ginger
View allAll Photos Tagged ginger
The last few days, I was hit by these flowers.
They are so fascinating. They can be almost everything.
I see Ginger Rogers in this one.
So please bear with me. It will be a series.... a long one/
Dichorisandra thyrsiflora or Blue Ginger is a tropical plant which resembles ginger in growth and habit, but is actually related to the spiderworts (the genus Tradescantia). The plant is native to the tropical woodlands of North, Central and South America, specially in Atlantic Forest vegetation in Brazil. Of the family Commelinaceae, they are cultivated for their handsome spotted stems, large shiny foliage which is held horizontally, surmounted by striking blue flowers.
__________________________________________
© All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded,
displayed, posted or transmitted in any form or by any means, including electronic,
mechanical, photocopying & recording without my written consent.
It was first described by the naturalist Johann Christian Mikan in 1823.
It was first grown in England in 1822, and is recorded from Sir William MacArthur's catalogue in 1857 of plants he grew in Camden southwest of Sydney. It has become naturalised in a small region of northeastern New South Wales in Australia. (Source: Wikipedia)
Ginger is my friend Shaiyan's Lizbel :) I really like her her stock hair. She's definitely one of my fave dals :)
Her dress is also handmade by her, definitely one of my most talented friends:)
She came with Amber on our recent trip :)
Among the plants in season at Mercer Gardens is the Golden Ginger. Probably, the common name comes from the fact that the base of the bloom is a golden color but the leaves are a glowing translucent white to deep pink at the tips.
EXPLORE: 06 JUNE 2008 - Thanks so very much for all your visits - your comments, favs and invitations! I never think of my floral photos as being "worthy" and this is a wonderful surprise! Thanks!
I'm seeking feedback on these bracelets. We've designed a bracelet similar to Ginger's and are printing prototypes. I've got gold filament on order and a different yellow (this one prints in terrible quality).
What do you think?
Ginger is recommended for good health! Good in ginger tea as well as soups.
If you use this photo, please credit: www.kjokkenutstyr.net (Kjokkenutstyr.net) with a clickable link.
If you use this photo, please credit: www.kjokkenutstyr.net (Kjokkenutstyr.net) with a clickable link.
I walked around the garden at 5 this afternoon, quite dark already. The ants were very busy on this ginger flower, had in fact almost got stuck in its nectar. Of course you won't see that as I have worked and reworked it until I had the effect I wanted. Have lost my nice fonts so this is not my first choice but it will have to do.
Sorry for taking so long to tell you what kind of flower this is. I kept working on this image, must have replaced it about 4 times by now, just was not happy with the way it looked when uploaded on flickr:
This is the opened-up cluster of blooms of a potted ginger plant on my patio. it's not the edible ginger we know, this one is called " Variegated shell ginger"
Our Ginger. This is my baby, Ginger. She has been the most loving friend I have ever had. I love her more this my words can describe. It is said that their love is unconditional.I wish I was worthy of such love. I hope Ginger thinks I am.
TWO GINGER-FLOWERS.
Symbols
The red ginger flower represents intense passion. These flowers symbolise strength, prosperity as well as diversity. The general flower meaning for ginger flowers is proud and majestic.
History
Ginger, along with black pepper, were considered highly valuable trade commodities in 13th and 14nth century England. One pound of ginger traded for the same amount as a sheep. The country of India brought ginger to the Romans as far back as 2,000 years ago. The Romans used the plant for its medicinal value.
The ginger family (Zingiberaceae) contains around 1,000 species of tropical perennial herbs. Some gingers are cultivated for their edible rhizomes, which are used for as both a medicine and a culinary spice.
Other ginger plants, known as ornamental gingers, are grown primarily for their pleasing appearance.
Leafy cane-like stems arise from rhizomes to form a plant 3 to 15 feet tall and 2 to 4 feet wide. Throughout the year, ginger plants produce stunning red blossoms that are often used in flower arrangements. When growing gingers, remember, they love moist, well-drained soil and partial shade.
Ginger blooms come red, pink and white, have thick, very sturdy stems and are perfect to create height in a tropical arrangement. They have a decidedly modern feel.
