ARPOADOR BEACH - RIO DE JANEIRO
photo by: Roman Kajzer @FotoManiacNYC
To see more pictures from Arpoador Beach click below:
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gracias por su visita y comentarios ... (Spanish)
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la ringrazio per la vostra visita e commenti ... (Italian)
je vous remercie de votre visite et commentaires ...(French)
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Arpoador is the border between Ipanema and Copacabana. The name comes from the rock formation, that gives you a wonderful view to both neighborhoods. Ipanema Beach is renamed Arpoador Beach once you go past Rua Francisco Otaviano. The beach lane, Rua Francisco Bhering is open for pedestrians only. Arpoador Beach is a favorite with surfers, and there are spotlights for night surfing.
At the end of Rua Francisco Bhering begins lovely Garota de Ipanema Park with amazing graffiti wall (see pictures in this album). On top of the hill there's a skating bowl and an overlook. Praia do Diabo (Devil Beach), is at the end of the park. Part of Devil Beach is a reserve, kept by the army.
If you go down Rua Francisco Otaviano in 10 minutes you're in Copacabana. This street has good restaurants, and hotels. There's a small mall named Galeria River that is specialized in articles for surfing body boarding, rollerblading and skating, plus clubbers clothing, and an Internet cafe.
The other mall is named Casino Atlantico, with sophisticated home furnishing and antique shops. There's an antique fair on Saturdays. Across the street, Bingo Arpoador is the closest you can get to a casino experience in Brazil. Though gambling is forbidden, bingos somehow managed to bend the rules. This is one of the most sophisticated, with an assortment of slot machines.
At the end of the street, on the corner of Copacabana Beach, visit the Forte de Copacabana. It was built on the site of the old Church of our Lady of Copacabana, in 1908. The church used the money to build a church in Ipanema, on Praça da Paz. You may visit the Museu do Forte, property of the army.
Arpoador is mostly known for being one of the best metropolitan surf spots in Rio de Janeiro. The rock outcropping creates stable left breakers up to 7–10 feet high (wave face measure, as Brazilians do).
Given its metropolitan location, crowds are ferocious and competitive. Given the fact that waves start to break against the rock on a good day, and that a strong riptide along the promontory creates a quick re-entry, the take-off point is very small and only locals (or visiting professional-level surfers) have a shot at it.
During some time around midsummer it is possible, from Arpoador, to see the sun setting over the sea, a rare event on the generally eastward-facing Brazilian coast. In these occasions crowds gather around the place and cheer when the sun disappears.
RIO DE JANEIRO
The Cariocas (Rio locals) have a saying: God made the world in seven days, and the eighth he devoted to Rio de Janeiro. Given its oceanfront setting, protected by Guanabara Bay and lounging between sandy shores and forested granite peaks, you might forgive the hyperbole.
Sugar Loaf Mountain rises vertically out of the azure Atlantic, while Christ the Redeemer, arms wide open, watches over the city from atop Corcovado Mountain. You’ll find beaches for strolling or watching the locals play volleyball, and the galleries and museums of the arty, bohemian Santa Teresa district. Visiting the vibrant favelas (shanty towns) gains you an utterly different perspective (not to mention great views) of one of South America’s most intoxicating metropolises.
Known around the world as the Wonderful City, Rio de Janeiro is the perfect combination of sea, mountain and forest.
Stunning natural sceneries, a free-spirited and welcoming people that transform anything into a party, and world-famous iconic monuments. These are the elements that make Rio de Janeiro a one-of-a-kind and unforgettable destination.
The enviable collections in Rio’s museums hold fascinating treasures telling the tale of its 450 years of history. Land of the Carnaval and Samba, the city also offers countless theaters, concert venues, business centers and restaurants open year-round.
But it is the combination between geographical traits – the sea, mountains and forests – and human culture that makes Rio de Janeiro such a unique city. Almost the entire city is surrounded by dazzling landscapes. Rio was the world’s first city to be listed as Cultural Heritage of Humanity by UNESCO.
In addition to its most famous attractions, such as Christ the Redeemer – an art deco statue of Jesus Christ – and Pão de Açúcar – a mountain range –, the city also offers endless programs involving nature, adventure, religion, history and culture, such as walks through the Botanical Garden and the Santa Teresa tram, visits to the Metropolitan Cathedral and the Museum of Modern Art, and the possibility of jumping over the Pedra Bonita ramp and flying across the city.
