View allAll Photos Tagged exposure
it's been a while since I've popped up a Long Exposure black and white square crop kinda image. They are absolutely one of my favorite kinds of images to take, edit and view.
The Bubbles here at Jordan Pond are some of the most photographed mountains (hills) I have seen so it can be a bit of a challenge to get an original shot. I'm not sure why everybody always shoots from the exact same spot at the south end when you can find a dozen spots with alternate views just a few hundred feet down the path. I love the transformative effects a long exposure shot can have on places that I know like the back of my hand.
Love taking these long exposure shots...I never really know what I'm gonna end up with. But I'm just not very good at it!
Nothing new or exciting here...just a standard long exp
This photo is all about exposure – timing was critical to capture the two sailing ships between the piers ( a combination of luck and visually seeing what I wanted). Next to get the smooth water on a day when the water was choppy, meant a long 30 second exposure. If it was all one photo – the sailing ships would be a blur if anything.
This is two separate shots, one for the sailing ships and one for the water and rest of the scene.
This was taken from Coronado Island, looking back toward San Diego. It's about a 7 second exposure, I think, judging by the trail of the jet in the sky. You can see the lights from PetCo Park.
I liked the framing of this one more than the subject. The colors are nice too.
I've decided not to go to the Grand Canyon this weekend. Mainly because when I hit 'snooze' I accidently turned the alarm off, preventing me from getting an early start. And tomorrow I'm on call until 2 pm, so I'll just have to wait till I come here again. Flagstaff is on my list of places I want to travel. Such a cool town.
Hope everyone has a good weekend.
Featureing my Ethereal long exposure preset for lightroom 4 www.flixelpix.com/blog/flixelpix-ethereal-free-lightroom-...
Another go at double exposure in camera, quite pleased with the result...
two shots, additive, both in my garden against the sky, handheld
#17/365
Probably you shall not believe it, but the colors were really there, probably the different purples appear with the different times exposure.
Villarrica, Chile.
Art at the dike near Lelystad, by Antony Gormley. Explored! #69
This is what the artists says about his work 'Exposure' (2010) "My concept of how sculpture works in the landscape is that it is a still point in a moving world. The whole idea of EXPOSURE is that this work, made at a particular time, rooted to ground, reacts over time to the changing environment. One of the known environmental changes that is happening is the rising of the sea level through global warming. It is critical to me that at the time of its making this work reacts with the viewer, the walking viewer, on the top of the polder and that the surface that the viewer stands on is the surface that the work stands on. The work cannot have a plinth. Over time, should the rising of the sea level mean that there has to be a rising of the dike, this means that there should be a progressive burying of the work."
That's the first time I tried to do a long exposure outside, by night. (I tried once at daylight in Paris, it can be found in my album. But that's all.)
The most difficult one I ever made. On the other hand it's always fun to learn something new.
Double Exposure from my camera, HMM
Double exposure (slightly cropped); two LED spotlights; raw conversion in macOS High Sierra Photos. Not perfect, but it is camera work, not photo-shopped.
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7/4/10
We went to a place called 'Becky Falls' today. It was a really lovely day out and I was able to have a good play around with my camera due to the extra child care, in the shape of my in laws.
My 'style' of photography leans heavily towards shallow depth of field and, as a result, fast shutter speeds. So I thought moving water and landscapes would be a good excuse to get out of my comfort zone. I took my Gorilla Pod (thanks Mark and Tor) and took lots of long exposure shots to get a sense of the moving water. Not sure I'm that keen, the movement makes it look blurry, even when it's in focus. Still, I had fun trying.
►Looks even better on FLUIDR. (Just click the Fluidr photo if you want to enlarge it)◄
This was not done in Photoshop, which didn't even exist when I created this in-camera double exposure with my Nikon 8008. I took a 200mm shot of the moon, which was actually behind me relative to this scene, and then turned around and, on the same frame of film, took a wider angle shot of Lake Tahoe (as I recall, I switched lenses and put on a 28-70mm lens); so the moon appears much larger here than it would in the real world. I took quite a few shots because I had to guess where the moon would land relative to the mountains, but as I've said before, one shot is all it takes. I did need Photoshop to correct the exposure, which was too light in the original, but the rest was all done in-camera. So, you see, it didn't take Photoshop to make liars out of photographers. We've been lurking in the shadows for ages...
I finally released it www.flixelpix.com/featured/the-long-exposure-photography-...
Third session with the high speed trigger.
Setup & Strobist info: 60mm macro lens, EOS 350D, Canon 540EZ camera right 1/128 power zoomed to 105mm, white card reflector camera left. The liquid is a mixture of water, milk and red food colouring. Bulb f32
This is a double exposure. I use a water bottle to provide a drop every 2-3 seconds and I just left the camera shutter open until the flash had fired twice. Tried this about 20 times and this is the best of the bunch. Just luck that one of the splashes was much smaller than the other.