy

www.buzzintown.com/article-review--the-residency-lucknow-...

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

These images were made on Saipan in the Northern Mariana Islands, December 2016-January 2017.

In addition to historical significance, the Marpi region at the northern end of Saipan has many natural features, starting with its dramatic, rugged cliffs.

Noted sites in Marpi include Kalabera Cave, Bird Island and the Grotto, a sunken pool linked to the Pacific Ocean.

Please don't use this image on websites, blogs or other media without my explicit permission. :copyright: All rights reserved.

The Colorado River is the principal river of the Southwestern United States and northwest Mexico. The 1,450-mile (2,330 km) river drains an expansive, arid watershed that encompasses parts of seven U.S. and two Mexican states. Rising in the central Rocky Mountains in the U.S., the river flows generally southwest across the Colorado Plateau and through the Grand Canyon before reaching Lake Mead on the Arizona–Nevada line, where it turns south toward the international border. After entering Mexico, the Colorado approaches the large Colorado River Delta where it naturally emptied into the Gulf of California between Baja California and Sonora, though it no longer reaches its delta or the sea.

Known for its dramatic canyons and whitewater rapids, the Colorado is a vital source of water for agricultural and urban areas in the southwestern desert lands of North America. The river and its tributaries are controlled by an extensive system of dams, reservoirs, and aqueducts, which divert 90% of its water in the U.S. alone to furnish irrigation and municipal water supply for almost 40 million people both inside and outside the watershed. The Colorado's large flow and steep gradient are used for generating hydroelectric power, and its major dams regulate peaking power demands in much of the Intermountain West. Since the mid-20th century, intensive water consumption has dried the lower 100 miles (160 km) of the river such that it has not consistently reached the sea since the 1960s.

Beginning with small bands of nomadic hunter-gatherers, Native Americans have inhabited the Colorado River basin for at least 8,000 years. Between 2,000 and 1,000 years ago, the river and its tributaries fostered large agricultural civilizations, which may have been some of the most sophisticated indigenous cultures in North America. These societies are believed to have collapsed because of a combination of severe drought and poor land use practices. Most native peoples that inhabit the basin today are descended from other groups that settled in the region beginning about 1,000 years ago. Europeans first entered the Colorado Basin in the 16th century, when explorers from Spain began mapping and claiming the area, which later became part of Mexico upon its independence in 1821. Early contact between foreigners and natives was generally limited to the fur trade in the headwaters and sporadic trade interactions along the lower river.

After the greater Colorado River basin became part of the U.S. in 1846, the bulk of the river's course was still largely the subject of myths and speculation. Several expeditions charted the Colorado in the mid-19th century, one of which, led by John Wesley Powell in 1869, was the first to run the rapids of the Grand Canyon. American explorers collected valuable information that would later be used to develop the river for navigation and water supply. Large-scale settlement of the lower basin began in the mid- to late-19th century, with steamboats providing transportation from the Gulf of California to landings along the Colorado River that linked to wagon roads into the interior of New Mexico Territory. Lesser numbers settled in the upper basin, which was the scene of major gold strikes in Arizona and Nevada in the 1860s and 1870s.

Major engineering of the river basin began around the start of the 20th century, with many guidelines established in a series of domestic and international treaties known as the "Law of the River". The U.S. federal government was the main driving force behind the construction of hydraulic engineering projects in the river system, although many state and local water agencies were also involved. Most of the major dams in the river basin were built between 1910 and 1970, and the system keystone, Hoover Dam, was completed in 1935. The Colorado is now considered among the most controlled and litigated rivers in the world, with every drop of its water fully allocated.

The damming and diversion of the Colorado River system have been flashpoint issues for the environmental movement in the American Southwest because of their impacts on the ecology and natural beauty of the river and its tributaries. During the construction of Glen Canyon Dam, environmental organizations vowed to block any further development of the river, and a number of later dam and aqueduct proposals were defeated by citizen opposition. As demands for Colorado River water continue to rise, the level of human development and control of the river continues to generate controversy.

