View allAll Photos Tagged holga
the only bit of sepia toning i ever did...
downtown columbus, ohio.
View from the Scottish West Coast rail line, Holga 120GCFN on Fujichrome. Thanks to Guin for the film.
Holga camera with seriously expired Agfa APX400 film, printed on color paper. Shot near Tampa, Fla. The title comes from a chapter/poem 5 of the Tao Te Ching:
The Tao doesn't take sides;
it gives birth to both good and evil.
The Master doesn't take sides;
she welcomes both saints and sinners.
The Tao is like a bellows:
it is empty yet infinitely capable.
The more you use it, the more it produces;
the more you talk of it, the less you understand.
Hold on to the center.
Holga, Scan of Lith Print, Fuji Acros in Rodinal. Printed with Fotospeed LD 20 on Fotospeed Lith Paper
Holga camera in NYC
400 ISO Fuji black and white film
now that I have more contacts since I last uploaded this shot... figured I'd put it to the front of my stream, as it's one of my favorite photos that I've ever taken, that way more people can see it.
I really want to go back to shooting film.
My holga has a tendency to have ghost images on the bottom of the frame, in a sightly different place than where it should be. See where her jacket is doubled on the lower right? I don't think all holgas are this way. (edit: I like this quality of my holga a lot, actually)
Holga, Kodak tri-x scanned negative toned in LightRoom. How i long to lith print this! Tomorrow maybe?
Moersch Easy Lith
Holga 120N, Neopan 400 in Tanol,
printneg APHS in SE6 Blue 1+20 reversal development,
Kallitype onto Arches Platine, MT10 Gold toner 4 mins
Holga, SFX in Finol
Salt print onto Arches Platinum, gold toned
Holga 120 S.
Agfa Isopan F ca. 1960. Guesstimated ISO 2.
Lith print on Bergger Vario NB, Rollei Superlith 1 + 15 @ 27°C.
HOLGA 120GCFN + FUJI RVP100, no flash
Self Developed by Naniwa Color Kit N
This week's challenge: 'Violet'