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Hot and sexy South Indian Tamil Mallu Telugu and Malayalam actresses.

Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Seaside Bluff Cliff! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3

 

Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3

 

New Instagram! instagram.com/45surf

 

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

 

Ask me any questions! :)

 

Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!

 

And here're a couple of HD video movies I shot of the goddess with the 4K Sony:

vimeo.com/45surf

 

Enjoy! Be sure to watch in the full 1080P HD!

 

The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).

 

Check out my greatest hits compilation, and let me know what you think:

www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...

 

Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!

 

Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.

  

New 500px!

500px.com/herosodysseymythology

 

New instagram! instagram.com/45surf

twitter.com/45surf

 

Pretty Swimsuit Bikini Model Goddess! :)

 

Follow me on facebook! facebook.com/elliot.mcgucken

 

vimeo.com/45surf

dailymotion.com/45surf

 

Nikon D300 Photos of Beautfiul Sexy Hot Brunette!

 

She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

 

ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!

 

Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)

 

A laid-back,classic, socal lifestyle shoot!

 

May the 45surf goddesses inspire you along am artistic journey of your own making!

 

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.

 

All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!

 

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

 

Ask me any questions! :)

 

Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!

 

All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!

 

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.

 

Cutoff Jeans, Cowboy Boots, & a Guitar! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

 

Pretty Goddess! Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!

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Hot and sexy South Indian Tamil Mallu Telugu and Malayalam actresses.

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The actress looks smoking hot for the shoot. Photo: Instagram

 

Ghanaian actress, Nikki Samonas who’s also popularly known as Ghana’s bikini queen, shared this hot picture which reveals her stunning light bod for a magazine shoot.

According to her, she shared it because the editor failed to use t...

 

guruspanel.com/2017/02/ghanaian-actress-nikki-samonas-get...

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

British postcard in The People series by Show Parade Picture Service, London, no. P. 1033. Photo: Universal-International.

 

American film actress Barbara Payton (1927-1967) was a blue-eyed, peroxide blonde sexpot, less known for her films than for her stormy social life and eventual battles with alcohol and drug addiction. Her tale is one of the saddest ever to come out of Hollywood.

 

Barbara Payton was born Barbara Lee Redfield in Cloquet, Minnesota, in 1927. She was the daughter of Norwegian immigrants Erwin Lee Redfield and Mabel Irene Todahl. A son, Frank Leslie III was born in 1931. In 1938, the family moved to Odessa, Texas, where Payton’s father started a motel court. Both of Payton's parents had long-standing problems with alcohol. As Payton was growing into maturity her good looks were also blossoming which garnered her attention. She was known as a lively girl, willing to please and she learned early in life that she had a potent effect on the opposite sex. In November 1943, the then sixteen-year-old eloped with her high school boyfriend William Hodge. The marriage seemingly amounted to nothing more than an act of impulsive, teen-age rebellion, and Payton did not fight her parent's insistence that the marriage be annulled. A few months later, she quit high school. In 1944, she met her second husband, a decorated combat pilot named John Payton, who at the time was stationed at Midland Air Base. The handsome couple were married in 1945 and moved to Los Angeles where John enrolled at USC under the G.I. Bill. It was still early in their marriage that Barbara, restless and feeling confined by her life as a housewife, expressed a desire to pursue a modelling or acting career. Payton officially launched her modelling path by hiring the services of a local photographer who shot photos of her sporting fashionable outfits. This portfolio attracted the favourable attention of a clothing designer, Saba of California, who signed her to a contract modelling a line of junior fashion. Her career progressed and in September 1947, the Rita La Roy Agency in Hollywood took her on as a client and brought her more work as a model in print advertising; notably in catalogues for Studebaker cars. She also appeared in clothing ads for such magazines as Charm and Junior Bazaar. During this period in her life, the couple welcomed their son, John Lee, who was born in February 1947. Payton managed to combine the responsibilities of wife, new mother and professional model, yet the strains on the Payton marriage finally reached the breaking point and Barbara and her husband separated in 1948. She takes an apartment in Hollywood with her infant son, with whom she is very close. Payton's drive, fuelled by her high-energy personality, had become focused on promoting her career and showcasing her beauty around the town’s hot spots. She is labelled the 'Queen of the Night Clubs' by columnist Harrison Carroll. Her notoriety as a luminous, fun loving party girl in the Hollywood club scene ignited the attention of William Goetz, an executive of Universal Studios. In January 1949, he signed her, age twenty-one, to a contract with a starting salary of $100 per week. Payton first gained notice as a drop-dead gorgeous young woman in the film noir Trapped (Richard Fleischer, 1949), co-starring Lloyd Bridges. In 1950, she was given the opportunity to make a screen test for John Huston's production of the forthcoming MGM crime drama The Asphalt Jungle. She was not chosen and the part of the sultry mistress of a mob connected lawyer went to Marilyn Monroe. After being screen-tested by James Cagney and his producer brother William, Payton starred with Cagney in the violent noir thriller Kiss Tomorrow Goodbye (Gordon Douglas, 1950). William Cagney was so smitten with Payton's sensual appeal and beauty that her contract was drawn as a joint agreement between William Cagney Productions and Warner Bros. who together saw fit to bestow on Payton a salary of $5,000 a week; a large sum for an actress yet to demonstrate star power at the box-office. For a relative newcomer, in Kiss Tomorrow Goodbye, Payton more than managed to hold her own among a cast of Hollywood veterans and alongside a super-star like Cagney himself. Her portrayal of the hardened, seductive girlfriend, whom Cagney’s character ultimately double-crosses, was critically praised in newspaper reviews of the film. Her acting skills were recognized and her significant screen charisma widely acknowledged. Kiss Tomorrow Goodbye was the highpoint in Payton’s career, the moment in time she was christened as a player with bonafide star power.