Sports are also very important among cariocas (as those born in Rio are nicknamed). It is really no surprise that the Wonderful City was chosen to host the Rio 2016™ Olympic Games. There are always volleyball, soccer and footvolley matches being played anywhere across the city’s 90 km of beaches. The city is the largest urban climbing center in the world, providing options that accommodate all levels of difficulty, such as Pedra da Gávea and Bico do Papagaio.
The Tijuca National Park – the world’s largest urban forest – is also a great place for walks and other sports, such as rock climbing and free flight. In addition to preserving the Atlantic Forest, the Park protects springs and basins, such as those of the Carioca and Maracanã rivers, which supply water to part of the city.
Things to see and do in Rio de Janeiro
Christ the Redeemer and Corcovado Mountain
The statue’s iconic stance was not, in fact, the original design: earlier blueprints showed Christ carrying a cross. In the finished result, Christ himself makes the shape of the cross, his outstretched arms signifying a gesture of peace, as if he’s embracing the whole city beneath his feet. Peering up at the 30 m (98 ft) statue from its base, you begin to see the patchwork of weathered greenish-grey tiles covering its surface, and the lightning rods crowning the head like thorns.
Created by French and Romanian sculptors and Brazilian engineer Heitor da Silva Costa, the statue was commissioned by the Catholic Circle of Rio as a response to the ‘godlessness’ of society post World War I. Although Cristo Redentor (as it’s called in Portuguese) can be seen from virtually anywhere in the city, getting up close to the statue reveals otherwise invisible details, such as the outline of a heart bulging from the chest. Just inside the base is a minuscule chapel where multilingual masses are held.
The best way of getting to the viewing platforms below the statue’s pedestal is to take the cog wheel train up through Tijuca, the world’s largest urban forest, on Corcovado. On a clear day, you can look out over downtown Rio and the bay. Yet visiting the statue on a rainy day can be equally rewarding, as the crowds mostly scatter and you have the views to yourself.
Sugar Loaf Mountain
In a city that’s not short of panoramic viewpoints, the summit of this smooth granite monolith at the mouth of Guanabara Bay offers one of the finest. A three minute cable car journey takes you to the top, from where you can look back at Rio. In the foreground, tropical forest (where several rare orchid species grow) covers the lower part of the mountain, while Christ the Redeemer appears like a tiny stick man saluting you from a distant pinnacle.
From this vantage point, you can see just how much Rio is sliced up by hills and peaks, such as the ridge separating Copacabana and Ipanema beaches. In the day, look out for rock climbers scaling Sugar Loaf’s four faces, but the ideal time to visit is sunset when the city becomes bathed in soft amber light.
The Avenida Atlântica promenade
One of the simplest but most effective ways of getting a feel for Rio is by strolling the promenade of the Avenida Atlântica. This 4 km (2.5 miles) oceanside avenue stretches from the area of Leme, near Sugar Loaf Mountain, to the end of Copacabana Beach.
The promenade’s striking Portuguese-style paving runs in geometric waves alongside Leme and Copacabana beaches. The beaches are Rio’s great social melting pot and locals from all walks of life, from the wealthy quarters and the favelas alike, come here to relax. On Sundays, the sand becomes near-invisible under a sea of parasols.
Looking out to the beaches, you’ll see games of volleyball (and soccer-volleyball, a home-grown variant), exercise classes, paddle boarders, sunbathers, surfers and gaggles of children. Groups gather around slacklines hitched up between palm trees. Workout stations are posted at intervals along the beaches. Shacks rent out parasols and kiosks sell coconuts, acai and other fresh juices, as well as the ubiquitous caipirinhas (the national cocktail, made with sugarcane liquor and lime), while roving vendors ply the sands touting ice-cold drinks. In the evening, saxophonists and other street musicians set up shop on the promenade.
