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Lanfranco Aceti
Leonardo Electronic Almanac
468
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December 2009
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Jon McCormack, Fifty Sisters (Shell Tree), 2012.
Leonardo Electronic Almanac
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Jon McCormack, Fifty Sisters (Conoco Tree), 2012.
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Jon McCormack, Fifty Sisters (Haeckel), 2012.
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Jon McCormack, Fifty Sisters (BP tree), 2012.
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Jon McCormack, Fifty Sisters (Shell tree), 2012.
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Jon McCormack, Fifty Sisters (Exxon tree), 2012.
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Jon McCormack, Fifty Sisters (Esso tree), 2012.
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Jon McCormack, Fifty Sisters (Concoco tree), 2012.
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Jon McCormack, Fifty Sisters (Chevron tree), 2012.
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Jon McCormack, Fifty Sisters (BP tree), 2012.
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Jon McCormack, Fifty Sisters (Arco tree), 2012.
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Jon McCormack, Fifty Sisters (Amoco tree), 2012.
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Jon McCormack, Fifty Sisters (76 tree), 2012.
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Jon McCormack, Fifty Sisters (installation view, Ars Electronica Museum, Linz), 2012-13.
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Announcing Jon McCormack's Fifty Sisters (and other relations)
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Installation view of Cybernetic Serendipity exhibition (including Random War by Charles Csuri). ICA – Institute of Contemporary Art, London. 2 August - 20 October 1968. Special thanks to Jasia Reichardt (Curator, Cybernetic Serendipity).
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Charles Csuri, Theatre (2012). Frame 0001 from the war18 series. Linux environment and AL.
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Charles Csuri, Outnumbered (2012). Frame 0001 from the war17 series. Linux environment and AL.
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Charles Csuri, Different from Us (2012), Frame 0001 from the war16 series. Linux environment and AL.
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Charles Csuri, Destiny as Fragments (2011). Frame 0001 from the war15 series. Linux environment and AL.
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Charles Csuri, Prelude to Disaster (2012), Frame 0001 from the war14 series. Linux environment and AL.
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Charles Csuri, Back to the Future (2012), Frame 0001 from the war13 series. Linux environment and AL.
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Charles Csuri, Morphing Heroes (2012), Frame 0001 from the war11 series. Linux environment and AL.
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Charles Csuri, No Subtlety (2012), Frame 0001 from the war10 series. Linux environment and AL.
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Charles Csuri, Comradery (2012), Frame 0001 from the war9 series. Linux environment and AL.
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Charles Csuri, Massacre (2012), Frame 0001 from the war7 series. Linux environment and AL.
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Charles Csuri, Fragments of a Nightmare (2012), Frame 0001 from the war6 series. Linux environment and AL.
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Charles Csuri, Mutual Memories (2012), Frame 0007 from the war5 series. Linux environment and AL.
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Charles Csuri, Basic Snafu (2012), Frame 0007 from the war3 series. Linux environment and AL.
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Charles Csuri, Boom (2012), Frame 0007 from the war2 series. Linux environment and AL.
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Charles Csuri, Random War (2011). Media Façade of the Museum of Contemporary Art, Zagreb. Photo Credit: Tomislav Šmider.
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Charles Csuri, Friends Not Forgotten (2011).
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Charles Csuri, Who Will Remember? (2012), from Random War (1967).
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Charles Csuri, The Heroes (2012), from Random War (1967).
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Charles Csuri, Surviving (2012), from Random War (1967).
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Charles Csuri, Missing (2012), from Random War (1967).
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Charles Csuri, Dead (2012), from Random War (1967).
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Charles Csuri, Morass (2012), from Random War (1967).
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Charles Csuri, An Endless Battle (2012), from Random War (1967).
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Charles Csuri, Enemy in Range (2012), from Random War (1967).
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Charles Csuri, Point Blank (2012), from Random War (1967).
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Charles Csuri, Wounded (2012), from Random War (1967).
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Charles Csuri, One Man (2012), from Random War (1967).
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Charles Csuri, Random War (2011). Media Façade of the Museum of Contemporary Art, Zagreb. Photo Credit: Tomislav Šmider.
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Charles Csuri, ‘Random War’ (1967). Lightjet print, laminate. 104 x 229 cm (41 x 90 in.). Calcomp drum plotter model 565, IBM 7094, punch cards.
