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Group DescriptionTrade only the best Sticker Art, Street Art, and Graffiti Products from other Artists from around the World. Post up your Sticker Trades and pics of incoming Stickers. Post photos of your Street Art Stickers, Tags, Stencils, Rollers, Throw Ups, Bombs, Graff, and Paste Ups from the Streets and more...
Bomit is known as "THE WORLD'S LARGEST STICKER DISTRIBUTION SERVICE".
Submit pics for the "Bomit" website HERE.
Street art is any art developed in public spaces — that is, "in the streets" — though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, flash mobbing and street installations. Typically, the term street art or the more specific post-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.
Artists have challenged art by situating it in non-art contexts. ‘Street’ artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them. John Fekner defines street art as “all art on the street that’s not graffiti.”
The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow.
Whereas traditional graffiti artists have primarily used free-hand aerosol paints to produce their works,"street art" encompasses many other media and techniques, including: LED art, mosaic tiling, murals, stencil art, sticker art, street installations, wheatpasting, woodblocking, video projection, and yarn bombing.
Traditional graffiti also has increasingly been adopted as a method for advertising; its trajectory has even in some cases led its artists to work on contract as graphic artists for corporations. Nevertheless, street art is a label often adopted by artists who wish to keep their work unaffiliated and strongly political. Street artists are those whose work is still largely done without official approval in public areas.
For these reasons street art is sometimes considered "post-graffiti" and sometimes even "neo-graffiti." Street art can be found around the world and street artists often travel to other countries foreign to them so they can spread their designs
Street artists such as Above, Jef Aérosol, Banksy, Mat Benote, BLU, Cartrain, Ces53, Dan Witz, D*Face, Ellis Gallagher, Tod Hanson, Neck Face, Os Gemeos, Swoon, Twist, and 108, have earned international attention for their work and have shown their works in museums or galleries as well as on the street. It is also not uncommon for street artists to achieve commercial success (e.g., Ash, Shepard Fairey, Ron English, Faile, Mr. Brainwash and WK Interact) doing graphics for other companies or starting their own merchandising lines. Other pioneers of street art who have completely discontinued street art (e.g., Richard Hambleton and members of AVANT) have also successfully pursued their contemporary art careers in galleries and museums.
In 1981, Washington Project for the Arts held an exhibition entitled Street Art, which included John Fekner, Fab Five Freddy and Lee Quinones working directly on the streets. Fekner, a pioneer in urban art, is included in Cedar Lewisohn’s book Street Art: The Graffiti Revolution, which accompanied the 2008 Street Art exhibition at the Tate Modern in England, of which Lewisohn was the curator.
The 1990 book Soho Walls – Beyond Graffiti by David Robinson documents the paradigm shift in New York from the text-based precedents established by graffiti artists toward art in the streets such as the shadow figures by Richard Hambleton and the group of five young New York artists working collectively under the moniker AVANT.
While practically all large cities in the world, and some of the larger regional towns, host some form of street art or graffiti, there are a few locations that are considered to harbour forerunners of particular mediums or foster a pioneering street art culture in general. Such locations often attract internationally known street artists who travel to these locations to exhibit their works. The following is a partial list of the most notable locations.
* Berlin, Germany has attracted attention to international street artists since the reunification of the city, making it one of Europe's street art strongholds. Bizarre post-communist locations, cheap rents and ramshackle buildings gave rise to a vibrant street art scene. Hotspots include Mitte, Prenzlauer Berg, Kreuzberg and Friedrichshain.
* Bristol, England is part of a vibrant street art scene, due in part to the success of Banksy.
* London, England has become one of the most pro-graffiti cities in the world. Although officially condemned and heavily enforced, street art has a huge following and in many ways is embraced by the public.
* Melbourne, Australia (see Street art in Melbourne) is home to one of the world's most active and diverse street art cultures and is home to pioneers in the stencil medium. Street artists such as Blek le Rat and Banksy often exhibited works on Melbourne's streets in the 2000s. Works are supported and preserved by local councils. Key locations within the city include Brunswick, Carlton, Fitzroy, Northcote, and the city centre including the famous Hosier Lane.
* São Paulo, Brazil is generally viewed as one of the capitals of street art, and particularly murals. The lively and colourful atmosphere of the city is reflected in the street art scene, quickly evolving into one of the biggest and best in the world, drawing in many artists from around the world to collaborate.
* New York City, USA is considered the home of modern graffiti. The city has a thriving street art scene.
* Stavanger, Norway is host to the annual Nuart Festival, one of Europe's leading events dedicated to promoting street art."
"Sticker art (also known as sticker bombing, slap tagging, and sticker tagging) is a form of street art in which an image or message is publicly displayed using stickers. These stickers may promote a political agenda, comment on a policy or issue, or comprise an avant garde art campaign. Sticker art is considered a subcategory of Graffiti.
This form of street art allows graffiti tags to instantly be placed anywhere accessible, with a much lower risk of apprehension and less damage to the target surface than is possible with other types of street art, such as wheat-pasting posters or spay paint..
Many different types of stickers are used to create sticker art. Inexpensively-purchased and free stickers such as "hello my name is" name tags or USPS mailing labels are often used with hand-drawn art. Sticker artists can also easily design and print thousands of stickers at low cost using a commercial printing service or at home with a computer printer and self-adhesive labels. Most well known artists print their designs onto adhesive vinyl. Most adhesive vinyl has an aggressive permanent adhesive but all are waterproof and fade resistant. A handful of these artists raise the bar by printing their designs on destructible adhesive vinyl such as B.N.E. (artist) and early Obey Giant "Has A Posse" have done. Destructible adhesive vinyl is near impossible to remove from the surface it is adhered to once applied. If destructible adhesive vinyl is tampered with harshly it simply cracks and chips away in tiny increments making it extremely tedious to handle and remove."
- This group will count toward the photo's limit (60 for Pro members, 30 for free members)
- Members can post 10 things to the pool each day.
- Accepted content types: Photos, Videos, Images, Art, Screenshots
- Accepted safety levels: Safe