Have a super day and thanx for your ever welcome comments and visit, M, (*_*)
And for more of my other work or if you want to purchase, visit here: www.indigo2photography.co.uk
PLEASE RESPECT THIS: IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. :copyright: All rights reserved
Ginger, an Eastern Screech Owl, was successfully released back in the wild today, not 5 miles from my house. She had been hit by a car, taken by a very good Samaritan to the rehabber, convalesced for a few weeks, then released back where she was found. She glared at us for a few minutes, then flew down the line of trees and took a sharp right turn right into a perfect hidey hole. Obviously one of HER hidey holes! Viv and I imagined a joyous reunion with her mate inside.
*Picture of the hole in the first comment box*
Learn more about the Born to Be Wild Nature Center
Ginger is my friend Shaiyan's Lizbel :) I really like her her stock hair. She's definitely one of my fave dals :)
Her dress is also handmade by her, definitely one of my most talented friends:)
She came with Amber on our recent trip :)
The best way to discover Fort Cochin is to walk through its streets and narrow lanes, where you will find buildings over a 100 yrs old which are still being used as Spice Warehouses and where people work in dark buildings selecting and sorting out all sort of spices and where owners are sitting behind scales surrounded by sacks of spices.
Jew Street is one of the most famous streets in Fort Cochin and there was a time when practically every house in this street was owned by Jews.
The architecture of the quiet streets is very European, with fine houses built by wealthy Portuguese, British and Dutch traders.
Fort Cochin, Kerala, India 2013
©Ingetje Tadros
Ginger no ¨Sábado Animal¨
Gente,é preciso ter muita paciência para ficar aqui...
Tudo muuuuuuuuito lento!
O que mais vi hoje foi a ampulheta "pensando"...
Ginger, she is really named Ginger and is 8 years old, playing and jumpin' around.
Selective colouring
All rights reserved. Copyright 2013 © Jacques Freund. All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission. All rights reserved - Copyright 2013 © Jacques Freund
:copyright: Leanne Boulton, All Rights Reserved
Candid eye contact street photography from Glasgow, Scotland. Did you know that a 'bottle of ginger' in Scotland is not a hair dye treatment, it actually refers to Irn Bru - made in Scotland from girders, allegedly. Not sure if I overdid the orange and teal split tone processing in this but I love the image all the same. Enjoy your weekend folks!
Ever since i figured out how to use Actions, i've been addicted! This one is from Nelly Nero, you can find the group Here on FLickr, and this one is called Ginger Sky:)
Wholesome but sexy, forthright and vulnerable, honest and energetic, Ginger Rogers was one of Hollywood's biggest stars of the Thirties and Forties. Not a great actress, as she was always the first to admit, she could handle both comedy and drama capably as well as sing and dance, and if her range was not as great as some of her contemporaries, her appeal and glamour were more down-to-earth than other screen heroines and thus easier to identify with. She would be remembered with affection now even if she had never danced with Fred Astaire. It is because she did, though, that she will have a special place in film history, a place that elevates her above many other actresses of the period just as popular and possibly more talented. Astaire and Rogers were, and are, quite simply the most famous dance team of all time.
Ginger was born Virginia Katherine McMath on 16 July 1911 in Independence, Missouri, but she quickly became known as "Ginger" when one of her young cousins had difficulty pronouncing her first name. Rogers was the surname of her mother's second husband. Ginger's mother Lela had always been attracted to show business, and when Ginger was five she was left with her grandparents in Kansas City while Lela went to Hollywood to pursue a writing career providing scripts (as Lela Leibrand) for silent stars such as Theda Bara.
Ginger had already appeared in some advertising films, and when Lela returned to Kansas as reporter and theatre critic for the Kansas City Post, she made sure her offspring met performers who were appearing in the city. Lela has often been described as the archetypal show-business mother, and Ginger herself always credited her with a major share of responsibility for her later success. Friends of theirs in Texas, however, have always claimed that Lela did not seriously push Ginger until the girl herself became irreparably stage-struck. This happened when Ginger, having studied dance since childhood, entered a local Charleston contest and won, going on to become champion Charleston dancer of Texas.
