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"If you wish to kill yourself but
lack the courage to, I think a visit to
Palmerston North will do the
trick," – John Cleese
☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺☺
Palmerston North’s central and most
recognisable landmark since the early
80’s was a Christmas decoration that the
council decided to leave up year-round:
A lit-up white Christian cross on top of
a clocktower.
A bit of controversy erupted a year or
two ago, when the council decided that
the cross no longer represented the
multi-cultural diversity of our city,
and they started accepting submissions
on what to replace it with.
Some Christians (of course) kicked up
a big stink, and after a bunch of angry
letters the council decided to keep the
cross as a symbol, but to replace it
with a bigger one (WOW - that's SO
multicultural).
Early one evening, months before the
new one is ready, a gust of wind knocked
over the cross, and it hung limply over
the edge like a botched suicide, until
workmen took it down with a crane the
next morning.
Now that submissions have closed and
the new cross is on it’s way, I’m rather
annoyed that I never submitted my secret
plan for what should’ve been done with
the clocktower…
MY PLAN
Ideally (though this first part would
be impossible to pull off politically
unless done in secret) I’d like to go up
there one night, open up the cross, and
hide within it a little gold chain of
religious icons from different cultures
(a little Buddha, a little Ganesh, a
little pentagram, a little goddess
figure, etc). This way, even though the
symbols would not be visible, people who
bowed down to the cross would
unwittingly be bowing down to a more
diverse selection of faiths.
My second move would be to get some
expert crafts-people to redo the cross
and the clock identically to how they
were meant to look (They look a bit
shabby nowadays) but install in the
cross light that can be programmed to
change – slowly fading from one colour
of the rainbow into another in the style
of the Supré clothing stores’ lighting.
This way the cross could remain white
most nights of the year, but for special
religious and cultural days could be
programmed to show a festive colour or
range of colours (green for Saint
Patrick’s Day, pink for the hero parade,
yellow and blue for Massey graduation,
etc.). As long as it didn’t become too
corporate-oriented it should be sweet.
This way the cross could be reinstated
as a symbol of spirituality and
festivity, but lose some of it’s
mono-theistic exclusivity.
The Christian cross as it is
recognised today has gone through a
number of metamorphoses since it’s
inception, both in shape, meaning and
context.
Jesus (if he ever actually existed) is
generally understood to have been
mounted on a crucifix in either the
shape of a capital T or an X.
Crosses were frequently used by the
Romans as symbols to make fun of
Christians by taunting them with their
dead messiah, until the Christians
‘reclaimed’ it as a symbol of pride in
much the same way as modern black or gay
rights movements reclaim the language of
their oppressors.
Some of the more earth-based
spiritualities that Christianity
absorbed on it’s way to the top already
had cross symbols with their own
meanings, such as the Goddess figure
standing with her arms outstretched in
the throes of birth. As their holy
places were remade certain traces of the
old symbolism survived.
Nowadays, with such a diverse array of
spiritualities in the world the cross is
used by churches and groups ranging from
saintly charities to snake eaters to the
KKK. It has been subverted and absorbed
as a pop-culture icon by everyone from
Madonna to Ozzy to Marilyn Manson, as
representing both Christian values and
Anti-christian values, and with it being
absorbed into the superficiality of the
fashion world – a complete absence of
values.
It is these facts that I think should
be commemorated in a plaque at the base
of the clocktower, (as well as perhaps a
promotional website), and used to
exemplify the cross’s potential for
reclamation by everyone.
The cross should be given to all
peoples of the city, not used as a
symbol of religious monopoly by
Christianity. Changing the lights but
keeping the shape would preserve it’s
aesthetic flow-through as a recognized
landmark, while allowing everyone to
interpret it and “reclaim" it as
they choose.
40 photos | 213 views
items are from between 26 Mar 2006 & 27 Mar 2006.