A carver in a world or welders and installation artists, a humanist in a contemporary art scene dominated by nihilists. In an age when artists routinely hire craftsmen to make their work for them, Vozzo toils unceasingly in his studio, sometimes up to seven days a week, chipping away at unco-operative pieces of sandstone and marble. He is the antithesis of everything that is fashionable in art and distinction that makes him both proud and angry.
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