NYC - Metropolitan Museum of Art: Armor of Emperor Ferdinand I
Armor of Emperor Ferdinand I, dated 1549
Kunz Lochner (German (Nuremberg), ca. 1510-1567), armorer
Etched steel; H. overall (as mounted): 67 in. (170.2 cm) Wt. 52.9lb. (24kg)
The ownership of this armor by Ferdinand I (1503-1564) is suggested by the heraldic emblems on the toe caps: the imperial double-headed eagle surmounted by a royal crown, which signifies Ferdinand's status as king of the Romans and designated successor to his brother, Emperor Charles V. The image of the Virgin and Child on the breastplate was also used by Charles V on his armors. The backplate is decorated with crossed staves and firesteels, the insignia of the Order of the Golden Fleece, of which Ferdinand was a member. Kunz Lochner, Nuremberg's most celebrated armorer of the period, made several armors for both Ferdinand and his son Archduke Maximilian (15271576), including two matching armors produced about 1546 that are similar to the one seen here.
The helmet was not originally made for the Museum's armor but has been associated with it since at least the early nineteenth century.
Purchase, George D. Pratt Gift and Rogers Fund, 1933 (33.164ax)
The collection of armor, edged weapons, and firearms in The Metropolitan Museum of Art ranks with those of the other great armories of the world, in Vienna, Madrid, Dresden, and Paris. It consists of approximately 15,000 objects that range in date from about 400 B.C. to the nineteenth century. Though Western Europe and Japan are the regions most strongly represented--the collection of more than five thousand pieces of Japanese armor and weapons is the finest outside Japan--the geographical range of the collection is extraordinary, with examples from the Near East, the Middle East, India, Central Asia, China, Southeast Asia, Indonesia, and North America. The Arms and Armor Galleries were renovated and reinstalled in 1991 to display to better effect the outstanding collection of armor and weapons of sculptural and ornamental beauty from around the world.
The Metropolitan Museum of Art's permanent collection contains more than two million works of art from around the world. It opened its doors on February 20, 1872, housed in a building located at 681 Fifth Avenue in New York City. Under their guidance of John Taylor Johnston and George Palmer Putnam, the Met's holdings, initially consisting of a Roman stone sarcophagus and 174 mostly European paintings, quickly outgrew the available space. In 1873, occasioned by the Met's purchase of the Cesnola Collection of Cypriot antiquities, the museum decamped from Fifth Avenue and took up residence at the Douglas Mansion on West 14th Street. However, these new accommodations were temporary; after negotiations with the city of New York, the Met acquired land on the east side of Central Park, where it built its permanent home, a red-brick Gothic Revival stone "mausoleum" designed by American architects Calvert Vaux and Jacob Wrey Mold. As of 2006, the Met measures almost a quarter mile long and occupies more than two million square feet, more than 20 times the size of the original 1880 building.
In 2007, the Metropolitan Museum of Art was ranked #17 on the AIA 150 America's Favorite Architecture list.
The Metropolitan Museum of Art was designated a landmark by the New York City Landmarks Preservation Commission in 1967. The interior was designated in 1977.
National Historic Register #86003556