Henry Reed: behind the scenes
Henry Reed was born in Erdington, Birmingham on 22 February 1914. He was educated at King Edward's Grammar School, Aston and then at the University of Birmingham. Whilst at university, Reed became one of a circle of writers and artists which included W. H. Auden, Louis MacNeice and Walter Allen. He graduated from the University of Birmingham with a first class honours degree in Language and Literature in 1934 and gained an MA in 1936 with an acclaimed thesis on Thomas Hardy.

Reed initially became a freelance journalist and had only just taken up a teaching post, at King Edward VI Grammar School in Aston, when he was called up into the army in 1941. He was conscripted into the Royal Army Ordnance Corps but a combination of Reed's linguistic abilities and ill health (he suffered a serious bout of pneumonia) secured his transfer to Naval Intelligence in the Code and Cypher School at Bletchley during 1942. Here he spent the rest of the war.

During the war years, Reed continued to write and publish verse, largely in 'The Listener' and 'New Writing', and his earliest poems included 'Chard Whitlow' (published in a 'New Statesman' competition in 1941) and 'Naming of Parts', a poem which was inspired by the war. He was also one of the New Statesman's fiction reviewers. Collections of his poetry were subsequently published under the titles 'A Map of Verona' (1946) and 'The Lessons of the War' (1970).

After the war Reed worked for the BBC as a radio broadcaster and playwright. In 1946 he wrote his first work at the instigation of Edward Sackville-West: a radio dramatic version of 'Moby Dick' in prose and verse, based on Herman Melville's 1851 novel. This was produced with a cast which included Ralph Richardson, Cyril Cusack and Bernard Miles and was awarded the Premio della Radio Italiana. The text of this was published in 1947 and other collections of his radio plays were published in 1971 under the titles 'The Streets of Pompeii and other plays for radio' and 'Hilda Tablet and Others'. Arguably his most successful radio productions were the Hilda Tablet series of the 1950s.

Reed also published numerous translations of Italian and French novels and plays which included works of Giacomo Leopardi, Ugo Betti and Balzac. His translation work included: 'Honore de Balzac, Eugenie Grandet. A new translation by Henry Reed' (New York, 1964); 'Ugo Betti, [L'Aiuola bruciata] The Burnt Flower Bed. A play in three acts. Translated by Henry Reed' (London, 1957); 'Ugo Betti, [La Regina e gli insorti] The Queen and the Rebels. A play in two acts. Translated by Henry Reed' (London, 1957); 'Ugo Betti, [Il Paese delle vacanza] Summertime. An idyll in three acts. Translated by Henry Reed' (London, 1957); 'Ugo Betti, [Delitto all'Isola delle Capre] Crime on Goat Island. A play in three acts. Translated by Henry Reed' (London, 1960); 'Dino Buzzati, [Il Grande ritratto] Larger than Life. Translated by Henry Reed' (London, 1962); 'Paride Rombi, [Perdu] Perdu and his Father. Translated by Henry Reed' (London, 1954).

Reed's only literary criticism in book form was published as a British Council pamphlet under the title 'The Novel since 1939' in 1947 - see MS31/1/4/3. He also held various short term academic appointments at the University of Washington, Seattle in the 1960s: Visiting Professor of Poetry, 1964; Assistant Professor of English, 1965-66; and Visiting Professor of Poetry, 1967. He published little in later life and a biography of Thomas Hardy, which he began after the Second World War, was never finished.

After a long period of ill health, Henry Reed died on 8 December 1986.
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