 

Caught up in the glitz and glamour, Barbara Payton's career had started taking second place to a reckless life full of capricious romances involving a number of top stars and producers, many of them married. In 1949, she had a six month affair with Bob Hope in which he paid for her to live in a luxurious apartment. The affair ended when she began making demands for more money. Her screen appearances opposite Gary Cooper in Dallas (Stuart Heisler, 1950), and Gregory Peck in Only the Valiant (Gordon Douglas, 1951), both Westerns, were lacklustre productions where her roles were no more than window dressing for the hero and did little to highlight her skills as an actress. Payton's career decline began with the horror film Bride of the Gorilla (Curt Siodmak, 1951), co-starring Raymond Burr. However, her slightly lurid appeal still seemed to be enough to carry her through Tinseltown. According to rumours, she had affairs with producer Howard Hughes, Woody Strode, George Raft, Dallas co-stars Gary Cooper and Steve Cochran, John Ireland, and Texas oilman Bob Neal. In addition to her first two marriages Payton was married two more times. In 1950, she had met classy 'A' actor Franchot Tone and the two were later engaged. She was the subject of a spread in Confidential Magazine when Tone allegedly caught her in bed with Guy Madison. In 1951, while engaged to Tone, Payton began also having an affair with muscular B-movie actor Tom Neal, and she also proposed marriage to him. She allowed him to move into her apartment, which Tone was paying the rent for. She kicked him out when Tone returned from out of town. She went back and forth publicly between Neal and Tone. On 14 September 1951, Neal, a former college boxer, physically attacked Tone at Payton's apartment leaving him in an 18-hour coma with a smashed cheekbone, broken nose and concussion. Barbara ended up with both a black eye and a tarnished reputation. Payton and Tone, who was still recovering from his injuries, were married in 1951 in Payton's hometown of Cloquet, Minnesota. However, after being married, Tone discovered that she had continued her relations with the violence-prone Neal and Tone was subsequently granted a divorce in 1952. When Franchot Tone decided to divorce her, he had a private detective take pictures of her having sex with other men. He then sent the photos to all the major Hollywood studios, hoping they would ruin her career. They did. Payton and Neal capitalized on the notorious press coverage by touring in plays such as The Postman Always Rings Twice, based on the popular 1946 film of the same name. They would also star together in The Great Jesse James Raid (Reginald Le Borg, 1953), a B-Western that received a limited released to theatres. In May 1953, Payton announced that she and Neal were to be married that summer in Paris. The couple broke up the following year.

