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OD-AFI Convair 990-30A5 Coronado (35) M.E.A. Middle East Airlines - London Heathrow Airport 26-07-1970

A7-AFI Airbus A330-243F Qatar Airways Cargo @ London Stansted Airport 17/07/2018

Madame Noir Sexy Eyes @ XXX Original Event

~SLurl's in Credits~

 

so many times I've tried...

Credits Here

 

Taken at AFI.

I called this Deadline, because that was the thought process behind it. Model is Adonis Lubomir .

photo by AFI Photography, if you are interested in rates booking info please visit AFI Designs main store on Kmadd

maps.secondlife.com/secondlife/Kmadd%20Enterprise/199/39/...

LoVe

For booking write ladjgirl resident in world

 

 

photo by AFI Photography, if you are interested in rates booking info please visit AFI Designs main store on Kmadd

maps.secondlife.com/secondlife/Kmadd%20Enterprise/199/39/...

AFI performs at Live 105's Not So Silent Night at Oracle Arena in Oakland, California USA on December 11, 2009.

 

Photograph ©2009 MiseryXchord

All Rights Reserved. Absolutely no reproduction or duplication permitted.

www.miseryxchord.com

 

See more photos of their performance here: AFI @ Not So SIlent Night

9H-AFI Beech 1900D (UE-31) Medavia - Malta International Airport / LMML 18-09-2017

 

AFI Photography, For bookings and rates please visit AFI Designs main store on Kmadd and go to the photography gallery in the store.

maps.secondlife.com/secondlife/Kmadd%20Enterprise/199/39/...

Sydney, Australia

 

website // twitter // facebook // instagram // tumblr

Adelaide, Australia

 

website // twitter // facebook // instagram // tumblr

KROQ's Almost Acoustic Christmas -

Gibson Amphitheater -

Universal City, CA -

Dec 12, 2009

A7-AFI Airbus A330-243F Qatar Airways Cargo @ London Stansted Airport 19/07/2016

Roseland Ballroom, New York; June 22nd 2006

"The gold mic is so much more fabulous"

Et j'ai pensé que la meilleur façon de le faire était en continuant à transmettre ce qui me semblait intéressant, beau, poétique, artistique, philosophique, afin que chacun puisse élargir son cadre de référence, s'ouvrir sur d'autres cultures, apprendre à apprécier toute forme d'art (du moins ne pas les condamner), devenir curieux, poser 1000 questions, penser, contester....

Je vais donc continuer comme avant, partager avec vous mes découvertes, mes passions, mes interrogations. Une chose sera nouvelle : tout les mardi, je vous emmènerai au musée, ce sera mon "MaMjour".

Je n'oublierai pas ceux et celles qui ont été physiquement ou psychologiquement traumatisé, probablement à vie, dans cette tragédie, ceux qui ont perdu un membre, soit de leur famille, soit de leur corps, dont la vie a été ravagée, mutilée, ceux et celles qui sont morts trop tôt pour rien, juste parce qu'ils vivaient.

Non, je ne suis pas guérie de l'effet dévastateur de cette boucherie, mais dès demain je retourne à ma mission de transmission et de partage. A demain au musée Picasso...

 

ENGLISH :

I wondered how to get on with my life on flickr. I wanted to get across the idea that "life" continues, that it always wins, but that we should cultivate, accompany, to enrich it...

And I thought that the best way to do that was continuing to convey what seemed interesting, beautiful, poetic, artistic, philosophical, so that everyone can expand their frame of reference, can open up to other cultures , learn to appreciate all forms of art (at least not condemn them) become curious, ask 1000 questions, think, debate ....

I will continue as before, share with you my discoveries, my passions, my questions. One thing is new: every Tuesday, I'll take you to the museum, it will be my "MaMday".

I will not forget those who have been physically or psychologically traumatized, probably for their lifetime, in this tragedy, those who have lost a limb or their families, or their bodies, whose of which life have been ravaged, mutilated, those who died too early for nothing, just because they lived.

No, I am not cured of the devastating effect of this butchery, but tomorrow I return to my mission of transmitting and sharing.

Tomorrow the Picasso Museum ...

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