The Colorado begins at La Poudre Pass in the Southern Rocky Mountains of Colorado, at more than 2 miles (3 km) above sea level. After a short run south, the river turns west below Grand Lake, the largest natural lake in the state. For the first 250 miles (400 km) of its course, the Colorado carves its way through the mountainous Western Slope, a sparsely populated region defined by the portion of the state west of the Continental Divide. As it flows southwest, it gains strength from many small tributaries, as well as larger ones including the Blue, Eagle and Roaring Fork rivers. After passing through De Beque Canyon, the Colorado emerges from the Rockies into the Grand Valley, a major farming and ranching region where it meets one of its largest tributaries, the Gunnison River, at Grand Junction. Most of the upper river is a swift whitewater stream ranging from 200 to 500 feet (60 to 150 m) wide, the depth ranging from 6 to 30 feet (2 to 9 m), with a few notable exceptions, such as the Blackrocks reach where the river is nearly 100 feet (30 m) deep. In a few areas, such as the marshy Kawuneeche Valley near the headwaters and the Grand Valley, it exhibits braided characteristics.

Arcing northwest, the Colorado begins to cut across the eponymous Colorado Plateau, a vast area of high desert centered at the Four Corners of the southwestern United States. Here, the climate becomes significantly drier than that in the Rocky Mountains, and the river becomes entrenched in progressively deeper gorges of bare rock, beginning with Ruby Canyon and then Westwater Canyon as it enters Utah, now once again heading southwest. Farther downstream it receives the Dolores River and defines the southern border of Arches National Park, before passing Moab and flowing through "The Portal", where it exits the Moab Valley between a pair of 1,000-foot (300 m) sandstone cliffs.

In Utah the Colorado flows primarily through the "slickrock" country; characterized by its narrow canyons and unique "folds" created by the tilting of sedimentary rock layers along faults, this is one of the most inaccessible regions of the continental United States. Below the confluence with the Green River, its largest tributary, in Canyonlands National Park, the Colorado enters Cataract Canyon, named for its dangerous rapids, and then Glen Canyon, known for its arches and erosion-sculpted Navajo sandstone formations. Here, the San Juan River, carrying runoff from the southern slope of Colorado's San Juan Mountains, joins the Colorado from the east. The Colorado then enters northern Arizona, where since the 1960s Glen Canyon Dam near Page has flooded the Glen Canyon reach of the river, forming Lake Powell for water supply and hydroelectricity generation.

A narrow river flows through a narrow gorge flanked by high rocky bluffs

In Arizona, the river passes Lee's Ferry, an important crossing for early explorers and settlers and since the early 20th century the principal point where Colorado River flows are measured for apportionment to the seven U.S. and two Mexican states in the basin. Downstream, the river enters Marble Canyon, the beginning of the Grand Canyon, passing under the Navajo Bridges on a now southward course. Below the confluence with the Little Colorado River, the river swings west into Granite Gorge, the most dramatic portion of the Grand Canyon, where the river cuts up to one mile (1.6 km) into the Colorado Plateau, exposing some of the oldest visible rocks on Earth, dating as long ago as 2 billion years. The 277 miles (446 km) of the river that flow through the Grand Canyon are largely encompassed by Grand Canyon National Park and are known for their difficult whitewater, separated by pools that reach up to 110 feet (34 m) in depth.

At the lower end of Grand Canyon, the Colorado widens into Lake Mead, the largest reservoir in the continental United States, formed by Hoover Dam on the border of Arizona and Nevada. Situated southeast of metropolitan Las Vegas, the dam is an integral component for management of the Colorado River, controlling floods and storing water for farms and cities in the lower Colorado River basin. Below the dam the river passes under the Mike O'Callaghan–Pat Tillman Memorial Bridge – which at nearly 900 feet (270 m) above the water is the highest concrete arch bridge in the Western Hemisphere – and then turns due south towards Mexico, defining the Arizona–Nevada and Arizona–California borders.

After leaving the confines of the Black Canyon, the river emerges from the Colorado Plateau into the Lower Colorado River Valley (LCRV), a desert region dependent on irrigation agriculture and tourism and also home to several major Indian reservations. The river widens here to a broad, moderately deep waterway averaging 500 to 1,000 feet (150 to 300 m) wide and reaching up to 1⁄4 mile (400 m) across, with depths ranging from 8 to 60 feet (2 to 20 m). Before channelization of the Colorado in the 20th century, the lower river was subject to frequent course changes caused by seasonal flow variations. Joseph C. Ives, who surveyed the lower river in 1861, wrote that "the shifting of the channel, the banks, the islands, the bars is so continual and rapid that a detailed description, derived from the experiences of one trip, would be found incorrect, not only during the subsequent year, but perhaps in the course of a week, or even a day."

