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The Asklepion gained in prominence under the Romans in the 2nd century AD, but a sacred site existed here as early as the 4th century BC.

Many of the treatments employed at Pergamum, in complement with a sacred source of water that was later discovered as having radioactive properties, have been used for centuries and are once again finding modern application.

The treatments included psychotherapy, massage, herbal remedies, mud and bathing treatments, the interpretation of dreams, and the drinking of water.

Quite unlike modern hospitals, everybody who was anybody was dying to get in to the Asklepion: patients included Hadrian, Marcus Aurelius, and Caracalla.

But then again, the Asklepion was more like a modern spa than a hospital: therapy included mud baths, music concerts, and doses of water from the sacred fountain.

 

Awake, thou wintry earth -

Fling off thy sadness!

Fair vernal flowers, laugh forth

Your ancient gladness!

~ Thomas Blackburn

 

Coming out of physical therapy, I discovered this tree in all it's blooming glory, in the parking lot. All I had was my Canon G9, but it was up to the job.

 

Anybody know what kind of tree this is?

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Alzheimer's Disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Addiction Treatment. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the bladder . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the colon . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines,

 

Macro / Flower / Lotus Flower Macro - White - Lotus Macro , ハスの花, 莲花, گل لوتوس, Fleur de Lotus, Lotosblume, कुंद, 연꽃,

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Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

View a whole set of Fringe 2012 madness from Edinburgh Scotland here. If you do Twitter add me here.

 

Ailments, snakeoil? This might be the one! August, always a mad busy crazy time in Edinburgh, during the festival and fringe, which seems to have grown even bigger than the tattoo and festival. There's no shortage of scaryness and satire here!.

 

The Mr and Mrs Clark Medicine Show aims to cure your everyday ailments and add a little colour to a bleak looking world. Mr and Mrs Clark intend to diagnose and heal unwell individuals, struggling couples and a despondent community with a creative approach to alternative medicine. They believe they have the power to cure and they aim to convince you. Described as ‘Unpredictable. Full on. Hilarious’ (South Wales Argus). Medicine Show follows the Clarks’ film noir marriage therapy show, Nine, in engaging and promoting audience interaction. ‘The Clarks make unique and astonishing performances’ (Volcano Theatre Company). More on this link www.mrandmrsclark.co.uk .

 

The show was on at Venue 13. You can still catch them if you are quick 1st November - Weston Studio, Wales Millennium Centre, Cardiff. Box Office: 02920 636464

 

The Edinburgh Festival Fringe (The Fringe) is the world's largest arts festival, with the 2012 event spanning 25 days totalling over 2,695 shows from 47 countries in 279 venues. Established in 1947 as an alternative to the Edinburgh International Festival, it takes place annually in Scotland's capital, in the month of August. The Fringe is a showcase for the performing arts, particularly theatre and comedy (which has seen substantial growth in recent years), although dance and music are also represented. In 2012, 36% of shows were comedy and 28% theatrical productions. Theatrical productions range from the classics of ancient Greece to William Shakespeare, Samuel Beckett and contemporary works. In 2012, 1,418 shows were having their world premiere.

 

The Fringe is an unjuried festival – with no selection committee, and therefore any type of performance may participate. The Fringe has often showcased experimental works that might not be invited to a more conservative arts festival. In addition to ticketed, programmed events, the Festival has included a street fair, located primarily on the Royal Mile. The Festival is organized by the Festival Fringe Society, which publishes the programme, sells tickets, and offers advice to performers. Their offices are on the Royal Mile.

 

File under: street fringe sinister make up fring2012 fringe2012 comedy show 2012fringe shows actors performers entertainers in Edinburgh dance free artists grainy gritty mono HDR extreme blank white makeup in the street.

 

(c) Hotpix / HotpixUK Tony Smith - tone@Hotpix.freeserve.co.uk WDCC

"Life is not merely to be alive, but to be well. "

(Marcus Valerius Martialis- Latin poet from Hispania (the Iberian Peninsula), 40-103)

 

This was shot along the Ganges at Venimadhava ghat in Varanasi (Benaras) on a Sunday morning.

Those young men were having traditional ayurvedic massage from each other.

Ayurveda is an ancient system of medicine that was developed in the Indian subcontinent hundreds of years ago.

Ayurvedic massage therapy does not provide a complete therapeutic cure but it helps the organism to receive nitrient material from within the body and to expel toxins.

Certain ailments related to the muscles, ligaments and nervous system can be completely healed through good ayurvedic massage therapy, it is also an ideal remedy for pain.

The practisioner mostly works with the knowledge of the "marmas" or Indian pessure points.

View On Black

 

Join the photographer at www.facebook.com/laurent.goldstein.photography

 

© All photographs are copyrighted and all rights reserved.

Please do not use any photographs without permission (even for private use).

The use of any work without consent of the artist is PROHIBITED and will lead automatically to consequences.

Tepoztlán on a day trip from Mexico City. Once an ancient center of worship, the small town is now a popular modern destination known for its New Age energies. Over the years, it’s attracted swaths of enlightened Americans looking for tarot readings, a photograph of their aura, or good energy. Bed & Breakfasts advertising massage, reiki, reflexology, and floral therapy abound on the narrow streets.

Lotus Flower (White) and lotus Leaves and the early morning sun. Background's color was altered in Photoshop. ID: IMGP7707b

Best Viewed On Black

----------

Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Lotus Flower: Mamiya RB67, 250mm lens, Ilford HP5+, Pentax spotmeter, tripod. Scanning some of my old negatives to preserve them, polaroid SprintScan120 negative Scanner.

  

Please view this lotus flower image on black BackGround- thanks

 

----------

Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Crow-Fukase Syndrome . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cushing syndrome. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cutaneous liposarcoma . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cutaneous T-cell lymphoma. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines, Local indigenous knowledge about medicinal plants

 

This specific image was made with Sony A7R

 

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

Now we got another APS-C E mount camera supposed to be the flagship camera for Sony E mount but lacks many key features and I ordered it a few days ago and got it last night. I am talking about the A6500 here.

 

I've owned a7II, a7R, a7,A6000,A6300,A6500,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900.You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPDATE:Another serious issue all the camera makers will have to face but I did not really realize before is that all ILC cameras are big to most of NORMAL non-photographer people, and they are very intimidating to most of NORMAL people(I mean regardless of mount type or sensor type).

I never realized it before but while walking around down town Fukuoka with one of my long time friends here forced me to understand it. A friend of mine told me that he thinks all interchangeable lens cameras are huge and intimidating to most of average people regardless of sensor size or format, it's just simply annoying!

I guess a big lens scares or annoys people more than a big body......I never saw it his way but I got his point and I decided to carry my tiny Canon G5X when I just walk around the city area with other people. If I am alone shooting something, then I usually carry my big camera, and I think it does not matter it's a m43, a FF, an APS-C, it is all big to most of NORMAL people, anyway.

Then why not just go all the way up to FF or MFDB, or at least APS-C?

 

So maybe the one really doomed is not Nikon F or Pentax K or Sony A but m43?

Nikon and Pentax have historically had very enthusiastic and even fanatic core shooters and they are usually too old to adapt themselves fast to new EVF based gear even if they understand it is the more logical thing for them as they are aged. So D-SLRs may survive as antique cameras, but m43 or Nikon One?

  

Update2:now, I think FF mirrorless is, like self-driving car, it is the future, definitely, but not really mature enough to be practical for many real life tasks, and they are both still immensely overpriced just because newer tech relatively to their older more practical rivals.

The Sony a7R2 should be cheaper than the D810 considering it does not have the complex mirror and proper weather sealings on the shutter. The X-T2 should be as cheap as the D7200 or the 80D. The A6300 should be as cheap as its predecessor(about 650US), no more than that, it is a great camera but still not able to shoot from a fast running car or train like the 7DMK2 or the D500, and so if you were a paparazzi or anything like that, you would not choose the A6300 as your main camera.

When I wrote my previous A6300 vs D500 hands-on experience,I was very very impressed with the A6300 AF, especially with the FE55mm f1.8Z. But now I am sure if my work is completely relying on the best AF in the game, I'd definitely choose the D500, not the A6300, which could not focus well on a super fast moving thing from a fast running train or a car unless the light level is perfectly ideal.

In last week,I tried to shoot street snaps from a fast running super express train with my A6300, A7M2 and A7R2, none of my Sonys could focus on anything moving from a 300km/h fast running train, I was really glad I also brought my D750 with me for my last short train trip.

Like Thom Hogan said, the Sony Alpha E mount cameras are too slow for anything moving fast, I mean their single AF speed is very fast, but it cannot track fast, especially when the light level is not really ideal.

Plus, the general operation speed of the Sony is just painfully slow, even the most expensive A7SMK2 is very slow. I mean it takes about 30 seconds to format a card, about 5 seconds or more to wake up from a long sleep, etc, and is too slow for anything unpredictably moving or decisive once a life time kind of shot. Another big issue of the Sony FE system is terribly short battery life. I know if I bring this up, many Sony fans would tell me after adding a couple of extra batteries it is still lighter than any of Nikon Canon FF D-SLRs. Maybe so, but the real issue here is because we need to change the battery almost every couple of hours, we would miss many decisive moments, and it is really annoying.

 

Now, it is obvious this is the most difficult time to spend some serious amount of money into any of these already existing camera system since they all suck in some ways and all the camera companies are too arrogant or stupid to listen to the actual users.

 

The FE50mm f1.4Z is an amazing lens that may change the direction of the entire industry but it is a huge lens, honestly, if I knew where Sony were heading to at very first place in 2013, I would not have spent this much money into Sony FE system......I wanted it to be small, light and simple, but now it is a big, heavy, expensive and very complex system.

Really, why every new lens must be AF and this huge is beyond me. It is just making the system impractical with the terribly oversized lenses. I have never seen any 50 this big(except my Otus 55 and the old Sigma Art I hated both of those huge 50 primes), seriously it is as big as the 85mm f1.4 GM and is an ugly looking lens, too.

Sony should not try a D-SLR replacement system with the A7 system, but a great RangeFinder replacement system.

Hope they wake up soon.

  

UPDATE3: now I am 95 percent sure the A7M2 will be replaced in next April NBA show in USA.

