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The Dancing Shiva - Nataraj | by drona
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The Dancing Shiva - Nataraj



Every culture has their symbol of the triumph of "Good over Evil" . This is the statue of the Dancing Shiva, also known as Nataraj, which, in the Hindu culture, symbolizes the triumph of Good over Evil. It was a "mist"ical moment this morning. This statue of the Dancing Shiva reminded me of the Bharat Natyam and Kuchipudi dancers who, before every dance recital, and especially during the Arangetram (a graduation of sorts) ceremonies, say a prayer to him.


A note relating to my roots in Physics


"Fritzof Capra in The Tao of Physics beautifully relates Nataraj's dance with modern physics. He says that "every subatomic particle not only performs an energy dance, but also is an energy dance; a pulsating process of creation and destruction…without end…For the modern physicists, then Shiva's dance is the dance of subatomic matter. As in Hindu mythology, it is a continual dance of creation and destruction involving the whole cosmos; the basis of all existence and of all natural phenomena."


Here's an excerpt from a poem by Ruth Peel:


"The source of all movement,

Shiva's dance,

Gives rhythm to the universe.

He dances in evil places,

In sacred,

He creates and preserves,

Destroys and releases.


We are part of this dance

This eternal rhythm,

And woe to us if, blinded

By illusions,

We detach ourselves

From the dancing cosmos,

This universal harmony…"


Nataraj, the dancing form of Lord Shiva, is a symbolic synthesis of the most important aspects of Hinduism, and the summary of the central tenets of this Vedic religion. The term 'Nataraj' means 'King of Dancers' (Sanskrit nata = dance; raja = king). In the words of Ananda K. Coomaraswamy, Nataraj is the "clearest image of the activity of God which any art or religion can boast of…A more fluid and energetic representation of a moving figure than the dancing figure of Shiva can scarcely be found anywhere," (The Dance of Shiva)


The Origin of Nataraj


An extraordinary iconographic representation of the rich and diverse cultural heritage of India, it was developed in southern India by 9th and 10th century artists during the Chola period (880-1279 CE) in a series of beautiful bronze sculptures. By the 12th century AD, it achieved canonical stature and soon the Chola Nataraja became the supreme statement of Hindu art.


The Vital Form & Symbolism


In a marvellously unified and dynamic composition expressing the rhythm and harmony of life, Nataraj is shown with four hands represent the four cardinal directions. He is dancing, with his left foot elegantly raised and the right foot on a prostrate figure — 'Apasmara Purusha', the personification of illusion and ignorance over whom Shiva triumphs. The upper left hand holds a flame, the lower left hand points down to the dwarf, who is shown holding a cobra. The upper right hand holds an hourglass drum or dumroo that stands for the male-female vital principle, the lower shows the gesture of assertion: "Be without fear." Snakes that stand for egotism, are seen uncoiling from his arms, legs, and hair, which is braided and bejewelled. His matted locks are whirling as he dances within an arch of flames representing the endless cycle of birth and death. On his head is a skull, which symbolises his conquest over death. Goddess Ganga, the epitome of the holy river Ganges, also sits on his hairdo. His third eye is symbolic of his omniscience, insight, and enlightenment. The whole idol rests on a lotus pedestal, the symbol of the creative forces of the universe.


The Significance of Shiva's Dance


This cosmic dance of Shiva is called 'Anandatandava,' meaning the Dance of Bliss, and symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy — creation, destruction, preservation, salvation, and illusion. According to Coomerswamy, the dance of Shiva also represents his five activities: 'Shrishti' (creation, evolution); 'Sthiti' (preservation, support); 'Samhara' (destruction, evolution); 'Tirobhava' (illusion); and 'Anugraha' (release, emancipation, grace). The overall temper of the image is paradoxical, uniting the inner tranquillity, and outside activity of Shiva.


[Text taken from, HDR by Photomatix Pro]


Disclaimer: I am not a religious person, but some people have accused me of being spiritual, which epithet I will graciously accept :)


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Uploaded on August 22, 2006