bencini ektar skyline
After the previous attempt at shooting Ektar 100 at night, I just about gave up on the stuff. Almost a year later, it was time to crack the second roll in the pro-pack.
Figured I had to pick a camera without a super-modern-wacky-coated lens to minimise the plasticky digital Ektar look. And then figured I might as well use the Bencini Koroll 120, because everything looks good with a Bencini.