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Again I was really inspired about the reflections of the treeline and the morning mist.
I really liked the way how the forest blended to the background fog, by letting me to see only hint of the farthest trees.
Hasemi Field Techical 4x5, Symmar-S 5.6/150mm lens and Fuji Neopan Across Quickload film.
Film developed to N contrast on Pyrocat-HD 1:1:100
Kuusisto, Kaarina. Finland 10/2013
The sea was melting. Ice was still hard enough to walk, but partially covered by water.
I wanted to take tree (common alder) with beach stones as main subject of picture, and melting sea at background.
The location is Porkkala peninsula, apr.50 km east from Helsinki, Finland.
Taken on 3rd April 2005.
6x6 Black&White film, 80mm normal lens.
Kuusisto, Kaarina. Finland 10/2013
4x5 Ilford FP4+, Developed in D-76 1+1 for normal contrast.
Symmar-S 5.6/150mm f/32 1/4s
Tokyo Gate Bridge. Wakasu, Tokyo. 1/2013
4x5 Fuji Neopan Acros 100, Symmar 5.6/210mm. f/22, 60sec.
Rainbow and thunderclouds during sunset.
Coincidentally the place is same that in my previous rainbow photo some years ago: flic.kr/p/cCmudu
Lake Ashinoko and Mount Fuji on a windy day.
Owakudani, Japan. 12/2012
Turku, Finland. Winter 2012
Castle Raseborg and evening clouds. Spring 2014
Sunrise, clouds and misty Lake Saimaa.
This was taken about 15 minutes after the sun begun to rise above the distant horizon.
The lake was covered by mist layer and quickly the sun went behind the clouds.
It was a great moment. I really forgot my migraine and the coldness of the late summer morning.
Hasemi Field Technical 4x5, Symmar-S 5.6/150mm lens at f/16, Fuji Neopan Across 100 film.
Development: Pyrocat-HD 1:1:100
Kegon Falls (華厳滝), Nikkô (日光) national park.
Japan, july 2006.
6x6 B&W film ilford hp5+, 65mm lens
This year the sea is icing early. I don't remember seeing this before on November.
It was cold, the ground glass of my 4x5 field camera froze up after first breath under the focusing cloth and I had to scratch small holes on ice to see anything.
November 28th, 2010. Ruissalo, Turku, Finland.
Adox CHS 100 Art developed in Thornton's 2-bath developer.
Super-Angulon 8/90mm, f/32 with exposure of 4 minutes.
Familiar lone tree again. Now in fog.
Mt. Fuji from Arasaki, Yokosuka.
Kirkonkylänkoski rapids of The Keravanjoki river, Vantaa, Finland.
Hasemi Field Technical 45,
Symmar-S 5.6/150mm @ f/22, 1/2s
4x5 Neopan Acros 100 film, developed to N contrast in Pyrocat-HD 1:1:100
The great Daibutsu (大仏) of Kamakura (鎌倉). Kōtoku-in Temple. (高徳院).
The statue stands at 13.35 meters high and weighs approximately 93 tons.
It was build 1252 using bronze and it's hollow - you can go inside of the statue.
Originally there was hall surrounding it, but it was destroyed by the tsunami year 1495.
6x6 B/W film, Zenza Bronica SQ-Ai, 65mm lens, #25A filter. f/11 1/15s
Ilford Delta 100@80, N+1 development in Dixactol.
Sea at Ruissalo Island, Turku, Finland. Early November 2010.
ADOX CHS 25 ART, Developed in Thornton's 2-bath developer.
4x5 Camera with 150mm lens, f/22 and 20 seconds.
Bamboo forest at Mito, Japan.
6x6 BW film Ilford PanF+ rated at ISO 16, 65mm medium wide lens.
Bentenjima Island at night. Arasaki, Japan.
A bit hard with a large format because of shallow depth of field. And ofcourse my hand is one of these. One belongs to my son (he was a bit uneasy) and one hand is my wife's.
Hasemi 4x5, Symmar 5.6/210mm at full aperture. Ilford HP5+ and Kodak XTOL.
Mount Fuji viewed over lake Kawaguchiko.
Kawaguchiko, Japan, 3/2007
6x6 B&W film Ilford Fp4+ rated at E.I. 80.
Bronica SQ-Ai, 110mm lens, orange+polarization filters
Senju Shioiri Ohashi Bridge, Tokyo. Japan. 1/2013
千住汐入大橋 東京 ２０１３年１月
夫婦岩 (Meoto Iwa, wedded rocks).
Japan, March 2007.
6x6 Black & white film (ilford hp5+ rated at 200, XTOL 1+1 developer).
Bronica SQ-Ai, 200mm tele lens, red filter.
Rape field near Turku, Finland.
4X5" Kodak TMX 100, N-development, Super-Angulon 8/90mm, f/22, Yellow + polarization filters
4x5 Kodak TMAX-400, Super-Angulon 8/75mm.
4x5" Kodak TMAX-100, N development in D-76 1+1.
Symmar-S 5.6/150mm, f/32, 1s
Turku, Finland 12/2014