new icn messageflickr-free-ic3d pan white
Image from page 551 of "The Bell System technical journal" (1922) | by Internet Archive Book Images
Back to photostream

Image from page 551 of "The Bell System technical journal" (1922)

Identifier: bellsystemtechni25amerrich

Title: The Bell System technical journal

Year: 1922 (1920s)

Authors: American Telephone and Telegraph Company

Subjects: Telecommunication Electric engineering Communication Electronics Science Technology

Publisher: [Short Hills, N.J., etc., American Telephone and Telegraph Co.]

Contributing Library: Prelinger Library

Digitizing Sponsor: Internet Archive

 

 

View Book Page: Book Viewer

About This Book: Catalog Entry

View All Images: All Images From Book

 

Click here to view book online to see this illustration in context in a browseable online version of this book.

 

 

Text Appearing Before Image:

-16 -14 -12 -10 -8 -6 -4 -2 R.M.S. NOISE-TO-CARRIER RATIO ON LINE IN DECIBELS - Fig. 20—Distortion vs. noise characteristics of frequency-shift arrangements at60 w.p.m. (23 d.p.s.).

 

Text Appearing After Image:

-24 -22 -20 ) -18 -16 -14 -12 -10 -8 -6 -4 -2 R.M.S. NOISE-TO-CARRIER RATIO ON LINE IN DECIBELS Fig. 21—Distortion vs. noise characteristics of various arrangements at 120w.p.m. (46 d.p.s.). 520 CARRIER TELEGRAPH METHODS 521 sistance noise, the noise was introduced into the line through a symmetricalthree-way pad, as previously mentioned. The marking carrier level at oneinput of the noise pad was kept at a constant value. The level of the noisecurrent entering the other input of the noise pad was adjustable, and itsr.m.s. value was measured with a thermocouple, permitting the computationof the r.m.s. noise-to-carrier ratio at the output of the three-way pad, sincethe loss through the pad was the same for both signal and noise. This ratiowas used for abscissae in Figs. 18 to 21, inclusive, and the ordinates representdistortion for various arrangements. These cur\^es are useful in comparingthe relative noise sensitivities of the different arrangements, because the samenoise source was

 

 

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.

77 views
0 faves
0 comments