Esemplasticism: The Truth is a Compromise
January - February 2009, Berlin

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Esemplasticism: The Truth is a Compromise is an exhibition dealing with different facets of perception in the fallout of the information/technology revolution; each of the works lays bare the tricks and techniques
used by our brains to negotiate the ‘objective’ world against a historical backdrop of what Op Art curator William C. Seitz, writing in the 60s, referred to as ‘perceptualism’.

A group exhibition with Daniel Dennis de Wit (NL), Katarina Zdjelar (NL), Bram Vreven (NL), Anke Eckardt (DE), Pascal Petzinger (NL), Edwin Deen (NL), Mike Rijnierse (NL), Willem Marijs (NL), HC Gilje (NO), Lucinda Dayhew (AU/DE), Yolande Harris (GB/NL), Alexis O’Hara (CA)

With essays by Christopher Salter (CA), Francisco López (DE/NL), Jens Maier-Rothe (DE/US), Edward A. Shanken (US/NL), Clara Meister (DE), Brandon LaBelle (DE), Janet Leyton-Grant (AU/DE), edited by Janet Leyton-Grant (AU/DE);
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