Lee Wei-I's photostream  

Issue 3 : 走出現實 Walk out from reality

在這期的《攝影之聲》中，日本藝術家Yumiko Utsu以綺麗而古怪的靜物拼盤，挑釁沾滿慾望的人間；橫田大輔從私寫真中挖掘出日常記憶，轉化為猶如迷幻音樂般曖昧模糊的印象音場；台灣藝術家陳順築則以磁磚和家族老照片拼貼的影像語言，重新書寫內心深處的時光遊記；法國創作組合Thomas Rousset和Raphaël Verona，在平凡無奇的生活場景中，塑造了虛實交融的魔幻寫實劇場；中國攝影師史暘，透過都市巨獸的失衡錯位與猛暴的黑白反差，疊起錯落的空間和晦澀不安的視覺想像。而在本期的Artist’s Showcase裡，我們也回顧攝影家張照堂1989年的〈非影像札記〉，重讀他在七○至八○年代超脫實相與夢境的文字影像哲學，從中發現浮遊於生活斷片之內的虛實幻影。

In this issue of Voices of Photography, Japanese artist Yumiko Utsu challenges the world that is filled with desires with colorful yet eccentric still-life collages; Daisuke Yokota uncovers everyday life memories from his personal photographs and transform them into vague images of sound similar to psychedelic music; Taiwanese artist Chen Shun-Chu combines ceramic tiles and old family photographs into a language of images, rewriting the journals of time deep inside his heart; French artists Thomas Rousset and Raphaël Verona create a stage of magical reality, where the real and the imaginary are interwoven together; Chinese photographer Shen Yang constructs imagined spaces and visual experiences of agitation using the contrast between disproportionate and displaced city monsters. In the Artist’s Showcase, we reviewed Photographer Chang Chao-Tang’s 1989 classic “Notes About the Non-images” and revisits his 1970-1980 notes that transcend reality and dreams, together with his philosophy about photography. The real surrealism, as it turns out, exists in the snapshots of the reality itself.

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