There is a small chance we will see it in the next CP+ show but I doubt it now.

I never thought the A7M3 comes late, I thought the A7M2 would have only 12months of life but it already lived more than 18 months. Now we are sure the A7M3 is finally coming but in next year not in this year.

Those who attended Sony dealers meeting know it is coming very soon but not exactly when it will be announced, just yet. I think it will be either at NBA show or next CP+.

I think the A7M3 will get the improved version of the 36mp chip first used in the D800E in 2012 as it is the base model line of the A7X series. But Sony may use the new 24mp sensor or the 42.4mp chip since it is already getting cheap as it is clearly seen in the A99MK2 pricing in the US and in Asia(including Japan).

Sony says now the cost of producing the 42mp BSI chip is about 30 percent cheaper than that of the last year 2015.

And we all know that Canon's new FF mirrrorless camera will be announced very soon, we do not know exactly when it will be announced but everybody knows it will be in next year 2017.

  

So it looks like Nikon is finally dying, if not already dead yet.

  

UPDATE 4: after I got the prices for the new Nikon PCE lenses a few days ago, I realized that I was too hard on Sony and Olympus. I think Nikon's recent lens pricing is even worse.

The PCE19mm f4 is a bit too late and it is a much more expensive lens than the Canon 17mm f4 TS lens although it is much easier to design than the Canon. So this one is definitely a bad deal. The new 70-200mm f2.8 E FL VR lens is definitely the worst value 70-200mm ever that instantly makes the Sony 70-200mm f2.8GM and especially the Canon 70-200mm f2.8L IS MK2 lens look like super bargain lenses.

So I really think Nikon is doomed and now it is really difficult to justify the incredible amount of price hike in just a few months in Nikon system. And Nikon system seems to have the worst warranty policy especially if you get some grey market deals.

So for now maybe it is wiser to keep multi mount system, Sony FE and Olympus or Panasonic m43, or Fuji APS-C system.

I realized that I do not have to get a whole set of lenses for all camera systems I have. I guess I keep my Sony for just wide to normal range use and then add some Olympus or Fuji for long shot use since Sony and Nikon over 200mm lenses are huge and ridiculously expensive.

But for me the biggest issue with the recent trend of super gigantic oversized lenses in FF land is that they are often rejected by budget airlines. So as airline regulation is getting more and more strict these days, the much lighter and compact m43 system may survive for foreseeable future...at least 5 more years.

 

It really looks like Nikon is the real loser in this business since it has nothing to support its ever contracting camera business.

Olympus has very strong medical division and portable audio business. Fuji is a very diversified company, Fuji owns Fuji Xerox , Fuji medical, Fuji industrial scientific lab, Fuji semi conductor, Toyama pharmaceutical corp,etc.

Panasonic is also a very diversified company with core investment in house and automobile electronics industry.

Sony is also a very diversified company and its main business is insurance and realestate.

Canon is also a far more diversified company than Nikon.

Even Ricoh is more diversified than Nikon is.

So Nikon seems to be the most vulnerable one and I bet it will be the first to go out of the camera market.

  

UPDATE 5: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500.

 

UPDATE6: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

  

UPDATE7: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

Up Close Lotus Flower / high key/: PS7

For the best results, please view this up close Lotus Flower on black BG by clicking on this link

 

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Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

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This close up Lotus Flower image and Lotus flowers used in the rest of my photostreams:

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

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Light Box Set up for this close up / hi key photography:

  

Lotus Flower Macro / Pink Lotus Macro

 

a href="http://bighugelabs.com/flickr/onblack.php?id=2643393077&size=large">For the best visual impact, please view this pink lotus flower macro on black background

 

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Pink Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

This photo has notes. Move your mouse over the photo to see them.

 

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

In last month I got my A6500 delivered and having tested it against my previous Sony cameras.

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900 before it.

You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE3: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

  

UPDATE 4: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500. And all of those may just be well specified but never work well as promised by Sony or many moronic Sony shill sites..........

 

UPDATE5: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

 

Now even Tamron has sensor division in house and actually they designed the best sensor in the CMOS history and announced it recently. So sensor is becoming a large part of commodity kit. Now any one has the knowledge can design it.

  

UPDATE6: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Alzheimer's Disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Addiction Treatment. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the bladder . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the colon . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines,

 

I was shocked to discover recently that a woman in England, was tried under an Ancient Witchcraft Act and jailed for nine months. This was in 1944, at the height of the Second War War. Her name was Helen Duncan.

 

This is the true story of a woman sent to prison accused of being a witch when she was a well-known and proven psychic. During WWII Helen's accurate 'death notices' were verified countless times. When she materialized the full form of a sailor with the name H.M.S. BARHAM on his cap, a ship which the English government denied had been sunk; she was arrested and jailed as a spy and then a witch. Even after she was proven correct, she was held as a witch. Her story is still unfolding today and is documented.

 

This website is the Official source for news of the latest developments in securing Helen's Pardon. Over the last decade over 60 million surfers have visited here with millions more learning of her gifts and persecution via other supporting sites.

 

The information was sourced from helenduncan.org.uk, which I acknowledge and thank.

.

 

for Flickriver - Sophie Shapiro

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Photoshop instruction via Skype | Tutorial Video | Prints | Facebook Taken in the Hoh Rainforest in the Olympic National Park last summer. There is something appealing to me, to being able to walk in the woods, surrounded by the ancient life and deep silence. It's almost like a form of meditation. Or the cheapest form of therapy. This is a single exposure, shoot in JPG because I had been taking photos the day before and forgot to switch it back to RAW. For that reason, I had completely neglected looking at all my images from that particular day, but I am glad I took the time to go back and revisit them. via 500px ift.tt/1kLlDxV

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Crow-Fukase Syndrome . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cushing syndrome. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cutaneous liposarcoma . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cutaneous T-cell lymphoma. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines, Local indigenous knowledge about medicinal plants

 

ABOUT YOGA

  

“”Yoga takes you into the present moment; the only moment where life exists”

The word Yoga comes from the ancient Sanskrit language and its means ‘To concentrate’. This age old Indian form of art has proved its power and strength around the globe. Today people from around the world visit India to understand YOGA.

A wonderful blend of meditation and exercise, Yoga brings about a beautiful balance to the outer body and the inner soul. The soul flows as a free flowing, healthy vital power that enriches the body with health and activeness. The energy of the soul fuels the entire body.

Our daily stresses and physical and emotional burdens disrupt our vital soul and weaken its strength. Yoga here acts as a wonderful methodology that every individual should adopt and inculcate into his daily life so as to bring in health, spirituality, and positivity in his life.

Yoga is believed to unite the human with the divine. It is an amazing practice that helps you realize the motive of your existence, feel free from your body, connect to your soul and try to unite with the divine power. The role of meditation comes into play here. Yoga helps you indulge into meditation that relaxes your body and mind. The tension eases out and you feel relaxed and stress free.

According to the ancient Hindu mythology, yoga is the key to unite the ‘kundalini’ with Shiva. The modern Indian system of healing sees in a different perspective but under the same light. They believe that Yoga helps get rid of all the disturbances and perturbations going on in your body. Whatever be the explanation, the desired result is the achievement of piece and serenity of mind, body and soul.

The modern medicinal therapies use Yoga as a power to help relieve from the ailments of the daily human life. The diseased suffering bodies that we carry in ourselves can withdraw multiple benefits from the use of yoga. Various health centers are providing various Yoga practices for multiple health benefits. The wise selection of an updated, qualified, and authentic yoga center is a must to prevent any injury or unwanted body harm.

We at OLLC strive to provide you with the best qualified Yoga therapies performed with utmost care under the strict guidance of a yoga practioner who is certified and qualified for the same.

So come and experience an unfathomable experience of purifying your soul and enriching your body with positivity, peace, and health.

 

Website:-

www.ollcwellness.com

 

Email Id:- hr.nidhi@ollcwellness.com

(08289066611)

   

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

In last month I got my A6500 delivered and having tested it against my previous Sony cameras.

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900 before it.

You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE3: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

  

UPDATE 4: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500. And all of those may just be well specified but never work well as promised by Sony or many moronic Sony shill sites..........

 

UPDATE5: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

 

Now even Tamron has sensor division in house and actually they designed the best sensor in the CMOS history and announced it recently. So sensor is becoming a large part of commodity kit. Now any one has the knowledge can design it.

  

UPDATE6: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

White flower Reflections on white - Lotus Flower / nature / white / flower / Animated / animation / Flower Macro., ハスの花, 莲花, گل لوتوس, Fleur de Lotus, Lotosblume, कुंद, 연꽃,

For the best results and to view animated lotus flower capyured in nature, please view on black background by clicking on this link.... Thanks

 

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Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

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White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

White Flower Reflections / Lotus / Nature / White / Animated Gif - , ハスの花, 莲花, گل لوتوس, Fleur de Lotus, Lotosblume, कुंद, 연꽃,

  

White Lotus flower and Leaf in the fog

ID: IMGP6812

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Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Photoshop instruction via Skype | Tutorial Video | Prints | Facebook Taken in the Hoh Rainforest in the Olympic National Park last summer. There is something appealing to me, to being able to walk in the woods, surrounded by the ancient life and deep silence. It's almost like a form of meditation. Or the cheapest form of therapy. This is a single exposure, shoot in JPG because I had been taking photos the day before and forgot to switch it back to RAW. For that reason, I had completely neglected looking at all my images from that particular day, but I am glad I took the time to go back and revisit them. via 500px ift.tt/1kLlDxV

White Lotus Flower -- ID: IMGP5836 - زهرة اللوتس, ハスの花, 莲花, گل لوتوس, Fleur de Lotus, Lotosblume, कुंद, 연꽃

----------

Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Chinese Med Weighing Machine

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When you go to a doctor in Chinese Traditional Medecine you can find closets with thousand of diferent chinese herbs. The doctor does the right combination of herbs for your specific syntoms. He takes a few portion of herbs, weigh it and you take it for several weeks or months and will heal.

Chinese herbs have been used for centuries in healing process (Up 5000 years according to ancient documentation). Among the earliest literature are lists of prescriptions for specific ailments, exemplified by the manuscript "Recipes for 52 Ailments", found in the Mawangdui tombs which were sealed in 168 BC.

