La banda chilena This Co. vuelve para presentarnos su tercer album Inoculate. Fieles a esa mezcla de New Wave, Post Punk y electrónica que ha construido su identidad sonora, Inoculate viene cargado de atmósferas oscuras y beats danzantes.

Nacido de una colaboración a distancia entre Chile, Suiza y España, Inoculate presenta una cara más sutil, más íntima de This Co. Comparado con sus discos anteriores Inoculate ofrece más espacio, uno donde las capas de instrumentos y voces flotan y se entrelazan en el tiempo. Disectando su sonido, se leen trazos de bandas como Depeche Mode o la fase temprana de Cocteau Twins, así como el sello del productor Equipo agregando textura y profundidad a la electrónica.

Pero no hay que confundirse, pese a la sutileza de su sonido Inoculate no deja de ser un disco de rock y de hacerte bailar. Las guitarras corrosivas y la cadencia bailable de las lineas de bajo siguen ahí, urgiéndote para ir una vez más al rincón más oscuro de la pista de baile.

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The Chilean band This Co. is back again with Inoculate, their third release that -as expected- comes loaded with that unique mix of obscure atmospheres and dance beats that has built their identity in the alternative rock scene.

Inoculate was born as an overseas collaboration experiment between the vocalist and guitarist Jorge Christie (Chile, Switzerland) and the bassist and singer Carlos Vergara (Chile, Spain), and presents a more subtle and intimate side of This Co. Inoculate offers the sensation of a large space where the layers of instruments and vocals float and sensually entangle in time. When dissected, you will recognize traces of Depeche Mode and the early Cocteau Twins on its sound, as well as the hand of the Spain-based producer Equipo that added texture and deepness to their drums and keyboards.

But don’t get confused, despite this clear shift to subtlety Inoculate doesn’t renounce neither to rock nor to dance. The corrosiveness of This Co’s guitars and the dancy cadence of their huge basslines are still there urging you to go once again to the darkest corner of the dance floor.

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