The LCRV is one of the most densely populated areas along the river, and there are numerous towns including Bullhead City, Arizona, Needles, California, and Lake Havasu City, Arizona. Here, many diversions draw from the river, providing water for both local uses and distant regions including the Salt River Valley of Arizona and metropolitan Southern California. The last major U.S. diversion is at Imperial Dam, where over 90 percent of the river's remaining flow is moved into the All-American Canal to irrigate California's Imperial Valley, the most productive winter agricultural region in the United States.

Below Imperial Dam, only a small portion of the Colorado River makes it beyond Yuma, Arizona, and the confluence with the intermittent Gila River – which carries runoff from western New Mexico and most of Arizona – before defining about 24 miles (39 km) of the Mexico–United States border. At Morelos Dam, the entire remaining flow of the Colorado is diverted to irrigate the Mexicali Valley, among Mexico's most fertile agricultural lands. Below San Luis Río Colorado, the Colorado passes entirely into Mexico, defining the Baja California–Sonora border; in most years, the stretch of the Colorado between here and the Gulf of California is dry or a trickle formed by irrigation return flows. The Hardy River provides most of the flow into the Colorado River Delta, a vast alluvial floodplain covering about 3,000 square miles (7,800 km2) of northwestern Mexico. A large estuary is formed here before the Colorado empties into the Gulf about 75 miles (120 km) south of Yuma. Before 20th-century development dewatered the lower Colorado, a major tidal bore was present in the delta and estuary; the first historical record was made by the Croatian missionary in Spanish service Father Ferdinand Konščak on July 18, 1746. During spring tide conditions, the tidal bore – locally called El Burro – formed in the estuary about Montague Island in Baja California and propagated upstream.

The Colorado is joined by over 25 significant tributaries, of which the Green River is the largest by both length and discharge. The Green takes drainage from the Wind River Range of west-central Wyoming, from Utah's Uinta Mountains, and from the Rockies of northwestern Colorado. The Gila River is the second longest and drains a greater area than the Green, but has a significantly lower flow because of a more arid climate and larger diversions for irrigation and cities. Both the Gunnison and San Juan rivers, which derive most of their water from Rocky Mountains snowmelt, contribute more water than the Gila did naturally.

In its natural state, the Colorado River poured about 16.3 million acre feet (20.1 km3) into the Gulf of California each year, amounting to an average flow rate of 22,500 cubic feet per second (640 m3/s). Its flow regime was not at all steady – indeed, "prior to the construction of federal dams and reservoirs, the Colorado was a river of extremes like no other in the United States." Once, the river reached peaks of more than 100,000 cubic feet per second (2,800 m3/s) in the summer and low flows of less than 2,500 cubic feet per second (71 m3/s) in the winter annually. At Topock, Arizona, about 300 miles (480 km) upstream from the Gulf, a maximum historical discharge of 384,000 cubic feet per second (10,900 m3/s) was recorded in 1884 and a minimum of 422 cubic feet per second (11.9 m3/s) was recorded in 1935. In contrast, the regulated discharge rates on the lower Colorado below Hoover Dam rarely exceed 35,000 cubic feet per second (990 m3/s) or drop below 4,000 cubic feet per second (110 m3/s). Annual runoff volume has ranged from a high of 22.2 million acre feet (27.4 km3) in 1984 to a low of 3.8 million acre feet (4.7 km3) in 2002, although in most years only a small portion of this flow, if any, reaches the Gulf.

The average annual discharge of the Colorado River has shown a slight but noticeable decreasing trend between 1895 and 2004.

Annual Colorado River discharge volumes at Lee's Ferry between 1895 and 2004

Between 85 and 90 percent of the Colorado River's discharge originates in snowmelt, mostly from the Rocky Mountains of Colorado and Wyoming. The three major upper tributaries of the Colorado – the Gunnison, Green, and San Juan – alone deliver almost 9 million acre feet (11 km3) per year to the main stem, mostly from snowmelt. The remaining 10 to 15 percent comes from a variety of sources, principally groundwater base flow and summer monsoon storms. The latter often produces heavy, highly localized floods on lower tributaries of the river, but does not often contribute significant volumes of runoff. Most of the annual runoff in the basin occurs with the melting of Rocky Mountains snowpack, which begins in April and peaks during May and June before exhausting in late July or early August.

