Época São Paulo #24 Covers [rejected version]

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    The four rejected covers of Época São Paulo issue 24.

    The cover story "Feito para você" (Made for you) features 30 types of products and services that could only exist in such a diverse and vibrating city as São Paulo.

    From the first sec I heard Camila Hessel, our executive editor, telling us the subject and the whole concept behind the so-called story "Made for you" I thought of ordering the cover to someone as if we (the magazine) were using one of the 30 services of the cover story.

    It would strengthen the concept of "Made for you", after all, we'd have actually order a cover, exclusively, under the team's supervision and made for us (and you, Mr and Ms Reader ;] ).

    After several meetings, briefings and brainstorming, we decidede on the idea of making the cover, all sewn, from tthe logo of the magazine to the secondary headlines, aaaallll sewn up!

    But on a beautiful sunny Saturday, I was at home, surfing on my computer and I read a twit from Catherine Dixon, a designer and a professor of Typography at Central Saint Martins in London. I took a summer course with her in 2007 and the only contact I had with her was between twits and replies.

    She had posted a video, recorded at Gráfica Fidalga, along with another designer and professor, Henrique Nardi, who has a super cool type-design project, Tipocracia. The video was superb! And I retwitted it straight way.

    10 minutes later, eureka! Lets do the the cover with these guys from Fidalga! A great all-type cover, lambe-lambe alike, made with movable type and "home-made" printed!

    As soon as the idea became stronger, I emailed Henrique, telling him the whole concept and idea, and called Samuca (Samuel Rodrigues, Época's São Paulo designer), Camila and Ricardo Alexandre (Editor-in-Chief), spreading the idea, getting aprovals and the green light to proceed.

    On Monday production began: Henrique contact Claudio while I was looking for someone to produce the cliché of Época's São Paulo logo.

    A week later, on a sunny Saturday just like the other one, Samuca, Oga (art director, videomaker and close-friend), Henrique, Claudio and myself, were all smiling, enjoying ourselves at Fidalga, playing with the types, choosing and arranging the letters, to what would be the cover and the opening spread (headline lettering) of the 12 pages story.

    Because the language of lambe-lambe is so characteristic of São Paulo (although since 2009 there's a municipal law prohibiting lambes and posters), we decided to use the movable type as the graphic language of whole cover story, making the headlines and all the elements also with Claudio, in a lambe-lambe format.

    So we spent 3 days at Fidalga. Day 1, composing the cover, D-2 printing the cover and D-3 printing the second poster (headlines and elements)

    While the cover was due to Top Director's aproval, we thought of having it printed in four different versions, with four different background colors, strengthening the lambe-lambe concept.

    We printed 300 of this covers/posters/lambe-lambes and the idea was to spread them over the biggest news-stands in town.

    We also did a video recording, producing a short 'making of' documentary, to be out soon.

    Shame the publishers and top directors did not aprove the idea.

    At least we had a blast in that weekend :)

    --
    Art Direction by Rodolfo França
    Printed by Cláudio, Carlinhos and Maurício at Gráfica Fidalga
    Special thanks: Samuel Rodrigues, Oga Mendonça and Henrique Nardi (Tipocracia)

    Luciana Ruivo, mæstro, and 13 other people added this photo to their favorites.

    1. thiagolyra 61 months ago | reply

      tava linda mesmo. alem de super chamativa.

    2. Darlene Cossentino 61 months ago | reply

      muito boa! adorei!

    3. Gerson Mora 61 months ago | reply

      Eu também gostei demais!!!

    4. LBRN 61 months ago | reply

      Tá brincando que os caras rejeitaram? Cagada.

    5. André Serra 61 months ago | reply

      poutz... uma pena!!

    6. Ogaland 61 months ago | reply

      Cara...esse é uma das maiores provas de como a burocracia pode assassinar um boa arte!

    7. Catherine Dixon 61 months ago | reply

      Wow! The wonder of Twitter - that one message can result in all this amazing creativity and so happy that it involves Fidalga and the very special Claudio too! :) Soooooo very happy to see this Rodolfo. And looking forward to seeing you again tomorrow :) Kisses.

    8. Daryan Dornelles/Fotonauta 61 months ago | reply

      Grande Rodolfo..tudo bom? quanto tempo? bom voce estar de volta!!!

      abs grande
      Daryan

    9. abraao_dantas 61 months ago | reply

      e ai rodolfo!
      lindo trabalho cara, parabens!

      abraço

    10. FERNANDO GARDINALI 61 months ago | reply

      ...cara ,hoje vi nas bancas a capa que os caras curtiram...putz...passou longe...abrxxx

    11. vivian torres 60 months ago | reply

      Olha só que case! Ia ser um buzuzu na cidade. Realmente uma pena, porque seria um projeto ia que além do editorial, além de fazer parte de nossa cultura urbana.

    12. guilherme lepca 59 months ago | reply

      Ficou legal hein! Essas paradas acontecem né cara... tem que vender a porra toda hahaha

    13. pianofuzz [deleted] 58 months ago | reply

      Ficou muito boa cara, parabéns! Uma pena mesmo não ter rolado.

      Abs!

    14. Jaaairo 50 months ago | reply

      Muita coisa boa que nós fazemos é rejeitada, as vezes injustamente, que é caso aqui! A gráfica Fidalga merecia essa homenagem também né? Parabéns Rofolfo.

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