The Three Graces in the Metropolitan Museum of Art, Sept. 2007
Marble Statue of the Three Graces
Roman, Imperial period, 2nd century AD
Copy of a Greek work of the 2nd century BC
On loan to the Metropolitan Museum of Art, Accession # L. 1992.56.1
These young girls, linked in a dance-like pose, represent The Three Graces: Aglaia (Beauty), Euphrosyne (Mirth), and Thalia (Abundance). They bestow what is most pleasurable and beneficent in nature and society: fertility and growth, beauty in the arts, harmonious reciprocity between men. They enjoyed venerable cults in Greece and Asia Minor. In mythology, they play an attendant role, gracing festivals and organizing dances. Their closest connection is with Aphrodite, whom they serve as handmaidens. This carefully calculated, frieze-like composition is typical of classicizing art of the first and second centuries BC. Instantly recognizable, it soon became the canonic formula for representing the Graces, who appeared in every medium and on every kind of object, from mirrors to sarcophagi.
Text from the Metropolitan Museum of Art label.