Flows at the mouth have steadily declined since the beginning of the 20th century, and in most years after 1960 the Colorado River has run dry before reaching the sea. Irrigation, industrial, and municipal diversions, evaporation from reservoirs, natural runoff, and likely climate change have all contributed to this substantial reduction in flow, threatening the future water supply. For example, the Gila River – formerly one of the Colorado's largest tributaries – contributes little more than a trickle in most years due to use of its water by cities and farms in central Arizona. The average flow rate of the Colorado at the northernmost point of the Mexico–United States border (NIB, or Northerly International Boundary) is about 2,060 cubic feet per second (58 m3/s), 1.49 million acre feet (1.84 km3) per year – less than a 10th of the natural flow – due to upstream water use. Below here, all of the remaining flow is diverted to irrigate the Mexicali Valley, leaving a dry riverbed from Morelos Dam to the sea that is supplemented by intermittent flows of irrigation drainage water. There have been exceptions, however, namely in the early to mid-1980s, when the Colorado once again reached the sea during several consecutive years of record-breaking precipitation and snowmelt. In 1984, so much excess runoff occurred that some 16.5 million acre feet (20.4 km3), or 22,860 cubic feet per second (647 m3/s), poured into the sea.

The United States Geological Survey (USGS) operates or has operated 46 stream gauges to measure the discharge of the Colorado River, ranging from the headwaters near Grand Lake to the Mexico–U.S. border. The tables at right list data associated with eight of these gauges. River flows as gauged at Lee's Ferry, Arizona, about halfway along the length of the Colorado and 16 miles (26 km) below Glen Canyon Dam, are used to determine water allocations in the Colorado River basin. The average discharge recorded there was approximately 14,800 cubic feet per second (420 m3/s), 10.72 million acre feet (13.22 km3) per year, from 1921 to 2010. This figure has been heavily affected by upstream diversions and reservoir evaporation, especially after the completion of the Colorado River Storage Project in the 1970s. Prior to the completion of Glen Canyon Dam in 1964, the average discharge recorded between 1912 and 1962 was 17,850 cubic feet per second (505 m3/s), 12.93 million acre feet (15.95 km3) per year.

from Wikipedia

Oklahoma City University welcomes you to the Devon Boathouse, the newest structure to grace the banks of the Oklahoma River. The $10 million facility is the home of OCU Rowing and Canoe/Kayak and headquarters for the OKC National High Performance Center. The OKC National High Performance Center provides training opportunities for Olympic hopefuls in both rowing and canoe/kayak.

Designed for OCU by Rand Elliott, Elliott & Associates Architects, the Devon Boathouse is one in a series of iconic boathouses in the Boathouse District at the Oklahoma River in Oklahoma City. Its dramatic architecture creates a striking image against the backdrop of Oklahoma City’s downtown skyline and creates the impression of the boathouse’s “prow” breaking the river’s edge.

REFORD GARDENS | LES JARDINS DE METIS

Beautiful flowers at Reford Gardens.

Visit: www.refordgardens.com/

FROM THE PLAQUE:

CYCLOPS, 2016

Craig Chapple

Phoenix, Arizona, USA.

Formerly trained as an architect at Yale University but with a deep commitment to creating art, Craig Chapple has pursued both architecture and the visual arts simultaneously throughout his career. Craig’s work is born from the synergy of these two disciplines, producing work that focuses on the overlap of the line, pattern, texture and process. He works in analog and digital practices in drawing, painting and sculpture.

Cyclops is a singular object on the landscape as well as a singular frame of the landscape. Made up of 255 8-meter long tapering planks held in the shape of an inverted cone around a central opening for the user to occupy . These planks are fastened to each other at the innermost diameter and held upright by a 150 mm steal ring beam at the outer diameter.

At first approach, Cyclops is an object on the landscape, seen as a clear , platonic form. Through its transparency and porosity, however, it is an object one that is also dynamic and changing, blending with the environment.

By entering the central 1.5 m opening at the bottom of the cone, the user enters into a different relationship with the object and the landscape. By experiencing it from the inside-out, the object acts to frame the surrounding landscape and sky for the viewer in this same dynamic , temporal way by blending the man-made, platonic clarity of the frame with the organic and natural.

The viewer plays the central role of the work in rediscovering the relationship between the object, the frame and the natural landscape.

