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Photo by Timothy Hursley

Canon EOS 650, EF 50mm 1:1.8, Fujicolor C200, redscaled, Tetenal C-41 chemicals.

There was a bit of Red visible to the naked eye in this shot, it's amazing how much the colour in the sky after sunset comes out on a 30 second exposure

A different sort of edit from the car-rig test a couple of weekends ago.

I've attempted to clone out the rig again.

 

SOOC version is here:

humphreyhippo.tumblr.com/post/56684145568/road-level-sooc...

 

Other places I post: ipernity | 365project

The cold seems to have killed my lightmeter and I misjudged the brightness of the fog, so this was overexposed and therefore not as clean a scan as I'd been after. Also there's some slightly odd fogging going on with this film, that I can't quite work out the cause of.

 

View On Black

 

Bronica S2A, Nikkor-P 75mm f/2.8, Ilford HP5+, stand developed in Rodinal 1+100 for ~1 hour.

Emulsion transfer from Impossible Color SX70 gen 2 onto metallic paper.

The metallic effect doesn't show too well in the scan, but it catches the light quite nicely in real life.

Had a bit of a disaster when it stuck to the board I had taped it to to dry and I nearly tore it clean in half.

xmp.did:08801174072068119109B55CA15F0A61 © Timothy Hursley

Polaroid SX-70 Alpha1 SE, Impossible Color SX-70 film.

  

Polaroid Week | Spring 2018 | Day 3 | 1/2

Super Colour Swinger III pinhole conversion, Fujifilm FP-100c

Vignette entirely down to fog and shooting wide open.

 

Canon A-1, Canon FL 58mm 1:1.2, Fuji Velvia RVP

First thoughts on the new 40mm; it appears very sharp (checkout that little thread of spider silk and also the bench texture close to the frame edge), focuses very close, fun.

 

Bronica S2A, Zenzanon MC 40mm 1:4, Ilford FP4+, stand developed in Rodinal 1+100 for ~1 hour.

Another shot from the car rig experiment.

 

Good old Humphrey looking cool in his shades! ;)

 

Other places I post: ipernity | 365project

In the fog this morning.

 

Polaroid SX-70 Alpha1 SE, Impossible PX680 Color Protection with ND pack filter.

Canon A-1, Canon FL 58mm 1:1.2, Fuji Velvia RVP

The village of Hursley, which is between Winchester and Romsey in Hampshire, has some beautifully ornate chimneys. These are not particularly old, maybe Victorian, but were made by two local builders, brothers, who used to complete with each other. This huge chimney with three pots is on the roof of a normal sized Victorian style cottage (see first comment box)

Taken for 114 Pictures in 2014 #15 Chimney/s and for Chimney Tuesday

at Farley Mount, Winchester

From one of the autumn rolls.

 

Bronica S2A, Nikkor-P 75mm f/2.8, Fuji Velvia RVP50

Polaroid SX-70 Alpha1 SE, Impossible Color SX70 film, (2nds)

Bronica S2A, Zenzanon 150mm 1:3.5, Kodak Ektar 100

Olympus Trip 35, Fujicolor C200 film. Developed in Tetenal C41 chemistry at 30C for 9 minutes.

The best of the display was long over when photographed here in April, but the effect is still magical.

 

Bronica S2A, Nikkor-P 75mm f/2.8, Kodak Ektar 100

Super Colour Swinger III pinhole conversion, Polaroid 100 Sepia (expired 08/2009)

Polaroid SX-70 Alpha1 SE, Impossible PX100 Silver Shade COOL. Double emulsion transfer onto 300g/m2 watercolour paper.

The Secret Garden is an incredibly beautiful small walled water garden. Constructed in the 1920s, it contains statues and two pools with fountains surrounded by trees and shrubs.with decorative foliage.

Bronica S2A, Zenzanon 100mm 1:2.8, Kodak Ektar 100

Canon EOS 650, EF 50mm 1:1.8, Fujicolor C200, redscaled, Tetenal C-41 chemicals.

Polaroid SX-70 Alpha1 SE, Impossible PX70 Color Protection.

Polaroid SX-70 Alpha1 SE, Impossible B&W SX70 film.

  

Polaroid Week | Spring 2018 | Day 3 | 2/2

Polaroid SX-70 Alpha1 SE, Impossible PX680 Color Protection with ND pack filter.

Another field in Hursley somewhere.

Lubitel 2, 7.5cm 1:4.5, Fomapan 200, stand developed in R09 1+100, for ~1 hour.

 

Polaroid SX-70 Alpha1 SE, Impossible PX100 Silver Shade COOL.

 

I know, bench AND angel. What am I like?

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