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Charles Csuri, Random War, fragment (1967). Plotter drawing. Black ink, paper. Calcomp drum plotter model 565, IBM 7094, punch cards. Credit: The Charles Csuri Project [https://csuriproject.osu.edu/]. Collection of Mr. and Mrs. Kevin Reagh.
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Announcing LEA Exhibition: FRAGMENTS THAT REMAIN – TRANSMEDIATING CHARLES CSURI’S RANDOM WAR
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12). 3D visualization. 3D Model: Alan Summers.
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12). 3D visualization. 3D Model: Alan Summers.
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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Chris Meigh-Andrews, In Darwin’s Garden (2011-12).
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(Documentation for) Chris Meigh-Andrews, In Darwin’s Garden (2011-12). Down House, Downe, Kent.
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(Documentation for) Chris Meigh-Andrews, In Darwin’s Garden (2011-12). Down House, Downe, Kent.
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(Documentation for) Chris Meigh-Andrews, In Darwin’s Garden (2011-12). Down House, Downe, Kent.
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(Documentation for) Chris Meigh-Andrews, In Darwin’s Garden (2011-12). Down House, Downe, Kent.
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Drawing of Down House at the time of Charles Darwin.
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(Documentation for) Chris Meigh-Andrews, In Darwin’s Garden (2011-12). Down House, Downe, Kent.
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, The Monument Project (Si Monumentum Requiris Circumspice) (2008-09).
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Chris Meigh-Andrews, Interwoven Motion (2004).
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Chris Meigh-Andrews, Wawel Castle from Debeniki Bridge (After Ignacy Krieger) (2004).
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Chris Meigh-Andrews, Returning (2003-04).
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Chris Meigh-Andrews, Temporal View in Amsterdam (After BB Turner) (2003).
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Chris Meigh-Andrews, For William Henry Fox Talbot (The Pencil of Nature) (2002).
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Chris Meigh-Andrews, For William Henry Fox Talbot (The Pencil of Nature) (2002).
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Chris Meigh-Andrews, A Photographic Truth (2001).
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Photograph of Rear of Down House with Mulberry tree, taken in 1860, the year after the publication of the “Origin of the Species”. © English Heritage Photo Library. By kind permission of Philip & Nell Trevelyan.
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Announcing LEA’s summer exhibition: Chris Meigh-Andrews, ‘In Darwin’s Garden’.
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Cog Cycle (image collected as part of Walczak & Wattenberg’s SEETIME).
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Growth (image collected as part of Walczak & Wattenberg’s SEETIME).
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Growth (image collected as part of Walczak & Wattenberg’s SEETIME).
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Pucks (image collected as part of Walczak & Wattenberg’s SEETIME).
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Doorways (image collected as part of Walczak & Wattenberg’s SEETIME).
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Fading Footsteps (image collected as part of Walczak & Wattenberg’s SEETIME).
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Level of Engagement (image collected as part of Walczak & Wattenberg’s SEETIME).
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A life & the universe (image collected as part of Walczak & Wattenberg’s SEETIME).
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A Day (image collected as part of Walczak & Wattenberg’s SEETIME).
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The Day (image collected as part of Walczak & Wattenberg’s SEETIME).
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Bands: interactive (image collected as part of Walczak & Wattenberg’s SEETIME).
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Counterpoint (image collected as part of Walczak & Wattenberg’s SEETIME).
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Past to the moment to the future (image collected as part of Walczak & Wattenberg’s SEETIME).
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Cross-section (image collected as part of Walczak & Wattenberg’s SEETIME).
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The Proliferation (image collected as part of Walczak & Wattenberg’s SEETIME).
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‘Time folds, time flies’ (image collected as part of Walczak & Wattenberg’s SEETIME).
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‘Estuary’ (image collected as part of Walczak & Wattenberg’s SEETIME).
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‘Headpiece’ (image collected as part of Walczak & Wattenberg’s SEETIME).
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‘Time’ (image collected as part of Walczak & Wattenberg’s SEETIME).
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‘Two views from the time traveller’s window’ (image collected as part of Walczak & Wattenberg’s SEETIME).
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Walczak & Wattenberg, Cyclical (2012).
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Walczak & Wattenberg, Big Clockwise Spirals (2012).
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