View allAll Photos Tagged Visualisation-----
This visualisation was produced in QGIS 2.12.1, with a little help from postgres/postgis (could also be done in QGIS only).
Areas of each country's circle are in proportion to population.
How it was done
First of all, reprojected the Natural Earth data to epsg:3410 (a cylindrical equal area projection in meters). This is important; doing it in epsg:4326 makes countries appear bigger the further they are from the equator (areal distortion). Because degrees.
Next, used postgis to find the centroids and buffer them, so that the circle area is in direct proportion to population. Brought these in as CSV delimited files after exporting from pgAdminIII. The query sorted images in descending order of size, so smaller countries appear on top of larger countries.
Unfortunately, this projection keeps areas in scale, but distorts shapes. Some countries start to look like eggs. Oh noes!
Got round this by scaling the map down to a small size (a few square kilometers) and centred on null island, which removed the shape distortion, but kept the equal-area. Turned off OTF projection.
Flag images came from CIA World Factbook, and were used as raster Image fills. Used the FIPS code from the Natural Earth data to build the filepath to the CIA factbook images like this
'/tmp/factbook/flags/' || "fips" || '-lgflag.gif'
Because you can only scale the image width at present (I used bounds_width($geometry) in map units) I had to convert each flag into a square format using ImageMagick. Most flags are wider than they are tall, this avoids tiling the flag in each circle, at the expense of corner detail.
Apologies in advance to Norway - not sure what happened there. Some manual tweaking may be needed :D
www.flickr.com/photos/leighkemp/albums/72157710435156031
If it's slow to load try the justified view.
My new online gallery “Visualisations” is now live at
artspaces.kunstmatrix.com/en/exhibition/219833/visualisat...
Youtube video - youtu.be/arKFtMNGXeM
With this gallery I am trying to experiment with displaying my art in a more natural, domestic setting where I believe that it belongs and attempt to break away from the sterile and somewhat soulless gallery environment.
A visualiser sur fond noir en pressant L / A view on black background by pressing L
Quand l'art urbain s'approprie des portes de garages.
Début d'une série sur les portes et fenêtres pour un thème du club Artois Flandre Photo.
Découvrez le travail des membres ici :
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
In english :
When art urban appropriates garage doors.
Beginning of a series of doors and windows for a theme club Flanders Artois Photo.
Discover the work of the members here:
www.flickr.com/photos/clubphotosvendin/sets/7215763295844...
Google's auto-complete - an incidental feature but always hilariously revealing about the deep concerns of the group mind.
I had a go at visualizing the query “How do I get my girlfriend / boyfriend to…” using the sweet tool Web Seer. See what you think.
More visuals here
Visualisation Stadler. Tous droits réservés.
Commnuniqué de Stadler et de Westbahn.
Stadler fournira trois rames à grande vitesse SMILE (type Giruno aux CFF) à la société autrichienne Westbahn.
Ces compositions seront engagées à partir du premier mars 2026 sur la nouvelle relation Westbahn entre Wien, Graz, Klagenfurt et Villach.
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A project by Accurat,
directed by Giorgia Lupi and Michela Buttignol
Buy prints on Society 6 - society6.com/accurat
This project is an attempt to build a visual anthology of 10 abstract painters' lives,
isolating pictorial elements from painters' styles and using them to tell the story of their life and artistic production through a series of diagrams.
2x 580EXII into a softbox with CTO gel cam left, 430EXII far back with 1/2 CTB gel at 105mm, 580EXII on Grp A, 430EXII on Grp B, triggered via 580EX on cam with 4:1 A:B ratio.
Setup here..
How atoms interact and behave is common high-school knowledge, but what we know is based on assumptions or snapshots. Electron microscopes have taken images of atoms so we know how they settle, but we have never recorded atoms moving.
The ESA–Roscosmos Plasma Kristall-4 (PK-4) experiment is recreating atomic interactions in a fluid on a larger scale on the International Space Station. The proxy atoms in PK-4 are microparticles, which are suspended and charged in plasma (an ionised gas with electrons and ions). The microparticles interact with each other via the high electrical charges, forming a strongly coupled liquid or solid – a classical model system for condensed matter.
This image shows the typical purple glow of an argon plasma in the PK-4 hardware on Earth. Microparticles are introduced into the plasma to observe how they behave.
On Earth the particles are influenced by gravity but in space the particles will behave similarly to charged atoms in a fluid or crystal structure allowing researchers to understand better the hidden interactions of our world.
PK-4 is installed in the European Physiology Module on the European space laboratory Columbus and runs for up to four days, four times a year.