 

The first traditionally recognized herbalist is Shénnóng, a mythical god-like figure, who is said to have lived around 2800 BC. He allegedly tasted hundreds of herbs and imparted his knowledge of medicinal and poisonous plants to farmers. His Shénnóng Běn Cǎo Jīng (Shennong's Medical Materia) is considered as the oldest book on Chinese herbal medicine. It classifies 365 species of roots, grass, woods, furs, animals and stones into three categories of herbal medicine:

 

1.The "superior" category, which includes herbs effective for multiple diseases and are mostly responsible for maintaining and restoring the body balance. They have almost no unfavorable side-effects.

2.A category comprising tonics and boosters, whose consumption must not be prolonged.

3.A category of substances which must usually be taken in small doses, and for the treatment of specific diseases only.

The original text of Shennong's Materia Medica has been lost; however, there are extant translations. The true date of origin is believed to fall into the late Western Han dynasty (, the first century BC).

 

The Treatise on Cold Damage Disorders and Miscellaneous Illnesses was collated by Zhang Zhongjing, also sometime at the end of the Han dynasty, between 196 and 220 CE. Focusing on drug prescriptions, it was the first medical work to combine Yinyang and the Five Phases with drug therapy. This formulary was also the earliest Chinese medical text to group symptoms into clinically useful "patterns" (zheng) that could serve as targets for therapy. Having gone through numerous changes over time, it now circulates as two distinct books: the Treatise on Cold Damage Disorders and the Essential Prescriptions of the Golden Casket, which were edited separately in the eleventh century, under the Song dynasty.

 

Succeeding generations augmented these works, as in the Yaoxing Lun (simplified traditional Chinese: literally "Treatise on the Nature of Medicinal Herbs"), a 7th century Tang Dynasty Chinese treatise on herbal medicine.

 

Arguably the most important of these later works is the Compendium of Materia Medica (Bencao Gangmu) compiled during the Ming dynasty by Li Shizhen, which is still used today for consultation and reference.

  

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Alzheimer's Disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Addiction Treatment. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the bladder . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the colon . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines,

 

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

In last month I got my A6500 delivered and having tested it against my previous Sony cameras.

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900 before it.

You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE3: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

  

UPDATE 4: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500. And all of those may just be well specified but never work well as promised by Sony or many moronic Sony shill sites..........

 

UPDATE5: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

 

Now even Tamron has sensor division in house and actually they designed the best sensor in the CMOS history and announced it recently. So sensor is becoming a large part of commodity kit. Now any one has the knowledge can design it.

  

UPDATE6: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

White Lotus: Reworked for full sun - India's national flower

For best results, please view on Black

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Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

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White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Tay Sachs disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Teare's disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Teeth gnashing during sleep. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Temporomandibular joint disorders. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, Key Ingredients of Habenaria based Herbal Formulations, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines,

 

White Lotus Flower Macro / White on white / Lotus - ID: IMG_1693

 

==============================================================

 

----------

Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Chronic nonsuppurative destructive cholangitis . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Chronic obstructive pulmonary disease . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Chronic progressive aphasia . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Chronic tonsillar herniation . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines, Local indigenous knowledge about medicinal plants

 

White Lotus Flower and the Leaf lit by the early morning sun

----------

Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

In last month I got my A6500 delivered and having tested it against my previous Sony cameras.

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900 before it.

You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE3: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

  

UPDATE 4: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500. And all of those may just be well specified but never work well as promised by Sony or many moronic Sony shill sites..........

 

UPDATE5: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

 

Now even Tamron has sensor division in house and actually they designed the best sensor in the CMOS history and announced it recently. So sensor is becoming a large part of commodity kit. Now any one has the knowledge can design it.

  

UPDATE6: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

This is the famous Japanese mythical water devil known as Kappa, if you saw the Ancient Alien series on History channel, then you may have already known about this thing.

David Wilcock describes it very well in the TV series.

 

Anyway, it was a terrible day,I had to shoot this and all images on this day handheld, with one hand due to the heavy almost torrential rain. I think every time I go to Tokyo or Nagasaki, it is raining, I never experienced Tokyo without my favorite yellow umbrella, it is always terrible.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

So in the long run, may Sony E mount be the most expensive system out side of the Leica SL and MFDBs arena?

 

Well it seems like that considering terribly expensive Sony service charge and repair price, and of course their lens prices.

 

As far as lenses are concerned, I can only compare the lenses that have been tested scientifically. Now please keep in mind that these tests were done with the A7R not version 2, but when Nikon introduces their higher resolution camera this will increase the final numbers for Nikon system as well, and Canon already have even higher resolution camera than both Nikon and Sony, but oddly enough DXO and most of others refuse to use the high resolution Canon body for testing their new gen lenses.

Sony 35 2.8, Nikon 35 1.8, Canon 35 2.0 tested with A7R, D810, 5DIII, oddly DXO refuses to test Canon lenses on the 5DS.

Anyway though,the Sony Costs $800, Nikon Costs $600, despite the Sony having less resolving power and a full stop slower than the Nikon. So we see how expensive Sony system actually is already here at the very first comparison below.

www.dxomark.com/Lenses/Compare/Side-by-side/Nikon-AF-S-NI...

To be fair to Sony, there is also the Loxia 35 mm f2,which I recently sold off for some new macro lens for my Olympus. The Loxia 35 is a fairly good lens but not an amazing lens, not exceptionally sharp, not extremely well corrected either. It has a bit of serious coma issue at f2 and on, though it is still a better lens than the Sony 35 mm f2.8 in the areas of center resolution and longitudinal CA and Vignetting. But the Loxia is worse than the Sony 35 mm f2.8 in some significant areas such as coma, edge/corner sharpness and focus accuracy at infinity.

So in Sony 35 mm Full frame world , there is no value 35 mm prime at all.

Now move on to value 28 mm primes: Sony 28 2.0, Nikon 28 1.8, Canon 28 2.8, they are close enough to say the difference is irrelevant in real life use.

www.dxomark.com/Lenses/Compare/Side-by-side/Sony-FE-28mm-...

 

So move on to 70-200 mm f4: Of Sony 70-200 f4, Nikon 70-200 f4, Canon 70-200 f4, the Sony again is the most expensive despite the Nikon having more resolving power if we are to trust DXO lens rating. I personally do not trust their lens tests although I trust their sensor tests and I think their sensor test results pretty much mirror my own findings quite often.

But in case of the 70-200 mm f4 lenses, many other sites like SLRgear, lenstip tested and came to the same or identical conclusion to the DXO comparison. I also tested them at my work place with my own copy of DXO analyzer and got the same results.

If I have to pick the winner here, I would pick the Nikon for its obviously better resolution at 200 mm f4 setting. But it is more complicated than just optical quality, since the latest generation body IS of Sony is much more effective than most of in-lens VR or IS I tested.

So, while the Nikon is a bit better lens optically, I doubt that in real life handheld photography we see the better resolving power of the Nikon. The Sony 70-200 mm f4 comes with an excellent tripod collar that would cost 120 US if we buy it separately. Canon and Nikon do not include a tripod collar in their respective 70-200 mm f4 shipping package.

So maybe, is the pricing of the Sony actually reasonable?

www.dxomark.com/Lenses/Compare/Side-by-side/Sony-FE-70-20...

 

Now move on to 35 mm f1.4 lenses comparison:Sony 35 1.4, Nikon 35 1.4. Interestingly in this test the Sony did a little better in resolution to the Nikon although its 22mm longer and 30 grams heavier than the Nikon and 26mm longer and 50 grams heavier than the Canon, so not so compact for a compact system any more.

What this fact tells us about is if you ask ultimate resolution in any current FF system, regardless of your camera body size, your lens must be big and heavy, thus your system won't be small or cheap or light at all.

 

www.dxomark.com/Lenses/Compare/Side-by-side/Sony-FE-Carl-...

But in case of this 35 mm f1.4, we have to consider the extremely bad copy to copy sample variation issue of the Sony. The biggest issue of the DXO and the other typical online lens test sites is that they test only one copy supplied by the company.

But there is a great man testing literally 10-100 of copies of each lens and reporting his results most of times.

www.lensrentals.com/blog/2015/10/sony-e-mount-lens-sharpn...

 

Personally, I take Roger's opinion much more seriously than any other lens test site's so-called review. I work at a mall which also sell cameras and I have tested many returned lenses before sending them back to the respective manufactures, we found that the copy to copy variation is much more significant than many people online think, it is sometimes even more pronounced than lens A to lens B difference.

So testing one copy of each lens is not enough, definitely in the case of any super complex modern optics such as this FE 35 mm f1.4.

I know the best copies of it is a fantastic lens, but about 75 percent of times you get a bad one or just an ok kind of one. It is really really deplorable, sad.

But no one so-called review site besides Roger's report it, and I smell something very fishy here.

 

Now move on to 50 mm -55 mm value primes: the Sony 55 1.8 vs the Nikon 50 1.8 vs the

Canon 50 1.8 STM

 

The Sony beats out the Nikon and obviously the Canon because of the limited megapixels, but the interesting thing is when you compare pricing...$1000 for the Sony, $219 for the Nikon. Weight was another thing with the Sony coming in at almost 100 grams heavier than the Nikon and the Canon. In terms of Absolute resolution, the Sony is quite a bit better, though if you care about the money, then the cheap Nikon gets you about 90 percent of the expensive Sony performance at 1/ 5th of the Sony price.

 

www.dxomark.com/Lenses/Compare/Side-by-side/Sony-FE-Carl-...

 

now finally move on to 90-105 mm macro lens:

The Sony 90 mm macro is reported to be a better lens by likes of DXOmark, but according to Roger Cicala's extensive optics bench testing with many many copies of it, it is not as good as we all once thought it must be because of the DXO result for it below.

www.dxomark.com/Lenses/Compare/Side-by-side/Sony-FE-90mm-...

