French postcard by Editions P.I., Paris, nr. FK 42. Photo: Unifrance Film/Philippe R. Doumic.
In the late 1950’s and early 1960’s Alain Delon (1935) was the breathtakingly good-looking James Dean of the French cinema. The “male Brigitte Bardot” soon proved to be a magnificent actor in masterpieces by Luchino Visconti and Michelangelo Antonioni. In the late sixties Delon came to epitomise the calm, psychopathic hoodlum in the 'policiers' of Jean-Pierre Melville, staring into the camera like a cat assessing a mouse.
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