The relationship between what exists of the unseen and the images that are created in one's mind via the written word (when it pertains to the photograph, the photographer and the camera); the like and dislike-ness of an image; the obscure, the observance, the 'is' and 'isn't' between the possibilities of an image being discovered via language, and how an image's "reality" is forced elsewhere, for psychological means. Distant memories. Anti-photography as a kind of "what if"?
This photo also appears in
keyboard shortcuts: ← previous photo → next photo L view in light box F favorite < scroll film strip left > scroll film strip right ? show all shortcuts