But it is obvious if you get a good copy of the Sony FE 90 mm f2.8 G lens, it is sharper than anything else in the market, actually it even beats the over-sized over priced not much useful awkward brand lenses like the Zess Otus 85 mm f1.4 APO or the Zeiss 135 mm f2 APO Sonnar,which I sold as soon as I found it useless in real life application ,especially for travel photography and street work. I loved it for studio work, but for that use I do not need to actually own any lens, just rent it from my boss's studio.

Anyway, my point here is if you get a decent Sony Fe 90 or 55 mm then it even beats the super-heavy ,awkward no compromise in design kind of d-SLR lens that priced about 4 times more than the Sony lenses.

The 90 macro is a cheap lens for what it is, there is no comparison to that lens in that relatively modest range of it.

 

So while I agree that Sony has made some very positive moves in recent years,it has come at a cost in pricing, f/stop and in the compactness to the system.Even then, the Sony lenses are not necessarily the best, especially when you take the fact that the Nikon/Canon Lenses often out resolved the Sony equivalents with faster f/stops for less money into serious consideration. The Canon lenses were at a deficit due to megapixels, and even with the obvious sensor resolution disadvantage, quite a few Canon lenses actually still out-resolve Sony Nikon equivalents, it was,to me,quite amazing.

So, I think if you need the ultimate best for now or the absolute best, most promising tech into foreseeable future, then the Sony system makes real sense here, but if you just need 90 percent of what the A7RM2 can do at the 1/4 of the Sony system price, then Nikon still makes better sense(value).

In my area it is even more glaringly clear, the A7RM2 body alone costs about 378000 yen, the Nikon D810 kit with the AF-S24-120 mm f4 VR costs 321000 yen,the Sony does not seem to be a great value although it may well be the absolute best camera in current camera market.

And most of people just go with the almost 95 percent as good as the absolute best kind of system that costs much less than the absolute best.

I chose the Zeiss Batis 85 over the Zeiss Otus 85 although I knew the Otus would beat the Batis in resolution(at a lab)..........but for me the much more manageable size and the weight saving, and more importantly the better overall practicality/usability of the Batis beat the absolute tripod resolution of the Otus. I think the same logic applies for choosing the right camera system.

Although, IMO, Canon still has the edge in lens line, flash,etc, and as a company most stable and profitable with a lot of key-core patents in this ILC technology, I personally never consider any of current Canon cameras seriously. The 5DS is just simply too overpriced, the 6D is just too long in the tooth, the 5D3 is about to be replaced, so no current Canon cameras make great value.

The 5DS-R costs 2 times more than the D810 and I think it is just too crazy, and that makes it absolutely the worst value camera for me. The 5DS at least a bit cheaper than the A7R2 to really justify its market position since it does not have the IBIS of the Sony, the 4k capability of the Sony, the high ISO performance of the Sony.

In the end, after comparing the prices of the lenses I need for the 3 systems carefully, I kind of realize that it is most logical to just stay with my current Sony system, just because I already have it. I guess I will hold on to my A7, A7M2, A7R for as long as I can, and see if Canon, Fuji or Samsung will answer to the a7R2.

The above logic just works for me, but I think for more budget minded people the Nikon may still hold the value king title with the D750..

The D750 is really attractive for event photography on a tight budget, and it is very very cheap now in the many many areas of the world, especially in my area.The Nikon D750 or D810 based system is at least 30 percent cheaper than the A7M2 or the A7RM2 based system with a few primes and a couple of zooms. But if you are a kind of person always wanting to shoot with a Otus or similar IQ lens and always carefully manually focus it, then Sony would suddenly become a much more logical choice for you.

The FE 55 mm f1.8 is sharper than the Otus 55 mm f1.4 at 1/4 of the Otus weight.

I do not have problem paying the Otus price for a great lens but the weight is.

The Sony FE 90 mm f2.8 G (assuming you get a decent copy) beats the both Otus and Batis in resolution and a few more areas.

I know the greater resolution alone does not make it a better lens than the Otus since Otus beats in the areas of CA, distortion and coma at wide open,etc.

But to me the better resolution of the Sony at 1/3 or the weight of Otus is very attractive.

The Batis 85 mm f1.8 is a great lens, honestly it is a bit different kind of lens than the Otus is with a bit more CA, a bit more distortion,etc, but it has the unique Zeiss look as with the other great Zeiss primes, and it is definitely sharp enough for its obvious intended use.

For landscape type of corner to corner sharpness, it may not be able to match the best primes in that focal range such as the FE90 mm f2.8 G , the Otus 85 mm f1.4 and the Leica 90 mm f3.5 APO, but still it handily beats all zooms and most of primes ever made in that specific focal range.

Many people compare the Batis 85 mm to the Nikon AF-S85 mm f1.8 G just because they both share f1.8 f numbers, but are they really comparable in quality?

Actually, in terms of sheer resolution and optical quality the cheap plastic Nikon may be comparable to the Batis. But it is weaker in a few key areas compared to the Batis.

The Nikon has much worse Lo-CA, much worse weaker flare resistance, a bit more distorted.

But the Nikon is smaller, lighter comes with 62 mm filter thread rather than the big 67 mm one on the Batis, it has a bit lower distortion and seems to have a bit lower amount of light fall off.

So it is actually closer match than we once thought it would be, and I see many many people mostly shooting all AF prefer the Nikon over the Zeiss in this case.

But unfortunately for me, the Batis is a better looking lens for my type of shooting since I am a manual focus kind of person, seldom use AF and having good MF ring is very important to me. So as my old man always said when I was a kid, it is always horses for courses, there is no one absolutely better camera system for all of us.

 

Finally as a side note, many many people guessing a lot of the technology inside the Leica SL seems to be from Panasonic.

I think Leica/Panasonic are testing the waters, with their first FF CSC with modern design more sophisticated UI than that of the Sony A7X.

I wouldn't be surprised, if less than a year from now, Panasonic makes a shot directly at Sony A7 series with a cheaper and more practical version of the Leica SL.

If Canon and Nikon don't come up with competitors in the meantime, Sony-Panasonic will be pushing this market very hard very far so that the old leaders will find themselves 7 laps behind all of a sudden. It may be easy for Canon to come up with something similar since they have all the tech needed to make something similar to the Leica SL, but is Nikon still safe, some how able to manage it to survive?

I know many Japanese Mega camera dealers that think in a matter of a several years Nikon won't be around in this market.

If they are correct, I wonder if the new Tokyo Nikon camera museum was actually built by Nikon as their own camera indoor cemetery?

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2:Another serious issue all the camera makers will have to face but I did not really realize before is that all ILC cameras are big to most of NORMAL non-photographer people, and they are very intimidating to most of NORMAL people(I mean regardless of mount type or sensor type).

I never realized it before but while walking around down town Fukuoka with one of my long time friends here forced me to understand it. A friend of mine told me that he thinks all interchangeable lens cameras are huge and intimidating to most of average people regardless of sensor size or format, it's just simply annoying!

I guess a big lens scares or annoys people more than a big body......I never saw it his way but I got his point and I decided to carry my tiny Canon G5X when I just walk around the city area with other people. If I am alone shooting something, then I usually carry my big camera, and I think it does not matter it's a m43, a FF, an APS-C, it is all big to most of NORMAL people, anyway.

Then why not just go all the way up to FF or MFDB, or at least APS-C?

 

So maybe the one really doomed is not Nikon F or Pentax K or Sony A but m43?

Nikon and Pentax have historically had very enthusiastic and even fanatic core shooters and they are usually too old to adapt themselves fast to new EVF based gear even if they understand it is the more logical thing for them as they are aged. So D-SLRs may survive as antique cameras, but m43 or Nikon One?

 

UPDATE3: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE4: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

   

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

In last month I got my A6500 delivered and having tested it against my previous Sony cameras.

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900 before it.

You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE3: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

  

UPDATE 4: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500. And all of those may just be well specified but never work well as promised by Sony or many moronic Sony shill sites..........

 

UPDATE5: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

 

Now even Tamron has sensor division in house and actually they designed the best sensor in the CMOS history and announced it recently. So sensor is becoming a large part of commodity kit. Now any one has the knowledge can design it.

  

UPDATE6: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

In last month I got my A6500 delivered and having tested it against my previous Sony cameras.

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900 before it.

You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPdate : now, Canon has just announced its new sensor development policy. Canon seems to have built a new sensor plant in Mie prefecture of Japan. It seems like Canon is going on new 65nm process rule and all upcoming Canon sensors will be produced at there.

I think the 1DX2 and the 80D sensors are processed at the new plant.

Sony is still leading the CMOS imaging industry, but giants like Samsung are in close pursuit. Also big players like Panasonic are forming joint ventures with the likes of TowerJazz to offer 12-inch wafer fabrication with state-of-the-art quantum efficiency and dark current performance at 65 nano meters, and additional 45nm digital technology, and added available capacity of approximately 800,000 8-inch wafers per year in three manufacturing plants in Japan, according to TowerJazz.

 

The stakes are huge. The CMOS image sensor market will reached the historic $10 billion milestone in 2015, according to Yale, and with new applications popping up in automotive, medical and surveillance, while smartphones begin adopting high-definition front facing cameras, the industry is likely to hit the $16 billion mark by 2020. So nobody is just sleeping and Sony has to consolidate its position ASAP, or probably Sony will lose it again just like its short-lived TV business.

  

UPDATE2: Nikon has just announced a new sensor fab development with Toshiba and it seems like their new sensor design uses very similar AF tech to the DP AF of the Canon EOS M5 sensor without losing almost no amount of light getting into the sensor.

 

Canon also patented a few new curved sensor designs with Toshiba. Toshiba seems to work as a special sensor designer for many companies rather than producing it themselves now.

 

And it found out that the Sony's old curved sensor patent is no longer effective, and it was originally a Toshiba patent.

So if Sony really lost the patent to Toshiba , then Sony would have a big problem since Sony would not be able to use the curved sensor tech for their FF camera lines that helps them to design smaller and sharper lenses for the FE system.

  

UPDATE3: Now, I've just confirmed that Nikon DL series actual shipment date would be next January 17th as planned in last Nikon conference at Nikon D5600 launch. But it may delay even further to next CP+ show in Yokohama Japan(in Feb 2017).

 

So it is already promised to be a failed product line before the actual launch. I think Nikon is really stupid, I mean I don't think phones or mirrorless killing Nikon but itself, it obtuse marketing killing it.

