Linus Gelber's photostream  

Flambeaux and Lady C perform together in a blaze of fire at the Gemini & Scorpio Glitter Ball New Year's Eve party. They begin with familiar flaming stunts, and move on, in the course of their act, to the alluring crowns and mantles they've designed, which they set alight and wear in majestic style.

I've seen the Flambeaux Sheaux only a couple of times over the years, and would like to catch up with them more often. This is a staged bit of choreography, but I'm moved by the love and the trust that shine out between them.

Madame Rosebud is much prettier when she is properly lit, but I was attracted the the sharp central curve in this image, which catches my eye in a take-no-prisoners way.

She is captured dancing with Wasabassco Burlesque at the Bell House, in a marathon free show celebrating Wasabassco's seven years of producing burlesque shows in Brooklyn.

I haven't photographed Mme. Rosebud in ages, and that's a shame - she's bold and fearless, and has always been one of my favorite burlesque subjects. Note to self.

In the course of their cheerful and colorful Dance Concert and Pow-Wow, the Thunderbird American Indian Dancers identify each of the dances and the tribe it comes from, and explains a bit about what is happening.

The program, however, just lists a set of dance names, so I can't identify the dancers or tribes. Which is probably not strictly necessary: in any case, the gorgeous costumes and the lively songs and moves are what this is all about. It's a feast for the senses.

In the Traditional Men's Dance, the performers demonstrate how they can sneak up on their prey with stealth and style. One assumes that in real life they are not actually wearing these blazing colorful clothes while they sneak.

At the end of their performance, the Thunderbird American Indian Dancers come together on stage to "Sing Out the Drum," which involves taking the large drum that has been central in keeping the beat throughout the varied numbers, and carrying it around the performance space.

This drum is a four-man process, and they carry it to the different edges of the stage, presenting it to the children in attendance, while the parents look on. The rest of the group dances and chants behind the drum, and when all is done they come out to talk with the crowd and to pose for photographs with the children of all ages.

The dancers are incredibly gracious, and I'd like to linger, but the kids are restless and there are tables to wrangle at Katz's Deli, and then I've got rehearsal out in Brooklyn: too many stops to tarry.

Also, I would totally wear that shirt.

My nephew turned five this week, and a couple of days later his father/my brother had a birthday with a few more years behind it, and we celebrated for both with a Children's Matinee performance by the Thunderbird American Indian Dancers, who are in the city for a couple of weeks.

The show is delightful: the dancers wear bright costumes and a welcoming demeanor that is charming to kids and parents alike. I've never seen a Pow-Wow, and it wins me over completely. Here one of the dancers - the program is not specific, so I can't match the performers to the dances, or the dances to the various tribes which are represented - dances a Deer Dance, in which a deer gives up its spirit to the hunter, who in turn offers thanks as he kills it.

It's a little tricky to explain to the five-year-old, but that's part of the fun.

A number of my friends are involved in a couple of different plays that involve spirit deer, in one way or another; the image struck me immediately, and chimed.