View allAll Photos Tagged exposure
Long exposure looking over the docs at the Keys Marine Lab in Key Largo, Florida.
:copyright: Mackenzie Welch If you post this picture on tumblr, please leave credit to my flickr.
A: Pours is amber/light copper with a creamy off-white head.
S: Some moderate caramel and toffee notes and a floral, earthy hoppiness. Not an overly intense nose, but it's an English style.
T: Very bready on the palate with a mild amount of hop bitterness. Again, the hops are primarily floral and earthy, and the sweetness is not quite as noticeable as on the nose.
M: The body is medium and so is the level of carbonation. The finish leaves a lingering bitterness.
D: Not too bad, I am not sure I would call it great but not bad for the first attempt.
First time trying out the digital double exposure photography. I set up my tripod in front of the fox, iluminated it, placed the lens cap on the camera, moved the tripod to my pre-marked spot to illuminate my shirt, and this was the result. Inspired by TCB and many other light painters trying out this technique!
This one turned out better because I coved the tissue box that the fox was sitting on with a black piece of cardboard so it wouldn't be as noticeable.
I really don't know what the hell it is, it's just a light that turns on when you stand it up via a pressure switch on the bottom of it.
Based on the photoshoot i think it could be a fresh take on the standard garden path light:
The Models and the lighting were setup throughout the building in some cases (like this one) they would give you a wireless remote to shoot the models with and in others you were on your own to work out your settings as you saw fit.
First glimpse of the exhibition as you walk into the gallery: David Wolf's work on the left, Mary Ellen Bartley's work in the background, Robert Moran's work in the middle ground, Thomas Brennan's work on the short wall, and Nan Brown's work on the right
An example for a thread in the strobist group:
www.flickr.com/groups/strobist/discuss/72157600017153438/
Strobist:
One manual 580EX through softbox to camera right 1/4 power. Triggered with ST-E2.
Taken in the corn fields near powder lane with my new camera. Taken in sepia with exposure compensation.
Multiple exposure of the Gelsomina mural in Rimini. As a Fellini fan, I wanted to try out as many things as possible, particularly with out of focus multiple exposures such as this.
Nikon F4. AF Nikkor 50mm F1.4D lens. Ilford Delta 400 35mm B&W film.
Yeah, I finally got something decent. Bought a 5 euro campinglight at the local chinese shop, waited for the almost fullmoon and a bit of clear sky. And this is the result!
Taken on 1 exposure, no other photoshop than adjusting exposure/brightness a bit.
model: Vivien Gajudo
styling: Michelle Uy
from one of Michelle dad's Exposure classes. Wasn't part of the class but they were kind enough to invite me <3
(C)annelorraineuy
F stops and shutter speed listed at bottom.
Works on the principle that I try for f11 most of the time- for more 'arty' results.
I drew it up one day so I could figure out when I could shoot a Diana (according to the light conditions present) dependent on what film was loaded in it.
EV15 is equivalent to sunny 16.
+1 means I would use a yellow filter.
+2 orange filter.
+3 red filter.
It also takes into account the exposure latitude of film i.e. for 100asa you can see there are 3 exposures where it's f11 (the widest aperture). Strictly speaking EV13 should be opening up one more stop, EV12 two more stops (from f11).
multiple exposure + long exposure, no photoshop.
the outside and inside of my fridge.
big- View On Black
first attempt. I should put effort into it. I will add it to my list of things to do.
It's hard to see past all those magnets.. but I do see milk, outback steakhouse leftovers, tortoise food, cherries, diet coke, yogurt, yuengling beer.
This is multiple exposure work from my AS photography unit on 'Emotions' in which I tried to create a scene.
I had my camera on a tripod and had a very slow shutter speed and turned a torch on when I wanted to capture the model and off to not show any movement.
nothing special.just playin with my nephew's toy car as well as exposure.i don't know if i got right or not,haha!:))) i was just fascinated with the lights of this remote controlled toy car.Ü
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Please DO NOT use this photo without my explicit permission.
A 30" exposure, using 1/128th power manual flash bursts in my face to create multiple presences in the same image - the only editing I did was curve adjustment and unsharpening.
Long exposure shot of a Yahoo pen spinning on it's purple base. Used two different lights to get the effect.. blue backlighting is from our TV and the golden light is overhead downlighters (colours saturated in Photoshop). Best Viewed Large
This pen is standing next to my monitor and it is super addictive to keep spinning it... round & round & round...
In case you feel so inclined, you can vote for my portfolio in the People's Choice segment of Artists Wanted's latest competition, Exposure.