Katafraktas' photostream

Do you believe in a better world? Want to participate the necessary changes to make it happen?

The Free World Charter www.freeworldcharter.org/ and The Forbidden Education Project www.educacionprohibida.org.ar/ are simple possibilities within reach.
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As pessoas param e olham, mas não me vêem, não falam comigo, nem me cumprimentam…
Apenas meus adereços lhes interessam…

Talvez se elas me olhassem nos olhos, veriam o vazio de suas próprias vidas refletido, e sairiam gritando:

- Quero ser feliz! Quero ser livre! Quero viver!

...

People stop and look, but do not see me, do not talk to me or compliment me …
Just my adornments interest them …

Perhaps if they looked in my eyes, would see the emptiness of their own lives reflected, and would go crying:

- I want to be happy! I want to be free! I want to live!

Do you believe in a better world? Want to participate the necessary changes to make it happen?

The Free World Charter www.freeworldcharter.org/ and The Forbidden Education Project www.educacionprohibida.org.ar/ are simple possibilities within reach.
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The Butterfly Effect. We are all one ...

Do you believe in a better world? Want to participate the necessary changes to make it happen?

The Free World Charter www.freeworldcharter.org/ and The Forbidden Education Project www.educacionprohibida.org.ar/ are simple possibilities within reach.
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"Imagens para despertar a sensibilidade."

Acredito nos princípios da Carta do Mundo Livre: www.freeworldcharter.org/
e no Projeto Educação Proibida: www.educacionprohibida.org.ar/

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" Images to awaken sensibility."

I believe in the principles of The Free World Charter: www.freeworldcharter.org/
and Forbidden Education Project: www.educacionprohibida.org.ar/

Jorge Silva
Twitter @katafrakta

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"Religão? Pátria? Raça?
Minha Religião é o Amor, minha Pátria é o Mundo e minha Raça é a Humanidade."

"Religion? Homeland? Race?
My religion is Love, my homeland is the World and my race is Humankind. "
Jorge Adoum

Era um fim de tarde ensolarado, com aquela luz suave que torna tudo mágico.

Ocasiões assim me levam de volta à infância, onde ainda sentimos nossa ligação com toda a Vida, tudo é uma nova descoberta, e a beleza pulsa em cada folha seca e em cada ser vivente...

O silêncio, o ar puro, os sons da Natureza com pássaros e insetos por toda parte, me dão a sensação de que posso flutuar.

Em lugares assim, apesar do abandono e decadência da construção, há uma atmosfera que convida ao encontro com a história do lugar:

"Quem viveu aqui? Quais eram os sonhos de vida? Realizaram algum desses sonhos? Por que abandonaram o lugar? Aonde estarão agora? Será que já passaram para o outro lado do espelho?"

Enquanto me faço as perguntas, sensações percorrem meu corpo, como se as respostas estivessem no sussurro das energias que circulam pelo lugar. E sigo observando e ouvindo.

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Windows of the Soul. "There's nothing out there, eternity is here and now."

It was a sunny evening, with that soft light that makes everything magical.

Occasions like this take me back to childhood, where we still feel our connection with all life, everything is a new discovery, and beauty pulsating in every leaf and every living creature ...

The silence, fresh air, sounds of nature with birds and insects everywhere, give me the feeling that I can float.

In such places, despite the abandon and decadence of building, there is an atmosphere that invites you to meet with the history of the place:

"Who lived here? Which were the dreams of life? Accomplish some of these dreams? Why they abandoned the place? Where they will be right now? Did they ever crossed to the other side of the mirror?"

As I ask the questions, feelings run through my body as if the answers were in the whisper of energy flowing around the place. And I follow by watching and listening.
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Do you believe in a better world?

Want to participate the necessary changes to make it happen?

The Free World Charter www.freeworldcharter.org/ and The Forbidden Education Project www.educacionprohibida.org.ar/ are simple possibilities within reach.
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