 

Barbara Payton's hard drinking and hard living ultimately destroyed her both physically and emotionally. Gary Brumburgh at IMDb: " She went to England to try to rejuvenate her career, but no dice; it was over and her life was skidding out of control. Her once beautiful face now blotchy and her once spectacular figure now bloated, Barbara sank deeper into the bottle. " In England, she starred for the Hammer studio in the Science Fiction film Four Sided Triangle/The Monster and the Woman (Terence Fisher, 1953). And although Leonard Maltin in his Movie Guide called it a 'bomb', among Hammer fans at IMDb the film and Payton's acting are highly regarded. Reportedly, she was also good in her last leading role in the Film Noir Murder Is My Beat (Edgar G. Ullmer, 1955). Linda Rasmussen at AllMovie: "Director Edgar G. Ulmer uses flashbacks and elliptical editing to good effect, but the film lacks any strong visual or narrative center. Barbara Peyton delivers a great performance as the ambiguous, mysterious femme-fatale. While still of some interest, Murder is My Beat lacks the power and grim vision of Ulmer's bleak gem, Detour." In 1955, Payton married George A. 'Tony' Provas, a furniture store executive in Nogales, Arizona. They divorced in August 1958. In March 1956 she lost custody of her son John Lee Jr. after her ex-husband charged that she exposed their son to "profane language, immoral conduct, notoriety, unwholesome activities" and failed to provide the boy with a "moral education". From then on, her growing alcoholism and drug abuse led to multiple skirmishes with the law, including an arrest for the passing of bad checks. In 1962, Payton was arrested for prostitution when she propositioned an undercover cop in a Sunset Boulevard bar. Later that year, she was stabbed by a drunk and received 38 stitches to heal the wound. In 1963, she published her autobiography, I Am Not Ashamed, which was ghost written by Leo Guild. She didn't want to be paid in cash or check, but asked for payment in red wine because there were claims on her cash. The book included unflattering photographs of Payton and admissions that she had been forced to sleep on bus benches and suffered regular beatings as a prostitute. In 1965, she was arrested and charged with possession of heroin and a hypodermic syringe. In 1967, ill and after failed efforts to curb her drinking, Barbara Payton moved back to San Diego, California, to live with her parents. Several weeks later, the 39-year-old former starlet was found there on the bathroom floor - dead of heart and liver failure. Her son, John Lee Payton Jr., was serving in Vietnam when she died. Her life has been the subject of several books including Kiss Tomorrow Goodbye: The Barbara Payton Story (2007), by John O'Dowd, L.A. Despair: A Landscape of Crimes and Bad Times (2005), by John Gilmore, and B Movie. a Play in Two Acts (2014), by Michael B. Druxman.

 

Sources: Gary Brumburgh (IMDb), Linda Rasmussen (AllMovie), Wikipedia and IMDb.

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Hot and sexy South Indian Tamil Mallu Telugu and Malayalam actresses.

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

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French postcard by Europe, no. 470. Photo: Regal Film United Artists.

 

Lupe Velez (1908-1944), was one of the first Mexican actresses to succeed in Hollywood. Her nicknames were 'The Mexican Spitfire' and 'Hot Pepper'.

 

María Guadalupe Villalobos Vélez was born in San Luis Potosí, Mexico in 1908. She began her career in Mexico as a dancer in vaudeville in 1924. She starred in the shows Mexican Rataplan and ¡No lo tapes!. Besides singing and dancing with suggestive and provocative pelvis movements, she appeared wrapped in rhinestones and feathers while singing songs full of mischief. Very young, Lupe soon established herself as one of the main stars of de vaudeville in Mexico. In 1927 she moved to the US and MGM offered her a contract. She made her film debut in the short film Sailors, Beware! (1927) with Oliver Hardy and Stan Laurel. It was soon followed by a leading role opposite Douglas Fairbanks in The Gaucho (F. Richard Jones, 1927). Wikipedia: "At first, Fairbanks thought Lupe too languid for the vivacious part. During the interview, a stagehand 'stole' her dog as a prank. When Velez, barely five feet tall, discovered this, she beat the man mercilessly. Impressed, Douglas hired Lupe and gave her a five-year contract at his studio, United Artists." By the end of the decade she had progressed to leading roles and was one of the first Mexican actresses to succeed in Hollywood. She worked with such major film directors as Cecil B. DeMille at Stand and Deliver (1928), D.W. Griffith at Lady of the Pavements (1929), and Victor Fleming at The Wolf Song (1929).

