Press L!
It all started before Christmas when I saw a video of people ice skating on a frozen Tenaya Lake in Yosemite's high country. Wow, that's cool, that doesn't happen very often, I thought. Then, about halfway through the video, the filmer unwittingly showed something that had my eyes bugging out of my head: thick and crunchy pressure ridges and cracks running through the vast ice sheet covering Tenaya's surface. And that sealed the deal: since Tioga Pass is open this late into the year maybe once in a generation, I knew I needed to take advantage of this unique photographic opportunity.
The week after Christmas I set out for three days of camping, hiking, exploring, and shooting the high country near Tuolumne Meadows. My timing was just right and I had three days of incredible shooting conditions and more natural beauty than you can shake a stick at. This shot is from the sunset on the first night: a rip-roaring pink and purple glow which set the icy reflections and cracks aflame on Tenaya Lake.
If you've never been to Yosemite you should go. Even if you miss the frozen lakes on Tioga Pass, the park is still a wonder that will leave your jaw on the floor. Can't wait to lead a workshop here in Spring with Jim Patterson.
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Tech notes on this photo
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Nikon D7000
Tokina 12-24 f/4 at 12mm
ISO100
f/9 - Sharpest spot on my lens, still adequate for full DOF with my
crop sensor
1 sec.
Lee soft 3-stop GND filter
Cloudy White Balance
Post-Processing
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In Raw Converter (Nikon Capture NX2)
- Processed single raw file twice, once for sky and foreground, and
once for the granite domes
- Global contrast for added pop
- Local contrast in the foreground to bring out the cracks and bubbles
In Photoshop:
- Manual blend of two tiffs for master composite
- Selective sharpening of the ice cracks and bubbles in the
foreground, as well as the domes
- A "repair" layer to clone out some ice chunks people had
thrown all over the lake, as well as some tracks carved into the ice
by skaters
- Soft light burn / dodge layer, dodged through luminosity masks to
bring out the thin ice crack in the lower right
- Curves layer to add a little more contrast to foreground
- Color balance to remove a lot of excess purple cast from the
foreground caused by the increase in contrast (side note, just
realized I could've also fixed this issue by changing my above curves
layer to the "luminosity" blend mode to affect brightness
values and not color values)
- Curves layer to add a little brightness to domes
- Color balance through a luminosity mask to remove excess warm cast
from trees
All the best!
~Josh
chris lazzery, romvi, Sydney August, Silent G Photography, and 415 other people added this photo to their favorites.
View 20 more comments
Eloise Claire 11 months ago | reply
HOT DAMMMMMM so good!
Jeff Eickhoff 11 months ago | reply
Holy sheeyat. This one is incredible.
Le.Sanchez 10 months ago | reply
wow amazing
Julianne Bradford Photography 8 months ago | reply
Wonderful innovative work