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Fritz Klimsch trained at the Königliche Akademische Hochschule für die bildenden Künste [Royal Fine Art Academy] in Berlin in the drawing class taught by the painter Ernst Hancke and in the modelling class under Albert Wolff. From 1887-1890 he was a pupil of Fritz Schaper's. While still a student, the young sculptor produced his first important work, winning awards and his first experience of official recognition.

 

On his wedding trip to Paris, Klimsch became acquainted with Rodin's work, which greatly impressed him with its liveliness of form and expression and left a lasting influence on him. Klimsch regarded Adolf von Hildebrand as second only to Rodin as the inspiration behind his art. Hildebrandt supplemented Rodin's liveliness with tectonics and statics, thus creating the balance Klimsch felt was so important to his own sculpture.

 

In 1898 Klimsch founded the Berlin Secession jointly with Max Liebermann and Walter Leistikow and was represented on a regular basis at the exhibitions the group mounted. Travels to Italy and Greece shaped his style. Klimsch was subsequently extraordinarily successful with portraits, monuments and funerary sculpture as well as female nudes. He did a great many portraits of distinguished representatives of cultural and political life, including Ludwig Thoma, Lovis Corinth, Max Liebermann, Max Slevogt and Paul von Hindenburg. In 1912 he became a member of the Prussian Academy of the Arts and in 1916 a senator of the Academy. Appointed to the Akademische Hochschule für bildende Künste in 1921, he retired in 1935 after heading the master class studio there. After the war the artist settled in the Black Forest to live in seclusion, producing from then on only a few works in small formats. In 1950 Fritz Klimsch was awarded the Große Bundesverdienstkreuz and died that same year.

 

Courtesy of Ketterer Kunst Munich

Prinzregentenstr. 61

81675 München

  

It's funny. I don't think this is a particularly great shot. The sky is nice, yes, and the fact that I'm nude adds an element of intrigue, but all-in-all, it's not very good. Is what's funny is it has the most views of any of my shots on Flickr.

Thanks everyone

youtube.com/watch?v=Zxvsq-IluaA

 

Radiohead.....

Don't get any big ideas

they're not gonna happen

You paint yourself white

and feel up with noise

but there'll be something missing

 

Now that you've found it, it's gone

Now that you feel it, you don't

You've gone off the rails

 

So don't get any big ideas

they're not going to happen

You'll go to hell for what your dirty mind is thinking

 

Nous sommes à Sète pour l'événement photographique "Images Singulières" de Sète. Ici un travail fait à partir d'ancienne photos de nus d'anonymes début du siècle.

Source photographique : www.imagesingulieres.com/expo-lumiere-des-roses.php.

...

 

We are in Sète for the photographic event "Singular Images" of Sète. Here a work made ​​from old nude photos of anonymous early twentieth century.

Photo Source: www.imagesingulieres.com/expo-lumiere-des-roses.php.

 

Maiba naman (Let me deviate from my usual subjects) :D

3 coats of each, but the OPI is the only one that needed it imo.

Index to Pinky:

OPI Tickle My France-y

RBL Grunge

Essie Jazz

RBL Opaque Nude

My first street nude photo

For me, the naked and the nude

(By lexicographers construed

As synonyms that should express

The same deficiency of dress

Or shelter) stand as wide apart

As love from lies, or truth from art.

 

Lovers without reproach will gaze

On bodies naked and ablaze;

The Hippocratic eye will see

In nakedness, anatomy;

And naked shines the Goddess when

She mounts her lion among men.

 

The nude are bold, the nude are sly

To hold each treasonable eye.

While draping by a showman's trick

Their dishabille in rhetoric,

They grin a mock-religious grin

Of scorn at those of naked skin.

 

The naked, therefore, who compete

Against the nude may know defeat;

Yet when they both together tread

The briary pastures of the dead,

By Gorgons with long whips pursued,

How naked go the sometime nude!

 

- The Naked And The Nude by Robert Graves -

 

***PLEASE DO NOT USE MY PICTURES WITHOUT MY PERMISSION***

© Andreas Constantinou

2016 :copyright: Fabrice Labit, all rights reserved.

 

MY WEBSITE I FACEBOOK I INSTAGRAM I

Never posted a nude pic, but this is really pretty! I love the pose. This was not taken by me though.but i just love the way it turned out.

View On Black

 

This is Lucy who used to assist me sometimes - she was also very free of vanity and this was my first proper nude shoot. (May 2006)

I love the spontaneity of it and the lack of artifice (I wish I could still do shoots like this) - It was just a place I loved with a person I had great respect for and we just shot what was there.

Il y a des couleurs de maillot de bain qu'il vaut mieux éviter parfois !

ok ok someone (Falcone) complained about the tail so pffft heres a few with out it

scan

black&withe film 35 mm

Art nude given an old film effect. Low contrast and grain.

Nick Cave + Kylie Minogue - Death is not the end

www.youtube.com/watch?v=Am1kJM823Vk

 

All pics are ©Rosa Rusa. All rights reserved

 

project with carolin schaller.

soft pastel on paper

Essa foto é para um experimento.

 

Fiquei chocada (e revoltada) que a foto mais vista da minha galeria é a do Ouro Nude (quase 8000 views no momento, e sempre aumentando).

O esmalte não é tão bonito pra ter tantas visualizações assim, batendo até algumas fotos mais antigas. Aliás, ele NEM É bonito, ahuehau.

 

E não foi a primeira vez que me disseram que uma foto de nude era muito visualizada, a Carol já havia comentado da foto do Citrino Nude dela também apresentar a mesma ocorrência.

 

Aí que conversando com Miréu ela surgiu com a teoria de que a foto só era tão visualizada porque uns taradinhos devem pesquisar por "nude" na busca do Flickr e acabam caindo por aqui, devido ao nome do esmalte.

 

Fiz a busca e o primeiro resultado é... uma comparação de esmaltes nudes, ahuahueha.

 

Agora vou testar a teoria com um nude "verdadeiro", hauhauahhuaeau.

 

. . . .

project with carolin schaller.

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