 

With the arrival of talkies, Lupe Vélez's career took a turn towards comedy. Her characterization of the temperamental, explosive, rebellious and irreverent Latina woman gave her enormous popularity. She enjoyed popularity among Hispanic audiences and also made some films in Mexico. Some of her most memorable films are Hot Pepper (John G. Blystone, 1933) with Victor McLaglen, Palooka (Benjamin Stoloff, 1933), Laughing Boy (W. S. Van Dyke, 1934) with Ramon Novarro, Hollywood Party (George Stevens, 1934), in which she battles enthusiastically with Laurel and Hardy. In the early 1940s, she had success with The Mexican Spitfire film series, especially created for her. Vélez's personal life was often difficult. Her five-year marriage to Johnny Weissmuller and a series of romances with figures like Gary Cooper, were highly publicized. She suddenly died in 1944 in Glendale, California. Denny Jackson at IMDb: "By 1943 her career was waning. She went to Mexico in the hopes of giving herself a jump start. She gained the best reviews yet in the Mexican version of Naná (1944). Bolstered by that movie, Lupe returned to the US where she starred in her final film as Pepita Zorita in Ladies' Day (1943). There were to be no others. On December 13, 1944, tired of yet another failed romance, with a part-time actor named Harald Maresch, and pregnant with his child, Lupe committed suicide with an overdose of Seconal. She was only 36 years old."

 

Sources: Denny Jackson (IMDb), Wikipedia and IMDb.

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

Rotary Photo Postcard.

 

Miss Dorothy Frostick was an English actress, dancer and singer. She made her debut at an early age as Will-o’-the-Wisp in Seymour Hicks and Ellaline Terriss’s successful musical dream play, Bluebell in Fairyland, which opened at the Vaudeville Theatre, London, on 18 December 1901. At Christmas 1903 and 1905 she was again with Mr and Mrs Hicks, first as Mlle. Pas Bas in The Cherry Girl, a musical play produced at the Vaudeville on 21 December 1903, and again as Will-o’-the-Wisp in the revival of Bluebell at the Aldwych, London, on 23 December 1905. Her movements during the next six years are at present unknown.

 

On 3 October 1912 Dorothy Frostick appeared with ‘The Quaints’ (presumably a concert party or pierrot group), with Robert Maclachlan, Alfred Leslie, Ernest Butcher, R. Brighten Salisbury, George Buchanan and Agnes Croxton proceeding the comedy Dormats at Wyndham’s, London, starring Gerald du Maurier and Nina Boucicault. Miss Frostick remained with ‘The Quaints,’ appearing in Pierrotland as a curtain-raiser to the farce The Chaperon at the Strand Theatre, London, on 26 April 1913. ‘The Quaints,’ including Dorothy Frostick, were back at Wyndham’s during the run of the comedy The Clever Ones (23 April 1914), starring Gerald du Maurier and Marie Löhr.

 

Dorothy Frostick was next seen at the London Opera House in Hot and Cold, a revue for two people by Fred Karno, in which she appeared opposite A.W. Baskcomb. The piece, which opened on 1 May 1916, ran for twelve performances. Her last recorded appearance in London was at the Ambassadors in 1919. This was in a doomed piece described as a ‘musical dancing show’ called The Latest Craze which survived for only twenty-five performances in spite of the fact that the cast included the veteran comedian Arthur Roberts (1852-1933).

Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Seaside Bluff Cliff! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3

 

Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3

 

New Instagram! instagram.com/45surf

 

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

 

Ask me any questions! :)

 

Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!