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Visit : www.refordgardens.com/

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From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

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LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

:copyright: Copyright

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Fallen Roof Ruin, with its dramatic evidence of Ancestral Puebloan habitation, Bears Ears National Monument, southern Utah, USA

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

Taunton is the county town of Somerset, England. Taunton is a thriving, forward-looking town where modern life sits alongside relics of its dramatic past dating back to Saxon times.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

Iceland, a Nordic island nation, is defined by its dramatic landscape with volcanoes, geysers, hot springs and lava fields. Massive glaciers are protected in Vatnajökull and Snæfellsjökull national parks. Most of the population lives in the capital, Reykjavik, which runs on geothermal power and is home to the National and Saga museums, tracing Iceland’s Viking history. Iceland is it the most sparsely populated country in Europe.

Mesa Arch is a pothole arch at Canyonlands National Park in southeastern Utah. The park is known for its dramatic desert landscape of canyons, mesas, and buttes carved by the Colorado River and its tributaries. Photo by my wife Barb. Print size 8x10 inches.

Voices: A box office behemoth if there ever was one, “Dinosaur” is an eye-popping visual spectacle that serves up a vivid picture of what the planet might have looked like when reptiles ruled the Earth. But Disney’s summer heavyweight has an almost grotesquely touchy-feely take on prehistoric life, one that will please vegans and compassionate anti-Darwinians more than it will cinematic carnivores looking for some dramatic meat. Backed by humongous marketing and tremendous want-see among kids and animation fans, this technical marvel, which at a budget of somewhere between $ 150 million to $ 200 million must qualify as the most expensive film of all time on a cost-per-minute basis, appears poised to become one of Disney’s two or three biggest grossers ever and will enjoy life without end as a home entertainment title.

To modern audiences for which technological achievements usually count for far more than artistic ones and special effects coolness very often reps the most valuable possible B.O. component, “Dinosaur” definitely has what it takes. The startling visions of the first few minutes alone — a ferocious toothsome attack and a flight over huge herds of dinosaurs inhabiting magnificent actual landscapes — are enough to thrill any viewer as well as to serve notice that there’s never been anything quite like this before.

The visual splendors continue, to be sure, across the pacy 75 minutes of story time (seven minutes of credits follow). But it’s also the case that, somewhere around half-way through, you begin to get used to the film’s pictorial wondrousness — to take it for granted, even — and start to realize that the characters and story are exceedingly mundane, unsurprising and pre-programmed. Directors Ralph Zondag and Eric Leighton seem afraid to show anything that will be the least bit disturbing or upsetting to anybody. Sure, 5-year-olds will be momentarily frightened by the sight and sound of giant lizards roaring at them, but this is a dinosaur picture that’s petrified of showing death, for God’s sake , that shies away from all the grand elements that could have given it true stature and resonance: Majesty, terror, grandeur, tragedy and savage instincts in their most primitive state. Pic’s sensibility is closer to a “Sesame Street” lesson in caring and cooperation than to any monster favorite one could think of , from the original “The Lost World” and “King Kong” to “Jurassic Park” and even Disney’s own “The Rite of Spring” episode in “Fantasia.”

The great leap forward here lies in the incomparably “photorealistic” placement of computer generated creatures within real-world settings. Per the press materials, finished film includes more than 1,300 individual effects shots , and special attention was paid to such difficult-to-achieve illusions as detailed animal muscle movement, physical contact with water and dust, credible shadows and dinosaur p.o.v. shots. All the effort in these areas has paid off magnificently, to the extent that it’s safe to say that the bar has again been raised in this realm of CGI and effects-based pictures.

Would that one-tenth as much time and energy gone into developing more musculature and a few additional wrinkles for the storyline. Having begun life in 1988 as a script by Walon Green for Paul Verhoeven to direct as a live-action feature with effects by Phil Tippett (one need only think of “Starship Troopers” to imagine what that might have been like), screenplay as ultimately worked out by John Harrison and Robert Nelson Jacobs feels cobbled together with elements from the likes of “Tarzan,” “The Lion King” and, of all things, “Red River.” Result is synthetic rather than elemental, and with a pre-digested taste.

Situated about 65 million years ago, or late in the game as far as dinosaurs were concerned, tale makes use of a couple of scientific hypotheses in order to broaden its dramatic possibilities: That dinosaurs continued to live on Earth for quite some time after the presumed cataclysmic crashes of multiple giant meteors, and that there was a period when the large reptiles may have coexisted here with mammals.

