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Some of the wonders of the Red Sea.
This image is subject to Copyright laws. It shall NOT be copied, reproduced, published, downloaded, modified, or distributed without my explicit written permission.
All Rights Reserved.
14 March 2014. Boardwalk. Eilat, Israel.
A Year in Pictures image 73 of 365.
reminds me of beauty and the beast.
I HAVE EXAMS TOMORROW
WISH ME LUCK
OH HAY view on duh black wan
the title makes it look like i can speak latin or something.
but it's not.
hint: get a mirror
*EXPLORED!* omg first one. i'm so happy!! highest position 31
Dilmun is associated with ancient sites on the islands of Bahrain in the Persian Gulf, the Cradle of Civilization.
Dilmun (sometimes transliterated Telmun) is associated with ancient sites on the islands of Bahrain in the Persian Gulf. Because of its location along the sea trade routes linking Mesopotamia with the Indus Valley Civilization, Dilmun developed in the Bronze Age, from ca. 3000 BC, into one of the greatest entrepots of trade of the ancient world.
There is both literary and archaeological evidence for the trade between Mesopotamia and the Indus Valley (probably correctly identified with the land called Meluhha in Akkadian). Impressions of clay seals from the Indus Valley city of Harappa were evidently used to seal bundles of merchandise, as clay seal impressions with cord or sack marks on the reverse side testify.
A number of these Indus Valley seals have turned up at Ur and other Mesopotamian sites. "Persian Gulf" types of circular stamped rather than rolled seals, known from Dilmun, that appear at Lothal in Gujarat, India, and Faylahkah, as well as in Mesopotamia, are convincing corroboration of the long-distance sea trade. What the commerce consisted of is less sure: timber and precious woods, ivory, lapis lazuli, gold, and luxury goods such as carnelian and glazed stone beads, pearls from the Persian Gulf, shell and bone inlays, were among the goods sent to Mesopotamia in exchange for silver, tin, woolen textiles, olive oil and grains. Copper ingots, certainly, bitumen, which occurred naturally in Mesopotamia, may have been exchanged for cotton textiles and domestic fowl, major products of the Indus region that are not native to Mesopotamia - all these have been instanced.
Mesopotamian trade documents, lists of goods, and official inscriptions mentioning Meluhha supplement Harappan seals and archaeological finds. Literary references to Meluhhan trade date from the Akkadian, the Third Dynasty of Ur, and Isin - Larsa Periods (ca. 2350 - 1800 BC), but the trade probably started in the Early Dynastic Period (ca. 2600 BC). Some Meluhhan vessels may have sailed directly to Mesopotamian ports, but by the Isin - Larsa Period, Dilmun monopolized the trade. By the subsequent Old Babylonian period, trade between the two cultures evidently had ceased entirely.
The Bahrain National Museum assesses that its "Golden Age" lasted ca. 2200 - 1600 BC. Its decline dates from the time the Indus Valley civilization suddenly and mysteriously collapsed, in the middle of the 2nd millennium BC. This would of course have stripped Dilmun of its importance as a trading center between Mesopotamia and India. The decay of the great sea trade with the east may have affected the power shift northwards observed in Mesopotamia itself.
Evidence about Neolithic human cultures in Dilmun comes from flint tools and weapons. From later periods, cuneiform tablets, cylinder seals, pottery and even correspondence between rulers throw light on Dilmun. Written records mentioning the archipelago exist in Sumerian, Akkadian, Persian, Greek, and Latin sources.
Dilmun, sometimes described as "the place where the sun rises" and "the Land of the Living" is the scene of a Sumerian creation myth and the place where the deified Sumerian hero of the flood, Ziusudra (Utnapishtim), was taken by the gods to live for ever.
There is mention of Dilmun as a vassal of Assyria in the 8th century BC and by about 600 BC, it had been fully incorporated into the Neo-Babylonian Empire. Dilmun then falls into deep eclipse marked by the decline of the copper trade, so long controlled by Dilmun, and the switch to a less important role in the new trade of frankincense and spices. The discovery of an impressive palace at the Ras al Qalah site in Bahrain is promising to increase knowledge of this late period.
Otherwise, there is virtually no information until the passage of Nearchus, the admiral in charge of Alexander the Great's fleet on the return from the Indus Valley. Nearchus kept to the Iranian coast of the Gulf, however, and cannot have stopped at Dilmun. Nearchus established a colony on the island of Falaika off the coast of Kuwait in the late 4th century BC, and explored the Gulf perhaps least as far south as Dilmun/Bahrain.