  

UPDATE 4: as I said A7M3 will not come until next year..........

However, Sony will announce FS8 or FS7MK2 at Inter Bee 2016......not at Photo Plus NY. So SAR was wrong again.

The FS7 successor will have APS-C sized sensor multi aspect sensor for super 35 output. It has the new processor Sony calls "Front side LSI", which was recently introduced in A99MK2 and A6500. And all of those may just be well specified but never work well as promised by Sony or many moronic Sony shill sites..........

 

UPDATE5: Many people including myself thought Nikon is dying, if not already dead by now, but in reality Nikon still sells many many more units than Sony and Nikon is now working on new type of sensor design and they may collaborate with Pentax and Olympus to set up a new sensor company. If this plays out well, then Sony will be the loser since they will have no one to sell their mediocre so-called Fullframe sensors any more. And as a result their highend camera prices will go up significantly.

And now Sony has just announced they've just decided to spin off their imaging division and now it is an independent business under Sony corp's supervision, just like their sensor group.....

This means now Sony imaging is not a part of Sony but their subsidiary, and therefore, to Sony device group, the imaging group is just a customer,nothing special, in fact,considering its size of market share in relation to that of Nikon, Sony imaging group is a lower class customer to the device group.

So there is no more reason for Sony device technology to keep the best sensor for in-house use. In fact now Sony device tech must compete with the new sensor company Nikon Olympus Ricoh have just established here and some European sensor designers such as CMOSIS, who makes the Leica SL sensor and M sensor.

And do not forget there is always Canon if Sony does not sell anything to Nikon.........Canon will start selling it and there will be Panasonic and Tower Jazz also........so Nikon will not have any problem choosing sensor suppliers any more.

Sony must sell their best sensors to Nikon, Olympus, and Pentax , or Sony will lose them, Sony cannot choose customers any more.

If Sony is smart, it will not compete with Nikon or Olympus in camera market. After all, Nikon is the biggest customer of Sony.......but Sony also buys steppers from Nikon anyway. So Sony is not dominating the sensor market, or controlling Nikon as many Sony fanboys think..........and the just announced Spun-off of their imaging division makes Sony camera business less trust-worthy........... Sony thinks every business as a short term investment and runs it to make it temporarily profitable and then spins it off.

After that? of course sells it to anyone willing to buy it.........like Sony did with the Vaio PC business, TV business, etc,etc.

That is why no one really trust Sony in the long run, we long term Sony users just use its cameras but always know it is a back-up plan or step-gap solution......

After all no serious camera buyers are as obtuse as many spec-chasers and review sites think they are. None one buys into a big expensive camera system just for an amazing set of features in a body or two...................there are many many more important aspects to a system camera than just a set of great features...

 

Now even Tamron has sensor division in house and actually they designed the best sensor in the CMOS history and announced it recently. So sensor is becoming a large part of commodity kit. Now any one has the knowledge can design it.

  

UPDATE6: Now my first 2 copies of FE16-35mm f4 suddenly died and I just bought my 3rd copy of it.........and sadly found it terrible this time.

It is obvious buying any Sony Zeiss FE lens is like picking up an extremely difficult to win lottery ticket..........it might be great but most of times you get mediocre copies of it.

My first 16-35mm f4 was excellent , the second one was even better-almost outstanding, then this third one is literally lousy. I am returning it and get a new copy but I am not expecting to get a better one, I guess I was extremely lucky with my first two copies of this lens........I guess I will force the dealer to exchange my FE16-35mm f4 for the Voiklander 15mm f4.

 

Sony QC is just terrible, and it is not worth any premium over other cheap off-brand lens maker like Samyang, Tamron and Sigma. In fact, Sony is even worse than Tamron and much worse than Sigma Art series with respect to QC. I have had 4 Tamron VC lenses in EF and F mount and they performed fairly consistent....

I really miss Tamron 90mm macro, now I guess a brand name means nothing when it comes to QC and general after sales support. In fact, Tamron and Voiklander provided me the best service of any lens maker I have ever dealt with. It is extremely frustrating every time I spend more than 110000 yen or 1075 USD, I still have to worry about terrible sample variations.

I think we have to appreciate Roger Cicala's excellent site. He is the only one guy testing more than 5 copies of any given lens. All other reviewers just merely test one copy of each lens.........useless.

         

White Lotus Flower Reflections / green / - Animated Gif

For the best results, please view this image of green lotus reflections on black background by clicking on this link.... Thanks

 

----------

Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

-----------

  

White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

 

Lotus Flower Reflections / green / IMGP6812-refl - زهرة اللوتس, ハスの花, 莲花, گل لوتوس, Fleur de Lotus, Lotosblume, कुंद, 연꽃

 

Link to other images by Bahman Farzad with green / GREEN / on flickr:

www.flickr.com/photos/21644167@N04/3031353198/

www.flickr.com/photos/21644167@N04/2336853336/

www.flickr.com/photos/21644167@N04/2105078536/

www.flickr.com/photos/21644167@N04/2539132736/

www.flickr.com/photos/21644167@N04/2873153858/

www.flickr.com/photos/21644167@N04/2838699666/

www.flickr.com/photos/21644167@N04/4817452232/

------------------------

Link to Bahman Farzad's images with a touch of green:

Link to a whie flower with a green patch

Link to a whie lotus flower with a green leaf on a white background

Link to a pink fractalius lotus flower with a green background

Link to a white lotus flower with a green background reflections

Link to a fractalius red lotus flower with a green background leaf

Link to a red tulip with a green stem and leaf

Link to a white lotus flower and green leaves with the sun

      

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Alzheimer's Disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Addiction Treatment. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the bladder . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the colon . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines,

 

At Yaksheetasri.com, experience a feeling of healing and pampering with a blend of relaxation and rejuvenation in the exotic ambiance imparting a sense of tranquility, peace and calm. Humans need touch and touch is a powerful healer. For thousands of years, many cultures have practiced some form of massage with the aim of easing physical, mental and spiritual aliment. We at Yaksheetasri.com, welcome you to undertake the journey within, through powerful and magical touch.

Choose from an intelligent mix of exotic treatments, traditional massages, detoxification, reflexology, scrubs, wraps, signature facials, hair spa, foot spa and the most indispensable dental spa, to let go your stress, completely beautify your body and unchain the abundant energy within you. The entire range of treatments/rituals has also been grouped into a variety of packages to suit your convenience, desires and precious time.

At Yaksheetasri.com, the team of masseurs/masseuse comprises of handpicked experts from all field of massages and treatments with ample experience. In today’s fast paced individualistic world with huge scarcity of time and energy, come to Yaksheetasri.com and find yourself and the abundant energy within you. Yaksheetasri Spa's treatments have been carefully designed to energize your body, mind and soul. The treatments have been customized depending on the location, by keeping in mind the guest's needs. An airport spa would incorporate express treatments keeping in mind, the traveler's limited time.

Whether it is an express Spa & Salon with a selected few treatments or a complex set-up with exotic features and a wide array of spa services, Yaksheetasri Spa has a complete solution for hospitality organization. With in-house design, training, product development, marketing and management capabilities, Yaksheetasri Spa can offer individual solutions from green field projects to complete spa management of existing facilities.

Yaksheetasri Spa is only leading "Premium Class" Chennai spa chain in existence. We have transformed a first class upscale Chennai Massage & spa concept in to a successful spa wonderland. This has turned out as a perfect gift for passengers who are on- the-go. Our spas are designed to encourage tranquility and well-being. We use warm earth tones of wenge & beige, world class leather seating, wooden floors, gentle indirect lighting and soothing background music to create a relaxing environment that attracts women’s only.

Additionally, Yaksheetasri Spa has developed numerous innovative spa practices that enhance the airport spa experience. We are very proud to have revolutionized the way to operate a spa, while having created the most relaxing destination in Chennai. In the past couple of years, Yaksheetasri Spa single-handedly transformed Indian Chennai concessions by turning spas into a must-have for any major are in Chennai.

Foot Reflexology

Foot reflexology is "pressure therapy" and involves applying focused pressure to certain known reflex points located in the foot to cure or prevent disease. Foot reflexology is based on the premise that our nerve zones or reflex points go from the bottom of our feet to the top of our head, encompassing all vital organs on the way.

Neck & Back Massage

A massage is the most basic of all healing techniques. Studies indicate that this touch therapy reduces stress, depression, lessen pain and boost the immune system. A back massage is the most preferred massage treatment as poor spine, postural defects and sleeping disorders are effectively addressed through this simple, nurturing and powerful touch therapy.

Swedish Massage

Swedish body massage is the original massage technique involving a sequence of movements working superficially and deeper into the tissue layers. The main purpose of Swedish massage is to increase the oxygen flow in the blood and release toxins from the muscles. Massage helps in flushing the tissues of harmful deposits such as lactic acid, uric acid, and other metabolic wastes . Swedish massage also stretches the ligaments and tendons keeping them supple and pliable, and stimulates the skin and sooth the nervous system at the same time. As a treatment it helps reduce stress, both emotional and physical, and is often suggested in a program for stress management. It also has many specific medical uses.

Balinese Massage

A Balinese massage uses a combination of gentle stretches, acupressure. Aroma oils used in the massage stimulate the flow of blood, oxygen and energy around your body, and bring deep relaxation and wellness. Massage is a rigorous and luxurious spa treatment and a great one to choose if you want to experience a variety of massage techniques, relax and feel spiritually renewed at the same time. Balinese massage is related to the ancient Ayurveda, the Indian holistic medical system.

Aromatherapy Massage

Aromatherapy massage is an ancient science of healing, relaxing and energizing by the use of plants and their parts. The roots, barks, flowers, fruits, seeds and nuts play a crucial part in this massage. The word aromatherapy is derived from two words aroma which means smell and therapy which stands for healing and overall relaxation and wellbeing.

Thai Massage

Thai massage is an ancient healing art. Through application of pressure on energy lines and points, and a vast array of passive stretching movements performed with the hands, feet, knees and elbows, the body experiences profound relaxation, peripheral stimulation of internal organs, increased flexibility and increased flow of energy. Thai massage is that you get the flexibility, inner organ massage, oxygenation of the blood and quieting of the mind that is attained with yoga. Through deep muscle stretching, joint release and emphasis on breath, Thai massage offers many of the same benefits as yoga.

