Jeff Scott SF's photostream  

Close-up of classical granite relief sculpture on City Hall. From Van Ness Avenue, Civic Center, San Francisco, California; taken August 2011, edited February 2012. Nikon D700 and Nikkor 28-300mm f/3.5-5.6 AF-S VR lens; a cropped multishot series using PhotoAcute Studio, with Nik Viveza and CEP tonal contrast effects. (Wrapping up a pair of stonework studies, and interesting in the way the camera seems to have picked up more blue tints in some of the daylight midtone shadows here - not intentional, maybe a lapse in my using the Photoshop filters, different.)

Close-up of classical granite relief sculpture on City Hall. From Van Ness Avenue, Civic Center, San Francisco, California; taken August 2011, edited February 2012. Nikon D700 and Nikkor 28-300mm f/3.5-5.6 AF-S VR lens; a cropped multishot series using PhotoAcute Studio, with Nik Viveza and CEP tonal contrast effects. (Attempting to realistically capture the texture of the iconic stonework, as if you could get this close to the building without a ladder in the shrubs.)

Lunch party entrée simmering on the stove at La Casa Marta, Daly City, California; February 2012. Nikon D7000 and Nikkor 105mm f/2.8 AF-S VR micro lens, in ambient light. (Yes, it tasted as marvelous as it looked - lush, complex, fresh and subtle, with shellfish and chorizo plus hearty seasoned rice cooked to perfection. I mistakenly thought this was cioppino at first, but it didn't have the tomatoes or a wine sauce, and was more Spanish than Italian; a classic.)

In the Alamo Square area of San Francisco, California; taken May 2011, edited February 2012. Nikon D7000 and Nikkor 18-200mm AF-S DX lens; a multishot series using PhotoAcute Studio, with Nik Viveza effects. (Some serious gingerbread, and looking at it from this angle seemed to emphasize it - like condensed Rococo...)

On Bartlett St near 23rd St in the Mission District, San Francisco, California; taken April 2011, edited February 2012. Nikon D7000 and Nikkor 18-200mm f/3.5-5.6G AF-S DX VR lens; a multishot series using Kolor Autopano, with Nik CEP tonal contrast effects. (So, the sky's heading toward surreal - no big deal to make it look natural, but "odd" is sometimes just the way it feels around here, along with lazy...)