From the time of Nearchus until the coming of Islam in the 7th century AD Dilmun/Bahrain was known by its Greek name of Tylos. The political history for this period is little known, but Tylos was at one point part of the Seleucid Empire, and of Characene and perhaps part of the Parthian Empire. Shapur II annexed it, together with eastern Arabia, into the Persian Sassanian empire in the 4th century.
Unlike Egyptian and Mesopotamian tablets and cylinders, the Dilmun legacy has been discovered on circular seals. The primitive forms of images carved on the seal indicate they were used as charms or talisman. Carved on wood, soapstone shells or metal, these images clearly define a complex society. Temples in the center of the agrarian village, towns, city-states, religious, and economic cultural life. All facets of the emergence of an evolutionary society are reflected in the inscriptions about the seals.
Impressions found on pottery and property is a probable usage of the seals. Burying them with the dead was probably to avoid misuse. Tiny fragments found impressed, suggest identifying property. Clearly there was an intrinsic value; each seal tells a story, has an identity.
Seals depict Enki, God of wisdom and sweet water. Gilgamesh as a massive and heroic figure, the 'Bull of heaven' hat. Ladies of the mountains 'Inanas' servants wearing her triangle signs depicting space for her power. 'Nana' is the moon god who was also named 'sin'. Symbol was the bull of heaven head. Inana, goddess of immortality.
From the dreams of Gilgamesh, to the philosophy of life. Seals depicting a harmonious life with nature and god are painted here in the colors and form I hope you enjoy. The colors naturally excite and stimulate, often sexually. Indisputably the ancient myths of immortality and resurrection influenced Dilmun beliefs and are abundantly supported in the seal designs, represented by gods of the sun and moon.
The Mesopotamian texts described Tilmun as situated at the 'mouth' of two bodies of water. The Sinai peninsula, shaped as an inverted triangle indeed begins where the Red Sea separates into two arms - the gulf of Suez on the west, and the Gulf of Elat (Gulf of Aqaba) on the east.
The texts spoke of mountainous Tilmun. The Sinai peninsula is indeed made up of a high mountainous southern part, a mountainous central plateau, and a northern plain (surrounded by mountains), which levels off via sandy hills to the Mediterranean coastline. Sargon of Akkad claimed that he reached as 'washed his weapons' in the Mediterranean; 'the sea lands' - the lands along the Mediterranean coast - 'three times I encircled; Tilmun my hand captured'. Sargon II, king of Assyria in the eighth century BC, asserted that he had conquered the area stretching 'from Bit-Yahkin on the shore of the salt Sea as far as the border of Tilmun'. The name 'Salt Sea' has survived to this day as a Hebrew name for the Dead Sea - another confirmation that Tilmun lay in proximity to the Dead Sea.
The cradle of civilization is sometimes referenced by the name Dilmun, or Tilmun. Here, it was said, the god Ea and his wife were placed to institute 'a sinless age of complete happiness'.
Here too animals lived in peace and harmony, man had no rival and the god Enlil `in one tongue gave praise'. It is also described as a pure, clean and `bright' `abode of the immortals' where death, disease and sorrow are unknown and some mortals have been given `life like a god', words reminiscent of the Airyana Vaejah, the realm of the immortals in Iranian myth and legend, and the Eden of Hebraic tradition
Although Dilmun is equated by most scholars with the island of Bahrain in the Persian Gulf, there is evidence to suggest that a much earlier mythical Dilmun was located in a mountainous region beyond the plains of Sumer.
But where exactly was it located Mesopotamian inscriptions do not say; however, the Zoroastrian Bundahishn text and the Christian records of Arbela in Iraqi Kurdistan both refer to a location named Dilamƒn as having existed around the head waters of the Tigris, south-west of Lake Van - the very area in which the biblical Eden is said to have been located.
Furthermore, Ea (the Akkadian Enki) was said to have presided over the concourse of Mesopotamia's two greatest rivers - the Tigris and Euphrates - which are shown in depictions as flowing from each of his shoulders.
This would have undoubtedly have meant that the head-waters, or sources, of these rivers would have been looked upon as sacred to Ea by the cultures of Mesopotamia's Fertile Crescent.