Deep Tissue Massage

Deep tissue massage is a particularly effective massage for people with muscular pain. Massage helps to refresh and relax muscles, increasing the blood flow and therefore the oxygen flow around your body. This gets rid of toxins in very sore and strained muscles, which helps them to strengthen and heal. Deep tissue massage is often used to treat people who are recovering from accidents, and for sports injuries as it increases blood circulation in muscles that are underused, relieves chronic muscle tension throughout the body, and can also break down scar tissue and "knots" deep in the muscles.

Ayurveda Massage

According to Ayurveda each individual is a combination of the 3 doshas namely vata, pitta and kapha. These 3 govern the metabolic activity in an individual. The detoxification methods like panchakarma and other health remedies ( herbal) when applied wholly/singly make the body, more responsive to medicines thereby hastening the healing process. Various yogasanas achieve, the twin propose of strengthening the body, vital organs like heart, liver etc. as well as keep the physical and psychological condition strong. Not only do the herbal remedies play an important role in internal health and well being but also external health and beauty which is quite evident from the overall appearance.

One of the most important reasons for increasing use of Ayurveda in beauty and skin care is that this system can clearly bring out a youthful clear skin in conjunction with happiness and relaxation which otherwise can’t be achieved by cosmetics. A well regulated lifestyle along with suggesting a discerning diet according to ones doshas will go a long way to strengthen ones natural immune system. Ayurveda is perhaps the first such system that recognises that all diseases are, but the direct manifestations of one’s mental conditions. Any disturbance in the 3 states of human mind (Trigunas) namely Satwa, Rajas as and Tamas manifests in the form of physical illness.

 

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Tay Sachs disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Teare's disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Teeth gnashing during sleep. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Maharaji with Red, Brown and Black Rice based Traditional Herbal Formulations for Temporomandibular joint disorders. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

Related Topics in Medicinal Plant Database

 

Biodiversity Driven Drug Discovery, Oryza Research by Pankaj Oudhia, Forgotten Vedic Rice Science, Saving Deep Water Indigenous Medicinal Rice, Rice landrace diversity in Asia, Validated Herbal Ingredients of Entomophagy and Entomotherapy Formulations, Saving Chhattisgarh Rice, Folk Food Conservation, Conservation of Traditional Rice Landraces, Organic Medicinal Agriculture, Oryza sativa L., Rice in Ayurvedic Herbal Medicines and Formulations, Medicinal Black Oryza Formulations in Eastern India, Indigenous Rice, Tribal Medicines for Hepatic cirrhosis, Key Ingredients of Wild Rice Formulations, Tribal Medicines for glucose metabolic disorder, Integration of Indigenous Traditional Remedies in primary health care, Vanishing Traditional Medicinal Rice, New Oryza Research, Medicinal Rice Biotechnology, Oryza and Healing Millets in Ayurvedic Home Remedies, Organic Farming of Red Rice, Wild Tribal Food plants of Gujarat, Wild Curcuma in Rice Formulations, Traditional Knowledge Documentation, Forgotten Indigenous Medicines and Medicinal Plant Research, Wound Healing Medicinal Plants in Ancient Rice Formulations, Threatened plants in Medicinal Rice Formulations, Medicinal Rice Germplasm, Chhattisgarh Rice Agriculture for Nutrition and Health, Medicinal Red Rice of Chhattisgarh, Wild and weedy Oryza in Tribal Food Systems, Folk Rice Landraces and Forest Tribes of Jharkhand, Desi Stevia with Medicinal Rice, Antibacterial and antiviral activities of Indigenous Rice Formulations, Agricultural Biodiversity, Forgotten Medicinal Plants from Community Gene Bank, Seeds for future, Forgotten Medicinal Rice used by Primitive Tribes, Medicinal Rice Farming for Rural Development, Ethnic uses of Traditional Lowland Rice, Rice Allelopathy, Medicinal Orchids in Red Rice Formulations, Climate Change Impact on Ancient Medicinal Rice based Therapies, Rice Fortification through Traditional Agricultural Knowledge, Forgotten Traditional Rice and Endangered Tribes, Medicinal Plants and raw drugs of India, Asian Rice Germplasm for Chronic Diseases, Medicinal Rice in Traditional Food System, Medicinal Rice Knowledge bank, Indigenous Herbal Drugs for General Health care, Ethnomedicinal Exploration of Oryza, Wild Rice Database, Medicinal Rice in Indigenous Peoples' food systems, Medicinal Black Rice of Chhattisgarh and Jharkhand, Black Rice as Tribal Traditional Food, Traditional Indian Tribal food, Food Taboos and Folk Medicines, Wild rice in Tribal Agriculture, Allelopathically enriched Oryza for Health, Medicinal non-timber forest products of Gandhamardan Hills, Rice of the gods and goddesses, Conserving Rice Genetic Resources, Traditional Folk Food in Rural India, Asian Medicinal Plants for Diabetes and Metabolic Disorders, Tribal Knowledge on Indian Food Plants, Medicinal Rice of Madhya Pradesh and Chhattisgarh series, Recent Medicinal Plant Research, Innovative medicinal rice based food products, Odisha Folk Rice, Invasive Alien Species in Medicinal Rice Formulations, Ancient Nanotechnology based Oryza Formulations, Vedic indigenous wild food plants, Neglected and Underutilized Species as Tribal Remedies, Famine Food Plants as Antidiabetic Agents, Mosquito Repellent Plants, Culinary uses of non-cultivated Oryza, Reis in Traditional Cuisine, Medicinal Rijst and Nutritional anthropology, Hrísgrjón, Medicinal Pис in Tribal Aboriginal Diets, Rýže, ρύζι, Pirinç, Ryžis, Arròs as Traditional Aboriginal Medicine, пиринач, ข้าว, Cây lúa, 水稻, イネ, Antipyretic properties of native wild wood Mushrooms, Integration of Oryza based Traditional Herbal Medicines, Oryza with Adivasi Medicines, Medicinal Rice popular among Adivasis of India, पंकज अवधिया के शोध कार्य, Medicinal weed flora, छत्तीसगढ़ में धान, बस्तर के आदिवासियों की दुर्लभ औषधीय वनस्पतियाँ, Medicinal Trees of Chhattisgarh and Jharkhand, Medicinal Plants of Narsinghnath, Cyclotides in Ancient Tribal Medicines, Key Ingredients of Habenaria based Herbal Formulations, भारत का पारम्परिक आदिवासी ज्ञान, Bastar Folk Rice, Encyclopedia of Tribal Medicines,

 

The Balance of Energy No.II

Isha Schwaller de Lubicz, lived for fifteen years among the temples and tombs of Luxor and Karnak, in order to try and "penetrate the secret symbolism of the hieroglyphs."

There are two parts of the temple; the outer temple where the beginning initiates are allowed to come, and the inner temple where one can enter only after proven worthy and ready to acquire the higher knowledge and insights.

One of the concepts that the Egyptians held was that man was the microcosm of the universe – the macrocosm. This is the reason for the saying: "know thyself." Their spiritual aspect of this concept held that within man is the divine essence of the Creator and the Heavens. And this finds expression in their teaching: "The kingdom of heaven is within you; and whosoever shall know himself shall find it."

 

Taken from Gerald Massey, Ancient Egypt the Light of the World, Volume I

 

♫ - Tamally Maak (Always With You)

 

for Flickriver - Sophie Shapiro

.

It was dark and windy, really a bad day.

  

Now amazing Capture One pro 10 is out, and for Sony users the express version is free.

The Capture One 9.4 before it was simply outstanding RAWC, much better than anything from Adobe or Raw Therapy.

 

Unfortunately, the free version of C1 does not handle Canon, Nikon or Olympus RAW, only Sony or DNG(Pentax and Leica).

 

So I guess It is another big reason for many of us to choose Sony over anything else. If you use Sony, you can get a full copy of Capture One pro 10 for just 50 USD.

AS far as I am concerned, this is an incredible deal, great Christmas gift for us from Phase One, the greatest company in Photography ever.

 

I think both Capture One 10 Pro and DXO 11 produce a bit better color than LR CC or LR6 for Sony, Canon,Olympus, or Nikon.

 

I suspect that Adobe programs are optimized for Canon but even for Canon CR2 files, LR6 and CC are not good enough, never produce the amazing amount details that Capture One 10 or DXO 11 does.

 

Seriously C Oen 10 pro for just 50 US is an amazing deal. nothing beats it for that price.

Capture One 10 is a much better more serious program than the LR crapware, and the biggest deal here is not need to deal with the Adobe subscription stuff. Many many Adobe users used the license and repaid it to re-activate it, it is really terribly unstable. I had one time could not use it when I was editing my images on site in a mountain area and they say my account is just trial although I paid it for full CC version.

So after coming back from the mountain, I decided to cancel all Adobe CC crap, and I just got Capture One express 8.32 for Sony free,then later in the same month (last April)I upgraded it to the pro version. I could not be happier.

Now, also DXO is offering me a copy FULL copy of DXO 11 Pro version for just 99 USD. I will get that too.

Honestly, there are still times we need Photoshop but I do have full copy of CS6, so I do not need CC anymore, and I've found life without Adobe CC crap is really much more relaxing and easier.

  

The new race:

 

I've owned a7II, a7R, a7,A6000,A6300,NEX5n, NEX6,NEX7, A100, A350, A700,A99V and A900.You may not easily find a bigger Sony camera supporter than me.....So I am obviously not an anit-Sony or mirrorless kind of person. I think I was one of the very first Emount adapters in the world, and I have probably spent more money than most of just temporarily moved to Sony because of the A7RMK2 kind of guys out there. But I am realistic and know the Sony system is still incomplete, on many levels it is not comparable to Nikon and Canon D-SLR systems and even not comparable to Sony's own A mount system just yet.Yes, the EMount cameras produce great images in right conditions.But they have ignored maybe minor but actually very important subtle evolutions that larger cameras earned through decades of camera companies listening to their customers, including pros.