 

And here're a couple of HD video movies I shot of the goddess with the 4K Sony:

vimeo.com/45surf

 

Enjoy! Be sure to watch in the full 1080P HD!

 

The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).

 

Check out my greatest hits compilation, and let me know what you think:

www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...

 

Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!

 

Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.

  

New 500px!

500px.com/herosodysseymythology

 

New instagram! instagram.com/45surf

twitter.com/45surf

 

Pretty Swimsuit Bikini Model Goddess! :)

 

Follow me on facebook! facebook.com/elliot.mcgucken

 

vimeo.com/45surf

dailymotion.com/45surf

 

Nikon D300 Photos of Beautfiul Sexy Hot Brunette!

 

She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

 

ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!

 

Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)

 

A laid-back,classic, socal lifestyle shoot!

 

May the 45surf goddesses inspire you along am artistic journey of your own making!

 

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.

 

All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!

 

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

 

Ask me any questions! :)

 

Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!

 

All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!

 

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.

 

Cutoff Jeans, Cowboy Boots, & a Guitar! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

 

Pretty Goddess! Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!

srilankaactressmodel.blogspot.com/2010/12/srilankan-hotte...

 

Judy Muller is one of the hottest, promising Sri Lankan Model aspiring to make it big in the glamour fashion world. She has a very long way to go in the glamour world and we wish her the best. Here are the High Quality (HQ) collection of images of Judy...

White Summer Dress! Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.4

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Vintage collector's card. Photo: MGM. Publicity still for The Barefoot Contessa (Joseph L. Mankiewicz, 1954).

 

American actress Ava Gardner (1922-1990) was signed to a contract by MGM in 1941 and appeared mainly in small roles until she drew attention with her performance in The Killers (1946). She became one of Hollywood's leading stars and was considered one of the most beautiful women of her day. She was nominated for the Academy Award for Best Actress for her work in Mogambo (1953). She appeared in several high-profile films from the 1950s to 1970s, and continued to act regularly until 1986, four years before her death at the age of 67.

 

Ava Lavinia Gardner was born in 1922 near the farming community of Smithfield, North Carolina, USA. She was the youngest of seven children of Mary Elizabeth ‘Molly’ (Baker) and Jonas Bailey Gardner, poor cotton and tobacco farmers. While the children were still young, the Gardners lost their property, forcing Jonas Gardner to work at a sawmill and Molly to begin working as a cook and housekeeper at a dormitory for teachers at the nearby Brogden School. When Gardner was seven years old, the family decided to try their luck in Newport News, Virginia, where Molly Gardner found work managing a boarding house for the city's many shipworkers. While in Newport News, Gardner's father became ill and died from bronchitis in 1938, when Ava was 15 years old. After Jonas Gardner's death, the family moved to Rock Ridge near Wilson, North Carolina, where Mollie Gardner ran another boarding house for teachers. Gardner attended high school in Rock Ridge and she graduated from there in 1939. She then attended secretarial classes at Atlantic Christian College in Wilson for about a year. Gardner was visiting her sister Beatrice in New York in 1941 when Beatrice's husband Larry Tarr, a professional photographer, offered to take her portrait. He was so pleased with the results that he displayed the finished product in the front window of his Tarr Photography Studio on Fifth Avenue. The Tarrs send her picture to MGM and Ava was interviewed at MGM's New York office by Al Altman, head of MGM's New York talent department. With cameras rolling, he directed the eighteen-year-old to walk towards the camera, turn and walk away, then rearrange some flowers in a vase. He did not attempt to record her voice because her Southern accent made it almost impossible for him to understand her. Louis B. Mayer, head of the studio, however, sent a telegram to Al: "She can't sing, she can't act, she can't talk, She's terrific!" She was offered a standard contract by MGM, and left school for Hollywood in 1941 with her sister Beatrice accompanying her. MGM's first order of business was to provide her a speech coach, as her Carolina drawl was nearly incomprehensible to them. Soon after her arrival in Los Angeles, Gardner met fellow MGM contract player Mickey Rooney. They married in 1942, when she was 19 years old and he was 21. Largely due to Rooney's serial adultery, Gardner divorced him in 1943, but agreed not to reveal the cause so as not to affect his career. Gardner's second marriage was brief as well, to jazz musician and bandleader Artie Shaw, from 1945 to 1946. During this period, she appeared in 17 film roles, but mainly one-line bits or little better. She had her first bigger role in the B-film Whistle Stop (1946). Then, MGM loaned her to Universal for the Film Noir The Killers (Robert Siodmak, 1946), based on a story by Ernest Hemingway. Her performance as an incredibly beautiful femme fatale opposite Burt Lancaster became her breakthrough. The Killers became a smash hit and Gardner was an instant star.