Credit: MPE–M. Kretschmer
Visualisation VBZ. Tous droits réservés.
Les VBZ de Zürich ont communiqué le 6 juillet 2021 avoir commandé 15 autobus électriques standard MAN Lion's City E 12.
Ces nouveaux véhicules seront engagés à partir de l'automne 2022 sur les lignes 66, 77, 78 et 99.
Des options auprès de MAN portent sur 29 autobus électriques standard supplémentaires et 80 articulés.
Les 15 nouvelles unités ne devraient être rechargées qu'au dépôt Hardau avec de l'énergie renouvelable.
Leur engagement permettra d'économiser annuellement 350000 litres de diesel et éviter le rejet de 930 tonnes de CO2.
Leurs numéros de régie et de plaques minéralogiques ne sont pas encore connus.
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The visualisation software Uniview allows visitors of the Ars Electronica Center’s Deep Space 8K to explore the universe not only in a breathtaking resolution - but also in 3-D.
A best of Ars Electronica photos can be found here.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
Credit: Ars Electronica / Robert Bauernhansl
A very short video of some of my work. www.leighkemp.co.uk
I also have a Flickr album with these and other works - www.flickr.com/gp/leighkemp/qX5p48
A visualisation of the polarisation of the Cosmic Microwave Background, or CMB, as detected by ESA's Planck satellite over the entire sky.
The CMB is a snapshot of the oldest light in our Universe, imprinted on the sky when the Universe was just 380 000 years old. It shows tiny temperature fluctuations that correspond to regions of slightly different densities, representing the seeds of all future structure: the stars and galaxies of today.
A small fraction of the CMB is polarised – it vibrates in a preferred direction. This is a result of the last encounter of this light with electrons, just before starting its cosmic journey. For this reason, the polarisation of the CMB retains information about the distribution of matter in the early Universe, and its pattern on the sky follows that of the tiny fluctuations observed in the temperature of the CMB.
In this image, the colour scale represents temperature differences in the CMB, while the texture indicates the direction of the polarised light. The patterns seen in the texture are characteristic of ‘E-mode’ polarisation, which is the dominant type for the CMB.
For the sake of illustration, both data sets have been filtered to show mostly the signal detected on scales around 5º on the sky. However, fluctuations in both the CMB temperature and polarisation are present and were observed by Planck on much smaller angular scales, too.
More details:
www.esa.int/Our_Activities/Space_Science/Planck/Planck_re...
Credit: ESA and the Planck Collaboration
Visualisation ne.ch . Tous droits réservés.
Le Conseil d'Etat du Canton de Neuchâtel, l'OFT et transN ont communiqué en novembre 2021 avoir passé commande de deux rames Stadler avec accès surbaissés ABe 4/8 pour la ligne La Chaux-de-Fonds - Les Ponts-de-Martel (cadre horaire 222).
Ces automotrices doubles seront issues d'une commande groupée avec les TPC (pour la ligne ASD) et les CJ.
Par contre la ligne Le Locle - Les Brenets (cadre horaire 224) devrait être supprimée et remplacée par une ligne d'autobus électriques, dont l'aménagement serait financé par le fonds pour l'infrastructure ferroviaire (!).
Visualisation des futures rames en livrée transN. Si elles seront effectivement aménagées en tant qu'ABe 4/8, cela impliquera l'introduction de la première classe sur la ligne des Ponts-de-Martel.
Cette image de synthèse est une reprise travaillée des rames à adhérence TPC pour la ligne ASD.
L'observateur attentif remarquera les destinations frontale "La Chaux-de-Fonds" et latérale "Les Diablerets".
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As ESA engineers work together to design a future space mission, it takes virtual shape before them in three dimensions.
This 3D visualisation system is one of many state-of-the-art networking tools found in the Concurrent Design Facility (CDF), based at ESA’s ESTEC technical centre in Noordwijk, the Netherlands.
The CDF’s network of computers, multimedia devices and software tools allow experts from different engineering disciplines to work in close coordination, in the same place at the same time, to complete the most complex designs imaginable – in a matter of a few weeks rather than several months.
The CDF enables ‘concurrent engineering’ based on teamwork and focused on a common design model that evolves iteratively in real time as the different subsystem experts make their contributions. It has proved an influential approach over the CDF’s 15 years of operations, helping to inspire new ways of working for Europe’s hi-tech industries.
The CDF enables ‘concurrent engineering’ based on teamwork and focused on a common design model that evolves iteratively in real time as the different subsystem experts make their contributions. It has proved an influential approach over the CDF’s 15 years of operations, helping to inspire new ways of working for Europe’s hi-tech industries.
Credit: ESA/Guus Schoonewille
Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.
Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)
Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.
Teil meiner Visualisierung der Veranstaltung Hypnosystemische Krisenintervention, die von dem wunderbaren Dr. Gunther Schmidt geleitet wurde: Erkenntnisteich und mit viel Humor.
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Part of my visualisation of the seminar Hypnosystemic Crisis Intervention, conducted by the wonderful Dr. Gunther Schmidt: Insightful and with a lot of Humor.
#guntherschmidt #meihei #miltonherickson #visualisierung #visualisation #visualization #commundus #saschagademann #sascha #gademann
The Heartlands Project is a community-led vision to transform 7.5ha of Cornwall’s most derelict industrial landscape into a truly inspirational cultural attraction.
LUC won an international competition to masterplan and design an imaginative mixed-use site that would become a catalyst for regeneration in the future. Working with a large multidisciplinary team, for the client Cornwall Council, our team delivered a project that referenced Cornwall’s history and the site’s heritage, making it a space that fosters convergence and reflection.
Our design aimed to capture the spirit of Cornwall, providing dynamic new spaces for the community and visitors to enjoy. The masterplan included places to relax in the Diaspora Gardens, an outdoor events space and surrounding parkland. We also created the largest free adventure playground in Cornwall, with play specialists Timberplay. Revelling in Cornish folklore, the playground includes custom-made wooden climbing structures, tunnels and a beach with diggers and a sand transportation system.
The development also encompassed the Grade II listed Robinson’s Shaft, which was restored to provide a gateway for the Cornwall and West Devon Mining Landscape World Heritage Site, artists’ studios and residential units.
For more information, visit: www.landuse.co.uk
Ignoring 403 which had little footing in Surrey with more of a portion in London up to Sutton, the 405/409/420 each went to a major town in South London: Croydon (405/409) and Sutton (420).
It was an interesting choice of 405 being taken by London Transport though it was after it's cut from Crawley to Redhill. Since it's 20/04, (or in American standards, 4/20) I've thought why not imagine a 420 in the attire of a London attire decades after Sutton (A) previously operated it before Metrobus taking it on.
In this weird scenario I've decided to throw 420 in peril and connect it with the Northern Line at Morden from it's current and long time terminus of Sutton Bus Garage, whilst on the other end it's been extended from Redhill to Whitebushes in 2013 so I've omitted that.
So an every 20 (every 30 Sundays/evenings) route that could give reason to cut S1 from Banstead into London borders by Belmont, I say with the TfL mantra of 'cutting saves all'. Every journey matters. Giving Tattenham, Tadworth and Lower Kingswood a connection to neighbouring London borders, but at what cost?
This fascinating diagram is reminiscent of a modern information visualisation as it uses a grid system to combine both the time and location of planetary bodies 800 years before the first true time plotted graphics. While its exact meaning is now difficult to discern, the right-hand side clearly indicates the position and trajectory of the planets and stars, while the horizontal grid refers to periods of time.
Visualisation competition entry “Rechtbank Amsterdam” (2016), for iDO2: Volker Wessels, Hootsmans Architectuurbureau & Sevil Peach.
In collaboration with Bmd3d.
Plotting some data from www.hackdiary.com/2010/02/10/algorithmic-recruitment-with... in preparation for Web Directions @media London on Friday.
Shows all developers who identify their location as London on Github, who have 4 or more other Londoners following them. The sizes and colours come from Betweenness Centrailty and In-Degree respectively.
Plotted with Gephi
Visualisation for the Guardian Datablog
www.guardian.co.uk/news/datablog/2010/oct/07/information-...
See in mega zoom
www.flickr.com/photos/25541021@N00/5059367333/sizes/o/in/...
Download a PDF
Visualisation on my art photography on the wall.
Art Studios999 Burton on trent.
FOLLOW ME:
INSTAGRAM: www.instagram.com/s999art
FACEBOOK: www.facebook.com/AnnaMarijaBulka
OFFICIAL WEB SITE: s999art.com/
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This was to visualise the top brands and who owns them/other brands they own also. I started off with well known brand portfolios to visualise them like colgate palmolive but had no direction.
purchase a copy here: www.clockworkgallery.co.uk/?p=1&a=CW&w=CW01
100 x 60 cm
(approx.) £24.95 per Edition
($ 35.72, € 26.88)
So found this top ten list for 2007, and worked from here.
www.wonderlandblog.com/wonderland/2007/01/top_ten_most_po...
Also inspired by a car badges brands visual:
coolinfographics.blogspot.com/2008/04/who-owns-car-compan...
featured here: visualthinkmap.ning.com/photo/photo/show?id=2168552:Photo...