Latter state of affairs allows for the presence of some close-to-human stand-ins, a family of furry Lemurs that one day finds on their island a large, strange egg, delivered in stork-like fashion. The leathery looking beast that shortly issues forth is unlike anything they’ve ever seen, but Dad’s fear of anything different is overcome by the critter’s cuteness, and the Iguanodon known as Aladar soon grows up to be the Lemurs’ large-and-tall-sized pet, a sort of four-footed, toothless T-Rex cousin whose general happiness is undercut only when he realizes, a la Tarzan, that he’s never met a member of his own species.

Scarcely 20 minutes in, the heavens’ most fearsome fireworks show commences, as a cascade of meteors sets the world aflame. Making it across the sea, Aladar and the four Lemurs find a scorched landscape and, after being chased by some pesky snapping Raptors, they encounter, in a spectacular sequence, the great dinosaur migration, a large group of peaceful herbivores traversing the desert in the hope of finding the verdant original nesting ground.

So far, so good: Striking images, sympathetic protagonists and a subversion of expectations by having Armageddon come and go without ending the world or the movie. But it does basically represent the end of the picture’s freshness and dramatic imagination. Grudgingly allowed to join the group by its gruff leader Kron, himself an Iguanodon, Aladar and the Lemurs bring up the rear with the enormous and slow-moving Brachiosaur Baylene and the armor-heavy, sassy Styrachosaur Eema.

A sort of ill-tempered cross between Moses and John Wayne’s Tom Dunston in “Red River,” Kron drives his flock very hard, but he would seem to have no choice. Simply because it otherwise lacks a villain, pic pushes Kron toward this status by having him say that any stragglers must be sacrificed for the good of the community, as if this were somehow a barbaric attitude in the animal kingdom. But stern as he is, Kron never does anything to merit truly villainous proportions, and the film suffers from his uncertain portrayal.

At the same time, a predictable flirtation develops between Aladar and Kron’s sister Neera, who, in a precise replay of the climax of “Red River,” ultimately steps in to bust up a deadly struggle between her tyrannical brother and the young, right-minded upstart. By sticking with the group’s weaklings, Aladar manages to find the only way into the nesting ground, while incidentally showing how the group can stand up to two marauding meat-eaters. Kron, with his outmoded hard-line approach, is relegated to, uh, dinosaur status, suffering a fate befitting an old lion king.

The various creatures are brilliantly rendered; they interact credibly with one another and are integrated seamlessly into the backdrops. But as realistic and expressive as they are, they don’t engage the emotions any more directly than have many more cartoonishly rendered animated characters in the past. Vocalizations of the main characters — D.B. Sweeney as Aladar, Ossie Davis, Alfre Woodard, Max Casella and Hayden Panettiere as the Lemur family, Samuel E. Wright as Kron, Julianna Margulies as Neera, Joan Plowright as Baylene, Della Reese as Eeema and Peter Siragusa as Kron’s cohort Bruton — are uniformly lively and entertaining.

In a film in which the foreground technological wonders will be so widely noted, the superlatively chosen backgrounds should be mentioned; fantastic locations in California, Australia, Hawaii, Florida, Venezuela and Western Samoa have been combined to fashion the world of the late Cretaceous Period. James Newton Howard’s orchestral score is unusually good, and the sound work is expert.

A Buena Vista release of a Walt Disney Pictures presentation. Produced by Pam Marsden. Co-producer, Baker Bloodworth. Directed by Ralph Zondag, Eric Leighton. Screenplay, John Harrison, Robert Nelson Jacobs, based on an original screenplay by Walon Green. Story by Thom Enriquez, Harrison, Jacobs, Zondag. First unit

Todd McCarthy VARIETY 15 May 2000

These images were made on Saipan in the Northern Mariana Islands, December 2016-January 2017.

In addition to historical significance, the Marpi region at the northern end of Saipan has many natural features, starting with its dramatic, rugged cliffs.

Noted sites in Marpi include Kalabera Cave, Bird Island and the Grotto, a sunken pool linked to the Pacific Ocean.

Please don't use this image on websites, blogs or other media without my explicit permission. :copyright: All rights reserved.

Spatter prints of human hand on the sandstone walls behind Fallen Roof Ruin, with its dramatic evidence of Ancestral Puebloan habitation, Bears Ears National Monument, southern Utah, USA

These images were made on Saipan in the Northern Mariana Islands, December 2016-January 2017.

