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Oasis Of The Seas.


The largest cruiser ship ever built.

Photographed on 29th of October, at the last night it was on the shipyard before leaving.


Toyo-View D45M camera, Symmar-S 5.6/150mm lens, f/22, 45 seconds.

Fuji Neopan Acros film, developed to N-1 contrast in Pyrocat-HD 1:1:100




Bentenjima Island at night. Arasaki, Japan.

View On White


I was spending short vacation at the nice place near Lake Saimaa.

I found the shores nearby really inspiring. The quality of the light during the early mornings and late evenings was so fine!


Got one my best memories by waking up at 3am and watching how the Venus reflected from the foggy water.


One evening I took this photo. The sun was going down and the small cape nearby was bathing in warm light.

The movement of the sun was fast, shadows begun to raise during the couple of minutes that I need to grab my camera equipments, compose the picture and quickly measure the light.




Hasemi Field Technical 4x5 camera, Fuji Neopan Acros film, developed in Pyrocat-HD 1:1:100 to N-contrast.

Lens was Symmar 5.6/210mm with orange filter.

Sunset at Jougashima island. Japan.

Distant mt Fuji on a clear winter day.

View Large On Black


Again I was really inspired about the reflections of the treeline and the morning mist.

I really liked the way how the forest blended to the background fog, by letting me to see only hint of the farthest trees.


Hasemi Field Techical 4x5, Symmar-S 5.6/150mm lens and Fuji Neopan Across Quickload film.

f/22, 1/4s.

Film developed to N contrast on Pyrocat-HD 1:1:100

April 2013. Finland.



Kuusisto, Kaarina. Finland 10/2013


クーシスト・カーリナ・フィンランド 2013年10月



Kuusisto, Kaarina. Finland 10/2013


クーシスト・カーリナ・フィンランド 2013年10月

4x5 Ilford FP4+, Developed in D-76 1+1 for normal contrast.


Symmar-S 5.6/150mm f/32 1/4s

Tokyo Gate Bridge. Wakasu, Tokyo. 1/2013




4x5 Fuji Neopan Acros 100, Symmar 5.6/210mm. f/22, 60sec.

Lake Ashinoko and Mount Fuji on a windy day.

Motohakone, Japan.

Owakudani, Japan. 12/2012


大涌谷・神奈川県 12月2012年

Lone tree at cold winter day.

It was around -15°C and I was too lazy to carry large format camera. I took some photos with 6x6 film, but I haven't yet developed the films. This one is taken with digital camera.


Turku, Finland. Winter 2012



Castle Raseborg and evening clouds. Spring 2014



Ruissalo, Turku, Finland.






View On Black


Toyo-View, Symmar-S 5.6/150mm @ f/22 1/2s


Adox CHS 50 ART exposed at EI 25 and developed to N+1 in Pyrocat-HD 1:1:100.


Kegon Falls (華厳滝), Nikkô (日光) national park.

Japan, july 2006.


6x6 B&W film ilford hp5+, 65mm lens

Rape field near Turku, Finland.


菜の花畑 トゥルク近郊。フィンランド。


4X5" Kodak TMY2, N-development, Super-Angulon 8/90mm, f/16

Sunrise, clouds and misty Lake Saimaa.


2009/08/21, 5:55am


View Large On Black


This was taken about 15 minutes after the sun begun to rise above the distant horizon.

The lake was covered by mist layer and quickly the sun went behind the clouds.


It was a great moment. I really forgot my migraine and the coldness of the late summer morning.


Hasemi Field Technical 4x5, Symmar-S 5.6/150mm lens at f/16, Fuji Neopan Across 100 film.

Development: Pyrocat-HD 1:1:100

Mt. Fuji from Arasaki, Yokosuka.




This year the sea is icing early. I don't remember seeing this before on November.


It was cold, the ground glass of my 4x5 field camera froze up after first breath under the focusing cloth and I had to scratch small holes on ice to see anything.


November 28th, 2010. Ruissalo, Turku, Finland.


Adox CHS 100 Art developed in Thornton's 2-bath developer.

Super-Angulon 8/90mm, f/32 with exposure of 4 minutes.

Familiar lone tree again. Now in fog.



Bentenjima island, Arasaki.



December 6th, 2012. Motohakone. Very strong wind.



The great Daibutsu (大仏) of Kamakura (鎌倉). Kōtoku-in Temple. (高徳院).


The statue stands at 13.35 meters high and weighs approximately 93 tons.

It was build 1252 using bronze and it's hollow - you can go inside of the statue.

Originally there was hall surrounding it, but it was destroyed by the tsunami year 1495.




6x6 B/W film, Zenza Bronica SQ-Ai, 65mm lens, #25A filter. f/11 1/15s


Ilford Delta 100@80, N+1 development in Dixactol.

Tsurumakionsen, Kanagawa. Japan. 12/2012



Bamboo forest at Mito, Japan.

March 2007.


6x6 BW film Ilford PanF+ rated at ISO 16, 65mm medium wide lens.

Torii, Meiji jingū, 11/2012



Sea at Ruissalo Island, Turku, Finland. Early November 2010.



ADOX CHS 25 ART, Developed in Thornton's 2-bath developer.

4x5 Camera with 150mm lens, f/22 and 20 seconds.

Sumidakawa River and railway bridge, Minamisenju. Tokyo.



Arasaki, Yokosuka. Japan. 25th Dec 2012




4x5" Fuji Neopan Acros 100 Film

Symmar 5.6/210mm, f/22, 15 sec.


N-development, D-76 1+1

Mount Fuji viewed over lake Kawaguchiko.

Kawaguchiko, Japan, 3/2007


6x6 B&W film Ilford Fp4+ rated at E.I. 80.

Bronica SQ-Ai, 110mm lens, orange+polarization filters

N+1 development

夫婦岩 (Meoto Iwa, wedded rocks).

Japan, March 2007.


6x6 Black & white film (ilford hp5+ rated at 200, XTOL 1+1 developer).

Bronica SQ-Ai, 200mm tele lens, red filter.

Snowy park at the first day of the year 2010 at Petrelius, Turku. Finland.


It was -16 degrees celcius, which was a bit too cold for my fingers.. The focusing was hard, the ground glass frosted, ..

So at the end I focused only roughly and used f/64 to get enough depth of field.


Toyo-View D45M camera, 4x5 Hp5+ film, 90mm wide field lens.

Lighthouse, Turku. Finland



Barbed wire. It's everywhere in japan.

Shore of Lake Saimaa and morning mist.

Early morning, 21th of August, 2009.


I had bad migraine, it was cold.. But I managed to take some photographs.


The sunrise and mist was awesome on that morning!


I suggest to View Large On Black


Hasemi Field Technical 4x5 camera, Fuji Acros 100 film at quickload sheets, Symmar-S 5.6/150mm lens.


One second at f/32.


Developed on Pyrocat-HD 1:1:100, continuos agitation for normal contrast (N).

Branch of an old tree. May 2013. Finland



Senju Shioiri Ohashi Bridge, Tokyo. Japan. 1/2013


千住汐入大橋 東京 2013年1月

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