• Main light coming from camera left, via two large, clear, Meggaflash pf300 flashbulbs.
  • Eight flashes from inside the arch and behind the right fin, coming from a yellow filtered Norman 400B portable strobe
  • 40 flashes coming from camera right via a Norman 400B portable strobe covered with a red-magenta filter.
  • 10-minute time exposure (about 1 hour after sunset) produces the dark blue sky.

Delicate Arch - night exposure

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Delicate Arch, Arches National Park. This NightScape was taken with three artificial lights. This photo was taken with the Mamiya 6x7cm camera, using film. My more current NightScapes use digital technology that allow me to also include star constellations and the Milky Way (see photo, below).

How we did it: There were three lights used in this 10-minute time exposure: 1.) two Meggaflash pf300 in a 12-inch polished reflector, coming from camera left; 2.) eight flashes within the arch coming from a Norman 400B portable strobe (firing at the 200 watt-seconds setting), covered with a yellow-gold Rosco gel filter; and 3.) 40 flashes coming from camera right via a Norman 400B portable strobe (firing at the 200 watt-seconds setting), covered with a red-magenta Rosco gel filter. We are rarely able to get more than one or two photographs each evening. Flash exposures are pre-calculated (based on distance). All flashes are fired during the 10-minuted time exposure (for the sky). We typically start the time exposure about one hour after sunset. This gives us the color of blue in the sky that we like. (Move your cursor over and around the image to see our "Notes". Remove your cursor from the image and the annoying notes will go away :)

For additional information, read this Strobist Magazine article.

Typically, my wife Linda or one of my sons, will open the shutter (using the "bulb" setting) at my command (often using a radio to communicate), and I will walk around and set off all the flashes. This has to be practiced in the daylight since I cannot use a flashlight to guide me. Firing the flashes within the arch was the most critical and dangerous, since I had to be hidden behind the arch's right fin, but not venture far enough to fall off the ledge behind it (which drops several hundred feet)!

Getting permission: People often ask if one has to get permission to take a complicated night photo like this. The answer is "no", if you are not doing a commercial shoot (otherwise, you must get park permission and post a bond). You also must be careful not to harm the park features. Another photographer light fires a few years ago near this arch (to create a dramatic lighting effect) and caused damage to the feature.

Behind the scenes: The NightScape Story (includes additional, how-to stuff).
Please visit my photostream every Thursday to see a new ''NightScape'' image.
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2012/04/11 4289v 91c 155f 14g

Kraetzsche, Maureclaire, ionut iordache, pinkjay, and 235 other people added this photo to their favorites.

View 20 more comments

  1. Fort Photo 9 months ago | reply

    Awesome Royce! Really fun ideas on the light sources too, it's pretty cool how creativity turns on high when we are doing things we are passionate about!

  2. AZ Imaging 7 months ago | reply

    Splendid capture.

  3. lucy tony 5 months ago | reply

    well done ,you made a good work . I want to do this too. I have bought a flashlight(Torch Led Flashlight), I don't know how i can do it.

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