The prize included a vaudeville tour and Lela, taking over management of Ginger, hired the two runners-up to support her in a group called "Ginger and Her Redheads", with Lela supplying costumes and linking material. Later Ginger toured as a single, incorporating her speciality of monologues in baby-talk, then suddenly married another dancer, Jack Culpepper (against her mother's wishes), and they formed an act called "Ginger and Pepper". They separated after only a few months, and Ginger took her single act to New York, where she was spotted by the owner of the Mocambo night club, who recommended the newcomer to composers Kalmar and Ruby for their Broadway show Top Speed. As second female lead, Ginger stole a lot of the notices with her peppy rendition of "Hot and Bothered".
She had already been making one- and two-reelers at the Astoria studios in New York, and now she was offered a Paramount contract and made her feature debut in Young Man of Manhattan, starring Claudette Colbert. As an easy-going flapper, she uttered a line, "Cigarette me, big boy!", which became a popular catchphrase of the day and helped establish her name. Her first major break came with her casting as the lead in the Gershwin musical Girl Crazy on Broadway (1930), in which she introduced "Embraceable You" and "But not for Me". Her singing voice, never strong, came in for some criticism and the show was stolen by another newcomer, Ethel Merman, whose voice was anything but small.
Lela and Ginger decided that Hollywood was the place to pursue her future, and accepted a contract from Pathe. None of her early roles was memorable, however, until Warners cast her in 42nd Street. Besides being a landmark musical, it gave Ginger, as Anytime Annie ("The only time she said no, she didn't hear the question"), a chance to display her comic skills. She was now close friends with one of the studio's top film-makers, Mervyn LeRoy (it was strongly believed they would marry), and he cast her in an even stronger role in Gold Diggers of 1933, in which Ginger represented one of the cinematic icons of the Depression era when she opened the film clothed in gold coins singing "We're in the Money".
She was on the way to being typecast as a wise-cracking chorine in the Glenda Farrell-Joan Blondell mould when Dorothy Jordan, scheduled to play a featured role in RKO's Flying Down to Rio, married the studio boss Merian C. Cooper instead. Ginger was now under contract to RKO, so she was rushed into the film three days into shooting and found herself playing opposite Fred Astaire.
Rogers had met Astaire earlier when he had been brought in by Girl Crazy's producers to help out with the choreography and they had even dated a few times. Neither of them expected great things from the film they were about to make but as Astaire told her, "It'll be fun." Dolores del Rio and Gene Raymond were the film's romantic leads, but audience response to Fred and Ginger and their dancing of "The Carioca" was immediate.
While Ginger went on to other pot-boilers, and Fred to England to do The Gay Divorce on the West End stage, RKO started to plan more films for the team. The Gay Divorcee (title changed to placate Hollywood's production code) confirmed the team's magical chemistry and included the first of their classic romantic duets, "Night and Day". In a deserted ballroom, as Ginger crosses Fred's path to leave, he blocks her. Tentatively resisting, she bends her body with his and they start to glide across the floor. The harmony and sensual tension of this sequence is due in no small part to Ginger and demonstrates why she was the greatest of all Astaire's partners. Not only do they dance as one ("She could follow Fred as if one brain was thinking" said Ben Lyon), but Ginger acts the dance perfectly, never appearing to be revelling in the display of technique or conscious of anything other than the emotions of attraction and seduction implicit in the choreography. Katharine Hepburn's famed remark "She gave him sex, he gave her class" is true, but conveys only part of their magical chemistry.
The team's next, Roberta, had them again billed below the romantic leads (Irene Dune and Randolph Scott) but they had no trouble stealing the film. Because dialogue in their earlier films had been drowned out by cinema audiences applauding their numbers, RKO were careful in Roberta to follow all their dances with applause or laughter so that there was time for audience response.