 

Please do not be overly defensive about Sony, and definitely not deny or ignore the facts, ignoring or denying it,or overly defending Sony just spoils Sony and stops the potentially the most interesting and advanced arguably almost universal mount system from fully developing its full potential. I honestly believe the E mount is an almost universal hybrid mount system that might replace all of the current camera mount systems to make it just simple one mount if Sony listens to its customer base..

The EMount system would be better for everyone if Sony listened to a few annoyingly loud but honest professionals like Ming, Thom and Michael,who raise valid issues/points. No one will be hurt if Sony engineers understand it some subtle nuances that many photographers have actually relied on for decades for their real life work projects in the filed, and only way for Sony engineers to be able to get it correctly is to listen to likes of Ming or Thom or like that even if they are not Sony fan. Only listening to likes of Michael Reichemann,who seldom criticize about Sony or any camera, just spoil the E mount and stop it from fully development.

Some of us are really crippled by Sony ignoring these minor but important features.

Face it and see the reality, Sony is not listening, but rather mean to its user base.

Try not to express strong opinion on Sony or Mirrorless l keep that to myself and just write about the facts of the current state of the E mount system and its main issues in real life use:

 

1>Even the most avid Sony enthusiast has to admit that Sony really screws their customers over with a new model in every few months

far as depreciation. This is as opposed to Canon, say the 5D3

loosing 2/3rds of an A7 resale value in 14 months is just hard to stomach. Ming is right that wait a year for the R3 and the R2 will be way way down probably 1200-1500 used. And even now, at least in Japanese market there a quite few used A7RMK2 floating around the internet.

thats a tough bite in a year for all but the professionals. wait 2 years, and its likely under a grand...and there is no serious FW update to any of the original A7X cameras,I mean there were a few FW updates but they were all minor bug fixes not like Samsung adding many super new features to its NX1 every time Samsung updates it.

 

I think this is a very important point, and I think this actually hurts Sony not helps in the long run since this really scares those who buy the"system" rather than just a body kind of guys away from the E mount system, and those buying into the system not a camera actually spend much more money in the long run for Sony. I still have the original A7, along with the a7R, A7M2 and A6000 just because it is almost impossible to sell my A7 without losing too much money, and sheer IQ wise, none of newer A7X cameras is a huge upgrade to my ancient A7 and A7R(I know in a lab they are much better tested,but I mean in real life)

I actually have NEX5n andNEX6 too, although I haven't even touched them for a couple of years or so.

I tried to sell my NEX6 and NEX5n,which I hate but I could not get any significant money for them,so I just kept it for days I would have to shoot in intense rain, or in risky or dangerous places.

I know the a7M3 is coming very soon, and I'm already preparing for it, but I have feeling that I might just avoid it even if it is a great camera, I just hate Sony keeps depreciating every single body it releases in a matter of a few months, most of Sony cameras do not even have a couple of years of life even the expensive A7RM2 will have just a year of life, it is really silly.

2>The widely reported promise of adapted lenses working as well as their native mounts is a big marketing lie. In reality even with Sony's own LAEA 1, 3, 4 adapters, AF-C is incompatible with Continuous High bust mode. Must use Cont Low at 2fps, and it's about as accurate as an old Sony A100 focus system. Also, no Sony/Minolta tele-converters are compatible. It is not a replacement for DLSR or SLT tracking. I'd be interested to know if Canon teleconverters work with Metabones adapter,though. Yes native EMount lenses focus better. But the selection doesn't present itself as a full DSLR replacement. Where is SEL70-400 mm SSM?

3>In my rent studio shoot comparison, two A7M2 with the external battery grip got 710 shots writing RAW only. One D750 without the external battery grip got 1560 writing RAW+JPG on two cards. The A7M2 required computer/hard drive backing up, lens adapter, battery grip, making it the larger system to carry around than any Nikon or Canon or even Sony's own A mount camera such as the A99V,which I had a year ago.

And even more serious problem for studio shooting is the external vertical grip with two batteries will not transfer power to second battery when tethering. Sony Remote Camera Control software shuts down with low battery warning at 20% left on battery one. Will not clear until first battery replaced, regardless if second battery is present. Second batt is useless in tethering mode.Less power, less shots, more tether software startups. Same thing happens when installing software from Play Memories App Store. a99/900 transfer VG battery power smoothly for tethering.

So,Sony can actually do proper tethering for the A, but for E mount system Sony chooses not to do it properly, this is extremely odd to me.

4>EMount really complicates its AF usability with at least minimum two button push for AF selector points. No diagonal scrolling available to get there faster,... the same usability issue for magnifier and playback for manual focus. Two hurdles which make it slower than regular DLSR joystick instant control with horizontal scrolling for AF selector, magnifier, and magnified playback viewing.

For small bodies like the A7X, there may be no space for the simple joystick UI of the DSLRs, but at least Sony can put some sort of touch-AF feature in the A7X.

It is a big mystery to me that Sony always refuses to put touch screen UI in the A7X and A99X cameras.

As Tony Northrup says, touch screen U.I is really practical,especially for small cameras.

As an Olympus and Panasonic user, I know this very well.

I think every EVF camera needs touch AF feature and even better touch pad featre of the latest Olympus EM10M2.

5>The dumb metal thumb bracket accessory for RX1 has a lock for so-called muti interface shoe fit... but the flash adapters and microphones of any Sony A7X don't have any locks. Should that be the other way around? CaNikon have full metal locking sleds on their flashes, yet Sony has four plastic toes... not even full sleds.

It may get some unwanted water or any kind of liquid in side of the main board of the camera. So I taped it with some vinyl tape.

6>Sony actually fixed the plastic lens mount flexing with a A7m2 and R2, but never actually bother to recall the A7R and A7 to fix that issue. Even worse when it used with lens adapters, the mounting points are doubled, causing rotational wobbles when the bigger lenses are zoomed, even the size of my relatively small SAL 85 mm f1.4 ZA.. and, the adapters the only way for any A7X to use any f 2.8 zoom or f1.2 prime, that is really annoying.

7> there are many features that would cost nothing to implement and are clearly better in pro cameras but Sony tends to ignore those,as far as I remember Sony seldom adds new features with FW updates, but forces us to buy a new minor update or even worse just some annoying usability issue fixed model like the A6000 or the A7M2. All Sony cameras are not weather sealed, I think neither are all Sony lenses. I am sure assemblance of real water resistance isn't that expensive as the myriad of inexpensive water resistant consumer products proves these days. A hot shoe lock is simple and effective. Why would Sony decide their cameras shouldn't have one? What possible advantage is there eliminating it? Speaking of flash, why can't Sony implement real slow sync fill flash or real ring flash for proper macro shooting? It is beyond my understanding, and really shocks me how careless some of so-called pro camera designers are, I am sure they are not ignorant or obtuse people but careless, choose not to listen to the real user base. This kind of arrogance is always found anything Asian electronics company produce, they do not listen because of their silly egoistic pride, especially Japanese.

 

10> Sony cameras may switch raw bit rate to 12-bit output,which actually has about 11.9 bit of info to deal with, in a few specific shooting modes;in continuous, in bulb mode, and I think also in silent shutter mode..Actually,this really odd phenomenon/behavior of the A7X cameras is much more annoying and a serious issue than the lossy compressed 11-7 RAW that always criticized by likes of Loyd Chamber, Thom Hogan, and Ken Rockwell,because the sudden bit change in silent, continuous,bracketing and bulb modes may actually cause visible compression artifacts. The 11-7 raw compression actually does not cause any visible artifact except in extremely harsh bright high contrasty scene or super long exposure image.

 

In addition:

 

•Rear dial is horrible. Cheap and fiddly.

•Sony's menu system is confusing. Things are not grouped logically even for a guy like me having used almost every single Sony camera since about 2006.

•Shutter button is mushy, and makes the shooting experience feel slightly laggy, sometimes even slow.

•Startup is inconsistent. Sometimes it is almost instant, but most times, it takes a few seconds to get going, especially once it goes sleep or needs to format the card.

•Back button focus is very poor, because the button around the AEL switch is small and fiddly, even for my relatively small hands it is too small and awkward to navigate..

•Flash system is limited compared to Canon/Nikon, and it feels old dated without proper radio control mode.

To me, the slow formatting time is a really annoying problem, and Sony cameras cannot share the same card with some other brands cameras in a shooting session. It is really annoying for a person like me who shoot many brands camera systems at once.

Last week I was shooting macro with my Olympus EM5M2 and Sony A7 and A7M2(my A7R and A6000 are at Sony for sensor replacement service), I tried to use the card I was using in the Olympus in my Sony, my Sony A7,A7M2 and NEX5n rejected the card with saying something like this card needs to be re-formatted since it has corrupted files.

I put it back into my EM5M2, it then worked properly and properly read at least jpeg files although they were not Olympus but Sony files.

I found all other manufacture cameras can share one SD cards for one shooting session if forced to, but Sony, Sony cameras require dedicated cards that are formatted in the PC or Sony cameras.

This is really really annoying, sometimes SD cards used in the Sony become full, and sometimes take out the card from my Oly or Nikon and use it in my Sony, then Sony tries to format it every time. This never happens in other brand cameras, so the cards can be shared between Canon, Nikon and Olympus safely without any issue, but need some dedicated cards for Sony.

And, I do not know what my A7,A7M2,A6000 and A7R doing but every time I try to format a card in them, they take a several minutes or at least a couple of minutes to do it. Because of this I've missed a several shooting opportunities in last week.

 

I, like Michael and Kevin,see real advantages to many features in the A7 series and other mirrorless cameras vs. DSLR's. And I strongly believe EVF is the future, and that is the main reason why I use Sony and Olympus.I would have totally adopted them by now and sold all my DSLR gear if it weren't for the above mentioned idiocracies in design.

As I wrote above,proper weather sealing is quite cheap to apply these days, but Sony refuses to use it even for the flagship A7RMK2 that costs about 2 times more than the Nikon's real pro camera D810 in its home market Japan. Again, it is really beyond my comprehension, and quite stupid. If Sony listens to its users and fix all above issues, I am sure they will outsell Nikon, maybe not Canon, but at least beat Nikon.