In addition to historical significance, the Marpi region at the northern end of Saipan has many natural features, starting with its dramatic, rugged cliffs.

Noted sites in Marpi include Kalabera Cave, Bird Island and the Grotto, a sunken pool linked to the Pacific Ocean.

Please don't use this image on websites, blogs or other media without my explicit permission. :copyright: All rights reserved.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

f/18

1/100

ISO1600

24mm

I love this image for its dramatic feel and the sun showing through the trees.

Known in the botanical world as peniocereus greggii, the Queen of the night was named for its dramatic, white, waxy flowers that are composed of elegant white petals and stamens

Thank you for visiting - :heart: with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.

My hometown Schuders in the Swiss Alps greeted me like this when I woke up this morning. We had some fresh snow last night. It's a good feeling to be back at my 82 year old mom's home.

The Schuders village with just 30 people is located higher up in the mountains of Graubünden, a canton in eastern Switzerland. From Wikipedia: Graubünden is known for its dramatic Alpine scenery and winter sports. St. Moritz, an upscale resort town and Winter Olympics host in 1928 and 1948, offers ski runs, an outdoor ice rink and ski jumping. Davos, home to the annual World Economic Forum, is also popular for skiing and hiking. The Engadin Valley has traditional whitewashed houses decorated with sgraffito plasterwork.

I processed a soft and a paintery HDR photo from three RAW exposures, merged them selectively, and carefully adjusted the curves.

-- :copyright: Peter Thoeny, CC BY-NC-SA 4.0, HDR, 3 RAW exposures, NEX-6, _DSC0493_4_5_hdr3sof3pai1c

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes.

September 23, 2012 at 10:27PM from instagr.am/p/P7Yhoeu7nv/

The 35th Desktop created for “The E82 Project”

A variation of "SeaRise" depicting the mural as seen through the prism of its dramatic lighting scheme featuring deep blue rim lighting and a single amber spotlight highlighting the mural's focal point.

Symbolizing the dynamic and interconnected relationship between the ocean, sky, and our mother star, The Living Seas Entry Mural, designed by Tim Delaney, was a modern masterpiece of multi-dimensional design. With its colorful currents and dramatic seascape refracting the sunlight, the mural not only emphases the pavilion’s theme but also accurately depicts the ratio of a planet that should have been named Sea not Earth as its surface is mostly covered by water.

Designer’s Note:

Just as with Energy’s Mural, I was dealing with the same problem of a very wide subject matter on a comparatively narrow screen. This time it was determined to have the focal point occupy more than 50% of the desktop image. In order to accomplish this I wanted to (vertically) extend the mural well beyond the confines of the original pavilion entry. Also, I had to concede that the mural could not be exhibited fully and approximately 30% of its length would have to be cropped.

Several test later, and to spite its uniquely multi-layered presentation, the desktop background was completely lacking in depth. Fast-forward a few months, and I finally hit upon a solution of multiple “backlit” Art Deco-influenced layers that would both increase depth and would maintain focus on Tim’s original masterpiece.

Point of Interest:

The waveforms below the mural are exact replicas of wavy railings that originally encircled the pavilion’s marquee.

For More Information

Please visit “E82 – The Epcot Legacy”

www.epcotlegacy.com

This late evening sunset with its' dramatic colour of nature focus' on the true 'sounds of silence'

Iceland, a Nordic island nation, is defined by its dramatic landscape with volcanoes, geysers, hot springs and lava fields. Massive glaciers are protected in Vatnajökull and Snæfellsjökull national parks. Most of the population lives in the capital, Reykjavik, which runs on geothermal power and is home to the National and Saga museums, tracing Iceland’s Viking history. Iceland is it the most sparsely populated country in Europe.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

The Great Wall Museum, Jiayuguan, China.

It is a showcase of 50-year archeological and anthropological research and findings on the 3000 years old Great Wall that stretches out 10,000 li (or 5,000 kilometers) and its dramatic historical status and relevance.

The multi modality exhibition, including charts, modes, illustrations, texts and diagrams, provides abundant and valuable data and information for researchers and investigators; at the same time it offers an interesting, integrated and knowledgeable tour for visitors to learn and appreciate the greatness, significance and the historical value of the Great Wall.