Both Astaire and Rogers had raised objections to carrying on their partnership - Fred had long been paired with his sister Adele on the stage and now wanted to consolidate a reputation as a solo star; Ginger, though grateful for the good the films were doing for her career, wanted to be accepted as a straight actress. Her talents as a comic were already being appreciated - in Roberta she adopted a hilarious Polish-Hungarian accent to mimic Lyda Roberti, who had played the same role in the stage production, while "I'll Be Hard to Handle" in the same film was the first of the team's playful "challenge" dances, in which Ginger displayed her mischievously impish sense of humour - combined with the effortless technique that was in fact the result of weeks of work, the result was perfection.
Their next film was the first to be written directly for them (by Dwight Taylor) with new songs by Irving Berlin. Top Hat was the greatest film of their partnership, an enchanting combination of witty script, superb production values, hand-picked supporting cast and wonderful songs and dances. Their great romantic duet, "Cheek to Cheek", caused the one major rift between the two stars when Ginger insisted on wearing an ostrich-feather gown which "moulted" all over the set, besides creating some problems of manoeuvrability for Fred. Ginger had to enlist her mother, along with RKO's top brass, to persuade Fred to accept this, but when he was how well the number had photographed, he conceded its effect and thereafter would often refer to Ginger as "Feathers". Despite rumours to the contrary, both Ginger and Fred always insisted that their relationship was generally one of respect and friendship, though they were never close. "We had our differences," said Ginger later, "what good artistic marriage doesn't? - but they were unimportant."
Follow the Fleet (music also by Berlin) included Ginger's only solo tap routine in the series and she acquitted herself well. Swing Time (music by Jerome Kern), Shall We Dance? (Gershwin) and Carefree (Berlin) followed, though in between Ginger was making her mark in straight roles, notably as the caustic rival to Katharine Hepburn in Stage Door. In this witty and touching story of stage-struck hopefuls, Ginger was Hepburn's room- mate and whose brittle exterior conceals the fear of rejection, and she won particular praise for a deftly handled drunk scene. She also sparkled in Vivacious Lady as a cabaret singer who marries a professor and disrupts academia.
The films with Astaire had been full of treasurable musical sequences, such as Follow the Fleet's dramatic finale when the team enacted a shipboard romance between two suicidal strangers who meet and fell in love to the strains of "Let's Face the Music and Dance", ending with one of the most daring moments in screen choreography as the pair go into what many believe to be their finest and certainly their most emotionally powerful duet on an enormous art-deco set. Carefree's climactic number had Ginger literally under a hypnotic spell as she succumbed to Astaire's charms for "Change Partners".
Their scripts, though, had been getting weaker, and audiences were falling off, so The Story of Vernon and Irene Castle (1939) was planned as the last Astaire-Rogers movie. A departure for the team in that it was both a period story and a true one (about the couple who pioneered ballroom dancing in America) with a tragic ending, it disappointed some at the time with its in-built restriction on the scope for the team's routines, but it is one of their finest all-round films and their dancing, though limited for the most part to displays of the Waltz, Tango, Mexixe, etc, is as exquisite as ever, their "Robert E. Lee" routine one of their most exhilarating. For Ginger, the final scene, in which while waiting for Vernon to join her in celebration she learns of his death, then reminisces about their years together as the orchestra reminds her of key melodies in their lives, was proof if needed that she could handle such tricky dramatic material without descending to bathos or banality.
One of Ginger's most fondly remembered comedies followed, Garson Kanin's Bachelor Mother, which included a brief "Charleston" but otherwise concentrated on Ginger's comic skills. The following year she made the film which firmly established her as a leading Hollywood actress and won her an Oscar, Kitty Foyle. Audiences had always found that they could identify with Ginger more easily than with many other actresses, and as the office girl who falls for a socialite but finally settles for an idealistic doctor from the same social background as herself, she induced so much empathy that stenographers all over America bought replicas of the white collar Ginger wore as Kitty.
Sent by her studio to meet stenographer fans in New York she arrived at Grand Central station wearing the simple white-collar outfit from the film, but by then every inch a star she was also wearing a diamond brooch, gold earrings and a mink coat. An enormous hit at the time, neither the film (directed by Sam Wood) nor Ginger's performance seem as impressive today, particularly considering that her rival nominees included Bette Davis and Katharine Hepburn.