All my Nikon cameras are sealed, and I think some of my Canons are too, If Nikon and Canon had it covered , professionals or any one shooting in harsh environment would not deal with the idiosyncrasies and broken U.I of Sony cameras to use them even if they actually prefer the EVF and mirrorless design of Sony.

 

I think It will be the new race contest.Will Sony actually listen to its user to fix its terribly awkward UI, general usability of the E system first, or will CaNikon loosen their silly pride guard down to answer to Sony with some more sophisticated true pro grade mirrorless camera first.

  

UPDATE:Another serious issue all the camera makers will have to face but I did not really realize before is that all ILC cameras are big to most of NORMAL non-photographer people, and they are very intimidating to most of NORMAL people(I mean regardless of mount type or sensor type).

I never realized it before but while walking around down town Fukuoka with one of my long time friends here forced me to understand it. A friend of mine told me that he thinks all interchangeable lens cameras are huge and intimidating to most of average people regardless of sensor size or format, it's just simply annoying!

I guess a big lens scares or annoys people more than a big body......I never saw it his way but I got his point and I decided to carry my tiny Canon G5X when I just walk around the city area with other people. If I am alone shooting something, then I usually carry my big camera, and I think it does not matter it's a m43, a FF, an APS-C, it is all big to most of NORMAL people, anyway.

Then why not just go all the way up to FF or MFDB, or at least APS-C?

 

So maybe the one really doomed is not Nikon F or Pentax K or Sony A but m43?

Nikon and Pentax have historically had very enthusiastic and even fanatic core shooters and they are usually too old to adapt themselves fast to new EVF based gear even if they understand it is the more logical thing for them as they are aged. So D-SLRs may survive as antique cameras, but m43 or Nikon One?

  

UPDATE2 : Now once again, it's proven that Sony and its E mount fanboys are all bark but never actually bite kind of dogs. Thanks to DXO for proving this, the over hyped, expensive, almost ridiculously huge Sony FE24-70mm f2.8G-Master is really just as good or a tiny bit better than the infamous so-called Zeiss fisheye zoom FE24-70mm f4Z even at the huge cost of the oversized barrel with the 82mm filter thread design. In fact , the expensive oversized FE24-70mmf2.8 G-Master(WTF is the G master anyway) is optically much worse than the Canon EF24-70mm f2.8L MK2 that all mean, ill-spirited Sony A7 fanboys despised a few months back(when the G master line was announced). And even sadly, the Sony G master is even worse than the equally huge but a bit lighter Nikon AF-S24-70mm f2.8E VR. Yeah Sony has again proved the E mount means overpriced trendy toy for old men, it might be taken as cool fashion item or cool old man's toy for the silly mount adapter game for a while(at least).

But for cost effective real world solution, Sony is not the answer to most of us. I am not anti mirrorless but becoming anti-Sony, and I am tired of all their immature products coming with their extremely condescending marketing.

 

Hope Red or someone like that will challenge the A7X line with better video minded ergonomics design.

  

Update3:now, I think FF mirrorless is, like self-driving car, it is the future, definitely, but not really mature enough to be practical for many real life tasks, and they are both still immensely overpriced just because newer tech relatively to their older more practical rivals.

The Sony a7R2 should be cheaper than the D810 considering it does not have the complex mirror and proper weather sealings on the shutter. The X-T2 should be as cheap as the D7200 or the 80D. The A6300 should be as cheap as its predecessor(about 650US), no more than that, it is a great camera but still not able to shoot from a fast running car or train like the 7DMK2 or the D500, and so if you were a paparazzi or anything like that, you would not choose the A6300 as your main camera.

When I wrote my previous A6300 vs D500 hands-on experience,I was very very impressed with the A6300 AF, especially with the FE55mm f1.8Z. But now I am sure if my work is completely relying on the best AF in the game, I'd definitely choose the D500, not the A6300, which could not focus well on a super fast moving thing from a fast running train or a car unless the light level is perfectly ideal.

In last week,I tried to shoot street snaps from a fast running super express train with my A6300, A7M2 and A7R2, none of my Sonys could focus on anything moving from a 300km/h fast running train, I was really glad I also brought my D750 with me for my last short train trip.

Like Thom Hogan said, the Sony Alpha E mount cameras are too slow for anything moving fast, I mean their single AF speed is very fast, but it cannot track fast, especially when the light level is not really ideal.

Plus, the general operation speed of the Sony is just painfully slow, even the most expensive A7SMK2 is very slow. I mean it takes about 30 seconds to format a card, about 5 seconds or more to wake up from a long sleep, etc, and is too slow for anything unpredictably moving or decisive once a life time kind of shot. Another big issue of the Sony FE system is terribly short battery life. I know if I bring this up, many Sony fans would tell me after adding a couple of extra batteries it is still lighter than any of Nikon Canon FF D-SLRs. Maybe so, but the real issue here is because we need to change the battery almost every couple of hours, we would miss many decisive moments, and it is really annoying.

 

Now, it is obvious this is the most difficult time to spend some serious amount of money into any of these already existing camera system since they all suck in some ways and all the camera companies are too arrogant or stupid to listen to the actual users.

 

The FE50mm f1.4Z is an amazing lens that may change the direction of the entire industry but it is a huge lens, honestly, if I knew where Sony were heading to at very first place in 2013, I would not have spent this much money into Sony FE system......I wanted it to be small, light and simple, but now it is a big, heavy, expensive and very complex system.

Really, why every new lens must be AF and this huge is beyond me. It is just making the system impractical with the terribly oversized lenses. I have never seen any 50 this big(except my Otus 55 and the old Sigma Art I hated both of those huge 50 primes), seriously it is as big as the 85mm f1.4 GM and is an ugly looking lens, too.

Sony should not try a D-SLR replacement system with the A7 system, but a great RangeFinder replacement system.

Hope they wake up soon.

 

The real reason why mirrorless cameras are not already successful replacing supposed to be primitive D-SLRs is they are bad value for our buck. Maybe it is newer better tech, but still very bad value.......almost all current mirrorless cameras are overpriced considering the fact most of them are still playing the catching-up game, every year they are replaced.

The A7MK2 was the first mirrorless camera to have stayed in the market for longer than a year. And the A7R2 seems to follow that trend.

 

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Alzheimer's Disease. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Addiction Treatment. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the bladder . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Adenocarcinoma of the colon . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

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White_Lotus Flowers at Sunrise

ID- IMG_1924

Best Viewed On Black Background

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Youtube video of Lotus Flowers + Music by Ahmad Farzad:

www.youtube.com/watch?v=5lB3VsMqcQw

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White Lotus Flower

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

  

Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.

Septenary/Octonary/Quinary/Nonary/Denary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database

-This picture is a part of Encyclopedia of Tribal Medicines by Pankaj Oudhia.

 

Related References

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Crow-Fukase Syndrome . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cushing syndrome. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cutaneous liposarcoma . Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

Oudhia, P. (2014). Medicinal Rice Mappillai Samba and UdanPakheru with Red, Brown and Black Rice based Traditional Herbal Formulations for Cutaneous T-cell lymphoma. Medicinal Rice Formulations (1990-2014) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com

 

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lotus flower / white / green / leaf / - , ハスの花, 莲花, گل لوتوس, Fleur de Lotus, Lotosblume, कुंद, 연꽃,

Please view this white lotus flower and the leaf image on black BackGround- thanks

 

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Lotus flower video (on white) + music by Ahmad Farzad

www.youtube.com/watch?v=yl4TKsmj_Ks&feature=channel

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White Lotus Flower / green / leaf / white / flower / background /

The lotus flower appeared in legends originating from ancient Egypt. It played an important part in ancient Egyptian religion. The pure white lotus flower, the only plant to fruit and flower simultaneously, emerges from the depths of the muddy swamp. Growing from the mud at the bottom of ponds and streams, the exquisite Lotus flower rises above the water and is usually white or pink with 15 or more oval, spreading petals, and a peculiar, flat seedcase at its center.

Sesen A Lotus Flower. This is a symbol of the sun, of creation and rebirth. Because at night the flower closes and sinks underwater, at dawn it rises and opens again. According to one creation myth it was a giant lotus which first rose out of the watery chaos at the beginning of time. From this giant lotus the sun itself rose on the first day. A symbol of Upper Egypt .The lotus flower played a prominent role in the version of the creation story that originated in Heliopolis. Before the universe came into being, there was an infinite ocean of inert water which constituted the primeval being named Nun. Out of Nun emerged a lotus flower, together with a single mound of dry land. The lotus blossoms opened, and out stepped the self-created sun god, Atum, as a child. A slightly different version of the creation story originated in Hermopolis. In that version, the sun god who formed himself from the chaos of Nun emerged from the lotus petals as Ra. The lotus is a flower which opens and closes each day. His history went on to say that the petals of the lotus blossom enfolded him when he returned to it each night.

 

The lotus flower has been featured extensively throughout the art of ancient Egypt. In various works of art, you may see it held in the hand of a god or human, serving as a border to outline a section of the artwork, unfolding to reveal various gods or humans, and many other depictions. The ancient Egyptians from the 4th dynasty greatly valued the sacred lotus, in religious ceremonies and funerals. The ancient Egyptians developed the art of counting to a high degree, but their system of numeration was very crude. For example, the number 1,000 was symbolized by a picture of a lotus flower, and the number 2,000 was symbolized by a picture of two lotus flowers growing out of a bush.

Link to other images by Bahman Farzad with green / GREEN / on flickr:

www.flickr.com/photos/21644167@N04/3031353198/

www.flickr.com/photos/21644167@N04/2336853336/

www.flickr.com/photos/21644167@N04/2105078536/

www.flickr.com/photos/21644167@N04/2539132736/

www.flickr.com/photos/21644167@N04/2873153858/

www.flickr.com/photos/21644167@N04/2838699666/

www.flickr.com/photos/21644167@N04/4817452232/

 

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Link to Bahman Farzad's images with a touch of green:

Link to a whie flower with a green patch

Link to a whie lotus flower with a green leaf on a white background

Link to a pink fractalius lotus flower with a green background

Link to a white lotus flower with a green background reflections

Link to a fractalius red lotus flower with a green background leaf

Link to a red tulip with a green stem and leaf

Link to a white lotus flower and green leaves with the sun