This piece is called 'Bones'. An intentionally literal title. It is a new version of a piece I first conceived of during my residency at the Chinese Arts Centre. The first Chinese calligraphy was found carved into bones so I thought it would be interesting to dye bones entirely with Chinese ink and use each bone as a calligraphic stroke, with smaller bone fragments mirroring the way the ink stroke fragments on textured paper as the ink runs out.
I opted for the character for bones partly because it is so literally describing what its made from, and that amused me. I was also motivated by the fact that, to me, the character looks like a human figure, showing both our bones as the framework of us, and elements of characters, letters, ink strokes, as the framework of language and visual language. ' told that the top of the character means flesh, and the bottom part means bones, together meaning bones. It is customarily polite to ask for a bone if you actually want flesh.