These are the hands of a principal turning around a troubled NYC school.
I wasted no time with the D3; I shot a magazine feature the fist thing in the morning. I'll leave all the on-topic shots for the publication, but I had to post something. The D3 performed like a champ. Subjects pop out of images with the 24-70, and the 17-35 is an entirely different lens. Flash exposures of all kinds, from bounce to head-on fill, are excellent. Of course, flash is more of a creative choice than a necessity now.