 

Ava Gardner became more and more prominent with her next films, including The Hucksters (Jack Conway, 1947) with Clark Gable, the musical Show Boat (George Sidney, 1951) and The Snows of Kilimanjaro (Henry King, 1952). In 1951, Frank Sinatra left his wife, Nancy, for Gardner and their subsequent marriage, her third and last, made headlines. The tumultuous marriage ended in 1957, but Gardner remained good friends with Sinatra for the remainder of her life. She would later say in her autobiography Ava: My Story, that he was the love of her life. In 1953, Ava was nominated for the Academy Award for Best Actress for her work in Mogambo (John Ford, 1953). She appeared in several more high-profile films during the 1950s, including The Barefoot Contessa (Joseph L. Mankiewicz, 1954), Bhowani Junction (George Cukor, 1956), and The Sun Also Rises (Henry King, 1957). After Gardner divorced Sinatra in 1957, she headed for Spain, where she began a friendship with writer Ernest Hemingway, the author of The Sun Also Rises. Several years earlier, Hemingway had successfully urged producer Darryl F. Zanuck to cast Gardner in The Snows of Kilimanjaro (1952), which adapted several of his short stories. Her friendship with Hemingway led to her becoming a fan of bullfighting and bullfighters, such as Luis Miguel Dominguín, who became her lover. Most of her subsequent films were made in Europe. In 1963, Gardner was billed between Charlton Heston and David Niven in the historical epic 55 Days at Peking (Nicholas Ray, 1963), which was set in China during the Boxer Rebellion in 1900. The following year, she played her last great leading role as Maxine Faulk in the critically acclaimed The Night of the Iguana (John Huston, 1964). The film, based upon a Tennessee Williams play, starred Richard Burton as an atheist clergyman and Deborah Kerr as a gentle artist traveling with her aged poet grandfather. Gardner was nominated for a BAFTA and a Golden Globe award for her hearty performance in this signature role. She next appeared again with Burt Lancaster, this time along with Kirk Douglas and Fredric March, in Seven Days in May (1964), a taut thriller about an attempted military takeover of the US government. In 1968, tax trouble in Spain prompted her to move to London. There she underwent an elective hysterectomy to allay her worries of contracting the uterine cancer that had claimed the life of her own mother. That year, she made what some consider to be one of her best films, the British-French production Mayerling (Terence Young, 1968), in which she played the supporting role of Austrian Empress Elisabeth of Austria opposite James Mason as Emperor Franz Joseph I. She appeared in a number of disaster films throughout the 1970s, notably Earthquake (Mark Robson, 1974) with Charlton Heston, the Italian-British disaster-thriller The Cassandra Crossing (George Pan Cosmatos, 1976) with Richard Harris and Sophia Loren, and the Canadian film City on Fire (Alvin Rakoff, 1979). She appeared briefly as Lillie Langtry at the end of The Life and Times of Judge Roy Bean (John Huston, 1972) featuring Paul Newman, and in American/Soviet fantasy film The Blue Bird (George Cukor, 1976). Her last film was Regina Roma (Jean-Yves Prate, 1982), with Anthony Quinn and Anna Karina. In the 1980s she acted primarily on television, including the mini-series remake of The Long, Hot Summer (Stuart Cooper, 1985). She continued to act regularly until 1986, when two strokes left her partially paralyzed and bedridden. Four years later, Ava Gardner died of pneumonia at the age of 67, at her London home, where she had lived since 1968.

 

Sources: Rod Crawford (IMDb), Wikipedia and IMDb.

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