"untuk sesuap nasi"#inhil_community #hdrpotters #its_dramatic #iphoneography #str8hdr #all_shots #gang_family #iphonesia #instago #hdroftheday #photooftheday #hdri #hdr #instagram #iphone4s #humaninterst #streetphotography

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White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

The Iya Valley (祖谷渓谷 Iya Keikoku) region in Tokushima Prefecture, Japan is a scenic area known for its dramatic mountain valleys and old vine bridges. Although access has improved in recent years, the Iya Valley and the inner parts of Shikoku have historically been remote and difficult to enter, making them a favorite retreat for refugees and defeated warriors. Most notably, members of the Taira clan were rumored to have entered the area after losing the Genpei War to the Minamoto clan in the late 12th century.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

View On Black

I find all baby animals extremely adorable! Elephants, giraffes, monkeys all of them. If I could just sit with them, cuddle them and photograph them for a living I would take that job in a heartbeat. I mean look at this one.

He is a Mountain Bongo. I had never even heard of this species before I went to Kenya. I was so silly, when I saw the name ‘Bongo’ outside the enclosure I thought this particular animal was called Bongo! Duh. Anyway when I saw this adorable one following us around I couldn’t help falling in love. They are very slender, being an antelope, with huge brown eyes and a spectacular brown, black and white coat. I know you can’t really see the coat from this angle but take my word for it when I say its dramatic. And they are very gentle as well. I fed this one some leaves and he slowly nibbled it off from my hand, all graceful and cautious.

Explored: 5th March 2015

Iceland, a Nordic island nation, is defined by its dramatic landscape with volcanoes, geysers, hot springs and lava fields. Massive glaciers are protected in Vatnajökull and Snæfellsjökull national parks. Most of the population lives in the capital, Reykjavik, which runs on geothermal power and is home to the National and Saga museums, tracing Iceland’s Viking history. Iceland is it the most sparsely populated country in Europe.

Iceland, a Nordic island nation, is defined by its dramatic landscape with volcanoes, geysers, hot springs and lava fields. Massive glaciers are protected in Vatnajökull and Snæfellsjökull national parks. Most of the population lives in the capital, Reykjavik, which runs on geothermal power and is home to the National and Saga museums, tracing Iceland’s Viking history. Iceland is it the most sparsely populated country in Europe.

Seen in Explore 3 April 2009 #286

Nikon D3x, 50mm f/1.4 G

Aperture: f/6.3 speed: 1/160 sec. ISO: 100.

RAW file converted to JPEG using Capture NX2, framed as taken no crop.

“Located 50 km from Damascus is the magnificent village of Maalula, Syria. Maalula is the only place in the world that still speaks Aramaic, the language of Jesus.

Maalula is a predominantly Christian village. It is the home of two ancient Christian monasteries: Mar Sarkis and Mar Taqla. Both Christians and Muslim pilgrims come to Maalula seeking blessings.

Maalula means "the entrance" in Aramaic, referring to its dramatic location at the entrance to a rocky gorge. In addition to its important monasteries, the village is an attraction in itself: visitors invariably remark on the unique feeling of living history and the suspension of time in Maalula.” www.sacred-destinations.com

On top of the peak is a statue of Virgin Mary, below it a sign saying in Arabic: "The Lady of Peace" you can see it in full reslution.

Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape carved by the Colorado River. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Other notable areas include the towering rock pinnacles known as the Needles, the remote canyons of the Maze and the Native American rock paintings in Horseshoe Canyon. Whitewater rapids flow through Cataract Canyon.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

Pick your favorite to judge!

Anna loved this shoot! this is exactly the type of modeling Anna loves and she really captured the brief. Its dramatic, Dark and still Couture!! i loved it and hope u all feel the same way :)

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

. . . my reference was from the original portrait by Italian painter Giovanni Boldini (1842-1931). Boldini was quite prolific, with a broad range of styles. This particular painting was chosen for its dramatic use of light and shadow.

Painted with acrylics in my "A Diary of Faces" book, 7-1/2x11, on collaged text over fabriano hotpress.

Iceland, a Nordic island nation, is defined by its dramatic landscape with volcanoes, geysers, hot springs and lava fields. Massive glaciers are protected in Vatnajökull and Snæfellsjökull national parks. Most of the population lives in the capital, Reykjavik, which runs on geothermal power and is home to the National and Saga museums, tracing Iceland’s Viking history. Iceland is it the most sparsely populated country in Europe.