- Zecharia Sitchin The Stairway to Heaven
Dilmun was allegedly a magical land, the birthplace of the gods and the place where the arts of civilization where said first to have been transmitted to men. It was the subject of many legends told by the Sumerians, the people of southern Iraq; it was famed as a land where death and disease were unknown and men and animals lived at peace together.
It was the home of the Sumerian king who was the origin of the myth of Noah, the immortal survivor of the Great Flood, a story retold in the Qu'ran and the Bible.
The first great hero of world literature, Gilgamesh the king of Uruk, journeyed to Dilmun in search of the secret of eternal youth.
He found it deep in the waters of the Persian Gulf, off Bahrain, but lost it when the flower which restored the youth of those who sought it, was stolen by a snake, lurking in a pool as Gilgamesh returned to his kingdom; this is the reason why the snake sloughs his skin.
Symbolism - All is Myth and Metaphor in our reality
* water: flow of consciousness - creation
* restore to youth: move out of the physical body and return to higher frequency forms of sound, light, and color
* snake: DNA - the human bio-genetic experiment in time and emotion
* kingdom - Leo - Lion - King - Omega - closure
Dilmun was also the center of the most important trade routes of the third and second millennia BC. The most important commodity was copper for which Dilmun was famous and the dates for which Bahrain was always celebrated, from ancient times until the present day.
Because Dilmun was so sacred a land, there were many temples built there, the impressive remains of which can be seen today. The largest and most splendid temple surviving in Western Asia is at Barbar on Bahrain's northern shore.
The most famous of all Bahrain's rich archaeological heritage are the 200,000 grave mounds which are a feature of the landscape in the northern half of the island and which, by their size and quality of construction, show how prosperous Bahrain must have been in ancient times.
Dilmun continued to be the most important center of trade in the Gulf region throughout its history.
After the Sumerians, the Babylonians, Assyrians, even the Greeks, settled on the islands, because of their strategic importance in the movement of merchandise, north and south, east and west, by sea and by the land routes to which the seas gave access.
The records of their diplomatic relations with the kings of Dilmun, some of whose names are known from the records, testify to the importance of the islands throughout antiquity.
All left evidence of their presence, preserved today in the Bahrain National Museum and in the immense archaeological sites in which Bahrain is particularly rich.
Bahrain is an open-air treasure house of the past, a unique heritage from the earliest times when men first began to keep records of their hopes, fears and achievements.
It is the contemporary of ancient Egypt with Sumer and the peoples who succeeded them, of the great cities of the Indus Valley.
I took this photo in 1993. I had gone to Amman on vacation to visit a Palestinian friend I met at a conference in Bombay (as it was then called). She, her mother (a proper escort for an unmarried Arab girl), and I drove in a rented car down through Wadi Rum, to Petra and then on to Aqaba. At the time, Saddam Hussein was still ruling Iraq, then under a severe oil embargo. At Aqaba, we saw oil trucks lined up for miles: the Iraqis were smuggling oil out through Jordan. It's hard to believe the Americans, and especially the Israelis (almost within eyesight at Elat), were not aware of this. At one point, I took out my camera, but my friend very wisely advised me that this was not a good place to be seen taking pictures. This was not the only time she saved me like this - I'll post another picture when I get 'round to it. Her family had been expelled from Palestine by Zionist militias in 1947, before Israel's so-called "War of Independence". They were rousted from their homes and forced to walk across the desert to Damascus. On the way, the family patriarch died. They did not bury him where he died, thinking "Surely somebody will come and do something.", but nobody came and he lies in a Damascus cemetery. Their stories made me realise that so much of what we in North America have been lead to believe about the Palestinian/Israeli conflict is not only very untrue, but also so very, very unjust.
I've made a few corrections in Lightroom 4, especially to bring up detail in the temple, which was a bit overexposed. There is a bit of a white bloom artifact along the right cliff face that might have come from the Paint Shop Pro software I used to reduce the size to (roughly) 800x600. It doesn't seem to be in the Lightroom full-sized export. In any case, there was a time when I would have spent hours in the darkroom (and dollars on test strips and chemicals) to finally arrive at a satisfactory image. A great example of how technology increases our productivity!
This photo is part of a collection of photos I took with my old Minolta SRT-101 over a ten year period spent working internationally. I am now having these professionally scanned. This image was scanned and colour corrected by Toronto Image Works using their Imacon scanner.
This image is protected by copyright. Please do not use or reproduce it in any way without my written permission. Any unauthorized use is strictly prohibited.
elat my sisters fiancee took this photo at angola, africa 2006
Another lion fish from under the water while diving. It's a huge, unexplored, and such a fascinating world down there. I can't wait to go back there again!
