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Canon EOS 50e | Super Takumar 55mm | Arista Premium 400

At nearest focus.

Roll #85, Frame 21. 1/45; f/2.
Dev: Rodinal 1:100 (400ml); 2 hour semi-standing @ 19°C. 4 agitations after first min, 3 more at midpoint.

Anyone can see this photo All rights reserved

Uploaded on Jan 29, 2012

4 comments

The ill-tempered rapier

The ill-tempered rapier

Canon EOS 50e | Super Takumar 55mm | Arista Premium 400

www.youtube.com/watch?v=HnrQ7DXO8Os

Roll #85, Frame 22. 1/45; f/2.
Dev: Rodinal 1:100 (400ml); 2 hour semi-standing @ 19°C. 4 agitations after first min, 3 more at midpoint.

Anyone can see this photo All rights reserved

Uploaded on Jan 23, 2012

1 comment

The ill-tempered rapier (2)

The ill-tempered rapier (2)

Canon EOS 50e | Canon EF 50mm | Arista Premium 400

Roll #85, Frame 19. 1/45; f/2.
Dev: Rodinal 1:100 (400ml); 2 hour semi-standing @ 19°C. 4 agitations after first min, 3 more at midpoint.

Anyone can see this photo All rights reserved

Uploaded on Jan 23, 2012

5 comments

Avon

Avon

Canon EOS 50E | Canon EF 50mm | Arista Premium 400

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2 AM. Burbank, CA.

(Semi) stand developing effort went well. No adjacency effects for the first time, and very even developing - owing possibly to using only 400mL of solution rather than 450-475 where agitation is less pronounced.

Roll #85, Frame 13. 1/45; f/1.8.
Dev: Rodinal 1:100 (400ml); 2 hour semi-standing @ 19°C. 4 agitations after first min, 3 more at midpoint.

Anyone can see this photo All rights reserved

Uploaded on Jan 21, 2012  |  Map

4 comments

High noisy

High noisy

Canon EOS 50E | Canon EF 50mm | Arista Premium 400

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2 AM. Burbank, CA.

Experimenting with stand developing. Damn near no information on this particular frame; it's about 1-1.5 stops from nothing. Exposure was at about EV 5 for the film's nominal 400 ISO. Surveying the scene and using a tripod I would have exposed at EV 1 or 2 (and gotten hit by a car waiting for the exposure to complete).

Someone on a message board said with regards to push processing, you can't bring out what's not there, ie. light falling outside the film's latitude. I suspect if I had left a film like this in the developer for a full day (don't dare me), there would have been little more shadow detail and highlights would be cooked beyond recognition.

Also of tedious interest: There's significant base fog to this roll. I'm not sure if that means my fixer is overdue for the graveyard or if it's something inevitable with developing this length of time with this developer. Or maybe it's just Tri-X, I mean Arista Premium 400 being its finicky oversensitive self.

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Roll #85, Frame 5. 1/45; f/1.8.
Dev: Rodinal 1:100 (400ml); 2 hour semi-standing @ 19°C. 4 agitations after first min, 3 more at midpoint.

Anyone can see this photo All rights reserved

Uploaded on Jan 21, 2012  |  Map

0 comments

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