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Simon S. · Sets
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roundabout

To see the 2:1 thumbnails (as above) of these panoramas please click here.
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(VR) INTERACTIVE VIEWING
Flickr's interactive viewing software SPiV is available thanks to Aldo and requires use of the free Shockwave plugin. Links are given under each picture.
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HOW THEY ARE MADE
When I started taking panoramas I used a tripod and a panorama head. However some of the places which interest me most such as temples, shrines and shops etc quite reasonably prohibit tripods. And I then discovered that it's not only possible but actually much easier taking good quality panoramas without the burden of a tripod.

So all my panoramas are now taken handheld. I use an 8mm fisheye lens and a tilt-variation method which only requires 4 pictures, 2 at +15° and 2 at -15°. You can read more about the process and the aids I use here.

Essential software is Mac OS X, Gimp and PTGui, and additional use is made of Hugin, PanoGLView, Enblend, Lightroom, Photoshop, Photomatrix, CubicConverter et al.
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WHAT EQUIRECTANGULAR MEANS
Think of a round balloon with the countries of the world printed on it. Cut a line from the north to south poles. Now pull it hard into a 2:1 rectangle so that the zenith (north pole) and the nadir (south pole) are stretched from being mere dots until they are lines as wide as the equator itself.

The 360 x 180 degrees of longditude and latitude have become a 2:1 rectangle 360 squares wide and 180 squares high.

And if you feel that this 'mapping' of what we see produces a rather painful distortion then think about what linear perspective does with its equally violent vanishing point !
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これらはすべて360、180度のパノラマ写真で、「Equirectangula r」図法(正距円筒図法)によって作られています。この図法の地図で、北極南極では1 点が赤道と等距離に引き延ばされているように、これらの写真も上下が異常に引き延ばさ れています。

458 photos | 5,885 views

items are from between 04 Apr 2009 & 27 Oct 2009.

room servive by Simon S.
Kita Hama station by Simon S.
Minami Chitose station by Simon S.
MAX by Simon S.
a train by Simon S.
lake Onnetoh by Simon S.
an Ainu home by Simon S.
Hakodate museum by Simon S.
a shoe shop by Simon S.
Is it art ... is she art ? by Simon S.
outside exhibition by Simon S.
calligraphy (iv) by Simon S.
calligraphy (iii) by Simon S.
calligraphy (ii) by Simon S.
calligraphy (i) by Simon S.
parasol garden by Simon S.
tree of life by Simon S.
exhibition by Simon S.
under the blue whale by Simon S.
entrance hall by Simon S.
JNR D51231 by Simon S.
an Akasaka Sakas view by Simon S.
an Akasaka Sakas event by Simon S.
an Akasaka Sakasu event by Simon S.
swings by Simon S.
an Akasaka street view by Simon S.
an Akabane Iwabuchi street view by Simon S.
Queens Circle by Simon S.
another puricura booth by Simon S.
a puricura booth by Simon S.
arcade game machines by Simon S.
Nippon Maru & Landmark Tower by Simon S.
Nippon Maru & Landmark Tower by Simon S.
a steel 'sculpture' by Simon S.
a car park by Simon S.
a classroom by Simon S.
big greenhouse (ii) by Simon S.
big greenhouse (i) by Simon S.
exhibition hall walkway by Simon S.
exhibition room by Simon S.
gazebo with light by Simon S.
gazebo by Simon S.
lakeside pine by Simon S.
realms of reverie by Simon S.
Shirone Kite Museum gallery by Simon S.
farmhouse exhibit by Simon S.
Shirone Kite Museum (iii) by Simon S.
Shirone Kite Museum (ii) by Simon S.
Shirone Kite Museum (i) by Simon S.
Shirone Kite Museum  大凧 by Simon S.
Cucoon Building by Simon S.
Between Tokyu Hands & Kinokunia by Simon S.
three by Simon S.
Kabuki-za, a full house by Simon S.
Kabuki-za, the hanamichi by Simon S.
Kabuki-za, interval shopping by Simon S.
Kabuki-za, the first floor by Simon S.
Cherry blossom viewing (viii) by Simon S.
Cherry blossom viewing (vii) by Simon S.
Cherry blossom viewing (vi) by Simon S.

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