The Rio Scenarium Club in Lapa
By day, Rio’s Lapa district is a compact, quiet area of restored 19th-century pastel mansions that speak of old Lisbon. By night, it roars into life. These faded colonial façades house bars, traditional barbecue restaurants and clubs that pound with the sounds of samba (and all its variations), bossa nova, Brazilian jazz, reggae from Bahia, and even Brazil’s own takes on rock and pop. The rhythms spill over into the streets, as do the clientele. On a weekend, the area around the Arcos da Lapa, a bright white aqueduct, is closed off to traffic and given over to the party goers and samba bands.
One of the best clubs is Rio Scenarium, a three-decker nightspot-come-antique-store idiosyncratically decorated with clocks, chandeliers, gilt mirrors, bright upholstery and other eccentric touches. It has a mezzanine overlooking the stage area, where musicians play everything from samba to forró. The latter is a fast-paced music style from northeastern Brazil and a striking partner dance involving much skipping and spinning.
Tour the favelas
Shanty towns are a disquieting but undeniable part of Rio. Endless-seeming jumbles of ramshackle shacks with corrugated iron roofs cling to the hills and mountainsides around Rio, intersected with narrow alleys, steep staircases and sluggish funiculars. They’re informal settlements originally built without planning permission as Rio expanded and workers flocked to the city but couldn’t afford the rents nor the commute from the cheaper suburbs. Today they’re undergoing a pacification process. The best way to visit them is via a favela tour with a guide who is able to help you explore these resourceful communities in a sensitive and respectful way.
Santa Marta is a particularly eye-catching favela, with houses that have been painted in vivid rainbow hues. Shops display bright hand-painted illustrations and murals showcasing their wares and services. Walls are emblazoned with graffiti and political messages. Lines of laundry and many a Brazilian flag are strung up between dwellings. Look out too for the mosaic mural and statue of Michael Jackson, who filmed his music video for They Don’t Care About Us here.
The Santa Teresa district
A rickety tram ride takes you to the top of the hill where this area of colonial old Rio begins. Its cobbled streets and belle époque mansions evoke its fin-de-siècle heyday, when industrialists, rich from Brazil’s coffee industry, moved there in droves. Then, in the 60s and 70s, the area was rediscovered by artists and creatives. Their traces live on in the district’s galleries, studios, handicraft shops and little backstreet bistros.
A number of historic buildings are found here, from an 18th-century convent to a 19th-century castle. The Parque das Ruinas, the shell of a mansion destroyed in a fire, is now a public park that offers some sweeping views over the downtown and bay area.
Climb the steps of the Escadaria Selarón
Covered in a mosaic of deftly painted tiles in the three shades of the Brazilian flag, this celebrated flight of steps is found in Lapa. Its creator, the Chilean painter Jorge Selarón, intended the steps as a tribute to his adopted country and spent years hunting down the scraps of tiles used in their design. Later, he added red tiles to surround the steps, admiring the ‘vivacity’ of this shade. On his death, local people carpeted the escadaria in candles.
The staircase has since been widely embraced by both the local community and the international media, providing the backdrop to many commercials and music videos.
Tijuca Atlantic Forest
A designated national park, this tropical rainforest is a contender for the title of the world’s largest urban forest. It’s a dense meandering mass of vegetation, home to wildlife including coatimundis and sloths, and exotic flora such a lobster-claw plants and birds of paradise. Shafts of sunlight pierce the tall canopy, lighting up the many hiking trails and walkways that crisscross the forest. Waterfalls cascade down rock faces and occasionally the greenery gives way to man-made viewpoints where you can look down over the rest of the forest, the beaches, the district of Lagoa, Guanabara Bay and Sugarloaf.
You can explore the forest through guided walks and 4x4 tours which take you to the best viewpoints.
Best time to visit Rio de Janeiro
December to February is high season, and although there’s a lot going on (including Carnival) the city can get extremely busy. July and August sees the coolest temperatures. The months of March and April, and September and October, offer clement, sunny weather and fewer crowds, but it’s safe to say that the city can be a year-round destination.
Festivals, events and seasonal reasons to visit
Rio de Janeiro is at its most lively and exuberant during Carnival, when the samba schools dance and parade through the streets in kaleidoscopic, highly imaginative costumes or ride flamboyantly themed giant floats, and the air is full of cheers, whistles and drumming. Carnival takes place annually in February and ends on Ash Wednesday. It’s followed by the Winners’ Parade the week after, which is a little more accessible to visitors and still offers the same exultant, high-quality performances.