This image is subject to Copyright laws. It shall NOT be copied, downloaded, modified, or distributed without my explicit written permission. If you are interested to use this image then please contact me.
All Rights Reserved.
Take care of the sense and the sounds will take care
- Lewis Carroll
"What is the use of a book', thought Alice, 'without pictures or conversations?'
Eilat, Red Sea, Israel.
Taken January 06, 2007.
Coral Beach - is the best place for scuba diving and located here are some of the best dive clubs in Israel offering technical diving courses, rebreather, nitrox, tri-mix etc.. The whole coastal area is protected by the nature reserve authority and divers are expected to follow regulations. The south beach is a great place for snorkeling, windsurfing and kite-surfing plus it has fantastic views over the bay.
Title: Cours d'architecture qui comprend les ordres de Vignole : avec des commentaires, les figures & descriptions de ses plus beaux bâtimens, & de ceux de Michel-Ange : plusieurs nouveaux desseins, ornemens & préceptes concernant la distribution, la décoration ... & tout ce qui regarde l'art de bâtir : avec une ample explication par ordre alphabetique de tous les termes
Publisher: A Paris : Chez Nicolas Langlois ...
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e Compofite. p. 80. PI. 3 3. Tlan & profil du Chapiteau Compofite. p. gi -PL 3+- Chapiteau à Entablement Compofites. p. 84.. Plane. 3 f-Tlcifonds des Corniches Corinthienne & Compofite. p. 88. PI. 36. ImpofiesCorinthienne, & Compofite. p.92.11.37.Chapiteaux Antiques & Bafe Attique. p.p6 & 99. PI. 38. „. Manières de diminuer les Colonnes, p. 100. PI. 3 9.DefcriptiondelapremiereConchoïdedes Anciens, p. 10+.PI.40.Manière de torfer les Colonnes, p. 106. PI. 41.T>esColonnes torfesorfiées. p-110. PI-42.Entablement de Couronnement- p. 112. PI. 43. ©£5 TORTES EN GENERAL, p. 114-PI.44.A.P. 117. TorteRufliquedOrdreTofcan. p. 12 2.PI.44. B.Forte pour le Talats de la Chancelerle. p. 124. PL 45.Torte du Château de Caprarole. p. 12 6. PI. 46.Torte de lEglife de ^.Ltf//r^«r inDaniafo. p. 128. 1P1 4.7Torte du Salon duTalaisFarnéfie. p. 130. PL 48. ^DEJJ FENESTRES EN GENERAL.p. 132. PL 49. FeneftreduTalatsSachetti. p. 142.PL 50.Fenefîrede Fignole, p. 144. PL fi. \ ^
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^TABLE DES TRAITEZ J T>ES NI CHES EN GENERAL, p. 1^6. PI. f2. & p. 14.9. Niches en Retables dAutels, p. 15-4. PI. 5-3.Niche du Salon de Clagni. p, i ^6. PI, 5-4. T>ES CHEMINEES EN GENERALp. 158. PI. ff. Cheimnée duTalals Farnéfe. p. 16^. PI. ^6.Grandes Cheminées pour Salles & G aller les. p. i ^^. PI. 57.Moyennes Cheminées pour les Chambres. ^0.16%, PI 58. T élites Cheminées pour les Cabinets, p. 170. PI. 5-9. D£ L^ DISJRIBVriON DES PLANS ET DE LADECORATION DES FAÇADES, p. 172. Tla7î des Offices, p. 174. PI. 60. PlanduReZde-Chauffée. p. \j6. PI. ^i. Plan du premier Etage, p. 180. PI. 62. Elévation du grand Corps de Logis, p. 182. PL 61. A.Elévation dune des Ailes & Coupe du grand Corps de Logis, p. 184. PI. 63. B.Explication de la Charpeiiterie. p. 18 (5. PI. 64. A. & 64. B.T^elaT^ecoration des Jardins, p. 190. PI. d^. A. &: p. 200. PI. 65. B.. wmÊÊmmmmÊsmmmmammmKmmmmmmmÊmmmimm ij ET DES FIGURES. DE LA MATIERE ET T>E LA CONS-TRUCTIOR DES ED
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View on the neighbouring towns of Eilat and Aqaba at the northern coast of the Red Sea, from Mt. Zevahot in the Eilat mountains
Have a look at my Israel Album