For Garson Kanin, Ginger did another good comedy, Tom, Dick or Harry, which Dilys Powell called "pure enchantment", adding that "one day we will be remembering Ginger as we now remember Mary Pickford and the Gish sisters." In Roxie Hart she had a bubble-cut and chewed gum in an amusing satire on justice in which, as a murder suspect, she had the jailers dancing the "Black Bottom" with her. Her best comedy of all is The Major and the Minor, Billy Wilder's first film as a director and pure joy as Ginger masquerades as a 12-year-old to travel half-fare, then has to sustain the impersonation at a military academy. Lela, still very prominent in Ginger's life and career, played her mother in this.
Ginger was now at the peak of her career but from the mid-Forties both her material and performances became inconsistent. Lady in the Dark (1944), adapted from the Broadway musical satirising the then fashionable craze for psychoanalysis, was Ginger's first film in colour and a huge success, not least for the publicity surrounding a stunning gown of mink and jewels in which the star performed "The Saga of Jenny", but most of the Kurt Weill- Ira Gerswhin score was cut from the film and Ginger, possibly trying to duplicate Gertrude Lawrence's stage portrayal of the confused heroine, seemed too confused for comfort. Ginger was also alienating a lot of Hollywood with her demands - she closed down the production of Lady in the Dark for three weeks in order to get married.
I'll Be Seeing You, a superior wartime weepie, and Weekend at the Waldorf, a glossy remake of Grand Hotel with Ginger in a more humorous reworking of the Garbo role, were big successes, but films such as Heartbeat, Magnificent Doll and It Had to be You had virtually ended her film career - when she was asked to partner Astaire once more. Judy Garland had withdrawn from The Barkleys of Broadway and Ginger happily stepped in to enact a story (a dance team breaks up when the female partner wants to be a dramatic actress) which bore a mild resemblance to hers and Fred's. In the rehearsal tap routine "Bouncin' the Blues" Ginger demonstrated that she could still keep up with the master even if some of the old spontaneity was missing. Their romantic duet to "They Can't Take That Away From Me", first sung by Fred in Shall We Dance?, recaptured the old magic as they swept languorously into and out of each other's arms. Ginger worked hard to make sure the public weren't disappointed in this reunion - she always believed in giving 100 per cent, and had tremendous energy.
"I detest idling," she once said, and both Astaire and Hermes Pan, dance director of the Astaire-Rogers films, attested to her professionalism and dedication.
Ginger Rogers's political views perhaps earned her more adverse criticism than any other aspect of her life. Like her mother, firmly right-wing, she campaigned for Richard Nixon when he ran for Governor of California in 1962, and during the McCarthy hearings Lela testified that Ginger had loathed making the 1944 film Tender Comrade about four war wives who set up house together, alleging that Ginger had insisted that the line "Share and share alike, that's democracy" be given to another actress. The director Joseph Losey, himself blacklisted, declared "Ginger Rogers was one of the worst, red-baiting, terrifying reactionaries in Hollywood," while her supporters argued that she merely followed her mother's lead and, according to one RKO employee, "I doubt that she could have told you the difference between the Republican and Democratic parties."
The Independent 26 April 1995
Name:Ginger Nell Adams
Age:20
Inspried by:Ali,Nel Curry (a girl from my school who i adore,shes another anime fanatic hehe),and Hope,also inspired by my old friend Sam :)
Species:human
Powers?:none
Faves:
Band-A Day To Rember,I Killed The Prom Queen,Attak Attak,Sixx AM,Motley Crue,AFI,Black Sabbath,Marilyn Manson,Bob Marley,and Japanesse Bands :)
Food-Taquitos,Pancakes,Candy,Tacos,and Cupcakes
Drinks-Coke,Pepsi,Red Bull,Monster,Rockstar,and Water :)
Color-Blue
Friend-Naomi,And Syd
Bio:Ginger was Syd's neighbor who moved in from ohio.she took a vow to silence at 13 and doesnt talk at all,the only way she choses to comunicate is writing or using sign language,she chose to become mute because she had no one to talk to anyways,because she could no longer see syd.shes a very sweet girl at heart,but shes an outcast.
mhm :)